Onegin and Pechorin psychological characteristics. Essay “Comparative characteristics of Onegin and Pechorin

In life, things don't always work out the way we would like. This is what we see in real world, this is what great books teach us. I liked the proposed topic because I really love A.S. Pushkin, and by reading the novel “Eugene Onegin”, you can study not only the poem, but also the history of the noble society XIX century.

The main characters of both works are young people. What did the young generation of that time dream of? Eugene Onegin, being a charming, handsome nobleman, received a “French” upbringing, but the author emphasizes not strong abilities to mathematical sciences, foreign languages, but more to the “science of tender passion”, lived an ordinary wild life younger generation: followed fashion, shone at balls, spent time in theaters in the company of rakes. But, in the end, all this “tinsel” of life bothers him, he becomes disappointed in both lives and people. In his soul there is emptiness, coldness, indifference. He is sick. And the name of this disease is “blues”.
Onegin begins to shun society, despises everyone, and is arrogant with everyone. This would have continued if not for the death of his uncle and his subsequent acquaintance with Lensky and the Larin family.

Larinas are wonderful, open, kind and simple people. Lensky – educated person, who studied in Germany, a romantic poet with high ideals and a romantic soul and capable of great love. The Larin family met Evgeniy Onegin with parental care, as loved one. Little by little, his soul began to thaw, but overall he remained the same. But the tragedy of the work is when Tatyana Larina fell in love with Onegin, but was rejected and ridiculed by him.

Tatyana dreamed of finding a husband in Onegin, she expects sublime love from him, being well-read in French novels, she immediately sees her dream in him.” romantic hero, but she was mistaken and, in the end, was forced to marry the “old man,” a rich man with high rank. Lensky dreamed of a wedding with his beloved Olga, but dies in a stupid and senseless duel from a friend’s bullet.

Larina’s old people dream of a calm old age, of peace, of the happiness of their daughters, but reality contradicts their dreams. Evgeny Onegin is forced to wander around different countries after a duel with Lensky, but life again brings a surprise: at the ball he meets a luxurious, secular lady, a trendsetter, who, among other things, is the center of attention of everyone high society and shines with her beauty, manners, intelligence, and recognizes Tatyana in her: “Is it really that Tatyana?” He was amazed, his heart was pierced by love, he was sick with love!

Onegin dreamed of Tatyana, suffered, realized what big mistake he committed without appreciating her real merits: kindness, purity of soul, inner beauty. But Tatyana Larina is noble and honest, she cannot betray her husband, although she still loves Eugene Onegin. This work has been reviewed by thousands of critics different countries, so, it remains relevant today. Not only as a study of the high society of that time and the customs of Moscow, St. Petersburg, provincial Russia those times, but also as a relationship between a man and a woman.

Thus, Onegin’s side appears here as an “extra person”, no one needs.

The same motif of the “superfluous man” is described in Lermontov’s work “Hero of Our Time,” where the inner world of the hero Pechorin, living in another generation, is similar to the world of Onegin in that he is also disappointed in life, gloomy, cynical, and strange.

Pechorin, just like Onegin, personifies an entire generation of his time, however, he includes such aspects of character as anger, envy, at the same time with generosity and kindness. The whole tragedy of Pechorin is that he cannot love, find an application for his strengths and talents, he would like to serve the Motherland, but Russia was in a state of reaction, any free thoughts were punished, and he rushed about in search of an application for himself. This unites him with Onegin, since he, too, could participate in the development of Russia, and not rush around in the bustle of life.

This is a potential hero who could bring a lot of benefit to society, but there was no need for this, and he wasted his energy on stupid, thoughtless, and also discrediting actions: a duel with Grushnitsky, his attitude towards Princess Mary and Bela. The tragedy of Pechorin, like the tragedy of Onegin, is the tragedy of many of their contemporaries, similar to them in their way of thinking and in their position in society. This is the tragedy of all progressive-minded nobles who entered life after the defeat of the Decembrists.

/ / / Comparative characteristics Onegin and Pechorin

And - outstanding images personifying their time. They were created by different authors, but they are very similar. The simplest explanation for this is that Mikhail Lermontov looked up to Alexander Pushkin in many ways. However, Lermontov’s Pechorin is not an imitation Pushkin's Onegin, but an image similar in worldview.

What brings these images together? Onegin and Pechorin are people of noble origin. Both are still young and full of energy. By nature they are endowed sharp mind. The intelligence of the heroes is generally much higher than that of the people around them, so they feel lonely.

Onegin was taught by a foreign tutor who tried not to overburden his pupil with science. But Evgeniy still received a good education thanks to his intelligence and love of reading. Pechorin is also well educated.

The attitude towards love also brings the heroes together. They learned the “art” of love early and knew how to easily conquer women’s hearts. However, they themselves hardly knew how to truly love, although they strived for the ideal. Onegin was tired of relationships with stupid and deceitful young ladies from the capital, but he also did not accept the love of a pure village girl. With his strict refusal, he hurt the feelings of a sincere girl. Love twists and turns Pechorin is even more difficult. The greatest crime was his passion for young Bella. Inflamed with the desire to possess a girl, he takes her captive, makes her fall in love with him, and then, having played with his feelings, forgets about her.

Both heroes, in their own way, rejected the society in which they lived. Onegin did this passively, with his cynical and indifferent attitude towards everything. Pechorin is a more active person. Perhaps the reason is that Onegin is a lazy person, the darling of fate. He did not serve anywhere, but simply lived for his own pleasure. Pechorin is an officer who, due to a crime, went to serve in the Caucasus.

Onegin and Pechorin are romantic heroes, disappointed in their time. But despite this, they are a product of their time. No matter how Onegin distanced himself from generally accepted rules, he depended on public opinion. That is why he goes to a duel with a friend, so as not to “fall” in the eyes of other people. Pechorin also shoots himself in a duel, thinking that this is how he will take revenge on the hated society. However, such an action only becomes part of it.

Heroes don't believe in true friendship. Onegin makes friends with Lensky out of boredom. Pechorin does not allow Maxim Maksimovich, who is friendly towards him, to come close to him. When meeting with an older comrade, Pechorin behaves defiantly coldly. Although Maxim Maksimovich still sympathizes with the hero, perhaps feeling his real soul.

Onegin and Pechorin are brave, determined young people. But still Onegin is more careful. He got used to his life, even though he was tired of it in many ways. Pechorin is a fatalist who plays with life. Just look at his participation in the game “Russian Roulette”. Pechorin takes risks with ease own life, and just as easily relates to the lives of other people.

Both heroes are yearning in anticipation of some Great Deed. Their inner strength and thirst for adventure could come in handy if they were born in a more “heroic” time. And if Onegin could still realize himself in the ranks of the Decembrists, then Pechorin saw the time of the cruel reactions of the authorities to the Decembrist uprising. Therefore, Pechorin is a more tragic image.

Eugene Onegin by Alexander Pushkin and Grigory Pechorin by Mikhail Lermontov have much in common, and at the same time they are original literary images.

In Russian XIX literature century, the images of Eugene Onegin and Pechorin became symbols of the era. They combine the typical features of representatives noble class with outstanding personal qualities, deep intellect and strength of character, which, alas, were not used in conditions of a deep moral crisis, which became main sign time in the 30s - 40s. Misunderstood in their circle, superfluous, they wasted their strength in vain, unable to overcome the moral deafness of their contemporaries and the pettiness of public opinion, which was considered the main criterion human values in high society. Despite all their similarities, Onegin and Pechorin are endowed with bright individual traits, thanks to which modern readers also show interest in these literary heroes.

Pechorin - main character the novel by M. Yu. Lermontov “A Hero of Our Time”, a Russian nobleman, an officer who, due to his duty, found himself in the war zone in the Caucasus. The extraordinary personality of this literary hero caused heated controversy among critics and the ardent interest of contemporary readers.

Onegin- The main thing actor the novel in verse “Eugene Onegin”, written by A. S. Pushkin. Onegin belongs to the noble aristocracy. His biography, according to V. G. Belinsky, became an encyclopedia of Russian life of the first half of the 19th century century.

What is the difference between Pechorin and Onegin?

Comparison of Pechorin and Onegin

The first chapters of “Eugene Onegin” were published by A. S. Pushkin in 1825. Readers met Pechorin in 1840. Minor difference in the time of creation of these literary images nevertheless, it was of fundamental importance for the disclosure of their personal qualities, which contemporaries perceived as a reflection of deep social processes.

At the beginning of the novel, Onegin is a social dandy. He is rich, educated and constantly under the close attention of high society. Tired of idleness, Evgeniy makes an attempt to get down to serious business: reforming the economy he inherited. Novelty village life turned into boredom for him: the lack of the habit of working gave rise to melancholy, and all the endeavors of the learned economist came to naught.

Both characters are representatives of the capital's aristocracy. The heroes received an excellent education and upbringing. Their intelligence level is higher than average level the people around them. The characters are separated by ten years, but each of them is a representative of their era. Onegin's life takes place in the twenties, the action of Lermontov's novel takes place in the 30s of the 19th century. The first is influenced by freedom-loving ideas in the context of the flourishing of an advanced social movement. Pechorin lives in a period of brutal political reactions to the activities of the Decembrists. And if the first one could still join the rebels and find a goal, thus giving meaning to his own existence, then the second hero no longer had such an opportunity. This already speaks of the greater tragedy of Lermontov’s character.

Onegin's drama is in futility own strength and the emptiness of the lifestyle that was imposed public opinion and was accepted by the hero as a standard, beyond which he never dared to step. Duel with Lensky, difficult relationships with Tatyana Larina - a consequence of deep moral dependence on the opinions of the world, which played a primary role in Onegin’s fate.

Pechorin, unlike Onegin, is not so rich and noble. He serves in the Caucasus, a place of dangerous military operations, showing miracles of courage, demonstrating endurance and strength of character. But his main feature, repeatedly emphasized in the novel, is the dual contradiction of spiritual nobility and selfishness, bordering on cruelty.

The reader learns about Onegin’s personality from the narrator’s remarks and Tatyana Larina’s observations. The narrator and Maxim Maksimych express judgments about Pechorin. But his entire inner world is revealed in his diary - the bitter confession of a man who failed to find his place in life.

Pechorin's diary entries are the philosophy of the Byronic hero. His duel with Grushnitsky is a kind of revenge on secular society for its heartlessness and passion for intrigue.

In his confrontation with the light, Pechorin, like Onegin, suffers defeat. Strength without application, life without purpose, inability to love and friendship, secular tinsel instead of service high goal- these motifs in “Eugene Onegin” and “Hero of Our Time” have a common sound.

Pechorin became a hero of his time: the second half of the 30s of the 19th century, marked by a deep social crisis after the events associated with the Decembrist movement in Russia.

Both characters are very critical of people and life. Realizing the emptiness and monotony of their existence, they show dissatisfaction with themselves. They are oppressed by the surrounding situation and people mired in slander, malice, and envy. Disillusioned with society, the heroes fall into melancholy and begin to get bored. Onegin tries to start writing to satisfy his spiritual needs. But he quickly gets tired of "hard work." Reading also fascinates him for a short time. Pechorin also quickly gets tired of any business he starts. However, once in the Caucasus, Grigory still hopes that there will be no room for boredom under the bullets. But he also gets used to military action very quickly. We got bored with Lermontov's character and love adventures. This can be seen in Pechorin's attitude towards Mary and Bela. Having achieved love, Gregory quickly loses interest in the ladies.

A comparative description of Onegin and Pechorin would be incomplete without mentioning the self-criticism of the heroes. The first is tormented by remorse after the duel with Lensky. Onegin is unable to stay in the places where the tragedy occurred, he gives up everything and begins to wander around the world. The hero of Lermontov's novel admits that he has caused quite a lot of grief to people throughout his life. But, despite this understanding, Pechorin is not going to change himself and his behavior. And Gregory’s self-criticism does not bring relief to anyone - neither himself nor those around him. This attitude towards life, himself, and people portrays him as a “moral cripple.” Despite the differences between Pechorin and Onegin, they both have a lot common features. Each of them has a particularly pronounced ability to understand people well. Both heroes are good psychologists. So, Onegin singled out Tatyana immediately, at the first meeting. Of all the representatives landed nobility Evgeny became friends only with Lensky. Lermontov's hero also correctly judges the people who meet him on the way. Pechorin gives quite accurate and exact specifications to others. In addition, Gregory knows perfectly well female psychology, can easily predict the actions of ladies and, taking advantage of this, wins their love. A comparative description of Onegin and Pechorin allows you to see the true state inner worlds characters. In particular, despite all the misfortunes that each of them caused to people, both of them are capable of bright feelings.

Love in the lives of heroes

Realizing his love for Tatyana, Onegin is ready to do anything just to see her. Lermontov's hero immediately rushes after the departed Vera. Pechorin, not having caught up with his beloved, falls in the middle of the path and cries like a child. Pushkin's hero is noble. Onegin is honest with Tatyana and does not think of taking advantage of her inexperience. In this, Lermontov's hero is the direct opposite. Pechorin appears as an immoral person, a man for whom the people around him are just toys.

Pechorin and Onegin belong to that social type of the twenties of the nineteenth century, who were called “superfluous” people. “Suffering egoists”, “clever uselessness” - this is how Belinsky figuratively and accurately defined the essence of this type.
So, how are the characters in Pushkin’s and Lermontov’s works similar and different?
First of all, the heroes of both novels appear before us as historically and socially determined human characters. Socially - political life Russia in the twenties of the nineteenth century - the strengthening of political reaction, the decline of the spiritual forces of the younger generation - gave rise to special type incomprehensible young man that time.
Onegin and Pechorin are united by their origin, upbringing and education: they both come from rich backgrounds noble families. At the same time, both heroes do not accept many of the secular conventions and have a negative attitude towards external secular splendor, lies, and hypocrisy. This is evidenced, for example, by Pechorin’s extended monologue about his “colorless” youth, which “passed in a struggle with himself and the world.” As a result of this struggle, he “became a moral cripple,” quickly becoming fed up with “all the pleasures that money can get.” The same definition is quite applicable to Pushkin’s hero: “a child of fun and luxury,” he quickly got tired of the bustle of society, and “the Russian melancholy took possession of him little by little.”
The heroes are also united by spiritual loneliness among the secular “motley crowd.” “... My soul is spoiled by light, my imagination is restless, my heart is insatiable,” Pechorin bitterly notes in a conversation with Maxim Maksimych. The same is said about Onegin: “... the feelings in him cooled down early; he was tired of the noise of the world.”
This is where the idea of ​​escapism arises in both works - the desire of both heroes for solitude, their attempt to distance themselves from society and worldly vanity. This is expressed both in a literal departure from civilization and in an escape from society into the world of internal experiences, “throwing off the burden of the conditions of light.” Unites Onegin and Pechorin and common motive“wandering without a goal”, “wanderlust” (Pechorin’s wanderings in the Caucasus, Onegin’s fruitless travels after the duel with Lensky).
Spiritual freedom, which is understood by the heroes as independence from people and circumstances, is main value in the worldview system of both characters. So, for example, Pechorin explains his lack of friends by the fact that friendship always leads to the loss of personal freedom: “Of two friends, one is always the slave of the other.” The similarity between Onegin and Pechorin is also manifested in their identical attitude towards love and inability for deep affection:
“We’ve had time to tire of the betrayals;
I’m tired of friends and friendship.”
This worldview determines special meaning actions of heroes in the lives of other people: both of them, according to different expression Pechorin, play the role of “axes in the hands of fate”, causing suffering to the people whom their fate encounters. Lensky dies in a duel, Tatyana suffers; similarly, Grushnitsky dies, Bela dies, kind Maxim Maksimych is offended, the smugglers’ way of life is destroyed, Mary and Vera are unhappy.
The heroes of Pushkin and Lermontov are almost equally likely to “assume a form”, “put on a mask”.
Another similarity between these heroes is that they embody the type of intellectual character who is characterized by originality of judgment, dissatisfaction with oneself, a penchant for irony - everything that is brilliantly defined by Pushkin as a “sharp, cooled mind.” In this regard, there is a direct overlap between Pushkin’s and Lermontov’s novels.
However, there are clear differences between the characters of these characters and the means of their artistic image in both novels.
So what's the difference? If Pechorin is characterized by a boundless need for freedom and a constant desire to “subordinate to his will what surrounds him,” “to arouse feelings of love, devotion and fear,” then Onegin does not strive for constant self-affirmation at the expense of other people, and takes a more passive position.
Pechorin’s worldview is also distinguished by great cynicism and some disdain for people

The difference between Pechorin and Onegin

1. Onegin - literary hero, who could devote his life to democratic changes in society, but due to his personal qualities became a hostage of high society.
2. Pechorin understands worthlessness own existence and tries to change him: at the end of the novel he leaves Russia.
3. Onegin does not seek to change anything in his destiny: all his actions are a consequence of the current circumstances.
4. Pechorin is able to objectively evaluate himself and honestly admits his passions and vices.
5. Onegin understands his own imperfection, but is not able to analyze his own actions and their consequences. Read more:

I look sadly at our generation!
His future is either empty or dark,
Meanwhile, under the burden of knowledge and doubt,
It will grow old in inactivity.
M. Yu. Lermontov
Pushkin’s “Eugene Onegin” was for the poet, in his words, the fruit of “a mind of cold observations and a heart of sorrowful observations.” Belinsky in his article “Eugene Onegin” called this work “an encyclopedia of Russian life.” And in fact, in this novel, as in magic crystal reflected the picture of all layers of Russian life: the high society, the small nobility, and the people - Pushkin studied the life of all layers of society well early XIX century. In those years when the poet was working on his most beloved work, he had to go through a lot, lose many friends, and experience the bitterness of death the best people Russia. Against the background of paintings of Russian life in the 20s of the 19th century, it is shown dramatic fate the best people, the best noble intelligentsia Decembrist era.
Without Onegin, Lermontov’s “Hero of Our Time” would have been impossible, because the realistic novel created by Pushkin opened the first page in the history of the great Russian novel XIX century. Pushkin embodied in the image of Onegin many of those features that were later developed in individual characters Lermontov, Turgenev, Herzen, Goncharov. Evgeny Onegin and Pechorin are very similar in character, both of them are from a secular environment, received good upbringing, they are at a higher stage of development, hence their melancholy, melancholy and dissatisfaction. All this is characteristic of souls that are more subtle and more developed. Pushkin writes about Onegin: “Handra was waiting for him on guard, and she ran after him like a shadow or faithful wife" The secular society in which Onegin and later Pechorin moved spoiled them. It did not require knowledge, superficial education was enough, knowledge was more important French and good manners. Evgeniy, like everyone else, “danced the mazurka easily and bowed at ease.” Their best years he spends, like most people of his circle, on balls, theaters and love interests. Pechorin leads the same lifestyle.
Very soon both begin to understand that this life is empty, that behind the “external tinsel” there is nothing worth it, boredom, slander, envy reign in the world, people spend internal forces souls to gossip and anger. Petty vanity, empty talk of “necessary fools,” spiritual emptiness make the life of these people monotonous, outwardly dazzling, but devoid of inner content. Idleness and lack of high interests trivialize their existence. The day is similar to the day, there is no need to work, there are few impressions, so the smartest and best fall ill with melancholy. They essentially do not know their homeland and people. Onegin “wanted to write, but he was sick of persistent work...”, he also did not find the answer to his questions in books. Onegin is smart and could be useful to society, but the lack of need for work is the reason that he does not find something to do to his liking.
He suffers from this, realizing that the upper layer of society lives off the slave labor of serfs. Serfdom it was a shame Tsarist Russia. In the village, Onegin tried to alleviate the situation of his serfs (“... he replaced the ancient corvée with a light quitrent with a yoke...”), for which he was condemned by his neighbors, who considered him an eccentric and a dangerous “freethinker.” Many people also do not understand Pechorin. In order to further reveal the character of his hero, Lermontov places him in a variety of social spheres, encounters a wide variety of people. When was it published separate edition“Hero of our time”, it became clear that before Lermontov the Russian realistic novel did not have. Belinsky noted that “Princess Mary” is one of the main stories in the novel. In this story, Pechorin talks about himself, reveals his soul. Here the features of “A Hero of Our Time” were most clearly manifested as psychological novel. In Pechorin's diary we find his sincere confession, in which he reveals his thoughts and feelings, mercilessly castigating his inherent weaknesses and vices. Here is a clue to his character and an explanation of his actions. Pechorin is a victim of his difficult times. Pechorin's character is complex and contradictory. He says about himself: “There are two people in me: one lives in in every sense of this word, another thinks and judges it.” The character traits of the author himself are visible in the image of Pechorin, but Lermontov was broader and deeper than his hero. Pechorin is closely connected with the front line social thought, but he counts himself among the pitiful descendants who wander the earth without convictions and pride. “We are not capable of greater sacrifices, either for the good of humanity or for our own happiness,” says Pechorin. He lost faith in people, his disbelief in ideas, skepticism and undoubted egoism are the result of the era that came after December 14, the era of moral decay, cowardice and vulgarity of that secular society, in which Pechorin revolved. The main task that Lermontov set for himself was to paint the image of a contemporary young man. Lermontov poses the problem strong personality, so different from noble society 30s.
Belinsky wrote that “Pechorin is the Onegin of our time.” Novel “Hero. of our time” is a bitter reflection on the “history of the human soul,” a soul destroyed by the “brilliance of the deceptive capital,” seeking and not finding friendship, love, and happiness. Pechorin is a suffering egoist. Belinsky wrote about Onegin: “The power of this rich nature were left without application: life without meaning, and the novel without end.” The same can be said about Pechorin. Comparing the two heroes, the critic wrote: “... There is a difference in the roads, but the result is the same.” For all the difference appearance and the differences in characters, Onegin, Pechorin, and Chatsky belong to the gallery of “superfluous people for whom there was neither place nor business in the surrounding society.”
The desire to find one’s place in life, to understand the “great purpose” is the main meaning of Lermontov’s lyrics. Is it not these reflections that occupy Pechorin, leading him to a painful answer to the question: “Why did I live?” This question can be answered with the words of Lermontov: “Perhaps, convinced by heavenly thoughts and the strength of spirit, I would give the world a wonderful gift, and for that it would give me immortality...” In Lermontov’s lyrics and Pechorin’s thoughts we meet the sad recognition that people are These are skinny fruits, ripened before their time. How Pechorin’s words that he despises life” and Lermontov’s “but fate, I despise the world” echo, so in “Hero of Our Time” we so clearly hear the voice of the poet, the breath of his time. Depicting the fates of their heroes, typical of their generation, Pushkin and Lermontov protest against reality, which forces people to waste their strength.

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Evgeny Onegin and Grigory Pechorin have a lot in common. Their main similarity and what stands out most is the type of “extra person”. Extra person is a literary hero who cannot find use for his talents and abilities. This describes these two heroes perfectly. However, first we should talk about both separately.

Eugene Onegin- a wealthy nobleman, belongs to the upper class. In his youth, he was passionate about social life, had a good command of the rules of behavior, and courted girls. But he quickly got tired of it: the way of life, the same things repeated day after day, balls and empty talk. The hero gets tired and disappointed, loses interest in life, becomes bored and apathetic:

“In short: the Russian melancholy took possession of him little by little...”

Grigory Pechorin- a young officer, not as rich as Onegin, but not poor either. Savor spoiled him. His character is very contradictory. He is full of feelings, but he cannot realize them. An egoist who has no goal in life. However, he is actively looking for her, proof of this is the eternal eccentric antics and actions that drag the people around him into trouble. To relieve boredom, he is ready to destroy the life of another.

What do these heroes of the novels of Pushkin and Lermontov have in common? Onegin and Pechorin are lonely and unhappy, both are of no use to anyone, their character makes them superfluous everywhere. They are both smart and talented, but they do not use their abilities in practice or use them unsuccessfully. Heroes are unable to bring any benefit or benefit to others. The characters cannot find anything that could give them motivation in life, meaning. They have no place in this world, they are superfluous, society rejects them. People around them think they are strange.

Both of them are also unlucky in love. Although it's not a matter of luck, but of their characters. Onegin fell in love with Tatiana when it was too late, causing the girl to suffer greatly; Pechorin used many girls, but as soon as they became uninteresting to him, he turned away from them. Only Vera Pechorin truly loved, but their love also turned out to be unhappy.

Their relationships with friends are similar. Just as Onegin, for the sake of entertainment, laughed at the love of his friend Lensky, so Pechorin plays on Grushnitsky’s feelings for Mary. For both, their “friendship” ends in a duel and the death of their friend.

How do the heroes differ from each other? Regarding the differences between the characters, Belinsky wrote the following:

"Onegin is a bored egoist, Pechorin is suffering."

If Onegin did not pay attention to his boredom, perceiving it as something inevitable, then Pechorin got into different situations, did various reckless things and created troubles, hoping in this way to find some interest, to find hope.

Thus, the heroes of “Eugene Onegin” and “Hero of Our Time” have a lot in common, including their attitude to the world around them, society’s attitude towards them, some character traits and characteristics, but they are still different people.