You won’t take it when you have to ask afterwards, proverb. Sentences with the word "take it"

allows you to reveal the problem from the point of view of the author of the story or turn to your personal understanding of love. Your choice should be reflected in the introduction:
  • Classic works are often dedicated to eternal themes: love, death, friendship, war and others. It is not surprising that such a sensitive and attentive person as Alexander Ivanovich Kuprin wrote some of his most successful works about love. This is “The Duel”, and “Olesya”, and, of course, the story “The Garnet Bracelet”, in which the author’s view of this great feeling is clearly visible.
  • The theme of love belongs to the category of those that can be clearly or implicitly detected in absolutely any work. For each reader it reveals itself in its own way, and somehow especially resonates in the soul. When the theme of love is assigned central place in the work, as in the story by I.A. Kuprin’s “Garnet Bracelet”, the reader not only gets acquainted with the story told by the writer, but feels it.

Each idea can be developed in different ways, confirming it different examples from the text of the story. The first option can also be supplemented with details of the author's biography.

Alexander Ivanovich Kuprin lived rich life. This is probably why in his stories he talks about eternal values, and does not pursue popular plots and heroes. “The Garnet Bracelet” can hardly be called life-like, but Kuprin always argued that his best story, in his opinion, is a true story. The story is indeed based on real events, but the plot was based on a funny rather than a tragic episode. This is the unique talent of the author - to notice something unusual in everyday routine and create literary masterpieces.

The character, who by the will of the author was destined to experience “disinterested, selfless, not requiring reward” love, is not in the foreground: he is hidden behind letters to Princess Vera, as if he had never existed at all. Even his name is unknown to the reader: at the end of the story we only learn that the person hidden behind the abbreviation “P.P.Zh” is telegraph operator Zheltkov. But for Kuprin, neither his status nor his name matter. He transfers all the excitement about this to another hero of the story - Vera’s brother. Nikolai Nikolaevich and partly Vera’s husband, Prince Vasily Lvovich, express public position. The author needs these heroes because she own point view differs from the generally accepted one.

Kuprin, contrary to first impressions, shows that the most happy hero Zheltkov appeared in the story. He is the only one who was able to experience a strong feeling, albeit unrequited. And Princess Vera could only get closer to love, which happens only once in a lifetime. Vera Nikolaevna was “cold”, “royally calm”, “a little patronizingly kind”, but still one cannot exclude her ability to feel. “Leave me, I know that this man will kill himself,” she says to her husband, realizing that she had missed what she was subconsciously looking for in conversations with Anosov, in thoughts alone with herself: “You see, the kind of love for which to do anything a feat, to give one’s life, to undergo torture is not work at all, but one joy.”

Over time, Zheltkov no longer needs reciprocity: he is nourished by love itself. At that moment when Nikolai Nikolaevich and Vasily Lvovich deprive him of the very opportunity to love, Zheltkov does not see the point in living further. The last hope for love with his death also disappears for Vera Nikolaevna: “At that second she realized that the love that every woman dreams of had passed her by.”

Our own perception of love in the story “The Garnet Bracelet” requires at the same time a deeper analysis of the text.

Each person understands and perceives love differently. It’s a matter of choice: to believe in it or consider it possible only in fiction. The story of Alexander Ivanovich Kuprin “The Garnet Bracelet” is not only talentedly written, it also has interesting story, but also universal in perception. It is difficult to say in whose appearance the soul of the author is hidden, although Kuprin’s sympathy and sympathy for Zheltkov is obvious.

The hero, to whom the author entrusts a great feeling, is small and inconspicuous, hidden from the world. In a rather awkward conversation with Vera Nikolaevna’s husband, Zheltkov, perhaps the first and last time can talk openly about his experiences. This complexity is close to each of us, because we often hide our own feelings from the world and others, fearing being rejected, but hoping for reciprocity.

At first, Zheltkov blames himself for the inappropriate feeling, but later he realizes that he cannot cope with love, and accepts it as the greatest gift: “I tested myself - this is not a disease, not a manic idea - this is love, which God wanted for whatever reason.” "To reward me." He is not afraid to be funny or absurd, he loves - and this is his happiness.

Zheltkov’s feelings resonate even in the soul of Prince Shein, although he should absolutely justifiably be offended and overcome with jealousy: “The main thing is that I see his face, and I feel that this man is not capable of deceiving and knowingly lying. Indeed, think, Kolya, is he to blame for love and is it possible to control such a feeling as love - a feeling that has not yet found an interpreter. - After thinking, the prince said: “I feel sorry for this man.” And not only do I feel sorry, but I also feel that I am present at some enormous tragedy of the soul, and I cannot clown around here.” The power of Zheltkov’s love repels all possible opposing forces and even after his death resounds with the sounds of a Beethoven sonata and the quiet whisper “Hallowed be thy name.”

In the final part of the essay, you can draw conclusions corresponding to the chosen essay idea:

  • Alexander Ivanovich Kuprin’s story “The Garnet Bracelet” is a reflection of the author’s understanding of the feeling of love and a variant of the disclosure of this topic in the writer’s work. Many of his works are dedicated to the most valuable thing for his characters and, probably, for the author himself - love.
  • Vera Nikolaevna, as an object of love, touches her with reverence - greatest miracle in her understanding - and with bitter regret she realizes that she realized her loss too late. However, because the author called love “unselfish, selfless, not requiring reward,” the princess believes that Zheltkov forgave her.
  • The author does not talk about great love– he shows it. By the end of the story, the reader unconditionally believes in Zheltkov’s feelings, imbued with faith in the same way as the heroes of the story.
  • The feeling of love described by Kuprin is close to any reader - callous or sensitive, attentive to detail or superficial. The author of the story managed to create a universal system of characters, each of which reflects different views on the problem raised. Kuprin shows that love may not be seen, may be understood and accepted, but only the happiest and in exceptional cases manage to truly experience the great feeling of love.

Mashkina V., student of the Faculty of Philology of Moscow State University

Material for preparing essays on other topics.

Anna and Bakhtinsky walked in front, and behind them, about twenty steps, the commandant was arm in arm with Vera. The night was so black that in the first minutes, until your eyes got used to the darkness after the light, you had to feel your way with your feet. Anosov, who, despite the years, retained amazing vigilance, had to help his companion. From time to time, with his large, cold hand, he affectionately stroked Vera’s hand, which lay lightly on the bend of his sleeve. “This Lyudmila Lvovna is funny,” the general suddenly spoke, as if he was continuing the flow of his thoughts out loud. “How many times in my life have I observed: as soon as a lady reaches fifty, and especially if she is a widow or an old girl, then she is drawn to hang around someone else’s love. Either he spies, gloats and gossips, or tries to arrange someone else’s happiness, or spreads verbal gum arabic about sublime love. But I want to say that people nowadays have forgotten how to love. I do not see true love. I haven’t seen it in my time either! - Well, how is this so, grandfather? — Vera objected softly, shaking his hand lightly. - Why slander? You yourself were married. So, they still loved you? “It means absolutely nothing, dear Verochka.” Do you know how you got married? I see a fresh girl sitting next to me. She breathes - her chest moves under her blouse. He will lower his eyelashes, they are so long, and everything will suddenly burst into flames. And the skin on the cheeks is tender, the neck is so white and innocent, and the hands are soft and warm. Oh, damn! And then mom and dad walk around, eavesdropping behind the doors, looking at you with such sad, dog-like, devoted eyes. And when you leave, there are these quick kisses behind the doors... During tea, a foot under the table seems to accidentally touch you... Well, it’s done. “Dear Nikita Antonich, I came to you to ask for your daughter’s hand in marriage. Believe that this is a holy creature...” And dad’s eyes are already wet, and he’s about to kiss... “Darling! I’ve been guessing for a long time... Well, God forbid... Just take care of this treasure...” And now, three months later, the holy treasure walks around in a tattered hood, shoes on bare feet, thin, unkempt hair, in curlers, with orderlies she behaves like a cook, breaks down with young officers, lisps, squeals, rolls her eyes. For some reason she calls her husband Jacques in public. You know, like that on the nose, with a stretch, languidly: “J-a-a-ak.” Reel, actress, slob, greedy. And the eyes are always deceitful and deceitful... Now everything has passed, settled down, settled down. I’m even grateful to this actor in my heart... Thank God there were no children... -Have you forgiven them, grandfather? “Forgiven is not the right word, Verochka.” At first I was like crazy. If I had seen them then, of course, I would have killed them both. And then little by little it moved away and moved away, and nothing was left but contempt. And good. God saved us from unnecessary bloodshed. And besides, I escaped the common fate of most husbands. What would I be if not for this disgusting incident? A pack camel, a shameful potter, a concealer, a cash cow, a screen, some kind of household necessity... No! Everything is for the better, Verochka. - No, no, grandfather, after all, forgive me, the old resentment says... And you transfer your unfortunate experience to all of humanity. Take Vasya and me for example. Can we call our marriage unhappy? Anosov was silent for quite a long time. Then he said reluctantly: - Well, okay... let's say - an exception... But in most cases, why do people get married? Let's take a woman. It’s a shame to stay with girls, especially when your friends have already gotten married. It's hard to be the odd one out in the family. The desire to be a housewife, the head of the house, a lady, independent... In addition, the need, the direct physical need of motherhood, and to start building your nest. But men have other motives. Firstly, fatigue from a single life, from disorder in rooms, from tavern dinners, from dirt, cigarette butts, torn and scattered linen, from debts, from unceremonious comrades, and so on and so forth. Secondly, you feel that living as a family is more profitable, healthier and more economical. Thirdly, you think: when the kids come, I’ll die, but a part of me will still remain in the world... something like the illusion of immortality. Fourthly, the temptation of innocence, as in my case. In addition, there are sometimes thoughts about a dowry. Where is the love? Is love unselfish, selfless, not waiting for reward? The one about which it is said “strong as death”? You see, the kind of love for which to accomplish any feat, to give one’s life, to suffer torment is not work at all, but pure joy. Wait, wait, Vera, now you want to tell me about your Vasya again? Really, I love him. He good guy. Who knows, maybe the future will show his love in the light of great beauty. But you understand what kind of love I'm talking about. Love must be a tragedy. The greatest secret in the world! No life conveniences, calculations and compromises should concern her. -Have you ever seen such love, grandfather? - Vera asked quietly. “No,” the old man answered decisively. - Actually, I know of two similar cases. But one was dictated by stupidity, and the other... well... some kind of acid... just pity... If you want, I’ll tell you. That's not for long. - Please, grandfather. - Here you go. In one regiment of our division (not ours) there was the wife of the regimental commander. Rozha, I’ll tell you, Verochka, is unnatural. Bony, red-haired, long, thin, with a big mouth... The plaster was falling off her like from an old Moscow house. But, you know, a sort of regimental Messalina: temperament, authority, contempt for people, passion for diversity. In addition, she is a morphine addict. And then one day, in the fall, they send to their regiment a newly promoted ensign, a completely yellow-throated sparrow, fresh from military school. After a month, this old horse completely mastered him. He is a page, he is a servant, he is a slave, he is her eternal cavalier in dances, wears her fan and scarf, and in one uniform jumps out into the cold to call her horses. It’s a terrible thing when a fresh and pure boy puts his first love at the feet of an old, experienced and power-hungry lecher. If he jumped out unharmed now, still consider him dead in the future. This is a stamp for life. By Christmas she was tired of him. She returned to one of her former, proven passions. But he couldn't. Follows her like a ghost. He was all exhausted, emaciated, blackened. To speak in a high calm manner, “death was already lying on his high brow.” He was terribly jealous of her. They say he spent whole nights standing under her windows. And then one spring they organized some kind of May Day or picnic for the regiment. I knew both her and him personally, but I was not present at this incident. As always on these occasions, a lot was drunk. We returned back at night on foot along the railroad bed. Suddenly a freight train comes towards them. It goes up very slowly, up a fairly steep climb. Blows whistles. And so, as soon as the locomotive lights caught up with the company, she suddenly whispers in the ear of the ensign: “You keep saying that you love me. But if I order you, you probably won’t throw yourself under the train.” And he, without answering a word, ran and ran under the train. He, they say, calculated correctly, right between the front and rear wheels: that way it would have been neatly cut in half. But some idiot decided to hold him back and push him away. Yes, I didn’t master it. The ensign grabbed the rails with his hands, and both his hands were chopped off. - Oh, what a horror! - Vera exclaimed. — The warrant officer had to leave his service. His comrades collected some money for him to travel. It was inconvenient for him to stay in the city: a living reproach before the eyes of both her and the entire regiment. And the man disappeared... the most in a mean way... Became a beggar... froze somewhere on a pier in St. Petersburg. And the other case was completely pathetic. And the woman was the same as the first, only young and beautiful. She behaved very, very badly. It was easy for us to look at these domestic novels, but even we were offended. And the husband - nothing. He knew everything, saw everything and was silent. Friends hinted to him, but he just waved them off with his hands. “Leave it, leave it... It’s not my business, it’s none of my business... Let only Lenochka be happy!..” Such a fool! In the end she became firmly attached to Lieutenant Vishnyakov, a subaltern from their company. So the three of us lived in a bigamous marriage - as if this is the most legal type of marriage. And then our regiment was sent to war. Our ladies saw us off, she also saw us off, and, really, I was ashamed to even look: at least for the sake of decency, she glanced once at her husband - no, she hung herself on her lieutenant, like a devil on a dry willow, and does not leave. At parting, when we were already seated in the carriages and the train was moving, she, shameless, shouted after her husband: “Remember, take care of Volodya! If anything happens to him, I will leave home and never return. And I’ll take the children.” Do you perhaps think that this captain was some kind of wimp? weakling? dragonfly soul? Not at all. He was a brave soldier. Near the Green Mountains, he led his company six times to the Turkish redoubt, and out of two hundred people he had only fourteen left. Wounded twice, he refused to go to the dressing station. That's what he was like. The soldiers prayed to God for him. But she ordered... Helen told him to! And he looked after this coward and quitter Vishnyakov, this drone without honey, like a nanny, like a mother. When spending the night in the rain, in the mud, he wrapped him in his overcoat. I went to sapper work instead of him, and he lay down in the dugout or played shtos. At night I checked the guard posts for him. And this, mind you, Verunya, was at a time when the bashi-bazouks were cutting out our pickets as easily as a Yaroslavl woman cuts cabbage heads in her garden. By God, although it’s a sin to remember, everyone was happy when they learned that Vishnyakov died in the hospital from typhus... - Well, grandfather, have you met women who love you? - Oh, of course, Verochka. I will even say more: I am sure that almost every woman is capable of the highest heroism in love. Understand, she kisses, hugs, gives herself - and she already mother. For her, if she loves, love contains the whole meaning of life - the whole universe! But it is not at all her fault that love among people has taken such vulgar forms and has simply descended to some kind of everyday convenience, to a little entertainment. The fault lies with men who, at twenty years of age, are jaded, with chicken bodies and hare souls, incapable of strong desires, heroic deeds, to tenderness and adoration before love. They say that all this has happened before. And if it didn’t happen, then didn’t you dream and yearn for it? the best minds and the souls of humanity - poets, novelists, musicians, artists? The other day I read the story of Mashenka Lesko and the Chevalier des Grieux... Can you believe it, I shed tears... Well, tell me, my dear, in all honesty, doesn’t every woman, in the depths of her heart, dream of such love - one, all-forgiving, all ready, humble and selfless? - Oh, of course, of course, grandfather... “And since she’s gone, women take revenge.” Another thirty years will pass... I won’t see, but maybe you will, Verochka. Mark my words, in thirty years women will occupy unprecedented power in the world. They will dress like Indian idols. They will trample on us men like despicable, groveling slaves. Their extravagant whims and caprices will become tormenting laws for us. And all because for entire generations we did not know how to bow and revere love. This will be revenge. You know the law: the force of action is equal to the force of reaction. After a short silence, he suddenly asked: “Tell me, Verochka, if it’s not difficult for you, what is this story with the telegraph operator that Prince Vasily talked about today?” What is fact here and what is fiction, according to his custom? - Are you interested, grandfather? - As you want, as you want, Vera. If for some reason you feel uncomfortable... - Not at all. I'll be happy to tell you. And she told the commandant with all the details about some madman who began to pursue her with his love two years before her marriage. She has never seen him and does not know his last name. He only wrote to her and signed his letters G.S.Zh. Once he mentioned that he served in some government institution as a small official - he did not mention a word about the telegraph. Obviously, he constantly followed her, because in his letters he very accurately indicated where she attended the evenings, in what company and how she was dressed. At first his letters were vulgar and curiously ardent, although they were quite chaste. But one day Vera, in writing (by the way, don’t spill the beans, grandfather, about this to ours: none of them knows) asked him not to bother her anymore with his outpourings of love. Since then, he fell silent about love and began to write only occasionally: on Easter, on New Year and on her name day. Princess Vera also spoke about today's parcel and even conveyed almost verbatim the strange letter from her mysterious admirer... “Yes,” the general finally drawled. - Maybe he’s just an abnormal fellow, a maniac, but who knows? - maybe yours life path, Verochka, crossed precisely the kind of love that women dream about and which men are no longer capable of. Wait a minute. Do you see the lights moving ahead? Probably my crew. At the same time, the loud roar of a car was heard from behind, and the road, rutted by wheels, shone with white acetylene light. Gustav Ivanovich arrived. - Annochka, I grabbed your things. Sit down,” he said. - Your Excellency, would you allow me to take you? “No, thank you, my dear,” answered the general. — I don’t like this car. It just trembles and stinks, but there is no joy. Well, goodbye, Verochka. Now I will come often,” he said, kissing Vera’s forehead and hands. Everyone said goodbye. Friesse drove Vera Nikolaevna to the gate of her dacha and, quickly making a circle, disappeared into the darkness with his roaring and puffing car.

Sometimes we are so far from reality in our dreams that another comeback actually brings us pain and disappointment. And we run away from the slightest troubles of life, from its coldness and insensitivity. In our pink dreams we see a bright future, in our dreams we again try to build crystal castles in a cloudless sky. But there is a feeling in our lives that is so close to our dreams that it almost touches them. This is Love. With him we feel protected from the vicissitudes of fate. Already from childhood, the foundations of love and affection are laid in the minds of everyone. And each person will carry them throughout his life, sharing them with the world around him, thereby making it wider and brighter. But sometimes it seems that people are becoming more and more grounded own interests, and even feelings become victims of such a landing. They become stale, turn into ice, and become smaller. Unfortunately, not everyone has to experience happy and sincere love. And even that has its ups and downs. And some even wonder: Does it exist in the world? And yet, I really want to believe that this is a magical feeling, in the name of which, for the sake of a loved one, you can sacrifice the most valuable thing - even own life. Precisely about such a selfless and forgiving love, writes Kuprin in his story “Garnet Bracelet”.

The first pages of the story are devoted to a description of nature. It’s as if all events happen against their miraculous light background, it comes true wonderful fairy tale love. Coldish autumn landscape fading nature is similar in essence to the mood of Vera Nikolaevna Sheina. From it we predict her calm, unapproachable character. Nothing attracts her in this life, perhaps that is why the brightness of her being is enslaved by everyday life and dullness. Even during a conversation with her sister Anna, in which the latter admires the beauty of the sea, she replies that at first this beauty also excites her, and then “begins to crush her with its flat emptiness...”. Vera could not be imbued with a sense of beauty in the world around her. She was not a natural romantic. And, having seen something out of the ordinary, some peculiarity, I tried (even if involuntarily) to bring it down to earth, to compare it with the world around me. Her life flowed slowly, measuredly, quietly, and, it would seem, satisfied life principles, without going beyond their scope. Vera married a prince, yes, but the same exemplary, quiet person as she herself was. It's just time, though oh hot, passionate love there was no question. And so Vera Nikolaevna receives from Zheltkov a bracelet, the shine of the garnets plunges her into horror, the thought “like blood” immediately pierces her brain, and now a clear feeling about the impending misfortune weighs on her, and this time it is not at all empty. From that moment on, her peace of mind was destroyed. Having received a letter along with the bracelet in which Zheltkov confesses his love to her, there is no limit to the growing excitement. Vera considered Zheltkov “unfortunate”; she could not understand the tragedy of this love. The expression “happy unhappy person” turned out to be somewhat contradictory. After all, in his feeling for Vera, Zheltkov experienced happiness. He ended his life on the orders of Tuganovsky, thereby blessing the woman he loved. Leaving forever, he thought that Vera’s path would become free, her life would improve and go on as before. But there is no turning back. Farewell to Zheltkov’s body was climax her life. At this moment, the power of love reached its maximum value and became equal to death. Eight years of bad, selfless love that demands nothing in return, eight years of devotion to a sweet ideal, selflessness from own principles. In one short moment of happiness, sacrificing everything accumulated over such a long period of time is not something everyone can do. But Zheltkov’s love for Vera did not obey any models, she was above them. And even if her end turned out to be tragic, Zheltkov’s forgiveness was rewarded. Crystal Palace, in which Vera lived, crashed, letting a lot of light, warmth, and sincerity into life. Merging in the finale with Beethoven’s music, it merges with both Zheltkov’s love and eternal memory about him.

I would so much like this fairy tale about the all-forgiving and strong love, created by I. A. Kuprin. I would like so much that cruel reality could never defeat our sincere feelings, our love. We must increase it, be proud of it. Love, true love, must be studied diligently, like the most painstaking science. However, love does not come if you wait for its appearance every minute, and at the same time, it does not flare up out of nothing, but it is also impossible to extinguish strong, true love. She, different in all manifestations, is not a model life traditions, but rather an exception to the rule. And yet a person needs love for purification, for acquiring the meaning of life. A loving person is capable of sacrifice for the sake of peace and happiness of a loved one. And yet he is happy. We must bring into love all the best that we feel, that we are proud of. And then bright sun will certainly illuminate it, and even the most ordinary love will become sacred, merging into one with eternity. Forever…

APPLYING ELEMENTS OF RESEARCH IN LITERATURE LESSONS
Musatova G.V.

Humanization of the learning process requires creative approach teacher to design an educational lesson. Since the role of education in modern society is not limited to simply imparting a certain amount of knowledge, education must turn this knowledge into a tool for creative exploration of the world around us, and at the same time there is not only an increase in knowledge, skills, abilities, but also the development of the personality itself. Therefore, it is relevant to turn teaching practice to research, search methods of teaching, when the student is placed in a situation of gaining knowledge in the process of active cognition.

Studying literary work- this is serious work for a student. And the teacher’s task is to make this work attractive, to organize it in such a way that communication with the book becomes a discovery for the student life values, brought joy to the process of learning itself, and not disappointment. Therefore, the material offered to the student must be built on the basis of personal, semantic and emotional-psychological significance. The student’s involvement in the process of cognition and research of the problem being studied occurs on a dialogue basis, namely, the teacher’s question evokes in the student not only and not so much an answer, but in turn a question. Therefore, the value of such a dialogue is not only that the learning process becomes personally significant, but also that the learning process is implemented both in the sphere of knowledge and moral-ethical, based on the enrichment of the subjective experience of the student’s personality.

The research method is organized on the basis joint activities students, which meets not only their increased need for interpersonal communication, but also creates conditions for their personal growth.

Applicable research elements on training session develop students’ ability to structure information, communication abilities, group interaction skills, and increase students’ cognitive motivation for the material being studied. Since from the very beginning of the lesson their independent search activity is stimulated, and at the end of the lesson there is certainly a general feeling of moving forward on the path of knowledge, self-enrichment, and a joyful awareness of success.

For the teacher, the main task becomes the ability to create an appropriate emotional and intellectual environment in the classroom, an atmosphere of psychological support, and a situation of success. Group study transforms each student and the whole study group into subjects of self-study.

Secondary professional education, specialty "technology of public catering products", 2nd year.

Literature.

Subject: Love is unselfish, selfless, and does not expect reward.

Story by A.I. Kuprin “Garnet Bracelet”

Lesson type: Learning new material.

Methods: lesson-research.

Lesson objectives:


  1. To create conditions for students to develop interest in the theme of love in the story by A.I. Kuprin’s “Garnet Bracelet”, evoke a feeling of admiration for pure, sublime love, which “will never pass or be forgotten, for which they sacrifice their lives”, help to compare what you read with the world of your own soul, and think about yourself.

  2. Promote the development of the ability to analytically read text work of art, To mobile work with text.

  3. Promote the formation of love for classical literature, reverent attitude towards such a high concept as love.
Equipment: Portret A.I. Kuprin, exhibition of books by A. Kuprin, recording of the second sonata by L.V. Beethoven.

Preparatory stage : Students are offered an advanced task:


  1. Read the story by A.I. Kuprin “Garnet Bracelet”

  2. Retelling (or expressive reading) episodes (individual tasks):
1st student: Letter from Zheltkov to Vera Nikolaevna (Chapter V.)

2nd student: Zheltkov’s last letter (Chapter XI.)

Main stage: Epigraph.

Love... alone more valuable than wealth, glory and wisdom... more valuable than life itself, because she does not even value life and is not afraid of death.

A.I. Kuprin

During the classes

I. Organizational stage.


  • Greetings.

  • Checking the presence and readiness of students for the lesson.
II. Motivation. I would like to begin today's lesson with the words of William Shakespeare's Sonnet 130: Her eyes are not like the stars,

You can't call your mouth coral,

The open skin of the shoulders is not snow-white,

And a strand curls like black wire.
With damask rose, scarlet or white,

You can't compare the shade of these cheeks.

And the body smells like the body smells,

Not like a violet's delicate petal.
You won't find perfect lines in it,

Special light on the forehead.

I don't know how the goddesses walk,

But the darling steps on the ground.
And yet she will hardly yield to those

Who was slandered in comparisons of magnificent people.

These lines are dedicated to all-exalting, beautiful, eternal love. Shakespeare devoted many works to the theme of love, as did many poets and writers. With no less justification, Kuprin can be called a singer of sublime love.


        • Goal setting.
Teacher: Let's do a little research on the theme of love in the story by A.I. Kuprin “Garnet Bracelet” and let’s try to determine the semantic meaning of the concept “love”, think about the semantic shades of this word and take a new look at the word “love” that seemed familiar to us.

III. Updating the subjective experience of students.

The teacher asks students to explain the meaning of the statement A.I. Kuprina“Love... alone is more valuable than wealth, fame and wisdom... more valuable than life itself, because it does not even value life and is not afraid of death,” based on the plots of his works.

Suggested answer: Love in Kuprin's works is always unselfish and selfless; it does not expect reward and is often stronger than even death itself. For many of the writer’s heroes, it forever remained the greatest secret in the world and at the same time a tragedy. In Kuprin’s works, love is the kind for which to accomplish any feat, to go to torment, is not labor at all, but joy. No life conveniences, calculations and compromises should concern her. It was this kind of love that touched the Polish “witch” Olesya, who fell in love with the “kind, but only weak” Ivan Timofeevich. “Pure and kind” Romashov, the hero of the story “The Duel,” sacrifices himself for the sake of the calculating Shurochka Nikolaeva. Such is both knightly and romantic love Zheltkova to Princess Vera Nikolaevna (the story “The Garnet Bracelet”), which absorbed his entire being.

Despite the tragic ending, Kuprin's heroes are happy. They believe that the love that illuminated their lives is a truly wonderful feeling. Olesya's only regret is that she does not have a child with her loved one. Zheltkov dies, blessing his beloved woman. This is how Kuprin describes love. You read and think: this probably doesn’t happen in life, but despite common sense, I want it to be.

Teacher: And now, I propose, together with the author, to look into the closet of a poor official to look at examples of amazing beauty and strength perfect love. At home you read the story by A.I. Kuprin "Garnet Bracelet". This touching work tells the story of the hopeless love of a petty official, Zhetkov, for a very respected society lady. It once again depicts a difficult life for the reader." little man" It is full of small joys and the great emotions associated with them, modest desires and huge sincere feelings. Zheltkov – Bright representative this class of people. But, unfortunately, the immense love of the “little man” is already doomed to failure from the very beginning. Let's not delve into the main conflict for now. He will try to convey the plot of the story succinctly.
The student retells the plot of the story: a petty official, a lonely and timid dreamer, falls in love with a young society lady, a representative of the so-called “upper class”. Unrequited and hopeless love continues for eight years. The lover's letters serve as the subject of ridicule and bullying by members of the family clan of princes Shein and Bulat-Tuganovsky. Princess Vera Nikolaevna, the recipient of these love revelations, does not take them seriously either. A gift sent by an unknown lover - a garnet bracelet - causes a storm of indignation from the princess's brother, fellow prosecutor Bulat-Tuganovsky. He is ready to trample and destroy the “plebeian” who dares to show signs of attention to a hereditary noblewoman. People close to the princess consider the poor telegraph operator to be abnormal, a maniac. And only the old general Anosov, with whom the princess likes to be frank, guesses about the true motives for such risky actions of the unknown lover: “And - who knows? Maybe your path in life, Verochka, has been crossed by exactly the kind of love that women dream about and that men are no longer capable of.” The love of the “little man” ends tragically. Unable to withstand a collision with a world of cruelty and indifference, with bitterness and hardened souls, the hero of the story dies.

Teacher: I remembered a poem by the Austrian poet half of the 19th century century Nikolai Lenau, which has a connection with the content of the story “Garnet Bracelet”:

To remain silent and perish... But dearer,

What is life, magical shackles?

Your best dream is in her eyes

Search without saying a word!

Like the light of a shy lamp

Trembling in the face of the Madonna

And, dying, he catches the eye,

Her heavenly gaze is bottomless!..

“Be silent and perish” - this is the spiritual vow of a telegraph operator in love. And yet he violates it, reminding himself of the only and inaccessible Madonna. This supports hope in his soul, gives him the strength to endure the suffering of love, passionate, sizzling, which he is ready to take with him to other world. Death does not frighten the hero. Love stronger than death. He is grateful to the one who evokes this wonderful feeling in his heart, which has elevated him, a “little” man, above the huge, vain world, the world of injustice and malice. That is why, when leaving this life, he blesses his beloved: “Hallowed be thy name.”

Student: Could such love really exist? “Garnet Bracelet” - pure fiction or did Kuprin manage to find a plot in life that corresponds to his author’s idea?

Teacher: The work is based on real fact- the love story of a modest official for a socialite, the mother of the writer L. Lyubimov. (excerpt read out)

Teacher: As you know, this is not the case with Kuprin. Why do you think he backed down? real events? (the tragic outcome of the story “gets on the nerves more strongly”, makes a greater impression, gives extraordinary strength and weight to Zheltkov’s feelings).

IV. Learning new material.


  • Analysis of the story “Garnet Bracelet”.
The teacher asks students questions and organizes a conversation about the content of the story:

  • Where does the action take place?

  • What pictures of nature does the author describe, how do they affect the mood of Princess Vera Nikolaevna?

  • Why do you think the story opens with a landscape?

  • How does the princess perceive her name day?

  • How does Vera Nikolaevna relate to her husband?

  • How does her portrait characterize the princess?

  • Will she be capable of ardent, passionate love?

  • What is the significance of the initial chapters of the story, which describe Vera Nikolaevna’s name day?

  • What event disrupts the calm progress of the name day?

  • Read the description of the bracelet. ( The student reads Chapter 5 - description of the bracelet)

  • What did the princess feel when she saw him?

  • What did Vera Nikolaevna think when she saw the letter?

  • Read the letter (reading letter Chapter 5) What properties does green pomegranate have?

  • What feelings does the GSG experience?

  • Are there any contrasting objects in the story? Which ones do you think?

  • What gift did Vera receive from her sister?

  • What episode of the name day made an unpleasant impression on you?

  • What is included in Prince Shein's homemade humorous album?

  • Which guests are depicted sympathetically?

  • What is the story of General Anosov and why is it given in such detail?

  • What is this man's drama? (Student retelling of Chapter 8).

Teacher: This is how the story begins with the theme of true love, love for which, according to Anosov, “to accomplish a feat, to give one’s life, to go to torment is not work at all, but one joy.” According to the writer, “love should be a tragedy. The greatest secret in the world! No life conveniences, calculations or compromises should concern her.” Kuprin tried to find such love in real life and sang it in his story. And when Vera tells her “grandfather” about the garnet bracelet and the reverent adoration of her by a certain GSG, Anosov utters a phrase that has become prophetic for Vera: “Perhaps your path in life... has been crossed by exactly the kind of love that women dream of and that men are no longer capable of »

“Every woman dreams of love, “united, all-forgiving, ready for anything, modest and selfless.” This is the ideal of love according to Kuprin.
The teacher asks students questions:


  • Remember how Vera’s brother Nikolai Mirza, Bulat-Tuganovsky, behaved after learning about the bracelet?

  • Find in his remarks words that testify to his class arrogance, about deep contempt for people below his circle.
The teacher concludes: Kuprin satirically portrays an assistant prosecutor. The surname of the heroes is interesting: the insignificant and even belittled Zheltkov and the exaggeratedly loud, triple Mirza-Bulat-Tuganovsky are also a means of contrasting the heroes.

Prince Shein and the princess's brother decide to find Zheltkov and return the bracelet to him in order to keep good name Vera and her husband. The appearance of the telegraph operator is unusual: “Very pale, with a gentle girlish face, with blue eyes and a stubborn childish chin with a dimple in the middle.” He is very excited, looking at Vasily Lvovich with pleading eyes. Seven years of “hopeless and hot-tempered love” have passed, but feelings cannot be drowned out. Zheltkov sees the only way out - death. The “enormous tragedy of the soul” is resolved by suicide.

(The teacher invites students to answer questions - continuation of the dialogue)


  • How does Mirza-Bulat-Tuganovsky behave during a meeting?

  • How does Zheltkov behave?

  • Who wins the moral victory in this confrontation? Why?

  • Will we find in the author’s words describing Zheltkov’s behavior evidence that his actions are driven by that same enormous feeling that can make a person either immensely happy or tragically unhappy?

  • What does Vera think about when she learns about Zheltkov’s death?

  • What is your impression of last letter Zheltkova? (reading by heart by a student ChapterXI)

  • What is the fate of the garnet bracelet? What did Vera Nikolaevna understand in the scene of farewell to Zheltkov?

  • Determine the climax of the story? ( After Zheltkov’s death, pianist Zhenya Reiter plays for Vera Nikolaevna the immortal Beethoven sonata, the same one about which he wrote to her in his last letter. The epigraph to the story is the title of this sonata).

  • Why? (Apparently, this music revealed to Vera Nikolaevna the beauty of his love and helped her understand everything and feel forgiven).

Beethoven's music sounds Moonlight Sonata", student reads the end Chapter XIII, where the writer conveys the words formed in Vera Nikolaevna’s imagination under the influence of music, which seem to come from Zheltkov.”


  • Has Zheltkov forgiven the princess? ( Vera feels that her lover has forgiven her. I could not help but forgive, because in mournful hour parting, on the verge of death, still sang the glory of his goddess?)

  • Would you forgive a person whom you loved passionately and who did not reciprocate your feelings?

  • How does the writer see true love? ( True love according to Kuprin, it is the basis of everything earthly. It should not be isolated, undivided. Love must be based on high sincere feelings, strive for the ideal. This is a holy tragedy in human life. Love is stronger than death and elevates a little person above the vain world of injustice and malice).

  • Why did Kuprin title the story “Garnet Bracelet”? ( The main events in the story are connected with this decoration. And the grenades on the bracelet with their “bloody lights” trembling inside are a symbol of love and tragedy in the hero’s fate).

  • What mood will the ending of the story have? ( Zheltkov dies, but Vera awakens to life; something previously inaccessible was revealed to her, that same “great love that repeats itself once every thousand years. The heroes loved each other only for a moment, but forever).
V. Consolidation.

The teacher invites students to discuss the following questions:


  1. What is the idea of ​​the story by A.I. Kuprin “Garnet Bracelet”?
(The meaning of the story is to show the nobility of the soul common man, his ability to deep, sublime feelings by contrasting the hero with high society).

The teacher reads the words of K. Paustovsky that “Kuprin cried over his manuscript.” Garnet bracelet“, cried with stingy and relieving tears, said that he had never written anything more chaste.”


  1. What feelings does Kuprin’s story leave in your soul?
VI. Summarizing.

  • The teacher evaluates the work of each student in class.

  • homework assignment : Write an essay on the topic: “Mad love or madness?” (Based on the works of I. Bunin and A. Kuprin).
VII. Reflection.

Continue the phrase: Love is….

Thus, elements of research used in literature lessons activate cognitive activity students, develop logic of thinking, develop skills in working with text fiction, read and listen attentively to a single word, analyze, draw your own conclusions, argue your point of view. The research method contributes to the productive, creative assimilation of knowledge and skills, creating a positive emotional background, and thereby initiate an active dialogue through analysis problem situations, resolving contradictions, independent work.

Enter a word and click Find Synonyms.

Sentences with the word "take"

We found 50 sentences containing the word "take". Also look at the synonyms for “you will take”.
Meaning of the word

  • Smooth and clean, and here it is will you take Let them throw their curly head off their shoulders, and my God, how easy it is to stir them up.
  • What about us? will you take if half railway didn’t see it and graduated from five classes!
  • Too much attention will you take to myself.
  • As Burroughs himself writes, you can’t take the vine with you anywhere will you take.
  • Jokes started pouring in, saying that it was from the partisans will you take, they are used to acting without warning.
  • Maya responds to these greetings rather coolly, making it immediately clear that her ecstatic cries are not will you take.
  • Remember that you don’t take anything with you to your grave. will you take, remember that you, in essence, are not the owner, but only the steward of God’s property on earth.
  • Then you will give us the last ablution and then, having dried yourself, you will dress yourself, will you take whatever she gives you, and you will come back here.
  • Where is this will you take when the front line is occupied by the Germans?
  • So it turns out that if not will you take take responsibility, you can’t do anything big, even small.
  • In the trenches you are a fighter and a reliable defender who cannot be paid for will you take!
  • If you win, will you take my riches, and my wife, and my children, and my land.
  • He bought the girl from Toad, it didn’t cost him much: for an angular, freckled and eternally gloomy creature, not much will you take.
  • You will you take two commissars and show us exactly where the girl lives, and we’ll deal with the deserters ourselves.
  • Will you take it? a handful of hemp, you twist it around your hand and pull it, pull it through this thread, and another time you pull it.
  • But the CPSU Central Committee pressed hard: “Boyarsky will play if will you take Alferov."
  • He will be so happy if you will you take purple color.
  • Will you take it? Russian surname, you will stay in the village and all your household will remain with you.
  • But you need to know Mikhail Krug, he listened to me and blurted out: “If not will you take, our friendship is over! There is nowhere to go.
  • I must say that Natasha has such friends, their cheeses are not will you take, or maybe some people didn’t eat them after all?
  • The candidate for groom must have understood: how will you take dowry if they can’t get the bride?
  • However, what about her, the “orphan”? will you take.
  • Where else is there such a specialist? will you take at the front?
  • I saw that many were eager to fight, but not all will you take.
  • Once upon a time, Lyusya Zykina told me her wisdom: “And don’t will you take, and they won’t carry you after you.”
  • The password will be German textbooks, in which the tools that you will you take.
  • Are there a lot of sandy Klyazma hills? will you take from the unfortunate corvée?
  • Will you take it? He has a pot, you can pour out the rest for yourself and wash the pot.
  • You will you take his lace in his hand, and you will you take his.
  • I don't tell him, "Neighbor, this hose cost me 15 dollars, and before you will you take, you need to pay this amount.”
  • The usual logic dictated: if the Muscovites were ready for an invasion, then they took care to stockpile food, so as not to starve them out will you take.
  • And the audience realized that these two cannot be knocked down, no will you take with bare hands.
  • Then will you take Komsomol committee of the collective farm too.
  • Personnel decide everything, but where are they for everything? will you take.
  • He realizes that he is still far from achieving inner unity, but he already knows that nothing can be done by violence to himself. will you take.
  • If, like the late Anastasia, will you take bear his pain.
  • Soon the Nazis realized that the city had not been unceremoniously will you take that it bites very painfully.
  • After all, as a Jew, he has nothing will you take: It is known who his father is and who his mother is.
  • If will you take The most subtle thing is that you can be forced to run back if the boss has a grudge against you.
  • Whose biography will you take, you will definitely come across facts of theft and fraud (both financial and political).
  • What if you will you take Are you going to build something for yourself without asking?
  • I'll flip a coin, and if it lands on this side," and he showed it to me, "you will you take this coin and you’ll go to the cinema.”
  • Voltaire was ready to give two wives to the one who will you take he had a third, Confucius drove away his wife because she interfered with his studies.
  • But there is a lot of further escape raw potatoes not with you will you take.
  • It was burdened by its dual position in a closed country: everything was in its hands, but behind the hill there was nothing with it. will you take.
  • To the mocking demand that the wives and daughters of the townspeople be brought to his camp, Batu received the answer: “When we are gone, will you take All".
  • One guerrilla warfare it's not will you take.
  • But before she mentally goes through the list again, she thinks about what was left, what is not will you take with myself.
  • In his first working days, Ed shows that he cannot use his bare hands will you take.
  • If will you take the thickest, then on the way from the forest to the stack near the hospital you can tear yourself.

Source – introductory fragments of books from liters.

We hope that our service helped you come up with or create a proposal. If not, write a comment. We will help you.