What prevents the heroes from being happy Eugene Onegin. “Was my Eugene happy?” (based on the novel by A

And happiness was so possible
So close!..
A. Pushkin

In the novel “Eugene Onegin” A. S. Pushkin addresses the theme of fate young man 20s of the XIX century. The poet is interested not only in questions of choice life path, public service, but also the problem of the hero’s personal happiness. Talking about Onegin’s youth, the author already in the first chapter asks the question:

But was my Eugene happy, Free, in color? best years, Among brilliant victories, Among everyday pleasures?

Probably, many young people dream of the kind of life that Onegin led in his youth:

Sometimes he would still be in bed: They would bring notes to him. What? Invitations? In fact, Three Houses are calling for the evening...

Onegin's whole life is filled with entertainment: balls, restaurants, theater, friendly parties, social receptions... What else does a young, rich and free man who has learned the “science of tender passion” and all the wisdom social life? I think that Onegin also thought so for some time. While he was conquering the world, he had neither time nor reasons to feel unhappy or even think about it. Although Pushkin answered the question “Was Evgeniy happy?” answers negatively. But this is Pushkin. He is wiser and older. And he understands before his hero that entertainment and pleasure quickly become boring and tiresome. Moreover, Onegin is not a frivolous, empty person who would be content with fun and luxury. And soon Onegin really “got bored with the noise of the world,” “the Russian melancholy took possession of him little by little.” Having left the world, Onegin tries to keep himself busy. Having inherited factories, lands and forests from his uncle, Onegin was glad to “change his previous path for something.”

At first, in the village, Evgeniy was carried away by economic transformations, but then “he clearly saw that in the village there was the same boredom.” Onegin is bored, but does not suffer from the loneliness and monotony of life. His feelings are dormant. He doesn't know that there could be another life. Therefore, having met Tatyana, Onegin, although “he was keenly touched,” “did not give way to his sweet habit, he did not want to lose his hateful freedom.” Later, in a letter to Tatyana, he will say: “I thought: freedom and peace are a substitute for happiness...” He will understand his mistake only when he recognizes the real feeling. Love for Tatyana will open up a different life for him, filled with feelings, desires, and hopes. Perhaps this period of the hero’s life can be called happy. At least Onegin learned that it exists in life. His life now has meaning and purpose:

In a letter to Tatyana, Onegin confesses to her that love filled his entire soul and became the meaning of his life: Material from the site

But for my life to last, I must be sure in the morning, That I will see you in the afternoon...

But insight came to Onegin late. After listening to Tatyana’s answer, Onegin understands that “happiness was so possible, so close...” At this moment he is truly unhappy, because only by recognizing happiness can one appreciate its loss, realize all the emptiness and worthlessness of life.

Pushkin leaves his hero at a moment “evil for him.”

Will Onegin be able to fill the resulting void by serving the public good? high goal, We do not know. “What happened to Onegin later? Did his passion resurrect for a new suffering more consistent with human dignity?.. We don’t know... The strength of this rich nature were left without application, life without meaning, and the novel without an end,” writes V. G. Belinsky.

The only thing we know is that Onegin managed to learn that there is happiness, that even waiting for it fills life with meaning. And this is better than eternal peace, idleness and boredom.

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• Was Eugene Onegin happy?
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• but was my Eugene happy? Onegin in St. Petersburg
• Is Onegin happy?

­ What prevents a person from being happy?

We have been familiar with Pushkin's works since childhood. The writer replenished Russian literature with fairy tales, short stories, poems and long novels. One of his most famous books was the novel in verse “Eugene Onegin”. The author put his whole soul into this work. He spent more than seven years writing the novel, and a few years after its publication he died during a duel, just like one of his heroes. Fate alone will tell, life and morals noble image life - others will think. Sometimes the inability to resist secular rules can lead to negative consequences.

So Onegin’s friendship with Lensky took the form of a duel, because tradition demanded it. If you read this work carefully, you will notice that, in fact, none of them wanted this duel, it was just that Lensky’s courtship of Onegin for Olga Larina required certain actions. Everything in the life of the main character is connected with the internal, and as a result, social conflict. He doesn't know how to recognize true friendship, does not understand manifestations of sincere love, since he himself has never loved. He reduces the whole meaning of his existence to lonely wandering, although he has all the resources for a spiritually rich life.

Another disappointment awaits him in his relationship with Tatyana. Both heroes live in conflict with society. In my opinion, this is the main reason why they cannot be happy. Tatyana is so thoughtfully and sadly absorbed in her novels that she shuns any social attention. Even in her own home she feels like a stranger. Evgeny managed to cool down his feelings so early that he decided not to start any more romances or make new acquaintances. In essence, he ended up in the village because he fled from the bustle of the capital and city passions. In the estate inherited from his uncle, he was looking for peace and quiet.

Another reason why the heroes never found their happiness was human condemnation. Tatyana, for example, clearly realizing that she loves Onegin, must hide her feelings from everyone so as not to be judged. Dependence public opinion and from noble conventions largely determined the fate of the main characters. They were never able to find themselves, decide on life values, find purpose. The laws of society alienated them from each other. As mentioned earlier, Lensky died during the duel. Olga, not grieving for long, left with some uhlan and got married.

Tatyana married a secular man without love and was now forced to pretend to be a “legislator.” Well, Eugene, at the end of the poem, rethinking his values, learned to love, suffer, understand and accept people. He realized that he loved Tatyana recklessly and sincerely, but he couldn’t turn back time. She is now a married lady and will remain faithful to her husband. It seemed that happiness was so possible, but still remained unattainable. Such sad ending was invented by A.S. Pushkin for his novel and I think he didn’t want to change anything in it.

It seems that the reader of “Eugene Onegin” more than once wondered why the main characters were not happy, which led Tatyana and Eugene far from each other in life?

The development of the conflict we are talking about begins in the third chapter, when Onegin meets the Larin family and Tatyana falls in love with him, suffers, writes a letter and waits for an answer to it. The heroine saw Eugene only once and fell in love with him for the rest of her life. This is explained by the fact that dreamy, endowed with a passionate imagination and a wayward soul, she recognized in Onegin the ideal that she had compiled according to sentimental novels. On the other hand, she perceived similarities with herself in the young man and believed that they were created for each other. Tatyana writes a letter to Onegin, suffering and counting on his nobility:

I am writing to you - what more?
What more can I say?
Now I know it's in your will
Punish me with contempt.

But Onegin could not appreciate and accept Tatiana’s impulse, because by this time, as the narrator says about him, “he was considered disabled in love”:

He no longer fell in love with beauties,

And somehow he was dragging his feet;
If they refused, I was instantly consoled;
They will change - I was glad to relax...

Hence the edifying, moralizing tone of his answer to Tatyana. Actually, his answer is more of a confession, sincere confession is that he does not want to limit his life to “his home circle.” And if he had been “captivated by the family picture,” he would not have looked for a bride other than her. Tatyana could take his answer as a declaration of love, but since the hero focuses so much on his reluctance to live in the “home circle,” he scares the girl away, but does not cool her feelings. Onegin did not discern the most important thing in Tatiana: she is one of those integral poetic natures who can love only once. He will understand this at the end of the novel, when in her rebuke to him, as openly and trustingly as in the letter, she says: “I love you (why lie?).”

Further, Tatyana's love for Onegin develops and deepens. In his absence, the heroine, sad, enters the empty house and gets acquainted with the library, with notes made on books, which L reveals to her inner world so dear person. Tatyana begins to understand him better and realizes how he lives and why he suffers. But was she able to connect with his experiences with her heart? No, she understands everything only with her mind, since these ideas are alien to her and incomprehensible.

However, from this moment, Tatyana begins to change, internally she gradually turns from a naive girl into a society lady, who will then so amaze Onegin’s imagination. Tatyana goes with her mother to Moscow to start new life. And although in Moscow the thought of Onegin does not leave the heroine, she drives it away, trying to control herself. But now the heroes meet again, Tatyana did not betray her excitement:

Hey, hey! not that I shuddered
Or suddenly became pale, red...
Her eyebrow didn't move;
She didn't even press her lips together.

But it is her composure that now conquers Onegin in a way that sweet simplicity and openness could not conquer. The author-narrator describes in great detail the experiences of the hero in love so that the reader does not doubt their sincerity. Tatyana believes him and therefore admits her feelings, but rejects him because she is faithful to her husband and values ​​​​her position in the world. Onegin is rejected and unhappy, but it is worth thinking about whether he would be happy if Tatyana responded to his impulse. Most likely, he would soon be disappointed and become bored again, because he does not need a calm, measured life full of everyday worries, he needs a storm of passions, impulses, even misfortune, so that he feels harmonious in the world. Tatyana would not have been happy with him either; they wanted too different things from life.

Using the example of Onegin and Tatyana, we can conclude that love is not always a guarantee of happiness and harmony, since each person seeks his own path in life, strives for his own goal, evaluates the world in his own way, and lovers are not always able to understand and appreciate each other .

What prevents the heroes from being happy? There cannot be a definite answer here: apparently, this meeting, as Onegin thinks, happened too late for the hero, or maybe, on the contrary, it was too early, and Onegin is not yet ready to fall in love. The traditional scheme of the novel was this: on the path to happiness there are serious obstacles, evil enemies, but here there are no obstacles, but there are no mutual love. Onegin gives Tatyana an important life advice: “Learn to control yourself; // Not everyone will understand you like I do; //Inexperience leads to disaster.” But the whole point is that Tatyana opens her heart not to “everyone,” but to Onegin, and it is not her inexperience or sincerity that leads to trouble, but Eugene’s too rich life experience.

The explanation with Onegin is tragic and determines Tatyana’s future life, remaining the greatest grief in her life. Tatyana did not forget these terrible minutes, this pain, even at the end of the novel: remembering her first meeting with Onegin, she feels that her “blood is running cold.”

After Onegin's departure, a revolution occurs in Tatiana's fate. She was convinced of her “optical” deception. Reconstructing Onegin’s appearance from the “traces” left in his estate, she realized that her lover was an extremely mysterious and strange man, but not at all the one she thought he was.

New stage inner life Tatiana's life comes when she realizes that there are interests for a person, there is suffering and sorrow, in addition to the interest of suffering and sorrow of love. Tatyana owes this new step in her internal development to Onegin. Now she understands him even more and loves him even more.

Through Onegin's diary entries, the heroine recognized his pain, thoughts about the fate of modern man and was amazed by the sharpness of the “embarrassed” mind, forced to live in inaction, in a contradictory combination of good and evil. The soul of a man living a busy life was revealed to her, truth seeker, truths. Tatiana's deep loneliness. Her indifference to the interests of the small nobility helped preserve her love for Onegin as the most cherished feeling. The main result of Tatiana’s “research” was her love not for a literary chimera, but for the real Onegin. She completely freed herself from bookish ideas about life.

Without hoping for her lover's reciprocity, Tatyana makes a decisive moral choice: she agrees to go to Moscow and get married. This is the free choice of the heroine, for whom “all lots were equal.” She loves Onegin and obeys her duty to her family.

“The legislator of the hall”, the “indifferent princess” remained in the depths of her soul the same - warm-hearted, sincere and simple Tatyana. She is oppressed by the atmosphere of opulent luxury among which she now lives. The recent, but now irrevocably distant past is still dear and close to her. Onegin and the nanny were always in her memory. The nanny died, and Onegin remained the only person dear to her.

Tatyana’s monologue “And happiness was so possible, // So close! // But my fate // Already decided.” indicates that she retained her former spiritual qualities, loyalty to her love for Onegin and her marital duty.

Tatyana does not understand Onegin’s feelings, seeing in his love only social intrigue, a desire to lower her honor in the eyes of society, accusing him of self-interest. Onegin’s love is “small” for Tatyana, “a petty feeling,” and in him she sees only a slave of this feeling. Once again, as once in the village, Tatyana sees and “does not recognize” the real Onegin.

Tatyana's monologue reflects her inner drama. Its meaning is not in the choice between love for Onegin and loyalty to her husband, but in new feelings formed under the influence of society. The disease from which Onegin so painfully recovered has now struck Tatyana. Tatyana is a living person, and therefore the “sweet ideal” of the Author. Tatyana found an ideal in popular ideas about happiness moral duty, the inviolability of marital fidelity, so vividly depicted in folk tales and songs. Tatyana Larina is not a love heroine, she is a heroine of conscience. Appearing on the pages of the novel as a seventeen-year-old provincial girl dreaming of happiness with her lover, before our eyes she grows into a surprisingly complete heroine, for whom the concepts of honor and duty are above all. A heightened sense of duty is the dominant image of Tatyana. Happiness with Onegin is impossible for her: there is no happiness built on dishonor, on the misfortune of another person. Tatyana's choice is a deeply moral choice, the meaning of life for her - in accordance with the highest moral criteria. F.M. wrote about this. Dostoevsky in his essay “Pushkin”: “...Tatyana is a firm type who stands firmly on her own ground. She is deeper than Onegin and of course smarter than him. She already senses with her noble instinct where and what the truth is, which is expressed in the ending of the poem. Perhaps Pushkin would have done even better if he had named his poem after Tatyana, and not Onegin, for she is undoubtedly the main character of the poem.”

Pushkin, having completed work on the main chapters of “Eugene Onegin,” clapped his hands and shouted, praising himself: “Oh, Pushkin!..” The poet, whom even the cold Nicholas II recognized as “one of the smartest men in Russia,” realized that created a masterpiece. The novel “Eugene Onegin” is light, elegant, sparkling with its versatility and bottomless depth of content. This “magic crystal,” which reflected the entire poetic and bitter Russian reality of the “golden age,” still has no equal not only in Russian, but also in all world literature. Pushkin worked on the novel for many years; it was his favorite work. After all, the author of Onegin had to endure exile, loneliness, the loss of friends, and the bitterness of death the best people Russia. This is probably why the novel was so dear to Pushkin. And it is no coincidence that it seems that main character The novel is not Onegin, but Pushkin himself. He is present everywhere: at the ball, and in the theater - ironically watching his hero, and in the village, and in the squalid living rooms of small nobles, and in the garden by the bench on which Tatyana remained sitting after the rebuke given to her by her loved one. .. And everywhere from behind you can see the smile of Alexander Pushkin himself. For the poet, the novel was, in his words, the fruit of “a mind of cold observations and a heart of sorrowful observations.”
The image of the author is created by lyrical digressions; there are twenty-seven significant ones in the novel and about fifty small ones. Who is the main character of the novel “Eugene Onegin”? Many believe that the main character of the novel is, after all, Pushkin himself. But it has not one main character, but two: Onegin and Pushkin. We learn almost as much about the author as we do about Eugene Onegin. They are similar in many ways; it is not for nothing that Pushkin immediately said about Evgeniy that he is “my good friend.” Pushkin writes about himself and Onegin:

We both knew the game of passion:
Life tormented both of us;
The heat died down in both hearts...

The author, like his hero, tired of the bustle, cannot help but despise people of the world in his soul, tormented by memories of his youth, bright and carefree. Pushkin likes Onegin’s “sharp, chilled” mind, his dissatisfaction with himself and the anger of his gloomy epigrams. When Pushkin writes that Onegin was “born on the banks of the Neva”, talks about Onegin’s upbringing, about what he knew and could do, Pushkin himself involuntarily introduces himself. The author and his hero are people of the same generation and approximately the same type of upbringing: both had French tutors, both spent their youth in St. Petersburg society, they have common acquaintances and friends. Even their parents have similarities: Pushkin’s father, like Onegin’s father, “lived in debt...” Summarizing, Pushkin writes: “We all learned a little something and somehow, so through our upbringing, thank God, it’s no wonder for us to shine.” . The poet inevitably notes his difference from Onegin. He writes about Onegin that “no matter how hard we tried, he could not distinguish iambic from trochee.” Pushkin, unlike Onegin, takes poetry seriously, calling it a “high passion.” Onegin does not understand nature, but the author dreams of a quiet, calm life in a paradise where he could enjoy nature. Pushkin writes: “The village where Onegin was bored was a charming corner.” Pushkin and Onegin, for example, perceive theater differently. For Pushkin, the St. Petersburg theater is a magical land that he dreams of in exile. Onegin “enters, walks between the chairs along the legs, the double lorgnette, squinting, points at the boxes of unfamiliar ladies,” and then, barely glancing at the stage, with an absent-minded look, “turned away and yawned.” Pushkin knows how to rejoice in what Onegin is so bored and disgusted with.
For Onegin, love is “the science of tender passion”; Pushkin has a different attitude towards women; real passion and love are available to him. The world of Onegin and Pushkin is a world of social dinners, luxurious amusements, drawing rooms, balls, this is a world of high-ranking persons, this is a world high society, which is far from easy to get into. Reading the novel, we gradually understand Pushkin’s attitude towards secular society and the noble class to which he himself belongs by birth. He sharply criticizes the St. Petersburg high society for its falsehood, unnaturalness, and lack of serious interests. The author treats the local and Moscow nobility with ridicule. He's writing:

It's unbearable to see in front of you
There's a long row of dinners alone,
Look at life as a ritual,
And after the decorous crowd
Go without sharing with her
No common opinions, no passions...

Not so long ago, people were interested in what kind of essay could be written in.
At the request of workers, we are publishing an essay by Anna Freidina, a first-year student at the Rimsky-Korsakov College, on the topic:

The unattainability of happiness for Onegin and Tatiana

The main characters of the novel in verse by Alexander Sergeevich Pushkin, Evgeny Onegin and Tatyana Larina, cannot be together. It may seem that this is happening due to circumstances beyond the control of the heroes. But if you look closely at the novel, you will find that the characters themselves and their erroneous ideas become main reason their own misfortunes.

Pushkin gives detailed description Evgenia Onegin. Tells about his life, starting with early childhood, about his education:

Monsier l'Abbe, poor Frenchman,
So that the child does not get tired,
I taught him everything jokingly,
I didn’t bother you with strict morals...

The light has decided
That he is smart and very nice.

Onegin skillfully manipulated people, especially women:

How early could he be a hypocrite?
To harbor hope, to be jealous,
To dissuade, to make believe,
Seem gloomy, languish...

But life was boring for him, the hero was not happy:

His feelings cooled down early,
He was tired of the noise of the world...

I'm tired of friends and friendship...
In short: Russian blues
I mastered it little by little...

Onegin tried to get out of this vicious circle:

Onegin locked himself at home,
I wanted to write - but hard work
He was sick...

He lined the shelf with a group of books,
I read and read, but to no avail.

Eventually he leaves for the village. It was at this moment that fate brings Evgeny together with Tatyana Larina.

Pushkin describes Tatyana, contrasting her with her sister Olga:

Not your sister's beauty,
Nor the freshness of her ruddy
She wouldn't attract anyone's attention.
Dick, sad, silent...

She was uncommunicative:

Child herself; in a crowd of children
I didn’t want to play or jump.

I loved loneliness most spent her time reading books.

And so Onegin comes to the Larins. His appearance caused great excitement among the neighbors, who had already “married” Onegin and Tatyana. Tatiana herself

...listened with annoyance
Such gossip; but secretly
With inexplicable joy
I couldn’t help but think about it;
And a thought lurked in my heart;
The time has come, she fell in love.

Tatiana is embraced by new ones. Feelings previously unknown to her. The heroine doesn't know what to do. She asks the nanny for advice, but she cannot help her, since she herself has never been in love. Tatyana decides to write a letter to Onegin. The girl’s sincerity “brought into excitement the long-silent feelings” of Onegin. But he explains himself to her rudely, but at the same time frankly. The hero shows his attitude towards Tatyana, his internal state:

But I'm not made for bliss
My soul is alien to him.

Onegin demands that Tatyana learn to “control herself” and that her feelings do not drown out her reason. At this stage, what prevents the heroes from being happy is that Evgeny does not love Tatyana. She has no experience in love, and he, on the contrary, has an excess of experience in social life. Both Onegin and Tatyana do not know themselves or each other. Tatiana fell in love with Onegin because “the time has come.” In this rural wilderness, Eugene was the first young and interesting man she met. She did not really know Onegin and perceived him as ideal hero French novel. Onegin did not want to lose his freedom. He did not yet know what constitutes the true value of human existence. Then Onegin believed that “freedom and peace are a substitute for happiness.”

The turning point in the life of the main character there was a duel with Vladimir Lensky. Only at the moment when Onegin saw Lensky’s lifeless body did he realize what a fatal mistake he had made. Evgeniy realized that life is not a secular game. Because of stupid bad joke he killed a friend with whom until recently “they shared hours of leisure, meals, thoughts and deeds amicably.” Onegin could have apologized to Lensky, thereby saving his life, “but wildly secular enmity is afraid of false shame.”

It took Onegin several years to rethink the values ​​of his existence. At that moment. When the hero met Tatyana again, he realized that the most important thing in life is human relationships, and their highest form is love. But it was too late. Tatyana was already married, and although she retained her old feelings in her heart, the heroine could not reciprocate Onegin. Tatyana did not believe the sincerity of his feelings. She didn't see any change in him. Tatiana asks Onegin:

Why are you keeping me in mind?
<…>
Isn't it because it's my shame
Now everyone would notice
And I could bring it in society
Do you want a tempting honor?

Thus, the tragic illusion does not allow people to be happy even when “happiness was so possible, so close!”

The text is published with the consent of the author. Connoisseurs of literature and psychology can try to determine at what moment the older sister came and began to fool the child with her worldview stereotypes.
As a result, we gave it 4+/5. We were offended, but not too much - we will continue to work. The teacher said there are too many quotes. And also "young and interesting man“crossed out and replaced with “unusual”. I don’t know how it is with Tatyana, personally, I have herds of unusual ones walking around, but interesting ones...