Pechorin's relationship with women. Was there love in Pechorin's life? Composition

And we hate and we love by chance,

Without sacrificing anything, neither anger nor love.

M. Yu. Lermontov

Belinsky called “Hero of Our Time” a “cry of suffering” and a “sad thought” about the 30s of the 19th century. This era was rightfully called the era of timelessness, which came in Russia after the defeat of the Decembrist uprising. Gloomy times gave rise to gloomy characters. Lack of spirituality gives rise to evil and carries it into all spheres of life. This evil affects the destinies of people especially painfully.

The female images in the novel highlight the coldness and contradictory character of the main character.

The proud black-eyed beauty, “daughter of the mountain gorges,” fell deeply and deeply in love with Pechorin. She silently, with a sense of her own dignity, rejects Pechorin and is indifferent to his gifts. “I am not his slave,” she says proudly. But, having fallen in love with him, she sacrifices everything: her home, her father, her honor: “I have no relatives.” Her whole life was focused on love. Her sensitive, sincere nature could not put up with Pechorin’s coldness. And he soon lost interest in her, in comparison with her passionate love Pechorin's passion turned out to be shallow and frivolous. “The love of a savage,” her simple-heartedness and ignorance, bothered him as much as the coquetry of a noble young lady: “I would give my life for her, but I’m bored with her.”

Princess Mary also suffers greatly from her meeting with Pechorin. The princess belongs to the same circle as. She is the complete opposite of Bela. If Bela is stingy in her statements, then Princess Mary “joked very sweetly, her conversation was sharp, without pretense of wit, lively and free, her remarks were sometimes deep.” She is not stupid, she is romantically inclined. She is interested in everything mysterious and mysterious. At first, Grushnitsky captivated her imagination with his imaginary misfortunes and spectacular phrases. But she gives her heart to the mysterious, disappointed, daring Pechorin. Pechorin's strangeness and difference from the fans around her interest her. His story about himself, about how the world did not understand him and distorted his character, deeply touches her kind and trusting soul. She fell in love with him, but did not understand his rebellious, contradictory soul. Mary lives by laws secular society, approaches it with the moral standards of the aristocratic environment that raised her.

Pechorin cannot find oblivion in female love. “I already know all this by heart - that’s what’s boring!” At the same time, his soul wants love. He is characterized by living impulses of the heart and humanity. His acute compassion evokes the “silently suffering” Mary, offended by his answer. But quiet family happiness not for him. “No, I wouldn’t live with this share,” he admits. Pechorin speaks about himself with bitterness and dissatisfaction: “My love did not bring happiness to anyone, because I did not sacrifice anything for those I loved: I loved for myself, for my own pleasure.” This is exactly how Pechorin loved Vera - the only woman for whom he felt a strong feeling.

Vera loves selflessly, selflessly, her love knows no boundaries, she transgresses the prohibitions of the environment. For his sake, she is ready to make any sacrifice. Vera understands not only the advantages, but also the shortcomings of Pechorin. Only such love, boundless, submissive, sacrificial, can reveal Pechorin’s hardened heart. In his relationship with Vera, he at least partially becomes what nature created him - a deeply feeling and experiencing person.

Cold, selfish, mocking Pechorin, who laughs at everything in the world, especially feelings, becomes sincere when it comes to Vera. “The memory of her will remain inviolable in my soul... She is the only woman whom I cannot deceive,” he admits to himself. Only she, with her sudden and forced departure, brings hot tears to his eyes. Remaining selfish and in love with Vera, Pechorin still not only takes, but also gives some part of his own being. Having driven his horse, he presses himself against the wet grass, sobbing frantically and helplessly. The loss of Faith is perhaps the greatest loss, but his personality does not change with this loss. He still remains a cold, indifferent, rational egoist. However, under this mask of an egoist, an essential feature of the “hero of our time” emerges - the depth of human feeling.

Meetings with Pechorin did not pass without a trace. Bela died, but she learned love and happiness, which might not have appeared in her life at all. Princess Mary experienced suffering, but she forever lost her sympathy for “disappointed heroes” like Grushnitsky. But Pechorin himself did not find happiness in anything. He lacked Lermontov's "thirst for being", the ability and desire to go to people. “Under the burden of existence,” his soul grew cold and tired, and he had nothing left but hope: “Perhaps I’ll die somewhere on the road!”

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Additional essays on this topic

The theme of love in “A Hero of Our Time” is one of the central themes that the author explores. There really are a lot of love conflicts in the novel. Even main character- outwardly cold and selfish Pechorin is looking for love, he finds it in the hearts of three women Vera, Mary Ligovskaya and Bela, but the love of these beautiful women does not bring Pechorin happiness.

In this novel, love generally does not bring joy to anyone; it is a test for each of the heroes, and often their love experiences end tragically.

Let's try to consider the main love lines of this work.

Pechorin – Bela – Kazbich

One of the literary scholars, analyzing the content of this work, rightly noted that compositional structure The novel is built on endless love triangles.
Indeed, there are a lot of love triangles here.

In the first part of the novel “Bela” we learn that Pechorin kidnaps the young Circassian Bela from his own father and makes her his mistress. Proud Bela is smart, beautiful and kind. She fell in love with the Russian officer with all her heart, but realized that in his soul there was no reciprocal feeling for her. Pechorin kidnapped her for fun and soon lost all interest in his captive.
As a result, Bela is unhappy, her love brought her nothing but deep sorrow.

During one of her walks near the fortress in which she lives with Pechorin, she is kidnapped by the Circassian Kazbich, who is in love with her. Seeing the chase, Kazbich mortally wounds Bela, and she dies two days later in the fortress in the arms of Pechorin.

As a result, this love triangle does not bring satisfaction or joy to any of the characters. Kazbich, having seen his beloved, is tormented by remorse; Pechorin understands that Bela’s love could not awaken him to life and realizes that he destroyed the young girl in vain, driven by a sense of pride and selfishness. In his diary he later wrote: “I was wrong again, the love of a savage is few better than love noble lady; the ignorance and simple-heartedness of one is just as annoying as the coquetry of the other.”

Pechorin – Mary – Grushnitsky

The theme of love in the novel “A Hero of Our Time” is represented by another love triangle, in which there are Pechorin, Princess Mary Ligovskaya and Grushnitsky, who is in love with her, whom Pechorin, unwittingly, kills in a duel.

This love triangle is also tragic. It leads all its participants either to endless grief, or to death, or to the realization of their spiritual worthlessness.

We can say that the main thing actor This triangle is Grigory Aleksandrovich Pechorin. It is he who constantly makes fun of the young man Grushnitsky, who is in love with Mary, which ultimately leads the latter to jealousy and a fatal challenge to a duel. It is Pechorin, having become interested in Princess Ligovskaya, who brings this proud girl to the point that she herself confesses her love to him. And he rejects her proposal, which causes on her part a feeling of melancholy and disappointed hopes.

Pechorin is dissatisfied with himself, but, trying to explain the motives for his behavior, he only says that freedom is for him more expensive than love, he simply does not want to change his life for the sake of another person, even such a girl as Princess Mary.

Pechorin - Vera - Vera's husband

Love in Lermontov's work “A Hero of Our Time” finds its expression in another passionate love triangle.
It includes Pechorin, a secular married lady Vera and her husband, whom the novel only talks about. Pechorin met Vera back in St. Petersburg, he was passionately in love with her, but her marriage and fear of the world placed further development their romance.

In Kislovodsk, Vera and Pechorin meet by chance, and the old relationship flares up again with its former strength.

Pechorin shows Vera tenderness when she suddenly leaves Kislovodsk, he drives his horse to death in order to keep up with her, which, however, he fails. However, this love relationship does not bring happiness to either Vera or Pechorin. This is confirmed by the words of the heroine: “Since we have known each other,” she said, “you have given me nothing but suffering.”

In fact, this love triangle anticipates the love conflict described in the novel by L.N. Tolstoy's Anna Karenina. There, too, a secular married lady meets a young officer, falls in love with him and understands that her husband has become unpleasant to her. Unlike Vera, Anna Karenina breaks up with her husband, goes to her lover, but finds only misfortune, which leads her to suicide.

Pechorin – Ondine – Yanko

And finally, the last love triangle of the novel is the story that happened to Pechorin in Taman. There he accidentally uncovered a gang of smugglers, who almost took his life for this.

This time the participants love triangle became Pechorin, the girl whom he nicknamed “undine,” that is, the mermaid, and her beloved smuggler Yanko.

However, this love conflict was more of an adventure in which Pechorin decided to escape from his experiences. Ondine was not in love with him, but lured him only in order to drown him as an unwanted witness. The girl took such a dangerous step, obeying a feeling of love for Yanko.

Pechorin realized the danger of his position and came to the conclusion that he had exposed himself to such a risk in vain.

As we can see, the love theme in the novel “A Hero of Our Time” is presented quite vividly. However, there are no examples in the work happy love. And this is not surprising, because love and friendship in Lermontov’s works are always tragic themes. According to the writer and poet, a person can never find true love on earth, because he himself bears the stamp of imperfection. Therefore, people will love and suffer from the fact that their love cannot bring them happiness, joy, or peace.

With a description of the main love lines It will be useful for 9th grade students to read the novel before writing an essay on the topic “The Theme of Love in the Novel “A Hero of Our Time”.”

Work test

The pinnacle of all the creativity of M.Yu. Lermontov, the natural conclusion of his short creative path is the novel "A Hero of Our Time". The main task facing the author when creating this work was to draw an image of a contemporary young man. Through the character of the main character of the novel, Grigory Pechorin, Lermontov conveys the thoughts, feelings, and quests of people of the 30s of the 19th century.

The feeling of love is shown with great psychological accuracy in the novel. Many pages of the work are permeated with this feeling. Love theme in the novel is inextricably linked with female images: Bela, Princess Mary, Vera, the undine girl. The female images of the novel, bright and original, serve, first of all, to “shade” Pechorin’s nature.

Bela, Vera, Princess Mary... On different stages the hero's life they played for him important role. These are completely different women in character. But they have one common feature: the fate of all these heroines was tragic.

Of all the female characters in the novel, the greatest sympathy is evoked by the Circassian Bela, whose simplicity, grace and femininity were noted by V.G. Belinsky. Bela touches you with the purity of her nature, sincerity of desires, feminine pride and strength of feelings. In comparison with her ardent, sincere love, Pechorin’s instant infatuation seems shallow and frivolous. But Bela was, according to Belinsky, “a half-wild daughter of free gorges.” Her ingenuous nature could not attract Pechorin’s imagination and passion for long.

In Pechorin's life there was a woman whom he truly loved. This is Vera. By the way, it’s worth thinking about the symbolism of her name. She was his faith in life and in himself. This woman understood Pechorin completely and accepted him entirely. Although her love, deep and serious, brought Vera only suffering: “... I sacrificed myself, hoping that someday you would appreciate my sacrifice... I was convinced that it was a vain hope. I was sad!”

And what about Pechorin? He loves Vera as best he can, as his crippled soul allows him. But Pechorin’s attempt to catch up and stop his beloved woman speaks most eloquently of all the words about Pechorin’s love. Having driven the horse in this pursuit, the hero falls next to its corpse and begins to sob uncontrollably: “... I thought my chest would burst; all my firmness, all my composure, disappeared like smoke.”

Princess Mary is depicted by Lermontov in more detail than Vera. Belinsky notes that this is “not a stupid girl.” Her problem is naive romanticism, which determines Mary’s attitude towards people. She can only like everything mysterious and mysterious.

The heroine's imagination was first seduced by Grushnitsky. He attracted the girl with his catchy phrases and supposed misfortunes. Then Mary fell in love with Pechorin when he appeared before her in the role romantic hero. Grigory Alexandrovich seemed to her even more mysterious, incomprehensible and daring. Mary sincerely believed that Pechorin was secretly infatuated with her.

In her love, Princess Mary seemed to realize the aphoristic words of Pechorin: “Women love only those they do not know.” Lermontov, with deep psychologism, showed all the stages of development of a girl’s feelings for Grigory Alexandrovich. At first it was a woman’s resentment that they did not pay attention to her, that she was not noticed. Then Princess Mary was naively convinced that she had “defeated” Pechorin. Even later, the girl began to struggle with her passion, a feeling that she involuntarily began to experience for Pechorin. In the end, she still confessed her love to the hero. It's a pity that Mary's words led to bitter last meeting heroes, which “arouses strong sympathy for her and drenches her image with the brilliance of poetry.” Mary “fell victim to an unrequited, silently suffering, but without humiliation” feeling.

Pechorin meets the princess in Pyatigorsk, at mineral waters. He begins to follow Mary out of boredom. Having become close to the princess, Pechorin, without meaning to, warms up to her tender feelings. Confirmation of this is his confession to her that he is a moral cripple: “I became a moral cripple: one half of my soul did not exist, it dried up, evaporated, died, I cut it off and abandoned it... But now you have awakened in me the memory of it... »

We feel that there is a great deal of truth in these words. Pechorin himself doubts whether he is playing or sincerely feeling. In any case, his soul comes to life for a while. It is no coincidence that, seeing in the princess’s eyes a sincere response to his obvious lie, the hero becomes ashamed. And later, without seeing the princess all day, Pechorin is confused, he does not understand what is happening to him: “When I returned home, I noticed that I was missing something. I haven't seen her! She is ill! Have I really fallen in love?.. What nonsense!”

In the end, the hero decides to leave Mary alone. To make their separation easier, he tells the princess that he was just laughing at her all this time. Another love story in Pechorin's life ended in pain and disappointment.

Each of the female characters in the novel is unique and inimitable in its own way. But they all have something in common - a destructive passion for the mysterious, the unknown - for Pechorin. And only one girl did not succumb to the charm of the hero of the novel. This is the undine from the story “Taman”.

All the women in the novel “A Hero of Our Time” just wanted to be happy. But happiness is a relative concept, today it exists, but tomorrow...

Love and women in the life of Pechorin

Grigory Pechorin is a young and attractive officer. He moves in the high society of St. Petersburg, winning the hearts of pretty aristocrats. Pechorin falls in love himself and is loved.

Most of Pechorin's lovers are women of his circle, social beauties. However, there is one exception - the Circassian Bela. Bela is not far away socialite. On the contrary, she is a real “savage”, a native inhabitant of the Caucasus.

The novel "A Hero of Our Time" describes several love stories Pechorina. Below is a list love relationship Pechorin in chronological order.

Pechorin in St. Petersburg

1. Hobbies early youth In Petersburg

Obviously, Pechorin’s youth in St. Petersburg was stormy and eventful. The text mentions several women in his early youth:
"...I remember one woman loved me because I loved another. There is nothing more paradoxical female mind..."
"...once, once only, I loved a woman with a strong will, whom I could never defeat... We parted as enemies..."
“...I know you are experienced in these things, you know women better than me...” (Grushnitsky about Pechorin)

2. Relations with Vera in St. Petersburg

A few years before his trip to the Caucasus, Pechorin meets Vera. Probably, their meeting takes place at one of the social evenings in St. Petersburg. Pechorin loves Vera, and she reciprocates his feelings. They meet secretly, since Vera is married. Eventually this relationship ends in breakup.

Pechorin in the Caucasus

1. "Ondine" in Taman

On his way to the Caucasus, Pechorin ends up in Taman. Here he stays in the house of the poor, among whom he notices a mysterious girl, the “undine.” Pechorin finds out that the beauty is a smuggler. Nevertheless, he goes on a date with her. Finding herself alone in a boat with the Pechorins, the girl tries to drown him. Fortunately, he manages to escape. That same night, the “ondine” leaves the house with her smuggler lover. This is where the story of Pechorin and the “ondine” ends.
See: Relations between Pechorin and the “undine”

2. Princess Mary

Arriving in Pyatigorsk, Pechorin meets the young Princess Mary here. Pechorin decides to "drag" after Mary to relieve his boredom. Princess Mary, in turn, seriously falls in love with Pechorin. He finally admits that he has no intention of marrying her. This ends their relationship.

3. Meetings with Vera in the Caucasus

In the Caucasus in Pyatigorsk, Pechorin again meets his beloved Vera, with whom he had a relationship in St. Petersburg. In Pyatigorsk, Pechorin and Vera meet secretly again. At the same time, Pechorin is caring for Princess Mary.

4. Bela

After meeting Princess Mary and a duel with Grushnitsky, Pechorin ends up serving in Fortress N. Here, at a local wedding, Pechorin meets a young Circassian woman, Bela. Pechorin falls in love with her and steals her from home. Bela and Pechorin live happily for 4 months, but over time Pechorin grows cold towards his beloved and becomes bored. Suddenly Bela is kidnapped by the robber Kazbich and mortally wounded. Soon Bela dies.

IN psychological novel Mikhail Yurievich Lermontov "Hero of Our Time" female images have a very important role: they reveal Pechorin’s character in all its versatility and complexity.

At the beginning of the work, the reader meets Bela. This girl has a very colorful appearance and character, thanks to which she really interests the main character. At first glance, Bela is strikingly different from the other women with whom Grigory Alexandrovich dealt. She is a “savage” who has never seen secular society, which in Pechorin’s circle is a definite plus.

This girl shows us interesting feature character of the hero - he is ready to conduct peculiar “experiments” on people to satisfy his own whims. Moreover, Pechorin himself understands that he makes those around him suffer, but cannot help himself (“whether my upbringing made me this way, whether God created me this way, I don’t know; I only know that if I am the cause of the misfortune of others, then I myself am no less unhappy ").

Another heroine who reveals the essence of Pechorin is Mary. The princess is a representative of the same high society, which the hero does not like so much, but to which he himself belongs. From Grigory Alexandrovich’s treatment of Mary, we see that he loves to control other people’s destinies without consent.

So Pechorin becomes the cause of the unhappy love of a young girl and the death of Grushnitsky (even though he himself turns out to be a victim of circumstances before the duel). In addition, the hero again decides to see what will happen if he falls in love with a young woman inexperienced girl, while assuming the answer in advance. AND main feature character, which is clearly expressed in the relationship with Mary - this is selfishness ("after all, there is immense pleasure in the possession of a young, barely blossoming soul").

But, perhaps, the most interesting side of Grigory Alexandrovich’s character is revealed when communicating with Vera. According to the hero himself, she was the only woman whom he could never deceive. Speaking about Faith, we lift the veil that hides true essence Pechorina, we see true love and genuine suffering of a seemingly absolutely cold person. In his thoughts about this woman, the hero is shown as deeply feeling, loving man. And what was human that still remained in Grigory Alexandrovich’s soul “splashed out”, even despite constant attempts to drown out the voice of his true self (“all my firmness, all my composure disappeared like smoke”). And, losing Vera, Pechorin finally loses the ability to feel, kills that part of himself that is capable of experiencing sincere emotions.

So, it is the female images that help the reader see the real face of Grigory Alexandrovich. Thanks to them, the mask under which he so stubbornly hid is torn off ordinary person. Or rather, not ordinary, but capable of feelings. For love. For worries.

Updated: 2014-03-14

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