Love lyrics master and margarita. Development of the love plot in the novel M

With the arrival of Margarita, the novel, which until then had resembled a ship in the depths of a storm, cut through the transverse wave, straightened the masts, set sails to the oncoming wind and rushed forward towards the goal - fortunately, it was outlined, or rather, it opened - like a star in a break in the clouds.

A guiding landmark that you can rely on, like the hand of a reliable guide.

A. Z. Vulis

1. The teacher's word.

Probably no one doubts that one of the main themes of the novel is the theme of “love and mercy”, “love between a man and a woman”, “true love”. No one doubts that the Master and Margarita really love each other and that for the author this is “true love.” But even an inexperienced reader will notice that the line of the Master and Margarita is only one of the love conflicts of the novel.

In addition to it, there are lines Judas - Nisa; Master and his wife; Margarita and her husband; Sempleyarov – his wife and relative; Prokhor Petrovich and his secretary; the stories of Likhodeev and Berlioz with their wives, Natasha - Nikolai Ivanovich... Is it by chance that there are so many hints of love conflicts in the novel?

The underestimation of the importance of the theme of love is connected, not least of all, with the “tired” word “love” in our language: it is used to denote selfishness, sexual relations - and spiritual feelings, patriotism and religiosity (love of God). Apparently, what is common to all manifestations of love is the desire for goodness, joy, pleasure - for oneself or for another. An analysis of the novel convinces that Bulgakov makes the main criterion for identifying good and evil in a person his ability (inability) to love. The novel builds a clear hierarchy of this ability: the level to which a person was able to rise determines his fate after death.

Self-love only increases evil in the world, “spilling” self-interest, lust and vulgarity into it. There are many examples of such relationships between people in the novel: from the naively pleasure-seeking Judas and the fanatical Caiaphas to the Moscow citizens - the leadership V Aryeta, members of MASSOLIT. But in these relationships there is no real feeling: men love neither their wives nor their mistresses, and the mistresses betray their lovers at the first danger (Ida Gerkulanovna Vors or Sempleyarov’s distant relative).

The consequence of selfishness is fear for oneself. It becomes clear why Yeshua speaks of cowardice as “one of the terrible vices,” and the repentant Pilate as “the most terrible vice.” Loving your neighbor is not a merit; it is the natural state of man. To love another means to forget about yourself.

But in the Moscow world we will also find glimpses of love, higher than selfish: neither the wife of Nikanor Ivanovich Bosy, nor the mistress of Prokhor Petrovich (the talking suit), Anna Richardovna, refuses their chosen ones who find themselves in a terrible situation: a feeling of compassion, a desire to help guide them words and actions. No matter how ugly this world is, “mercy sometimes knocks” on human hearts, although mostly on women’s.

Against the background of the mentioned collisions, the love of the master and Margarita not only looks like an exception to the rule, but also gives rise to anxiety in the reader, because the heroes are forced to confront a world that has forgotten about love.

2. Work with text.

As a result of working with the text, the scheme :

– What did this meeting bring?

This meeting brought with it not only the happiness of love, but (which the lovers do not realize) also the most serious trials. The author warns the reader about this: yellow alarming flowers in the hands of Margarita, the combination of black and yellow (a black and yellow thundercloud covers Yershalaim after the execution of Yeshua), the image of love-killer: “Love jumped out in front of us, like a killer jumps out of the ground in lane, and amazed us both! That’s how lightning strikes, that’s how a Finnish knife strikes!” These comparisons contain the suddenness of the feeling, its strength, and its danger. From this moment on, a person is tested by his ability to love, by his ability to renounce himself for the sake of his beloved.

The novel “The Master and Margarita” closely intertwines themes of history and religion, creativity and everyday life. But the most important place in the novel is occupied by the love story of the master and Margarita. This storyline adds tenderness and poignancy to the work. Without the theme of love, the image of the master would not be possible to fully reveal. The unusual genre of the work - a novel within a novel - allows the author to simultaneously distinguish and combine the biblical and lyrical lines, developing them fully in two parallel worlds.

Fatal meeting

The love between the master and Margarita flared up as soon as they saw each other. “Love jumped out between us, like a killer jumps out of the ground... and struck us both at once!” - this is what the master tells Ivan Bezdomny in the hospital, where he ends up after the critics rejected his novel. He compares the surging feelings to lightning or a sharp knife: “That’s how lightning strikes! This is how amazing a Finnish knife is!”

The master first saw his future beloved on a deserted street. She caught his attention because she was "carrying disgusting, disturbing yellow flowers."

These mimosas became a signal to the master that his muse was in front of him, with loneliness and fire in his eyes.

Both the master and the unhappy wife of a rich but unloved husband, Margarita, were completely alone in this world before their strange meeting. As it turns out, the writer was previously married, but he doesn’t even remember the name of his ex-wife, about whom he doesn’t keep any memories or warmth in his soul. And he remembers everything about Margarita, the tone of her voice, the way she spoke when she came, and what she did in his basement room.

After their first meeting, Margarita began to come to her lover every day. She helped him work on the novel, and she herself lived from this work. For the first time in her life, her inner fire and inspiration found their purpose and application, just as the masters listened and understood for the first time, because from the first meeting they spoke as if they had parted yesterday.

Completing the master's novel became a test for them. But the already born love was destined to pass this and many other tests in order to show the reader that a real kinship of souls exists.

Master and Margarita

The true love of the master and Margarita in the novel is the embodiment of the image of love in Bulgakov’s understanding. Margarita is not just a beloved and loving woman, she is a muse, she is the inspiration of the author and his own pain, materialized in the image of Margarita the witch, who in righteous anger destroys the apartment of an unjust critic.

The heroine loves the master with all her heart, and seems to breathe life into his small apartment. She gives her inner strength and energy to her lover’s novel: “she chanted and loudly repeated certain phrases... and said that this novel was her life.”

The refusal to publish the novel, and later the devastating criticism of the unknown passage that ended up in print, equally painfully wounds both the master and Margarita. But, if the writer is broken by this blow, then Margarita is overcome by insane rage, she even threatens to “poison Latunsky.” But the love of these lonely souls continues to live its own life.

Test of love

In the novel “The Master and Margarita,” love is stronger than death, stronger than the master’s disappointment and Margarita’s anger, stronger than Woland’s tricks and the condemnation of others.

This love is destined to pass through the flames of creativity and the cold ice of critics, it is so strong that it cannot find peace even in heaven.

The characters are very different, the master is calm, thoughtful, he has a soft character and a weak, vulnerable heart. Margarita, on the other hand, is strong and sharp; more than once Bulgakov uses the word “flame” to describe her. Fire burns in her eyes and brave, strong heart. She shares this fire with the master, she breathes this flame into the novel, and even the yellow flowers in her hands resemble lights against the backdrop of a black coat and slushy spring. The master embodies reflection, thought, while Margarita embodies action. She is ready to do anything for the sake of her beloved, and sell her soul, and become the queen of the devil's ball.

The strength of the feelings of the master and Margarita is not only in love. They are so close spiritually that they simply cannot exist separately. Before their meeting, they did not experience happiness; after parting, they would never have learned to live separately from each other. That is why, probably, Bulgakov decides to end the lives of his heroes, in return giving them eternal peace and solitude.

conclusions

Against the background of the biblical story of Pontius Pilate, the love story of the master and Margarita seems even more lyrical and poignant. This is the love for which Margarita is ready to give her soul, since she is empty without her loved one. Being insanely lonely before they met, the characters gain understanding, support, sincerity and warmth. This feeling is stronger than all the obstacles and bitterness that befalls the fate of the main characters of the novel. And it is precisely this that helps them find eternal freedom and eternal peace.

Descriptions of love experiences and the history of relationships between the main characters of the novel can be used by 11th grade students when writing an essay on the topic “The Love of the Master and Margarita”

Work test

(based on the novel “The Master and Margarita” by M. Bulgakov)
What do we remember when we hear the name “Mikhail Bulgakov”? Of course, “The Master and Margarita”. Why? The answer is simple: here the question is raised about eternal values ​​- good and evil, life and death, spirituality and lack of spirituality. This is a satirical novel, a novel about the essence of art, the fate of the artist. But still, for me, this is, first of all, a novel about true, faithful, eternal love. Novels in most cases fully correspond to their title, and the main theme in them is love. In the novel “Master

And Margarita” the author touches on this topic only in the second part. It seems to me that Bulgakov does this in order to prepare the reader, for him love is ambiguous, for him it is multifaceted. The whole love story of the Master and Margarita is a challenge to the surrounding everyday life, vulgarity, a protest against conformism, that is, passive acceptance of the existing order of things, unwillingness to resist circumstances. With its painful nonsense, this “ordinariness” drives a person to despair, when it’s time to shout like Pilate: “Oh gods, my gods, I’m poisoned, I’m poisoned!” And it’s scary, scary when vulgarity crushes. But when the Master says to Ivan: “My life, I must say, has not turned out quite as usual...”, a fresh, saving current bursts into the novel, although it is a tragic refutation of the ordinariness that can swallow up life.
Completely changing the theme of Faust, Bulgakov forces not the Master, but Margarita to contact the devil and enter the world of black magic. The only character who dares to make a deal with the devil is the cheerful, restless and brave Margarita, who is ready to risk anything to find her lover. Faust, of course, did not sell his soul to the devil for the sake of love - he was driven by a passion for the fullest possible knowledge of life. It is interesting that in the novel, which, at first glance, so closely resembles Faust, there is not a single character who would correspond to the main character of Goethe. What is certain is the similarity of the worldviews underlying these two works. In both cases, we are faced with the theory of the coexistence of opposites, with the idea that a person has the right to make mistakes, but at the same time he is obliged to strive for something that takes him beyond the limits of animal existence, everyday life, submissive and stagnant life. There is, of course, another important similarity - both Faust and the Master receive salvation from loving women.
And what’s interesting: Margarita, this witch who surrendered to the will of the devil, turns out to be a more positive character than the Master. She is faithful, purposeful, she is the one who pulls her beloved out of the oblivion of a madhouse. The master, an artist opposed to society, becomes cowardly, unable to fully fulfill the demands of his gift, gives up as soon as he has to suffer for art, resigns himself to reality, and it is no coincidence that the Moon turns out to be his last destination. The master did not fulfill his duty and was unable to continue his writing. The master is broken, he has stopped fighting, he longs only for peace...
There is no place for hatred and despair in Bulgakov's novel. The hatred and revenge that Margarita is filled with, breaking the windows of houses and drowning apartments, is more likely not revenge at all, but cheerful hooliganism, the opportunity to fool around that the devil gives her. The key phrase of the novel is the phrase standing right in the middle of it, noticed by many, but not explained by anyone: “Follow me, reader! Who told you that there is no true, faithful, eternal love in the world? May the liar's vile tongue be cut out! Follow me, my reader, and only me, and I will show you such love!” The author, creating the main characters, endows them with extraordinary sensuality and hearts filled with love for each other, but he also separates them. He sends Woland, Satan, to help them. But why does it seem that such a feeling as love is helped by evil spirits? Bulgakov does not divide this feeling into light and dark, does not classify it into any category. This is an eternal feeling. Love is the same power, the same “eternal”, like life or death, like light or darkness. Love can be vicious, but it can also be divine; love in all its manifestations remains love first and foremost. Bulgakov calls love real, true and eternal, and not heavenly, divine or heavenly; he relates it to eternity, like heaven or hell.
All-forgiving and all-redeeming love - Bulgakov writes about it. Forgiveness overtakes one and all, inevitably, like fate: the checkered guy, known as Koroviev-Fagot, and the young page - the cat Behemoth, and the procurator of Judea Pontius Pilate, and the romantic Master, and his beloved. The writer shows that earthly love is heavenly love: appearance, clothing, era, time, place of life and place in eternity may change, but the love that overtakes you once strikes you in the heart once and for all. Love remains the same throughout all the times and all the eternities that we are destined to experience. She endows the heroes of the novel with the energy of forgiveness, the same energy that Master Yeshua displays in the novel and for which Pontius Pilate has been yearning for two thousand years. Bulgakov managed to penetrate into the human soul and saw that it is the place where earth and sky meet. And then the author invents a place of peace and immortality for loving and devoted hearts: “Here is your home, here is your eternal home,” says Margarita, and somewhere far away the voice of another poet who has walked this road to the end echoes her:
Death and Time reign on earth, -
Don't call them rulers;
Everything, spinning, disappears into the darkness,
Only the sun of love is motionless.
Love... It is this that gives the novel mystery and uniqueness. Poetic love is the force that drives all the events of the novel. For her sake, everything changes and everything happens. Woland and his retinue bow before her, Yeshua looks at her from his light and admires her. Love at first sight, tragic and eternal, like the world. It is this kind of love that the heroes of the novel receive as a gift, and it helps them survive and find eternal happiness, eternal peace...

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Essay on literature on the topic: The love story of the Master and Margarita

Other writings:

1. Fate is a mystery that humanity has been trying to find a solution to since ancient times. There may come a time in every person's life when he wants to know or even predetermine his destiny. Sometimes a person may have a choice: either change his life, risking paying for Read More......
2. Bulgakov wrote the brilliant novel “The Master and Margarita”. This novel has been edited several times. The novel is divided into two parts: the biblical story and the love of the Master and Margarita. Bulgakov affirms the priority of simple human feelings over any social relationships in the novel itself. Mikhail Afanasyevich loses in Read More......
3. M. Bulgakov’s novel “The Master and Margarita” can be called a bright and optimistic novel, despite all the suffering that the characters had to endure. Of course, the main character in this work is love as the main exponent of the forces of Good on earth. The bearers of this feeling in the novel Read More ......
4. From that very night, Margarita did not see for a long time the one for whom she wanted to leave her husband, abandoning everything; the one for whom she was not afraid to destroy her own life. But neither in her nor in him did that great feeling that arose at the first Read More......
5. Follow me, reader! Who told you that there is no real, true, eternal love in the world?.. Follow me, my reader, and only me, and I will show you such love! M. Bulgakov In the history of classical literature, there are many works that have become a reflection of the era. Read More......
6. Margarita - she plays a very important role in the novel. This is a beautiful Muscovite, the Master’s beloved. With the help of Margarita, Bulgakov showed us the ideal image of the wife of a genius. When I met the Master, I was married, but I didn’t love my husband and was completely unhappy. Then I realized that Read More......
7. Thus, in the novel there is an interaction between three worlds: the human (all the people in the novel), the biblical (biblical characters) and the cosmic (Woland and his retinue). Let’s compare: according to the theory of “three worlds” by Skovoroda, the most important world is the cosmic one, the Universe, the all-encompassing macrocosm. The other two worlds are private. Read More......
8. The master is a highly educated person, a former historian by profession. The master wins a large sum, quits his job and begins to do what he dreamed of: writing a novel about Pontius Pilate. His novel aroused criticism from official literary authorities, which landed him in a psychiatric clinic. When Read More......

(based on the novel “The Master and Margarita” by M. Bulgakov)

What do we remember when we hear the name “Mikhail Bulgakov”? Of course, The Master and Margarita. Why? The answer is simple: here the question is raised about eternal values ​​- good and evil, life and death, spirituality and lack of spirituality. This is a satirical novel, a novel about the essence of art, the fate of the artist. But still, for me, this is, first of all, a novel about true, faithful, eternal love. Novels in most cases fully correspond to their title, and the main theme in them is love. In the novel “The Master and Margarita” the author touches on this topic only in the second part. It seems to me that Bulgakov does this in order to prepare the reader, for him love is ambiguous, for him it is multifaceted. The whole love story of the Master and Margarita is a challenge to the surrounding everyday life, vulgarity, a protest against conformism, that is, passive acceptance of the existing order of things, unwillingness to resist circumstances. With its painful nonsense, this “ordinariness” drives a person to despair, when it’s time to shout like Pilate: “Oh gods, my gods, I’m poisoned, I’m poisoned!” And it’s scary, scary when vulgarity crushes. But when the Master says to Ivan: “My life, I must say, has not turned out quite as usual...”, a fresh, saving current bursts into the novel, although it is a tragic refutation of the ordinariness that can swallow up life.

Completely changing the theme of Faust, Bulgakov forces not the Master, but Margarita to contact the devil and enter the world of black magic. The only character who dares to make a deal with the devil is the cheerful, restless and brave Margarita, who is ready to risk anything to find her lover. Faust, of course, did not sell his soul to the devil for the sake of love - he was driven by a passion for the fullest possible knowledge of life. It is interesting that in the novel, which, at first glance, so closely resembles Faust, there is not a single character who corresponds to the main character of Goethe. What is certain is the similarity of the worldviews underlying these two works. In both cases, we are faced with the theory of the coexistence of opposites, with the idea that a person has the right to make mistakes, but at the same time he is obliged to strive for something that takes him beyond the limits of animal existence, everyday life, submissive and stagnant life. There is, of course, another important similarity - both Faust and the Master receive salvation from loving women.

And what’s interesting: Margarita, this witch who surrendered to the will of the devil, turns out to be a more positive character than the Master. She is faithful, purposeful, she is the one who pulls her beloved out of the oblivion of a madhouse. The master, an artist opposed to society, becomes cowardly, unable to fully fulfill the demands of his gift, gives up as soon as he has to suffer for art, resigns himself to reality, and it is no coincidence that the Moon turns out to be his last destination. The master did not fulfill his duty and was unable to continue his writing. The master is broken, he has stopped fighting, he longs only for peace...

There is no place for hatred and despair in Bulgakov's novel. The hatred and revenge that Margarita is filled with, breaking the windows of houses and drowning apartments, is more likely not revenge at all, but cheerful hooliganism, the opportunity to fool around that the devil gives her. The key phrase of the novel is the phrase standing right in the middle of it, noticed by many, but not explained by anyone: “Follow me, reader! Who told you that there is no true, faithful, eternal love in the world? May the liar's vile tongue be cut out! Follow me, my reader, and only me, and I will show you such love! The author, creating the main characters, endows them with extraordinary sensuality and hearts filled with love for each other, but he also separates them. He sends Woland, Satan, to help them. But why does it seem that such a feeling as love is helped by evil spirits? Bulgakov does not divide this feeling into light and dark, does not classify it into any category. This is an eternal feeling. Love is the same power, the same “eternal”, like life or death, like light or darkness. Love can be vicious, but it can also be divine; love in all its manifestations remains love first and foremost. Bulgakov calls love real, true and eternal, and not heavenly, divine or heavenly; he relates it to eternity, like heaven or hell.

All-forgiving and all-redeeming love - Bulgakov writes about it. Forgiveness overtakes one and all, inevitably, like fate: the checkered guy, known as Koroviev-Fagot, and the young page - the cat Behemoth, and the procurator of Judea Pontius Pilate, and the romantic Master, and his beloved. The writer shows that earthly love is heavenly love: appearance, clothing, era, time, place of life and place in eternity may change, but the love that overtakes you once strikes you in the heart once and for all. Love remains the same throughout all the times and all the eternities that we are destined to experience. She endows the heroes of the novel with the energy of forgiveness, the same energy that Master Yeshua displays in the novel and for which Pontius Pilate has been yearning for two thousand years. Bulgakov managed to penetrate into the human soul and saw that it is the place where earth and sky meet. And then the author invents a place of peace and immortality for loving and devoted hearts: “Here is your home, here is your eternal home,” says Margarita, and somewhere far away the voice of another poet who has walked this road to the end echoes her:

Death and Time reign on earth, -

Don't call them rulers;

Everything, spinning, disappears into the darkness,

Only the sun of love is motionless.

Love... It is this that gives the novel mystery and uniqueness. Poetic love is the force that drives all the events of the novel. For her sake, everything changes and everything happens. Woland and his retinue bow before her, Yeshua looks at her from his light and admires her. Love at first sight, tragic and eternal, like the world. It is this kind of love that the heroes of the novel receive as a gift, and it helps them survive and find eternal happiness, eternal peace...

Many classic works of literature in one way or another touch on the theme of love, and Bulgakov’s novel “The Master and Margarita” is no exception in this regard.

Michal Bulgakov touches on this topic, revealing it not only in the relationship between the Master and Margarita, but also describing the character of Yeshua Ha-Nozri.

I think that the writer wanted to put the very embodiment of love into the image of Yeshua: he was beaten for preaching, betrayed, but despite everything, Yeshua tells the procurator that all the people who tormented him are kind. Such special and unconditional love for all people shows the enormous strength of the hero, embodies forgiveness and mercy. Thus, Mikhail Bulgakov shows through the character the idea that God can forgive people because he loves them. From this side, love in the novel is revealed in the form of its highest form, its strongest expression.

On the other hand, the author reveals the theme of love through a description of the relationship between a man and a woman. The love between the characters brings them not only joy, but also a lot of grief; the writer even compares love to a killer, noting that, despite everything, it is inevitable and necessary.

The acquaintance of the characters of the Master and Margarita takes place in a completely deserted place, which is especially highlighted by the writer. Probably, by this he wanted to show that the meeting was planned by Woland, because in the end it led to the death of the heroes. In my opinion, the novel contains an indication of the inevitability of love from the very beginning, and the possibility of lovers to be happy only after death and the onset of peace. Love is shown as an eternal and constant phenomenon.

So, the main feature of the work’s theme of love is that this feeling is reflected independent of time and any circumstances.

Essay Theme and Power of Love of the Master and Margarita

Bulgakov's novel was completely innovative for that time. After all, it raises such controversial topics that will always be relevant. True love is the main problem that is raised in the book "The Master and Margarita". Both main characters are trying with all their might to build their happy lives.

During further reading, we learn that Margarita is a very difficult woman. She is the wife of some serious man. She doesn't have to want for anything. She has everything except happiness and love. After all, apparently, Margarita did not become a wife because of high feelings. Yes, she is a rich, stately woman, but not happy. After meeting the Master, Margarita realizes the power of real, true love. He is a poor writer who lives in a basement. The master is in a constant state of poverty, but this fact did not prevent him from falling in love with Margarita and making her happy.

The heroes of this novel really became happy, as each of them dreamed of this. But there is one fact that darkens their lives - Margarita’s marriage. Another factor hindering their happiness is the Master’s imprisonment for a novel that turned out to be anti-Soviet. It would seem that now there is no happiness, so live it: he is in a hospital for the mentally ill, and she is next to a man who will never make her happy.

It is at this moment that fate itself seems to send them a chance to find happiness. The devil himself offers Margarita a deal. Margarita cannot refuse, because this is the only chance to find happiness and not suffer with her unloved husband. For one evening she became the queen of the world of the dead. For this, she asks Woland for only one thing - to return her beloved Master to her. And this helps them find happiness.

In order to become happy, Margarita had to sell her soul to the Devil. What a person will not do for true love. This is the most powerful feeling that can change many lives. Only love pushes people to do such things. You can give everything for her without asking for anything in return. Her strength is difficult to measure. And is it necessary? When we find love, we find true happiness.

Eternal love.

Bulgakov’s novel “The Master and Margarita” is a popular work that is read and loved both in Russia and abroad. The novel intertwined many pressing issues of the time and various topics for thought. But the most striking theme is, of course, the theme of love. Many people, even those who are familiar with the novel only by hearsay, when they hear the combination of the words Master and Margarita, imagine a story of unearthly love.

The author tells us about what the main character's life was like before meeting the heroine. He was a poor man who, having once received a large win, began working on a novel about Pontius Pilate. Before the end of the novel, the main event of his life happened to him - a meeting with Margarita. She wasn't free, but that didn't stop her. Her old life now seemed meaningless to her. Many would think that that life was wonderful, because she had a house, a wealthy husband, and she was endowed with beauty. But she didn’t need all this, because it didn’t bring happiness, there was no meaning in life. This means that the meeting of the heroes was not accidental; they both needed this love.

What did this long-awaited love give them? She completely changed their lives, changed them. True love usually arises like this: suddenly and forever. It became even easier for the master to write his novel; his inspiration was fueled by the beautiful Margarita. She admired him, encouraged him and supported him. They were happy together, like true lovers. When work on the novel was completed, they needed to leave their secret nest. But, unfortunately, they faced the cruel world of that time. Back then, it was not so much talent that was valued, but rather the ability to adapt and find useful connections. They, their love, were opposed to the rest of the world.

The love of the heroes is so strong that they are both ready to make sacrifices. Margarita is ready to give up all earthly blessings, and the Master is afraid to ruin the life of his beloved. Margarita is the model and ideal of a loving woman. Moreover, she treats those around her with love, this can be seen at Satan’s ball, where everyone was rewarded with her attention and love. Even when she takes revenge on her enemies, she takes pity on the frightened child. She remains beautiful even in the form of a witch. The master gains strength and peace through love. He promises his beloved that he will never allow cowardice.

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