Orange plus blue. DIY beauty: how to get blue and what colors you need to mix for this

Decorating walls in a house or apartment is impossible without creative approach. Ready-made paint shades do not always satisfy personal or customer requirements, so it is important to know which colors and in what proportions to mix to get purple. Purple can be adjusted by introducing light shades. The article discusses methods for obtaining purple by mixing paints.

Making purple from magenta, blue or cyan

The color spectrum perceived by the human eye and brain is made up of three colors. Shades are formed by mixing red, blue and yellow. The effect of color saturation depends on the amount of one of the three shades. This information provides an understanding that one color is produced when various variations primary colors. You can get a rich purple from magenta. Magenta is a rich light-colored pink color and absorbs shades of green well. After absorption, the visible spectrum remains red and blue. When a portion of blue is added to magenta, green and red are absorbed, leaving violet in the visible spectrum. The effect is explained by the color receptors receiving a strong signal from blue and a weak signal from red. The brain, combining signals, perceives them as purple.

Advice! The brain perceives violet when cyanogen is added to magenta. Cyan covers the spectrum of red, leaving a bright violet to be perceived.

A five-color printer will help in mixing shades. One of the subtractive colors in it is magenta. A drawing or figure created in graphic editor, it will not be difficult to print. A sample is required to purchase magenta paint. The store makes a small dab of paint next to the sample for comparison. It is impossible to obtain magenta by mixing shades, since the color belongs to the main spectrum. The result of adding yellow to magenta in varying proportions is a red and orange tint. When cyanide is added, not only violet is formed, but also bright blue. The saturation of violet is varied by adding blue and cyan without a greenish tint to the mix.

Making purple from pure red and blue

You can achieve a violet shade without using magenta. The result will be in the presence of pure blue and red colors. Determining their purity is important because manufacturers add yellow and orange pigments to tubes of red paint to create a rich tone. The blue paint container contains yellow and red pigments. Mixing containers with flowers that are not pure will result in a dirty brown color. You can check the purity of color using white. To do this, blue or red is diluted in a glass of water. White is added to the aqueous solution. When diffused, shades of different colors are visible. If peach is visible in the case of red and sea green in the case of blue, then the colors are impure.

Note! Pure red when mixed with white forms pink, pure blue - cyan.

It is convenient to mix pure colors on the palette. It is poured into the cells equal amount red and blue, which are mixed with a brush. If the target is purple, then the blue portion should be smaller. An extra dose of red will create a purple with a pink tint.

How to correct the resulting purple color

The color result is adjusted until the desired shade is achieved. You can use black white, dark blue, light blue and pink for this. You can lighten the mixture with white. In this case, the method of obtaining the result is unimportant. A small amount of white added to purple makes it brighter. By increasing the white content, pastel colors are formed. Black adds depth to purple. The substance is added gradually, in small doses, so as not to turn the main shade black. It will not be possible to correct the result with white, because adding white will result in gray.

At the right combination white and black together with violet forms lavender with a gray sheen. For the predominance of pink, red or magenta is added. You can adjust the color to purple using blue and cyan. A purple shimmer is formed when paired with blue or cyan.

To ensure the purity of the resulting shade, when working with substances, clean containers and tools are required to collect the composition. The instruments are washed several times, because dark background Residues of components are not always noticeable. If white remains, the color will not be saturated, black will blur the result. Understanding consistency and ratio comes with experience, so at first the composition of substances is done gradually so that you don’t have to start again. On the palette, a substance may have one reflection, and on the canvas another, so after mixing, part of the composition is applied to the edge of the canvas to compare the result. Mixing the components until the required shade is formed is required not only by artists, but also, for example, by confectioners.

The absorption effect may interfere with the results, so add components with caution. Lilac belongs to the cold spectrum, so it is obtained by correcting violet with blue and red. Accompanying the correction with white, the composition is saturated. Lilac can set off one of the components used for correction; this can be compensated for by rich black, added splashes from the brush.

Shades of purple: palette, color names

By experimenting with substances you can obtain all 196 elements of the Panton palette. As a result, one substance becomes bright, dull, saturated, purple, with a hint of gray, purple, bluish, with a pink tint and others. Pastel shades fade into rich dark. The names of each of them are shown in the diagram above.

Color Mixing Chart

Above is a table for making each of the pigments shown on the left. Fashion encourages the use of non-standard pigments in the production of clothing, accessories and furniture. Understanding the principle of the formation of shades will make it possible to convey the full depth of mood in a painting or photograph. The artist achieves the result by expressing the mood by mixing components. Chromatic substances are located nearby in the palette, on long distance there are achromatic components. Mixing achromatic pigments adds a grayish sheen to the result. There is a video below about how to obtain the required shade.

The use of pigments will not give the desired result if they differ chemical composition. Pigment components are capable of reacting, which can lead to fading of the composition during the mixing process. An example of this is the interaction of red cinnabar and white lead. The short-term result will be a bright pink substance. When left to stand, the substance darkens and loses its properties. Oil compounds are mixed with oil compounds. Sensitivity to solvents is taken into account when treating surfaces. Mixing experiments are conveniently carried out with acrylic paints. This is explained by their versatility. Acrylic compositions are applied and fixed to glass, concrete, canvas and paper, so it is easy to paint any surface with them. At the same time, to implement the idea you will need several colors, among which there will definitely be white and black for adjustment.

Note! It is more difficult to obtain the required result when working with large volumes of substances, so the ratio is calculated mathematically and verified practically, starting with drops.

Conclusion

As you can see, in most cases it is not necessary to purchase the entire range of coloring compositions to create unique paintings or interiors. Imagination and understanding of how some tones absorb others will make it possible to create exclusive solutions that will be difficult to repeat. After creating a masterpiece, even the author himself often finds it difficult to repeat the result obtained when mixing the components. A sense of proportion is important. The task of mixing components will be simplified by tools with printed scales. Thanks to the scales, you can make records of which component was mixed and in what proportions.

Blue is the main color, along with red and yellow. Blue represents cold color scheme. In the Panton palette, developed in the mid-20th century. – 180 shades of blue, each of which has its own name and number.
When you mention this color, boundless images of the sea and sky, space, deepening twilight, and moonlight arise in your imagination.

How to get blue if it is not in the palette?

It is believed that blue can be obtained by mixing green and yellow, but in practice the combination of these colors gives more of an olive color. Blue is unique and inimitable. It is impossible to obtain it by mixing paints.

Traditional color wheel

To achieve the desired color or shade, you can use the color wheel.
Basic colors, which include blue, red and yellow, when mixed, form orange, green, brown and purple.

How to create a classic blue using paint mixing

If you have blue but want a different shade, use existing colors to get the tone you want. Shade can be extremely important when creating a work of art, as well as in the field of design and interior decoration.

In standard sets acrylic paints The blue color is ultramarine, a bright and at the same time dark shade with purple notes.

In order to create more light tone, mix 3 parts blue + 1 part white.

How to get royal blue

This shade can be described as blue at the junction with lilac.
Mix blue and mangenta pink in equal proportions. To make the shade lighter, add white.

How to get dark blue color

Sometimes the main blue in the color palette looks too bright and light. In order to get a darker shade, mix 3 parts blue with 1 part black. This way the resulting color will be darker.

How to get gray-blue color

This shade perfectly conveys the atmosphere of the sky and water surface on a cloudy day.
To do this, mix the base Blue colour with brown. The result will be a dark gray-blue shade, which white will help lighten.

Without having a basic blue color in your arsenal, it is impossible to create it by mixing other colors, but if you have a basic blue, you can experiment with creating new shades and tones of it.

Burnt sienna, ultramarine, cadmium yellow - these words sound like mysterious spells to the uninitiated ear. In fact, these are just names of colors, although a certain magic is, of course, present in them. One has only to pick up a brush and apply a few drops to the palette, and the imagination immediately comes to life. And all that remains for the artist is to mix the paints correctly to create real miracles.

It is sometimes difficult for novice artists to navigate the choice of colors for their painting, especially if there are many colors in their watercolor set. This is why it is recommended to buy paints with a smaller variety of shades, because it is much more interesting and, most importantly, more useful to mix the paints yourself. Ready-made colors often turn out to be quite harsh, far from natural muted tones. But a palette created with your own hands will not only help you find what you need for the desired image, but will also serve as a source of imagination and useful knowledge.

All shades of colors are divided into warm and cold. These names are absolutely telling; warm colors are sunnier, more summery: orange, red, yellow. Cold, respectively winter, refreshing: blue, light blue, violet.

The colors on the palette interact with each other, forming absolutely incredible variations. However, there are general trends, which are reflected in the so-called Itten circle. This is a model of combining primary and secondary colors.

The circle not only shows how secondary colors are formed from primary ones, but also visually divides them into warm and cold, respectively, some on the right, others on the left. It is important to understand that we are talking about base colors, not shades. After all, in comparison, some will turn out to be warmer, others colder.

Here is a small table on mixing primary colors.

Rules for mixing paints

To mix watercolor paints correctly, you need to know some of their features and be sure to take them into account when applying them to paper. It's about not only about the division into warm and cold tones, but also about the hiding power of some colors, i.e. ability to overlap previous layers. Different shades are obtained not only by mixing two colors, but also by varying their quantity, as well as the amount of water used. For example, mixing classic combination yellow and green, adding more yellow will gradually change to a lighter lime green, and may even return to the original element.

Colors that are close to each other when mixed will not give a pure tone, but with their help you can get a very expressive shade, it will be called chromatic. If you combine colors located on opposite sides of the color wheel, you can get an achromatic, grayish tone. For example, a combination of orange with green and purple will give this effect.

Some paints give an undesirable reaction when mixed. It's not just about dirt on the drawing, it can lead to cracking of the paint layer, as well as to its darkening when drying. The combination of zinc white with cinnabar has a beautiful light pink tone, but later this combination darkens and becomes inexpressive. Therefore, it is, of course, considered optimal to achieve brightness and multi-color by mixing a minimum number of colors. Remember that some combinations give a lasting effect, while others are completely unacceptable.

How to get yellow color when mixing paints

Yellow is one of the three basic colors, so get it by mixing pure form impossible! However, you can achieve some results by playing with shades that are close to the palette. For example, to get gold, you will need regular yellow and a drop of red or brown. A good option is also to make them yellow with red and adding white.

How to get orange color when mixing paints

Much more productive is to mix yellow paint to create orange color. It is formed from a mixture of yellow and red. Adding a little brown and red can make it tangerine or gold, depending on the amount of ingredients. Bright orange comes from classic orange with brown and white.

How to get a mint color when mixing paints

How to get black by mixing paints

Each set of watercolors contains black color, but if for some reason you don’t have it, or you really need it dark shade, then you can mix it yourself. You will need to combine red, yellow and blue in equal proportions. Great color comes from blue and brown. Also suitable for mixing are red, green, yellow, and purple. Soft black colors come from cobalt yellow, cobalt blue and madder pink.

How to get green color when mixing paints

Green comes from yellow and blue. However, in watercolors in its pure form it is rarely used. Much more popular colors are sunny green or olive green, midnight green, their combination and other options. Solar green uses ultramarine and cobalt yellow, olive is prepared from the same flowers with the addition of burnt sienna, and midnight is made from FC blue, yellow and a drop of black.

How to get turquoise color by mixing paints

Turquoise is better known by its other name, aquamarine. On the color spectrum its place is between green and blue. Therefore, they will be needed for mixing. You will need a slightly larger amount of blue cyan than green. However, this depends on the color intensity required. For a more subtle turquoise, you can add a drop of white or light gray paint. For a rich aquamarine you will need to take bright shade blue, green and a little yellow.

How to get burgundy color when mixing paints

The burgundy color owes its name to the French wine of the same name. This is a solemn, deep color, you can mix it using three parts red and one blue. For more warm shade you can introduce a little yellow, or combine bright scarlet in half with brown. More cold tone It turns out from red, brown and black, it comes out so rich that it must be diluted with water.

How to get blue color by mixing paints

It’s very easy to get blue in watercolors; just dilute ultramarine with water, and you’re done. However, for those who are not looking for easy ways, there are always a couple interesting ways. One of them is the use of white: for 2 parts of ultramarine you will need one part of white paint. You need to dilute the blue color gradually to adjust the saturation of the tone. For a bright blue color you will need the same blue, a drop of red and white. Another shade can be obtained by adding to this mixture one part of not red, but green paint.

How to get crimson color when mixing paints

Bright and energetic crimson color has a whole range of shades. The main one can be obtained by combining red, blue and a small amount of white. To tone down a too bright color, add a little black. Instead of black, you can use brown, and instead of blue, turquoise or cyan, or purple, the results will be very extraordinary.

How to get brown color when mixing paints

You can get brown color different ways. The simplest one is mixing red and green paints. It can also be made from purple and yellow, the more yellow, the lighter the tone. Another way is to use red, blue and yellow, but you need to mix them gradually, adding more paint to adjust the shade, otherwise a black color may form, especially if red and blue predominate. A good tint comes from mixing orange and blue.

How to get purple color by mixing paints

From school curriculum It is known that purple comes from red and blue colors. However, in reality this is not entirely true. It is quite difficult to obtain a high-quality bright shade, and what comes out of these two colors is more like a nondescript burgundy. So, in order for a bright, rich lilac color to come out in a company of red and blue, the latter must predominate. In this case, the shade of red should be taken as cold as possible, otherwise there is a high probability of mixing brown rather than purple. Blue also has its own requirements - it should not contain any greenish notes, take only in its pure form, for example, cobalt blue or ultramarine. To lighten the final tone, you can use a small amount of white. Important nuance, this is that after drying the color fades a little.

How to get blue by mixing paints

Blue is a basic color and cannot be mixed with other colors. But with the help of blue paint and auxiliary paints you can get many shades of it. For example, from bright ultramarine with white lead you can get sky blue. For a rich blue tone take ultramarine with dark turquoise. A beautiful blue-green comes from blue with a little yellow. White will make this shade paler. The famous Prussian blue is obtained from mixing blue and green in equal parts. If you take 2 parts blue and 1 part red, you get blue-violet. And if you take pink rather than red, you get royal blue. A complex gray-blue color, excellent for drawing shadows, can be obtained from blue and brown. A rich dark blue will come out of blue and black, combining two to one.

How to get pink color by mixing paints

Usually pink color is obtained from a combination of red and white; its shade will depend on the proportions. But you can also experiment with various types red The bright scarlet gives a wonderful effect, the pink color turns out to be very pure. Brick red gives peach shade. And bloody alizarin and white form a fuchsia color. By adding drops of purple or yellow to the mix, you can get unexpectedly interesting results. Not everyone accepts the use of white in watercolors, then you can get pink simply by diluting any red color with water. In a low concentration, this will be what you need.

How to get beige color when mixing paints

Beige or flesh color is necessary for the artist to depict people, faces, portraits, etc. Delicate beige can be obtained from white with the addition of ocher, cadmium yellow and red, sienna and sometimes ubra in minute quantities for light shading. The ratio of ocher in comparison with other components will be higher, all ingredients need to be introduced little by little, adjusting the required color intensity. Unfortunately, there is no exact recipe; each artist has his own vision of this issue.

How to get lilac color when mixing paints

The lilac color is quite close to purple, they are even called related. They are both cool shades and stand on color wheel close enough. Actually, the main recipe for lilac color is diluting purple with white or water.

How to get gray color when mixing paints

IN watercolor paintings You will never find black shadows; they are usually drawn with the same colors as the rest of the details, but with the addition of a darker element, for example, gray. This color in watercolor can be obtained by combining black with a large amount of water or white. Interesting shades are obtained from cobalt blue with the addition of burnt sienna or burnt umber.

Mixing oil paints, mixing technology

Mixing oil paints has a slightly different specificity, unlike watercolor. Although the basic recipes for obtaining certain flowers are, of course, general. Basic techniques for mixing acrylic paints:

• Combining colors on the palette, i.e. physical, to obtain a new tone or shade for the purpose of applying to a drawing. If one of the paints is lighter, then it is applied in small strokes over the dark one, provided that both paints have the same covering properties. When clear paint is mixed with opaque paint, the result is opaque paint. If two transparent paints are taken, then the result will be transparent. With this method, a decrease in the purity and intensity of tones is inevitable.
• The method of overlaying paints, otherwise known as glazing, involves layering transparent paints on top of each other directly on the image. Of course, the previous layer must be completely dry.
• Color joining method. If you apply brush strokes very tightly together, then visually mixing of these colors occurs, like a kind of optical illusion.

Oil Paint Mixing Chart

Mixing acrylic paints, technology

Acrylic paints - great option for beginning artists and painting lovers. They are universally suitable for paper, fabric, glass, wood, etc. Their only drawback is their rather high cost, and therefore acrylic sets usually do not have a very rich palette. But nothing prevents us from expanding it using mixing technology. You must have 7 colors: red, pink, yellow, blue, brown, white and black. And then, using a special table, you can easily mix acrylic yourself.

Acrylic paint mixing table

Mixing gouache paint colors

When choosing gouache, you should not focus on large sets; they look very impressive and presentable. But in fact, you will have to overpay for completely unnecessary colors. It is much better to focus not on the number of jars, but on their volume. After all, when the primary colors run out, you will still have to buy new paints, and the unused ones will remain as dead weight. Moreover, it is very easy to obtain new colors and shades of gouache, as simple as holding a brush in your hands. None special rules not here, unless you need a color matching table.

Gouache paint mixing table

Knowledge of color mixing options can be useful not only in professional activity artists. Individual design of a living space often poses the question to the designer of how to achieve this or that interesting undertone. The proposed combination options and color mixing table will help you get desired effect.

Everyday life is filled with a wide range of different colors. To get the right one, you need to know the intricacies of combination.

Blue, red and yellow paint are the three pillars on which a wide palette of halftones rests. It is impossible to form these colors by mixing other colors. At the same time, combining them with each other gives an unusually large number of combinations.

Important! You can create a variety of shades by mixing only two colors by changing their proportions.

Depending on the volume of one part of paint added to another, the resulting result approaches one or another original color. One of the most famous examples is the mixing of blue and yellow, resulting in the formation of green. The resulting result, when adding new portions of yellow paint, will gradually change, getting as close as possible from green to yellow. You can return to blue by adding more of the original element to the green mixture.

Mixing chromatic colors that are located close to each other on the color wheel produces a paint that does not have a pure tone, but has an expressive chromatic hue. Combining colors that are on opposite sides of the chromatic circle will result in an achromatic tone. An example is combining orange or purple with green. That is, a mixture of colors located closely in the color wheel gives a rich chromatic shade; the maximum distance of colors from each other when mixed leads to a grayish tone.

Individual paints, when interacting, produce undesirable chemical reaction, which may result in cracking of the decorative layer. IN in some cases the resulting background may darken or gray. A clear example A mixture of white lead and red cinnabar is used. The attractive pink color darkens over time.

It is optimal when the impression of multicolor is achieved by mixing a minimum number of colors. At the same time, it is important to consider which paints, when mixed with each other, give a lasting result, and which ones are unacceptable to combine. The knowledge gained allows us to eliminate paints that fade or darken in the future from work.

The table of unwanted mixtures below will help reduce the risk of erroneous combinations:

Having tried the examples given in practice, future painters and designers will gain valuable professional experience.

Methods for obtaining red and its shades

Red is one of the three primary colors and is necessarily present even in minimal sets. But for mass printing, magenta tone is used. The answer to the question of how to get red is quite simple: mix the proposed magenta with yellow in a 1:1 ratio. There are other options for getting red when mixing paints:

The main red is located in the center. Next are the options for mixing. The next circle is the result of combining the first two colors. In conclusion, color options are presented when added to last result red, black or white paint.

Blue and its shades

Blue is considered a primary color, so to form all its shades you will need blue paint.

Attention! No combination of other colors produces a shade of blue, so the presence of this paint in the kit is mandatory.

Even with a set of 12 colors available, the question periodically arises of how to get blue. The classic tone is called “royal”, and in a set of acrylic paints the main color is often ultramarine, which has a bright dark shade with a purple undertone. A lighter effect can be achieved by mixing blue and white in a 3:1 ratio. Increasing the white leads to a lighter tone, up to a sky blue. If you want to achieve a moderately rich result, dark blue paint mixed with turquoise.

Let's look at what colors need to be mixed to get shades of blue:

• The effect of a dark blue-green tone is achieved by mixing blue and yellow paint in equal proportions. Adding white paint will create more light shade with a simultaneous decrease in brightness due to the combination of 3 elements.
• The creation of “Prussian blue” is carried out by mixing 1 part of the main blue and adding 1 part of a composition of bright green and light green. Rich and deep shade can be diluted with white, and its purity will not change.
• Combining blue and red in a 2:1 ratio produces blue with a hint of purple. Adding white allows you to lighten a dark and rich tone.
• Royal blue is distinguished by its brightness; a similar effect is achieved by mixing the main blue with mangento pink in equal parts. An admixture of white traditionally brightens the result.
• Combination with orange gives a gray mass. Replacing orange with brown in a 1:2 ratio to the base creates a dark color with a complex gray-blue tint.
• The formation of dark blue occurs with the help of an admixture of black in a ratio of 3:1.
• You can create a blue tone yourself by mixing the main color with white.

A small table of combination options is presented below:

Green color palette

Solving the problem of how to get green if it is not in the set is quite simple: combine yellow and blue. A rich palette of green halftones is created by changing the proportions of the original components and adding additional elements, performing the function of darkening or lightening. This role is played by black and White paint. The olive and khaki effect is achieved by mixing two main elements (yellow and blue) and a slight admixture of brown.

Comment! The saturation of green depends entirely on the quality of the constituent elements: intense tones of the source materials guarantee a bright result.

If green is obtained by mixing, then all subsequent undertones will be duller. Therefore, it is better to experiment with the range of green if you initially have a ready-made primary color. There are many combination options:

• A combination of blue and yellow in equal proportions produces a grassy green.
• Increasing yellow to 2 parts and adding 1 part blue results in a yellow-green effect.
• An experiment on the contrary in the form of a blue-yellow proportion of 2:1 will allow you to obtain a blue-green tone.
• If you add ½ part of black to the previous composition, you will achieve a dark green effect.
• A light green warm tone is formed from yellow, blue and white paint in a ratio of 1:1:2.
• For a similar light green shade, but a cool tone, you need to take yellow, blue and white base in a ratio of 1:2:2.
• Dark olive color is formed by mixing equal parts of yellow, blue and brown paint.
• The gray-brown tone is obtained from similar elements in a ratio of 1:2:0.5.

The expressiveness of the green color is directly dependent on the original elements; accordingly, the brightness of the halftones is based on the saturation of the green. The graphic palette gives a clear idea of ​​the mixing options:

As in the case of the red circle, the main paint is located in the center, followed by mixing options, then the result of the experiments. The final circle is the shades of the previous level when adding base, white or black paint.

Other combination options

There are many other techniques to create the desired effect by adding some kind of dye to the base color. The answer to the question of how to get ivory color is multifaceted and depends on the surface where you plan to apply the paint. The simplest option is to mix snow-white basic basis with yellowish. For example, yellowish ocher or a minimal amount of strontium is added to white. To tint paper, a small amount of potassium permanganate is diluted in water. A light pink tint indicates a correctly diluted solution. A cotton swab, brush or sponge is moistened with the resulting composition, after which the surface of the paper is treated.

Advice! For double-sided tinting, the sheet can be dipped in a container with a solution of potassium permanganate for a couple of minutes. After drying, it will acquire the desired ivory effect.

There are also several ways to get black:

• by mixing the three basic colors of red, blue and yellow;
• when combining cyan, magenta and yellow;
• a combination of green and red, but the result will not be 100% clear, but only close to the desired effect.

We will try to answer the most popular questions about mixing options:

• How to get raspberry color: the base is blue with the addition of red, white and brown tones.
• Get turquoise, whose second name is aquamarine, can be used by mixing blue and green. Depending on the proportions, the tones of the new shade range from soft pastels to intense and bright ones.
• How to get yellow? It is a basic color and cannot be obtained by combining other colors. Something similar to yellow can be created watercolor paints when combining green and orange or red. But it is impossible to achieve purity of tone in this way.
• How to get a brown tint? To do this you will need basic paints: red, yellow and blue. First, a small amount of yellow is added to the red (in an approximate ratio of 10:1), then the volume is gradually increased until an orange tone is obtained. Then they move on to the introduction blue element, 5-10% of the total volume will be enough. Minor adjustments to proportions will produce a wide variety of brown effects.
• Combining black and white elements in different proportions gives a diverse range of gray tones.

As you can see, there are options to achieve the desired effect in creative process an innumerable variety of designs. The information presented will be supplemented by a table with options for mixing colors and video:

The color mixing table allows you to learn how to get the right one when mixing two or more colors and shades.

This table is used in various fields art - fine art, modeling, and others. Can also be used in construction when mixing paints and plasters.

Color Mixing Chart 1

Color mixing chart 2

Mixing paints
black= brown+blue+red in equal proportions
black= brown+blue.
gray and black= blue, green, red and yellow are mixed in equal proportions, and then one or the other is added by eye. it turns out we need more blue and red
black= it turns out if you mix red, blue and brown
black=red, green and blue. You can additionally add brown.
bodily= red and yellow paint... just a little bit. After kneading, if it turns yellow, add a little red, if a little yellow paint turns pink. If the color turns out to be very saturated, add a piece of white mastic and mix again
dark cherry= red + brown + a little blue (cyan)
strawberry= 3 parts pink + 1 part red
Turkiz= 6 parts sky blue + 1 part yellow
silver gray= 1 hour black + 1 hour blue
dark red= 1 part red + a little black
rust color= 8 hours orange + 2 hours red + 1 hour brown
greenish= 9 hours sky blue + a little yellow
dark green= green+a little black
lavender=5 parts pink + 1 part purple
bodily= a little copper color
nautical=5h. blue+1 hour green
peach=2h. orange + 1 tsp. dark yellow
dark pink=2h. red+1 hour brown
Navy blue=1h. blue+1h. Sereneviy
avocado= 4h. yellow + 1 part green + a little black
coral=3 hours pink + 2 hours yellow
gold= 10 hours yellow + 3 hours orange + 1 hour red
plum = 1 part purple + a little red
light green= 2 hours purple + 3 hours yellow

red + yellow = orange
red + ocher + white = apricot
red + green = brown
red + blue = violet
red + blue + green = black
yellow + white + green = citric
yellow + cyan or blue = green
yellow + brown = ocher
yellow + green + white + red = tobacco
blue + green = sea ​​wave
orange + brown = terracotta
red + white = coffee with milk
brown + white + yellow = beige
light green=green+yellow, more yellow,+white= light green

lilac=blue+red+white, more red and white, +white= light lilac
lilac= red and blue, with red predominating
Pistachio paint obtained by mixing yellow paint with a small amount of blue