The image of Tatyana Larina in Onegin. The character of the main character

The image of Tatyana Larina in the novel “Eugene Onegin” has long become symbolic for Russian literature. It is she who, as a rule, opens a gallery of beautiful female characters created domestic writers. The text of the novel shows that Pushkin created this character very carefully and carefully. Dostoevsky wrote that the title of the novel should contain the name not of Tatyana, but of Tatyana - it was her who the famous novelist considered the main character of the work. The image of Tatyana not only appears as a portrait frozen in time and space, she is shown in her development, in the smallest traits of character and behavior - from a romantic girl to a strong woman.

At the beginning of Eugene Onegin, the author shows us a young seventeen-year-old girl (it is worth noting that Tatyana’s age is not stated in direct text, but Pushkin’s letter to Vyazemsky, in which he writes about the heroine of his novel, gives the answer to this question). Unlike her cheerful and frivolous sister, Tatyana is very quiet and shy. Since childhood, she was not attracted to noisy games with peers, she prefers loneliness - that is why, even with family members, she felt distant, as if she were a stranger.

They find her something strange,
Provincial and cutesy
And something pale and thin,
But it’s not bad at all...

However, this girl, so silent and unattractive, has kind heart and the ability to feel very subtly. Tatyana loves to read French novels, and the experiences of the main characters always resonate in her soul.

Tatyana's love reveals her tender nature. Famous letter, which she writes to Onegin, is evidence of her courage and sincerity. It must be said that for a girl of that time, confessing her love, especially by writing first, was practically equivalent to shame. But Tatyana does not want to hide - she feels that she must talk about her love. Unfortunately, Onegin simply cannot appreciate this, although, to his credit, he keeps the confession a secret. His indifference hurts Tatyana, who has difficulty coping with this blow. Faced with a cruel reality, so different from the world of her favorite French novels, Tatyana withdraws into herself.

And dear Tanya’s youth fades:
This is how the storm's shadow dresses
The day is barely born.

An interesting episode in the novel is the one that predicted death at the hands of Onegin. Tatyana's sensitive soul, which detects any anxiety, responds to the tension in the relationship between two former friends, and results in an alarming, strange nightmare that the girl had during Christmas time. The dream books do not give Tatyana any explanations about the terrible dream, but the heroine is afraid to interpret it literally. Unfortunately, the dream comes true.

The argument is louder, louder; suddenly Evgeniy
He grabs a long knife and instantly
Lensky is defeated; scary shadows
Condensed; unbearable scream
There was a sound... the hut shook...
And Tanya woke up in horror...

The final chapter of “Eugene Onegin” shows us a completely different Tatyana - a matured, sensible, strong woman. Her romanticism and dreaminess disappear - unhappy love has erased these traits from her character. Tatyana's behavior when meeting Onegin evokes admiration. Despite the fact that love for him has not yet faded in her heart, she remains faithful to her husband and rejects the main character:

I love you (why lie?),
But I was given to someone else;
I will be faithful to him forever.

So, best image the novel, which is perfectly described by the quote “Tatyana’s sweet ideal,” combines beautiful and worthy of emulation traits: sincerity, femininity, sensitivity, and at the same time - amazing power will, honesty and integrity.

"Eugene Onegin" is a novel in verse. If not the best, then one of the best best works great Russian classic. A.S. Pushkin for the first time reveals Tatyana Larina, who is an ideal for him, which he tenderly and lovingly praises.

It is believed that the prototype of the heroine was real woman, who left after her husband, who was exiled to Siberia.

The ideal image of the heroine in the novel “Eugene Onegin”

Pushkin calls his heroine a simple and at the same time very common name - Tatyana. Her character is sincere, folk, natural, but nevertheless she cannot be called a simpleton. The heroine's sincerity is combined with the extraordinary depth of her soul.

She is a big lover of books, brought up on them and the stories of her nanny, and is different from her surroundings. Tatyana is not used to being affectionate with her parents and playing with other children, like all her peers. She appears to readers as a girl somewhat removed from the rest of society. For Pushkin, this is the ideal image of the heroine in the novel “Eugene Onegin”.

She loves nature and lives according to its rhythms and laws, feeling her unity with it.
Public opinion not so important for a girl. But she lives in a world of ideals, sincere soulfulness, high spiritual morality and purity.

She likes it better country life, closeness to nature, which she feels and loves. Then, having gotten married, living in St. Petersburg and leading a social life, she will remember with longing the life that she had in her beloved village.

A.S. Pushkin, “Eugene Onegin”: heroes and their love

Pushkin describes in his novel two bright images main characters. This is Tatyana Larina, Evgeny Onegin, who oppose each other and at the same time attract. Clean and sincere soul The girl comes into contact with a young man who has already seen a lot in his life and is disillusioned with life. Onegin's spiritual emptiness and Larina's soul filled to the brim are dramatically revealed in the novel.

It would seem that love should work miracles, and Tatyana, who is strong and sincerely in love, will definitely be able to change everything. Eugene Onegin, however, rejects her after her confession and leaves her completely at a loss. Was it love or passion? Tatyana, being a dreamy girl, fell in love not with real person, but into the image she invented, which she drew in her dreams.

The young man, who attracted her with his detachment and mystery, those traits that were inherent in her, nevertheless turned out to be not the romantic hero from her dreams and dreams. He turned out to be an empty, disappointed and even corrupted man by the secular life of the capital. But, despite this, noble nobility lived deeply in him, and Tatyana was not deceived. Eugene Onegin left, leaving the girl in complete confusion.

He had a chance to change and find the soulfulness that he once had. But it was too complex and incomprehensible for him, and the young man or “young old man,” as critics sometimes called him, decided to simply retire and continue his usual way of life.

Much later, Tatyana Larina and Evgeny Onegin will meet in St. Petersburg. And then the fire of passion will no longer burn her, but Onegin. Tatyana, in turn, having become a high society lady, will not lose her ability to love. However, this time she will reject Eugene - not in order to take revenge or follow the norms accepted in society.

She loves him, no matter what, and does not hide it from him. But she continues to be guided in life by her high spiritual and moral principles and cannot break the vow given to the husband destined by fate. At the same time, she understands that Onegin is not driven by passion and selfish pride. And how can she answer otherwise? Decide to have an extramarital affair? By doing this, she would not only desecrate her love, but also betray herself, sacrificing her inner rules of life.

V.G. Belinsky about Tatyana

Tatyana in his perception is deep and strong woman, without the painful contradictions of complex souls, which sometimes they themselves are not able to understand. She is whole, united and pure in nature. And it doesn’t matter who she is today: a society lady or ordinary girl from the village. Wherever she is, high spiritual integrity does not leave her, and no matter what happens to her, she is guided by the values ​​​​living within her.

Tatiana and Olga

Tatyana, the ideal image of the heroine in the novel Eugene Onegin, is the complete opposite of her sister Olga. The latter is a flighty girl with a carefree and narrow-minded disposition. Her image is fully revealed in disdainful attitude to the young man who fell in love with her, Lensky, who, because of her frivolous behavior, challenges Onegin to a duel and dies there.
Tatyana cannot be spiritually friends with her flighty sister; she needs depth and meaningfulness in her own and other people’s thoughts and actions, which Olga cannot give her.

Natural image

Tatyana is able to contemplate beauty, feel harmony, understand the language of nature and love the world. She loves to watch the sunrise and think about the moon, walk through fields and meadows, admire the beautiful natural landscapes, especially in winter, and even

Its image is close to the pagan one, when people lived in unity with the world around them, with nature, without separating themselves from it and finding in nature all the answers to the questions they had. Tatyana believes in superstitions, omens, fortune telling and dreams. And this belief further strengthens her connection with nature.

Social image

Social life is a burden for the girl. Her deep inner nature resists falsehood, but she is forced to come to terms with it and live as fate ordered her. By the end of the novel, the naive village girl learned to put on a cold secular mask and walk around in it, like all the people around her. But, despite this, she does not lose her essence and spiritual qualities.

Favorite Quotes

Those who read, studied and studied the novel “Eugene Onegin” in school can remember quotes from it all their lives. Thanks to the beautiful and light style of the great Russian poet, the poems are remembered quickly and for a long time: “Wild, sad, silent, like a timid forest deer...”

In the novel “Eugene Onegin”, quotes characterizing the image of Tatiana, vividly and simply depicting the Russian, remain in the memory of young people, help in comprehending the mysterious Russian soul and a deeper understanding of themselves.

V.G. Belinsky called “Eugene Onegin” “an encyclopedia of Russian life,” since it reflected the entire life of the Russian nobility of that era, like a mirror. The poet’s focus is on life, everyday life, morals, and actions. young man Evgenia Onegin. Evgenia Onegin is the first literary hero, opening a gallery of the so-called " extra people"He is educated, smart, noble, honest, but social life in St. Petersburg killed all his feelings, aspirations, desires. He “matured before his time,” became a young old man. He is not interested in life. In this image, Pushkin showed the disease of the century - " blues." Onegin is truly seriously ill with the social disease of his time. Even sincere feeling, love are not able to resurrect his soul.

The image of Tatyana Larina is a counterbalance to the image of Onegin. For the first time in Russian literature female character is opposed to the male, moreover, the female character turns out to be stronger and more sublime than the male. Pushkin paints the image of Tatyana with great warmth, embodying in her the best features of a Russian woman. In his novel, Pushkin wanted to show an ordinary Russian girl. The author emphasizes the absence of extraordinary, out-of-the-ordinary features in Tatyana. But the heroine is at the same time surprisingly poetic and attractive. It is no coincidence that Pushkin gives his heroine the common name Tatyana. By this he emphasizes the simplicity of the girl, her closeness to the people.

Tatiana is brought up on an estate in the Larin family, faithful to the “habits of dear old times.” Tatiana’s character is formed under the influence of a nanny, whose prototype for the poet was the wonderful Arina Rodionovna. Tatyana grew up as a lonely, unkind girl. She did not like to play with her friends, she was immersed in her feelings and experiences. She early tried to understand the world around her, but did not find answers to her questions from her elders. And then she turned to books, which she believed completely: She liked novels early on, They replaced everything for her: She fell in love with the deceptions of both Rtardson and Rousseau. Surrounding life did little to satisfy her demanding soul. She saw in books interesting people people I dreamed of meeting in my life. Communicating with the courtyard girls and listening to the stories of the nanny, Tatyana becomes acquainted with folk poetry and becomes imbued with love for it.

Closeness to the people, to nature develops in Tatyana moral qualities: spiritual simplicity, sincerity, artlessness. Tatyana is smart and unique. original. By nature she is gifted: A rebellious imagination, A living mind and will, And a wayward head, And a fiery and necessary heart. With her intelligence and unique nature, she stands out among the landowners and secular society. She understands the vulgarity, idleness, and emptiness of life in village society. She dreams of a person who would bring high content into her life, who would be like the heroes of her favorite novels. This is how Onegin seemed to her - a secular young man who came from St. Petersburg, smart and noble. Tatyana, with all sincerity and simplicity, falls in love with Onegin: "...Everything is full of him; all the sweet maiden never stops magical power talks about him." She decides to write to Onegin love confession. Evgeniy’s sharp refusal comes as a complete surprise to the girl. Tatyana ceases to understand Onegin and his actions. Tatyana is in a hopeless situation: she cannot stop loving Onegin and at the same time she is convinced that he is not worthy of her love. Onegin did not understand the full strength of her feelings, did not unravel her nature, since he valued “freedom and peace” above all else, and was an egoist and selfish man. Love brings Tatyana nothing but suffering, her moral rules are firm and constant.

In St. Petersburg she becomes a princess; gains universal respect and admiration in the “high society”. During this time she changes a lot. “An indifferent princess, an unapproachable goddess of the luxurious, royal Neva,” Pushkin paints her in last chapter. But she's still lovely. Obviously, this charm was not in her external beauty, but in her spiritual nobility, simplicity, intelligence, richness of spiritual content. But even in “high society” she is lonely. And here she does not find what her exalted soul was striving for. She expresses her attitude towards social life in words addressed to Onegin, who returned to the capital after wandering around Russia: ... Now I’m glad to give away, All this rags of the masquerade. All this shine and noise and fumes For the shelf of books, for the wild garden, For our poor home...

In the scene last date Tatiana and Onegin reveal her spiritual qualities even more deeply: moral impeccability, loyalty to duty, determination, truthfulness. She rejects Onegin's love, remembering that the basis of his feelings for her is selfishness, egoism. The main character traits of Tatiana are strongly developed sense duty, which takes precedence over other feelings, and spiritual nobility. This is what makes her spiritual appearance so attractive. Tatyana Larina opens a gallery beautiful images a Russian woman, morally impeccable, seeking deep meaning in life. The poet himself considered the image of Tatiana “ideal” in a positive way Russian woman.

Tatyana Larina symbolizes the image of a Russian girl. It is difficult to understand the soul of a Russian without being a Russian. It is Tatyana who appears before us as a symbol of the mysterious Russian soul.

From childhood she was distinguished by her difference from others. Her originality, sometimes wildness, seems to some like pride, affectation. But that's not true. A gentle disposition, but strength of character is manifested and even more emphasized against the background of his sister Olga. It would seem that what could worry a young girl in noble family. Are deep thoughts, the ability to reason and analyze inherent in such a greenhouse environment? Lightness and carelessness should have become her companions, but everything turned out differently. The girls' desire to study and self-development was made strong character, deeply thinking, empathetic. Frequent solitudes contributed to deep immersion and self-knowledge.

The first feeling that washed over Tatyana absorbed her completely. She was ready to meet love. Reading novels contributed to this. And now, the image of a man who matched her fictional character, appeared in reality.

Tatyana, clean and open man, went towards the feeling. She accepted it and decided to take a difficult but necessary step - recognition.

Pereborov maiden pride, dared to take the first step. What did she get in return? Condescension on the part of the brilliant Onegin towards a provincial girl, humane act refusal. First love often breaks young hearts. But this defeat made Tatyana stronger. The feeling did not fade away, but only hid somewhere in the depths of my soul. Nothing could stop her from loving Evgeniy, neither his indifference, nor cruelty, nor cynicism, nor the murder of Lensky. You cannot love for something, you can love in spite of it. Only then is it love.

Tatyana is a sensual but proud person. She did not humiliate herself and ask for Onegin’s love. She tried to move away and forget. Only she herself knows what was going on in her soul, what kind of struggle was raging between her mind and her heart. Reason allowed a provincial savage girl to turn into a sedate lady, the owner of a salon. Unloved husband Even for a second he cannot doubt the tenderness and fidelity of his wife.

The power of love, its beauty is most colorfully revealed in tragedy. Tatyana is not destined to be with Onegin. Love is alive in her heart, and perhaps has only intensified over time. But, alas. A sacrifice of love for the sake of honor and the promised oath at the altar.

A.S. Pushkin – great poet and 19th century writer. He enriched Russian literature with many wonderful works. One of them is the novel “Eugene Onegin”. A.S. Pushkin worked on the novel for many years; it was his favorite work. Belinsky called it “an encyclopedia of Russian life,” since it reflected, like a mirror, the entire life of the Russian nobility of that era. Despite the fact that the novel is called "Eugene Onegin", the system of characters is organized in such a way that no less, if not higher value takes on the image of Tatyana Larina. But Tatyana is not just the main character of the novel, she is also A.S.’s favorite heroine. Pushkin, which the poet calls “a sweet ideal.” A.S. Pushkin is madly in love with the heroine, and repeatedly admits this to her:

...I love my dear Tatiana so much!

Tatyana Larina is a young, fragile, contented, sweet young lady. Her image stands out very clearly from others female images, inherent in literature that time. From the very beginning, the author emphasizes the absence in Tatyana of those qualities that the heroines of classical Russian novels were endowed with: a poetic name, unusual beauty:

Not your sister's beauty,

Nor the freshness of her ruddy

She wouldn't attract anyone's attention.

Since childhood, Tatyana had a lot of things that distinguished her from others. She grew up as a lonely girl in her family:

Dick, sad, silent,

Like a forest deer is timid,

She is in her own family

The girl seemed like a stranger.

Tatyana also did not like to play with children and was not interested in city news and fashion. For the most part she is immersed in herself, in her experiences:

But dolls even in these years

Tatyana didn’t take it in her hands;

About city news, about fashion

I didn’t have any conversations with her.

There is something completely different about Tatiana that captivates us: thoughtfulness, dreaminess, poetry, sincerity. She read many novels since childhood. In them she saw a different life, more interesting, more eventful. She believed that such life and such people were not made up, but actually exist:

She liked novels early on,

They replaced everything for her,

She fell in love with deceptions

And Richardson and Russo.

Already with the name of his heroine, Pushkin emphasizes Tatyana’s closeness to the people, to Russian nature. Pushkin explains the unusualness of Tatiana and her spiritual wealth by the influence on her inner world folk environment, beautiful and harmonious Russian nature:

Tatyana (Russian in soul, Without knowing why)

With her cold beauty

I loved Russian winter.

Tatyana, a Russian soul, subtly senses the beauty of nature. One more image can be discerned that accompanies Tatyana everywhere and connects her with nature - the moon:

She loved on the balcony

Warn the dawn,

When on a pale sky

The round dance of the stars disappears...

...under the foggy moon...

Tatyana's soul is pure, high, like the moon. Tatyana’s “wildness” and “sadness” do not repel us, but, on the contrary, make us think that she, like the lonely moon in the sky, is extraordinary in her spiritual beauty. Tatiana's portrait is inseparable from nature, from big picture. In the novel, nature is revealed through Tatyana, and Tatyana - through nature. For example, spring is the birth of Tatyana’s love, and love is spring:

The time has come, she fell in love.

So the grain fell into the ground

Spring is enlivened by fire.

Tatyana shares her experiences, grief, and torment with nature; only to her can she pour out her soul. Only in solitude with nature does she find solace, and where else can she look for it, because in the family she grew up as a “stranger girl”; she herself writes in a letter to Onegin: “... no one understands me...”. Tatyana is the one for whom it is so natural to fall in love in the spring; bloom for happiness, like the first flowers bloom in the spring, when nature awakens from sleep.

Before leaving for Moscow, Tatyana first of all says goodbye to her native land:

Sorry, peaceful valleys,

And you, familiar mountain peaks,

And you, familiar forests;

Sorry cheerful nature...

With this appeal A.S. Pushkin clearly showed how difficult it was for Tatyana to part with her native land.

A.S. Pushkin also endowed Tatyana with a “fiery heart”, subtle soul. Tatyana, at thirteen years old, is firm and unshakable:

Tatiana loves seriously

And he surrenders, of course.

Love like a sweet child.

V.G. Belinsky noted: “Tatiana’s entire inner world consisted of a thirst for love. nothing else spoke to her soul; her mind was asleep"

Tatyana dreamed of a person who would bring content into her life. This is exactly how Evgeny Onegin seemed to her. She came up with Onegin, fitting him to the model of the heroes of French novels. The heroine takes the first step: she writes a letter to Onegin, waits for an answer, but there is none.

Onegin did not answer her, but on the contrary read the instruction: “Learn to control yourself! Not everyone will understand you, as I do! Inexperience leads to disaster!” Although it was always considered indecent for a girl to be the first to confess her love, the author likes Tatyana’s directness:

Why is Tatyana guilty?

Because in sweet simplicity

She knows no deception

And he believes in his chosen dream.

Once in Moscow society, where “it’s easy to show off your upbringing,” Tatyana stands out for her spiritual qualities. Savor didn’t touch her soul, no, it’s still the same old “dear Tatyana.” She is tired of the luxurious life, she suffers:

She's stuffy here... she's a dream

Strives for life in the field.

Here, in Moscow, Pushkin again compares Tatyana to the moon, which eclipses everything around with its light:

She was sitting at the table

With the brilliant Nina Voronskaya,

This Cleopatra of the Neva;

And you would truly agree,

That Nina is a marble beauty

I couldn’t outshine my neighbor,

At least she was dazzling.

Tatyana, who still loves Evgeniy, answers him firmly:

But I was given to someone else

And I will be faithful to him forever.

This confirms once again that Tatyana is noble, persistent, and faithful.

The critic V.G. also highly appreciated the image of Tatyana. Belinsky: “Great was Pushkin’s feat that he was the first to poetically reproduce in his novel Russian society of that time and in the person of Onegin and Lensky showed his main, that is, male, side; but perhaps the greater feat of our poet is that he was the first to poetically reproduce, in the person of Tatyana, a Russian woman.” The critic emphasizes the integrity of the heroine’s nature, her exclusivity in society. At the same time, Belinsky draws attention to the fact that the image of Tatiana is a “type of Russian woman.”