How to learn to dance Irish dance. Dance with an Irish accent

Instructions

Irish dancers use two types of shoes - soft lace-up slippers without heels - soft and hard - hard shoes with small heel and a heel on the toe, due to which the shoes take on a very interesting look. For a beginning dancer, it is best to start practicing in ballet shoes or Czech shoes due to the lack of software. But dances performed in hard shoes will have to wait. Hard shoes are very specific shoes that cannot be replaced with regular shoes or sneakers, so if you decide to learn how to dance these types of Irish dances, you will have to order shoes from Ireland.

At Irish dancing competitions, you could see dancers in short shorts with a wide skirt, embroidered with Celtic patterns. Young people perform in tight trousers, shirts with wide sleeves and vests. For a beginner dancer, it will be most convenient to practice in a short skirt or young people can take shorts or narrow trousers to class. It is important that clothing does not restrict movement.

Irish dance consists of basic movements - jumping, movements of both the feet and the entire leg. Dancing in hard shoes includes trebles - two quick hits on the floor with the toe of the shoe, clicks - hitting the heels together, hitting the floor with the full foot, and jumps. Although the dance elements are the same, each has its own dances. That is why video filming of competitions is prohibited. If you decide to learn Irish dancing, you need to enroll in a dance class. Typically, dance schools recruit once or twice a year - in and in January.

Of course basic elements You can start learning at home using descriptions or video tutorials. However, you should be aware that this can be traumatic, because Irish dances involve jumping, and it is very important to be able to land correctly. An experienced dancer will tell you how to do this, otherwise you risk seriously injuring your ankle.

Related article

Do you want to take part in fiery Russian dances, but you haven’t succeeded yet? Talk to to a good choreographer or take up dancing yourself, while following a few simple rules.

Instructions

Pick up musical material for teaching Russian dance.

Pay attention to the features inherent in all Russian dances: breadth of movements, cheerfulness of performance, competitiveness (especially characteristic of improvisational dances).

Learn all the necessary dance combinations, first without musical accompaniment, and then with music, gradually coordinating your movements with musical rhythm. If you are going to perform group dancing, do not forget about interaction with other participants during individual lessons.

As usual dancing accompanied by performance or recitative, learn songs or words. Russian round dance is often compared to folk opera, and game dancing And dancing- improvisations with situations taken from family life or even life. To fully reveal your chosen image, take several lessons acting.

If you decide to take part in improvisational dances, then in order to add the necessary element of surprise to yours, learn in advance the combinations that you want to use and use them against your opponents only when you have brought their execution to automatism. During improvisation, never follow your opponents in combinations that require training those muscle groups that you have paid little attention to. The duration of such improvisations can be very different, until only one participant remains on the dance “battlefield”. Therefore, when preparing for a performance, calculate your strength in advance.

Video on the topic

Sources:

• how to dance Russian folk dances in 2019

The Russian public became interested in Irish dancing after the enchanting performances of the Lord of the dance and Riverdance. They have become so popular that some fitness clubs use elements and movements of traditional Irish dances during training.

Instructions

Sign up for an Irish dance studio if there is one in the city where you live. In Moscow, you can contact Maria Singal’s school, IRIDAN, Ars Longa; in St. Petersburg, Triskal, Divadance, and Shamrock are successfully working. In Kazan there is an Irish dance called Sonas. Classes for most of them are held twice a week, lasting 1.5-2 hours. If you want to practice for yourself, you can choose a regular studio whose training program includes elements of Irish dance. If you set goals such as performing at international competitions, contact a school whose teachers have international certificates An Coimisiun le Rinci Gaelacha, T.C.R.G. or T.M.R.F.

Watch Irish dance shows Riverdance and Lord of the dance. Recordings of these performances can be purchased on DVD or found online at free access. Try to repeat the movements of the soloists, the basic elements of the dance. Remember that only a specialist can explain the subtleties to you, since performing leg tricks involves muscle groups that are practically not used in Everyday life.

Explore -classes recorded the best specialists and participants of famous shows. Some of them can be found freely available on the websites of well-known schools; you can also contact the studio staff with a request and purchase a DVD with recordings of classes and explanations. However, copying the movements of a figure on the screen, unfortunately, does not guarantee that you will master the movements, even if you have good choreographic training.

Please note that for Irish lessons dancing and you need special shoes. Before purchasing your first pair, it is best to consult a specialist; beginners are usually offered boots with hard soles.

Video on the topic

note

Please note that there are very strict rules regarding costumes worn in Irish dancing competitions.

Sources:

• CLRG Costume Rules 2019

What does a person imagine when he remembers Scotland? Of course, the traditional Scottish kilt, the sound of Scottish bagpipes, high-quality Scotch whiskey... But Scottish dancing is no less popular.

The women disperse in two lines, opposite each other. There are more than 10,000 such dances, but for almost everyone four such pairs are enough. The principle of Scottish ballroom dancing is that as soon as the music starts, one or more couples begin to move along predetermined trajectories, making intricate patterns with their movements.

Highland

Solo, purely male dance. It is safe to say that it is one of the most spectacular Scottish dances. If in the previous dance the emphasis was on simple and unpretentious movements, then Highland implies clarity and confidence in the movement of the legs, and the hands are needed here in order to depict the antlers of a deer. In Highland, a man must keep his body straight, his arms are usually in a constant position, and the dance itself is a series of jumps on half-toes. In Scotland, this dance is somewhat competitive, so the dancers are required to have a high level of performance and physical fitness. In addition, it should be noted that not a single festival is complete without this dance, for example, the Mountain Games.

Lady's step

This dance is also a solo dance, but, as the name suggests, it is already for women. And accordingly, it combines soft and graceful movements, showing the plasticity of female nature.

Cape Breton step

This is a Scottish step dance that can be performed solo by both sexes. Usually this dance is performed at various holidays and parties. The manner of performance in this dance is called “Close to the floor,” that is, all leg movements occur close to the ground or floor, and sweeping leg swings show the unprofessionalism of the dancers.

Now there is even an official organization of Scottish dancing - the Royal Society of Scottish Dances. Ballroom Dancing. It consists of about 25,000 people. And if we count those who are “Scottish” unofficially among them, then we can say with confidence that Scottish dancing is successful all over the world!

Since Ireland was once a colony of England, this influenced the development of its culture. In the 17th century, the British forbade anything Irish to flourish, and accordingly folk dancing was banned. The Irish did not violate them, but in the evenings, in an agreed upon place, groups of people met secretly from society to give their souls to dance. In the 18th century, Irish dancing began to be revived en masse in villages and towns. Some masters even opened their own choreographic schools. In the 1890s, the Gaelic League was founded, which began to revive the Irish language and culture, and accordingly dance gained a second wind.

Today there are three types of Irish dance - solo, ceili and set. The solo is based on a spectacular technique - the body and arms remain motionless during its performance, but the legs perform fast and clear movements to the music.

Keighley is based on solo movements, but is performed by a group or pair of dancers. Thanks to the spectacular synchronicity of the movements performed, the ceilidh is ideal for special occasions.

The Irish set is a group dance with elements of French quadrilles. The set has simpler combinations of movements than the keley. The steps in it are quite simple and this can be explained by the fact that the set is a social Irish dance.

The best Irish dances (watch the video) today are available for viewing by many thanks to the Internet, where they appear almost immediately after the competition, and where they can delight their fans with entertainment.

Irish dance lessons for beginners (video techniques)

Irish dance lessons for beginners are now held in almost every school or dance studio. But if you want to learn choreography at home, online videos will help with this.

To start learning the basics, you need to take care of the right shoes, since during its execution all attention is focused on the legs thanks to the stationary upper part of the body. Shoes for Irish dancing can be of two types - women's and men's. And they are very different.

Women's shoes resemble soft ballet flats with laces, thanks to which the shoes fit tightly around the foot, providing a secure fit. In addition, for tap dancing (and it is quite important in Irish dancing), leather shoes with a small heel and a strap in front are often worn, which secures the shoes. In addition, step shoes must have plastic heels on the front and back.

Men's shoes also come in soft and tap shoes. Step shoes for men have an important difference from female model– they do not have heels on the toes, but only on the back to create a sound – a click. Traditional shoes for Irish dancing are matte black, but today there are also patent leather options and white inserts on the shoes.

The Irish have three types of tunes to which all folk dances are performed. They are called reels, jigs and hornpipes. Jigs are of Celtic origin, reels are of Scottish origin, and hornpipes are of English origin.

Irish dance technique

The technique of performing each type of Irish dance has its own characteristics in movements. For example, the keili is danced by performers standing in one line or forming a circle. The arms are pressed tightly to the body, only the legs work. Keili uses a lot of jumps.

The set is also performed according to clear rules - the conditions even specify the number of people who can be involved in the performance. As a rule, the set is performed by four couples, which are located opposite each other, forming a square. Another difference between the set and other types is that it does not use jumps at all.

Well, solo Irish dance is not just a performance, but a whole spectacle. To perform it in front of an audience, you must have skill and many years of experience.

Now let's look at the basic steps. Each of them has its own name and principles of implementation. Moreover, teachers from different dance studios may call basic steps differently.

The main step is called a step and can be performed forward (step-step) or backward (side-step). Another basic step It is called chasse and is performed by changing legs. A jump in Irish dance is called a hip. It is performed mainly with leg swings.

The basic rack looks like this:

1. Stand up straight with your arms close to your body.
2. Now put your right leg forward and move it behind your left - you get a crossed leg. Sock right leg should look to the left, and the toe of the left foot to the right.

The stance can be changed in a mirror form, that is, the legs can be swapped - instead of the right one there will be a left one, and instead of a left one - the right one. From such a stance all the main steps in Irish dance will be performed. If these are jumps (hips), you simply end them with a swing of your leg, but you will still land on the floor in this starting position.

Irish dancing is very popular these days and children love it the most. Kids love to step or jump to catchy music. are perceived as something unusual, which is why they attract the attention of beginning dancers.

We wish you success in mastering the technique of a dance that is difficult at first glance, and our video lessons will help you with this!

Hello, this is another post about dancing.

Today we’ll talk about how to really achieve something in Irish dancing.

(If you are a smart guy and you need something quick, without reading and to get everything straight away, scroll to the very end, read Note 1)

The right goal

Those few people who are seriously passionate about Irish dancing, who seriously, in their opinion, do it, and want to achieve some results, are increasingly visited by the same question every year: “How to train, perform and generally live in order to win?". The more schools, teachers and “old” dancers appear in the dance community, the wider and denser it becomes, the more accessible the exchange of information and experience becomes. Demand gives rise to supply, and now entire seminars and trainings on this topic are even offered (in addition to, in fact, dance master classes). In fact, everything here is so simple that it even makes people feel embarrassed.

I’ll allow myself to grumble a little, but if all your dancing aspirations are aimed at performing as effectively as possible at feshes, then, unfortunately, you are already lost. Counting medals, keeping statistics, trips to feshes where you can easily “close” dances, that’s all. The fact is that competitions are a very narrow segment of dances, with unknown rules, with unclear criteria, with violation of labor standards (a judge, for example, has to sit for 10-12 hours in a stuffy hall and look at fast moving objects in poor conditions lighting and produce a stable result?), and, most importantly, without providing adequate conditions for demonstrating and assessing a person’s skills (beats are never heard, legs often merge with the floor or wall, 3 people dance on tiny squares, colliding or trying not to collide ). And so people are trying to systematize all this hell for themselves, to find the key to it, to find patterns based on a few seedy events. Imagine that you decided to learn English and downloaded several American TV series with original dubbing. There the black gang sells drugs and runs from the cops, and you are actively replenishing lexicon and come to the USA. And so, it means that for the third time you are lying in intensive care with multiple stab wounds and trying to understand exactly what mistakes and at what moment you made this time when you entered into a dialogue with some nigga bitch, and is it possible that you Did they just use the interjection “yo” in the wrong place?

Just as our hero needed to be born black first, you need to first learn how to dance, and then think about how to most effectively apply your skill in each specific situation. This thesis is so obvious to me that I just can’t begin to calmly respond to any thoughts people have about “closing” dances. Almost any conversation on this topic instantly forms in me a negative impression of the interlocutor. Any attempt to tell me that such and such a person “closed” some dances, and therefore has some basis for asserting something or claiming something, clearly gives me a signal not to have anything to do with this person.

So, the first thing you need to do if you want to achieve something is to correctly set a global goal.
You should strive to learn to dance well, not to learn to win.

To support these words, I will cite a very, probably sad, but very illustrative example. In Iridan there are from 4 to 5 enrollments per year, there are hundreds of students, and every year new people are added who enter the Open. Some of them are starting to teach and they are already trying to bring others into the open. With all this abundance of seemingly cool dancers, for a normal serious dance you can hardly find 7 people here, and all of them will be “old men”. Unfortunately, 90% of modern openers will not be able to perform not only their dance, but even a simple set of combinations in silence and in accordance with their plans. And, most likely, they don’t even know about it.

Now that you may have decided that I am against feshes and championships, I hasten to tell you that this is the best thing that these dances have invented in order to stimulate people to develop. Without a clear ladder of progress it would be very difficult.

Therefore, it is necessary to move the championships from the “goal” position to the “means” position.

Although, of course, there are people for whom the medal is important, and it does not matter how and under what conditions they received it. This is the part of people who go to small feshes because there is less competition there, these are those who go to WIDA only because it is relatively easy to get into the top three at the world championship when you are already over 30, those who are proud of second place at two rivals. Stay away from such people, I don't see them as dancers. Unfortunately, there are a lot of such people.

(if someone decided that I’m hitting on WIDA here, drink some water and re-read the paragraph again 5)

Choosing a school and teacher

Today in Moscow, people are increasingly choosing a school for themselves by looking at the Yandex map and calculating which school is closest to their place of residence. Yes, my colleagues went to shawarma certain places, and not bought at the nearest stall, but here is school! For a long time! A second family, perhaps!

There are no clear criteria by which to determine the level of a school. And in almost all cities there are 1, maximum 2, of these schools in the entire city. Do not believe any descriptions of victories and achievements that are talked about there we're talking about: firstly, you don’t understand anything about this, secondly, the authors of these texts are PR professionals, and second place with two participants magically turns into a silver medal in the championship, several victories at local competitions for 100 participants - into numerous medals and awards from Russian and international championships, and attending a couple of open master classes for 50 people with Colin Dunn - “learned from a 9-time world champion.”
Choose intuitively, I usually choose by “cover”. And having chosen, try not to become a victim of the “duckling syndrome”.

The hatched chick mistakes the first creature it sees for its mother. If you were creating yourself as a character in role-playing game, I would recommend investing 2-3 skill points in the Perception skill. Critical perception. Perhaps you come to school and there is only one teacher. Perhaps you came to school, out of 10 available, you got a specific one. In any case, at this stage you cannot choose. Start learning, and immediately start looking for other sources of information. Watch others dance, watch others teach. Try to get to open master classes, put the money aside right away. Listen to whether the teacher recommends anyone, whom he considers his mentor. Evaluate.

The teacher himself is a lousy dancer and won’t let you see anyone else?
Did the teacher learn independently and from no one else?
Does the teacher prohibit you from attending someone else’s master classes just once without objective reasons?

Well, you already know what to do. Remember: the teacher has the right to establish any rules and prohibit anything. And you have every right to choose. The teacher can really be very cool and you won’t need anyone else. Or he may create a totalitarian sect around himself, and you will think that you no longer need anyone.
How to understand who dances well and who dances poorly? Compare. My world turned upside down after my first trip abroad. I was lucky, there were very strong dancers there. Of the European feshes, I recommend the fesh in Vienna in mid-October, there are always a lot of participants there, good organization and very good level. I'm talking about the most senior level, but it's also true for the younger ones. From abroad, if you don’t take into account the incredibly expensive Worldwide, you can go to the new fashion school Carey Academy in Birmingham (at the end of February). The same world champions are dancing right in front of your nose. Of the Russian feshes, the only one is Moscow; it won’t give a full idea of ​​the real level, but it’s also not bad for a beginner, perhaps.

And generally speaking, who the hell knows which of the teachers is actually better or worse, just choose the one you want to be like in the end.

How to behave in class and communicate with the teacher.

It should be understood that all teachers are interested in the results of their work. No one wants to just teach other people’s students, who can disappear at any moment or who go to the group simply for the sake of additional workload (we’re talking about regular classes). Therefore, if at your school you can attend classes from different teachers, and you want to be treated normally and seriously, then you will have to fulfill all the requirements equally in all classes. Tanya teaches this way, and Petya teaches this way? Either choose one or the other, or do Tanya’s way, and Petya’s, Petya’s way. Don't know who to trust? Ask the teacher individually where the differences come from and how important they are. If he is not a turkey, he will tell you why he considers his option more correct or preferable. You must understand this too. Get to the bottom of it, don't take anything for granted. In general, follow the rule: everyone around you is a charlatan and they themselves don’t know anything. In 80% of cases this will be true. It’s better to have the teacher admit that he himself is not sure where the truth is, than to tell you that “your knees should not bend, because how could it be otherwise, this is Irish dancing (almost a quote)”, and then give you beautiful knee braces for your birthday . Despite the fact that dancing in Russia is already 15 years old, the dark ages still reign here.

Now, if you are really serious, you will have to tailor your life to your passion. You won't achieve anything by attending the standard 2 classes a week. You don't have to hurt anyone right away. 4 times a week is the minimum. 2 times you study in a group, 2 times you study on your own (or at least 1 time on your own). The number of group lessons can be as large as you like, but you should always have time for independent work. It's very boring and banal, I know, but unfortunately that's how we are built. No one can teach you better than yourself. Do you remember the combination? Practice it yourself and teach yourself to dance it with your left foot. After this you won't forget her.

In only one case will your studies bring results: if you imagine your classes with a teacher as a table laden with food, and your independent studies- like absorption and assimilation of food. Come to class and fill your mouth, fill your pockets, put pieces in your bosom, run to your lair and eat there, eat, chew, and again for a new portion. Normal teacher - how kind grandmother, will always be happy to give you more. All you have to do is eat! If you don't spend at least half an hour a week independent work, all this food will lie around and spoil. An entire pantry is filled with spoiled food. The new doesn't fit, the old is useless.

But here another danger awaits you: you may choke. A good teacher will give you only what you can handle and a little bit more. A good student will look everywhere for new knowledge, but must always look back and check whether there are any gaps in the basic material.

The fact is that in Irish dancing there are not many movements for which you need to have some incredible physical abilities. And in hard ones even less. However, without the appropriate basic training, it is very easy to screw up your technique by starting to do complex movements. If only because it’s very hard to go back to practicing the basics when you seem to have learned some cool tricks and can’t wait to use them. Especially considering that all complex movements are based on simple ones (and they still don’t work out).

Damn, the penultimate paragraph is already in the style of some Paulo Coelho It worked out, we need to fix it urgently.

A teacher is also a person, and a person very interested in his work. Big money He most likely does not get paid for this, and therefore must receive some other satisfaction from his activities. If students, lesson after lesson, cannot learn the same connection or do not correct the same mistakes, the desire to teach classes disappears. The teacher will be annoyed. No, he shouldn't Once again just calmly explain, understand and forgive. This is not a rehabilitation class, not a school for the especially gifted, or a group extended day for adults. It is possible, of course, that there are such schools and teachers, but if I remember your goal correctly, you do not need to go to them.

Well, and most importantly: never act as if you know better than the teacher what to do. They tell you to bend your knee, but you don’t bend it. They tell you to do regular jumps, but you do somersaults. Perhaps he has some reason to demand something in this particular form. If you are absolutely sure that the teacher is wrong, then either discuss it correctly with him (you never know, you have 15 years of experience as a fitness trainer, and he gives the aerobic warm-up incorrectly), or do not go to him. There must be discipline and order in the group, otherwise the group will not move anywhere. And this depends not only on the teacher, unless you want him to become an evil tyrant over time.

What to do if you come to another school/group and don’t know anything?

You need to stand aside and start trying to repeat after everyone else. In any group, each dance is often repeated many times. Each time you try, you will remember a little more and soon you will catch up with everyone. You can learn almost anything in 10 repetitions. What you definitely shouldn’t do is sit down or stand against the wall and answer any question: “I don’t know that, I’ll see for now.” Very few people can learn anything with their eyes alone. You could even say that no one. I usually immediately stop paying attention to such people; nothing will come of them. They no longer have the main thing - desire.

The teacher also sees very well the difference between “I’m having a hard time” and “I’m lazy.” The effort to change something in your technique is always visible. Even if you are very tired, you can always find the strength to at least start doing the next repetition in full force. But to ignore the next “one more time” from the teacher and, while the whole group is dancing, melancholy go to drink water - this is also a lack of desire and self-pity (we are not considering physical health limitations, we are talking about those who assure themselves and others that they are striving to the result).

Never justify your mistakes.

This is my first time dancing!
- This is the first time I’ve done this with my left foot!
- I haven’t worked yet!
- Everything fits into the music normally, I just didn’t get it right now!
- Yes, I know!
- Well, bestseller: “I was thinking about something else now!” (for example, about positions, not about hands).

Even if all this is true, just nod and take note once again. They are not telling you this in order to hear “I don’t care” or “I already know.” Otherwise, why dance in front of the teacher at all?

Self-control.

No one can teach you how to do this or that movement correctly except yourself. Have you been told a hundred times that your legs should be turned out, but turnout doesn’t increase? Well, it won’t increase. All the requirements are quite simple and there are few of them: crossover, turnout, half-fingers. That's enough. When I studied in a group, we were told the same thing. And every time we practiced some combinations, I came up with “tasks” for myself: to finish a combination with a good cross, for example. Like achievements in games. I did the exercise with a great position and praised myself. Have you learned step? Start thinking about individual places. Draw a map in your head of “dangerous” places in your dances - places where the teacher most often makes comments. Then in these places your reminders will go off: here the back is not turned in, here the toe is not turned in enough. This is how the material is cleaned. And if you just step dance 10 times, then the maximum that will increase is endurance.

You can help yourself - stick bright dots on your heels, which should always be visible in the mirror, put something light under your armpits to keep your hands together. I've never used something like this, but I think it won't be any worse. Just don’t tie your knees with scarves/laces. Your knees should be free.

Much of what was described above is 146% the same as any book or article on how to succeed in dance sports. It’s just that these are all such banal and simple truths that I’m even embarrassed for the people who read this and are like: “Oh, yes, I have to try it!”, and especially for the teachers who actively quote these books, as if they don’t have any brains of their own . These are principles that apply to our entire lives, whether you want to learn a language, master touch typing, or become a champion in Counter Strike. This is so natural and obvious that even without any books, any normal practicing teacher will tell you this 10 times, without noticing it, simply because he himself should have already come to this and experienced it from his own experience. And if he hasn’t taught himself anything, then he won’t teach you either.

So, let's say you've sorted this out, and now you're going to the competition.

How to cope with anxiety at a fesh?

Oh God, what a big fesh, 700 people, they will all look at me, and I dance so badly!

If you are a runner or a primary (sometimes this also applies to sideshows), then I will make you happy: no one cares about you.

Three stages, 10-20 people on each, 2 (or even 3) people dancing at the same time, that is, several of you are dancing on stage at the same time, and at this time in the hall half of those present are preparing for their appearance, 25% are helps, 24.99% are rooting for their own, and the judges are trying for the thousandth time to give everyone grades. Judges are like doctors, you don’t have to be shy about them at all, they’ve seen everyone. The bulk of entry-level dancers are not remembered at all. It's just an endless mass from which someone has to break out to the top. If you make enough effort, if you show that you are worth paying attention to, then you will move on. If not, you won't lose anything. Fesh is not a universal event, there are few extra people here, and everyone present is busy with their own affairs.

At the same time, worrying before or even during a performance, especially when you have new dance, completely normal. Everyone is worried, I’m very worried if the material is new. Unfortunately, there is only one way to combat this - to perform more often. If a teacher sends you to a fesh not for experience, but for medals, find another teacher. It's easier now. Even if there is only one teacher in your city, none is better than this one. The worst pressure is the pressure from the person who must support. This does not mean that he should not care, and he should not worry and be interested. He just needs to be able to adequately assess your level, regardless of what the sleepy grandfather said at 8 a.m. on Sunday. And you must find a teacher whose assessment you can trust.

There is, however, one rule: "you will not borrow good place, if you don’t feel at ease and in your place in this competition." If you stand in the line and think: “What am I forgetting here among all these people?”, then you have already lost. Partly because that’s the way it is, rather everything, and you are not prepared enough.And partly because, no matter how it sounds, it is not the body that wins, but the spirit.

And in general: don’t be afraid of anything or anyone, this is still a new territory, there’s a lot of space here, and new heroes are still really needed. This is still the Wild West with all that it implies.

Note 1, for clear:

Oops, handsome guy, haven’t mastered the multi-books? You cut the chip, time is money. Right now I’ll briefly explain everything for everyone:

1. Learn not how to move a knight, learn how to play in general.
2. Choose authorities, don’t run after the first one, but if you choose, don’t fuss or bully, do what they say. If you don’t agree on small things, you’ll have to go over the concepts. Not your profile? Go quietly.
3. Stick it deeper, take more, throw further while it flies - think!
4. The first walk is always scary, but then it gets used to it by itself.

Note 2:

The main advice: do not ask or read dance advice in VKontakte dance communities like “Overheard”. Just trust me, it's not worth it. Don't go there at all, there is no one or anything useful there. There's a bottom there.

The history of national Irish dances goes back several thousand years. During this time, the Irish came into contact with many peoples and cultures, and each of them influenced to some extent the formation of these unique dances.

Basic body positions in Irish dance

Hand position in dance

Hand movements

In the following lessons we will look at the basic positions and movements of the legs, and begin to study the movements of various styles of Irish dances, fortunately, their arsenal is very rich and varied.

Beginner group, December

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Why do people choose Irish dancing?

• Irish dancing is popular with both children and adults.


• They are unusual, recognizable and not much like other directions.


• They are based on morality, discipline and correct life values, beyond doubt.


• There are no age or training restrictions for studying them - your success will depend only on your desire and diligence.


• Irish dancing immerses you in culture, gives you the opportunity to travel, and trains your memory.


• Create new ones vivid impressions and provide an excellent opportunity to do interesting things for both yourself and the whole family.

All types of solo Irish dance in soft and hard shoes: reels, jigs, hornpipes, traditional set dances and their modern versions
traditional and modern group figure dancing and keili
we train from scratch, the learning process progresses from basic level Beginners (beginners), up to the highest – Open (world-class professionals)
and, of course, spectacular jumps, beautiful dance patterns and rhythm, in clarity, not inferior to Lord of the Dance!

What else can Irish dancing give you?

Slender, strong legs
Beautiful posture, grace and gait
Great shape and good mood
Sense of rhythm and self-confidence
Communication, new friends and impressions
Participation in competitions both in Russia and abroad

The first trial lesson during group recruitment is free.
Monthly subscription 3,700 rubles - classes 2 times a week for 1.5 hours.
Subscription for a one-time lesson after enrollment closes - 800 rubles.
When purchasing a full monthly subscription* on the day of the first lesson, you receive a 500 ruble discount.
*The subscription can be purchased from any day of the month, and its cost is calculated based on the number of remaining classes in a given month.

FAQ

I'm 14 - can I study in an adult group?
Yes, you can.

I'm 35 - can I study in an adult group?
Yes, you can.

I would like to register my child for classes
If your child is 12 years old, feel free to enroll in an adult group. If less, leave a request, we will try to find activity options for your child.

I have no preparation, should I start, will I succeed?
Yes, it's worth it. It will work out, if not immediately, then over time. The main thing is desire, supported by actions. We provide the material from scratch, and physical training will grow with the process of training.

If I have no hearing and sense of rhythm?
Both of these skills are learned. They “turn on” during regular training, after some time.

What clothes should I take to class?
Top - T-shirts, T-shirts; bottom - trousers, shorts, breeches, leggings - whatever you feel comfortable in.

I don't have special shoes for Irish dancing yet. What should I do?
Special shoes can be purchased later. Dance ballet flats, jazz shoes or regular Czech shoes are suitable as shoes for the first lessons.

Are there other days for classes?
If you have not found a group suitable for the time, leave a preliminary request with your wishes for the days and times of classes. We will definitely take them into account when we announce the next set.

Are individual lessons possible?
Undoubtedly. You can apply for individual training - just indicate this in the comments to the application.

Didn't find the answer to your question?
Call or write to us! +7 962 363 5678

Our halls

Classes are held in three spacious, comfortable, professionally equipped halls of the Flamenco House with a special dance floor, large floor-length mirrors, ventilation and heating systems.

Nearest metro stations: Baumanskaya, Komsomolskaya, Krasnoselskaya, Krasnye Vorota
Address: Moscow, Dobroslobodskaya st., building 5a, Flamenco House
Walking distance from Baumanskaya metro station is 7-10 minutes, from Komsomolskaya and Krasnoselskaya metro stations 15 minutes.

What else do beginners need to know?

Preparation.
Dance skills or physical fitness are not required. We teach from scratch.

About school

Diplomas
The school holds international certificates T.C.R.G. and T.M.R.F. with the right to teach solo and group Irish dance. All school instructors are certified teachers with Grade Exams certificates.

Our teachers

Tatiana Smirnova. Founder, solo choreographer, teacher of adult groups. Rich dancing and teaching experience. Gold of the World Championship (World Senior Champion 2015), Gold of the European Championship (European Senior Champion 2015, 2013), Gold of the World and European Championship as part of a ceili-team (World&European Senior Ceili-Team Champion 2015), Gold of the British Championship (British Senior Champion 2014 ). Certificates Grade Exams 1-7. Currently he is a participant in a special training course for teachers “Colin Dunn. Teachers Course.”

Natalya Tsvetkova. Certified teacher-choreographer, teacher of adult and children's groups, ceilidh classes, stage director and event director of the school. From her dance past - Gold at the World and European Championships as part of the Ceili-Team (World&European Senior Ceili-Team Champion 2015). He holds an international certificate of Irish dance judge A.D.C.R.G., as well as teaching certificates T.C.R.G. and T.M.R.F.

Natalya Ananyeva. Leading dancer of the school, instructor of adult beginner groups, certified teacher. Rich dancing and teaching experience. Participant and prize-winner of Irish dance championships, top 5 dancer. Gold at the World and European Championships as part of the Ceili-Team (World&European Senior Ceili-Team Champion 2015). Certificates Grade Exams 1-3

Irish began for me with a spontaneous decision. There was a period in life when the goal was to change everything: work, appearance, home decor, etc. And dances of various types have always been a part of life: from childhood it was Russian folk, modern, choreography, then a short break and at a conscious age choreography again, first pointe shoes, several strip dance lessons and even pole dance, stretching. It followed that I needed sports. I didn’t want to go back to choreography or stretching, because... there was not enough zest...And in the middle of my thoughts I caught myself watching the well-known Lord of the Dance on YouTube. The thought “But they teach this somewhere!”

I googled several schools and started calling. Somewhere they didn’t answer me. “Not fate,” I decided. And they answered one number, told everything, described the way to the hall. Then they patiently described the road again when I got lost.

And it started spinning! I was invited to Keili, I found new friends, my first fashion show, my first premiership won, medals, a diploma! And that’s it, then I realized that it was mine. This drive, this pride in yourself and your new teammates, for your teachers who took the stage as part of the “big” competitions.

The most highlight My four-year career in dance is a victory at the WIDA European Championships, and one day later also at the WIDA World Championships as part of the keley team. She is inspiring only because right before the performance we were all very worried, very doubtful and had the attitude of “relax and just dance like in the hall, everything is not so bad.” And we just believed in ourselves, held hands in the first bars, smiled, put a point on 7-8 and did everything that depended on us.

If we were to make a motto out of history, it would be “Believe in yourself! You can do anything!”

If anyone else is thinking and choosing between types of dances, but you want to travel, huge amount friends from different cities, a special language that only you will understand, a new chic dress and funny curls on your wig - you definitely come to us!

Natalia

I came to my first lesson in November 2009. Actually by accident. I just wanted to go to some dances, and when I saw an ad for an Irish one, I thought it might be interesting. The class was free, you could just see if you liked it or not.

At that time, all I knew about Irish dancing was that it was fast and danced in some kind of shoes. Michael Flatley, Colin Dunn, Riverdance - all this was an empty phrase for me. I'm not even sure that the show could have impressed me enough to take up Irish dancing.

But the first lesson really impressed me, despite the fact that we only did exercises for the leg muscles and attempts to learn a couple of the simplest movements for the most light dance(it didn’t work out very well). But it immediately became clear that Irish dancing is much more athletic and physically challenging than I had imagined. But this is precisely what makes Irish dancing much, much more interesting than anything else!

It seems to me that everyone who practices Irish dancing finds something of their own in it. Having been studying for 7 years, I still continue to discover a lot of new things. New music, new movements, new types of competitions, new exercises, approaches to training, etc. are constantly appearing.

For me, there is nothing more exciting than the process of learning new dances (especially in hard shoes). The moment when a newly learned dance sequence begins to fit into the music leads me to a state close to euphoria... It becomes difficult to stop, even if all the muscles already hurt and my legs are worn out. I don't know if there is such a thing complete coincidence music and movements in other dances, but for Irish a clear rhythm is very important.

For a beginner, I think the most important thing is not to pay attention to failures, remember that they are always temporary, everyone goes through them, and there are no exceptions.

Got me into Irish dancing casual acquaintance with the work of Michael Flatley in his show Lord of The Dance. Seeing this for the first time in my life, I get the feeling that I have never seen anything like this before. There are hundreds of shows where people wave their arms and legs in dance, jump and fly under the big tops of stadiums and circuses, but here no one waved or jumped high. That case when the easier it is better - i.e. brilliant! Also striking is the proud and calm appearance of the dancers, who as one performed incredible things for a person seeing it for the first time. Celtic music in the inimitable arrangement of Ronan Hardiman also played its part in attracting attention to Irish dancing.

The reason I'm still dancing? The reason is very simple, after watching incredible Irish shows, I want to at least try how it all happens. And when you realize that you can do it and you succeed, you are trapped. I want to progress and improve. Also, at first there is a feeling that you are involved and doing something very rare, as if you know a secret that others do not know.

As a person who has been involved in various sports, including long-distance running, I can say that Irish dancing requires serious effort, and a successful dancer can easily be equal in level of physical fitness to a good track and field athlete.
On a personal level, dancing provides an opportunity to travel around the world, meet people, and exchange experiences. Also, by practicing and achieving results, confidence in yourself and your capabilities is strengthened. You are doing something that you once thought was great, but incredible.
Like any sport (and these dances can give a head start to many of its types), Irish dancing strengthens willpower and endurance. Combining smoking and an unhealthy lifestyle with serious training is impossible.

What can I recommend to a young man who is a beginner dancer? You definitely need to practice. This is excellent posture, coordination and gait, an opportunity to show others the results of your training or simply enjoy yourself on the dance floor. The ability to beat out the rhythm of your beloved with your feet musical composition cooler than anything good drummer. Plus: friends appear with common interests, new interesting acquaintances, physical fitness, sports passion and prospects. Is this not enough?
And the most important thing! According to statistics, in dance groups there are 10-15 girls for every guy! What other arguments are needed? :)

It all started in 2012. At that time I had to give up rhythmic gymnastics, so I didn’t do anything for 4 years, and there wasn’t enough workload.

And one day my mother showed me one Irish show(I didn’t even know it was Lord Of The Dance then), and I really liked it! We started looking for a school in Moscow. We were choosing between 2 then existing ones, but because... They were all far away and decided to postpone my trip to class for now. And at some point, once again searching for information on the Internet, we came across the recently opened Killarney school. And then it went on and on... my heart remained in the hall forever :). Even a 3-hour trip to training and back was not a hindrance!

I advise beginners to do such classes, and not to despair if something doesn’t work out right away. Even very experienced dancers don’t always do everything right away; it takes hard work. Don't give up Irish dancing without experiencing all its depth and complexity. Specifically, at our Killarney school you will be taught to flutter over the stage in defiance of all the laws of gravity. You will also learn where your “back left leg” is, what a bird is and how to make a butterfly.

Irish dancing is rich in elements of varying complexity, so even an all-knowing opener is never bored.

Don't stop there! If you get a new element, repeat it again and again so that your legs remember it. When dancing, don’t turn off your brain - this is the main mistake, you always have to think. You need to learn not to relax what needs to be tensed, and not to tense what needs to be relaxed, otherwise your legs will not be able to make 100 beats per second :) Try, persist and you will succeed!

In 2009, one of my friends talked a lot about St. Patrick's Day, which I had never even heard of before. In response to my questions about what kind of holiday this is and how it is celebrated in Russia, he talked about the annual parade dedicated to this day, and even tried to depict several movements (later it became clear that they were “hop” and “jump”).

That’s how I became interested in the “Irish dancing” direction. I watched the shows “Lord of the dance” and “Riverdance” on YouTube, and decided that I wanted that too!

The search for schools has begun. I chose from two. I chose the one where I liked the teacher better. I didn’t regret my choice for a second.

My first lesson was in a group that had been studying for a month already. At first nothing worked. But it was a big incentive for me that my colleagues already knew how to do something. And for 6 years now, Irish dancing has lived in my heart.

Thanks to Irish dancing you get excellent physical shape, good relief after work, new friends, the opportunity to visit different countries oh peace, a sea of ​​fun and happiness!

For those who have recently arrived at the dance or have not yet decided, I will say this: the main thing is to want and go towards the goal, never give up, and you will succeed. Try to be the best, no matter what!

Catherine

It was in 2009, when I finished doing rhythmic gymnastics. And since I was busy with all sorts of sports activities throughout my childhood, my mother suggested going to a dance center and finding suitable useful leisure time, both movement and not. pure form sport.

One day we came to the dance center, which was located next to the house. That evening there were flamenco classes going on there, and Irish dancing classes were going on nearby. At that time I knew nothing about these types of dance.

I looked at flamenco, but honestly, I wasn’t interested. But after I saw through the eyes of a child how beautifully the girls jumped and did absolutely unimaginable elements in an Irish dance class, I really liked it, there was something unusual, very cool about it, I thought then.

Most likely, that was the first time I saw a female slip jig solo dance, and she was good - the music was very beautiful.... Mom immediately said that this was mine and she saw me in such a dance, and that I was sure everything would work out for me!

We didn't think long, my mom signed me up for these wonderful dancing! And here I am, and I wouldn’t trade our classes or my first teacher for anything. We've been together since our first class together.

Personally, my growth was not so rapid, but that’s good. I grew and matured physically and in dance. Everything was smooth and gradual. As Tatyana told me, I suddenly started dancing for real when I came to school after regular summer holidays. That’s when our hardest joint work began for more high levels and continues to this day.

If you're still wondering whether to start Irish dancing, don't hesitate for a moment. Begin!

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