How the image of Oblomov is revealed in the first part. Positive traits of Oblomov

Oblomov's image

1. Lifestyle of Ilya Ilyich.

2. Oblomov's image and those around.

3. What is Oblomovism?

Ilya Ilyich Oblomov lives in big house on Gorokhovaya Street. This is a young man, a landowner, “about thirty-two years old, of average height, pleasant appearance, with dark gray eyes, but with the absence of any definite idea, any concentration in the facial features... softness was the dominant and basic expression, not only of the face, but of the whole soul; and the soul shone so openly and clearly in the eyes, in the smile, in every movement of the head and hand.”

Oblomov's image prefers a comfortable robe, which he wears at home without a vest or tie. His pastime is the same for any time of day: Ilya Ilyich almost always lies down. He can't even find the strength to get up and wash himself. Goncharov compares his hero with a patient, saying that lying down is an urgent necessity for both the patient and Oblomov. Everything goes on in the house without Oblomov’s participation in this; even the old servant Zakhar, who raised him since childhood and still lives with him, does not keep order. He himself decided what was his responsibility and would not do anything else.

Everything is left to chance, Ilya Ilyich, of course, likes cleanliness, but he would prefer it to arise by itself. A letter arrives from the village of Oblomovka, the estate of Ilya Ilyich: the headman writes that the men are scattering, there is no harvest, and, therefore, Oblomovka will bring less money. It is obvious that the headman is not clean, but Oblomov can neither go to investigate on the spot nor write him an answer. At first there is ardor to answer, but no paper, then, when paper is found for writing, the ardor disappears. Either you have to have breakfast or you run out of ink. The move from an apartment, which the owners are planning to renovate, and the search for new housing are also progressing.

Oblomov has been living in St. Petersburg for twelve years. He gradually moves away from society, limiting himself to communicating with the acquaintances who come to him. At first he was ready to enter the service, but it soon disappointed him: it was tedious to write endless papers. He used to understand service relations almost like a family, I thought that the boss should take care of him as if he were taking care of himself, be like his own father. But the illusions collapsed when Oblomov, a clerical official, accidentally sent important document instead of Astrakhan to Arkhangelsk, mixing up the cities. Ilyo Ilyich was not fired, but he himself, fearing a reprimand from his superiors, called in sick and then, without ever returning to work, quit.

Wayward in society Oblomov's image he didn’t get along either, he gradually got tired of going to parties, it was hard to put on a tailcoat and shave every day. He did not have close relationships with women, he only bowed at a distance. Over time, only Stolz could bring him into the public eye, and he was often out of town. Therefore, Oblomov spent more and more time at home. He was unaccustomed to going out and was afraid of them, since he was not used to crowded bustle. Even if a spark lights up in Oblomov, his determination to change his life at least a little does not last long.

It’s hard for him to read, the bookmark in the book may lie in one place for a long time, even the book itself will be lost somewhere, while Oblomov “reads” it. The passion for poetry passed without a trace. Looking at Stolz, Oblomov's image becomes infected by his youthful heat, but quickly cools down if Stolz does not control him hourly.

Goncharov compares his hero's head with a library of scattered volumes of different contents. Oblomov, in moments of elation, encouraged by Stolz, seriously thinks about his destiny, looks for his place in life. But it all ends with dreams on the couch. His inner life is in full swing, Ilya Ilyich imagines himself as a great commander, artist, thinker. But for some reason everyone around him thinks that he is not doing anything. In the end, Oblomov thinks about the quiet family happiness and worries about the estate, mentally draws plans and draws up estimates. This goes on for several years.

Life is in full swing around Oblomov, acquaintances visit him, talk about weddings, promotions, and invite him somewhere all the time. He is motionless. Ilya Ilyich receives visitors so that he has someone to complain to and ask him to lift his handkerchief, read a book, or write a letter. The doctor says that with this lifestyle, Oblomov will die of a stroke in two or three years. He recommends that he not read, avoid thoughts, more walk, dance and hunt, go abroad. But Oblomov's image is not capable of such decisive steps.

Stolz helps him, introducing him to Olga, for whose sake Oblomov's image I have become more active in my lifestyle. But the relationship did not end with a wedding, as he dreamed: he could not stand this rhythm. The idyll of Oblomov’s life appears in his dream: the quiet, sleepy village of Oblomovka, where nothing worries people, even a thunderstorm comes at the appointed time. Particularly striking is the picture of universal afternoon sleep, which is like a general disease. From childhood, Oblomov absorbed the attitude of those around him, who were not burdened with affairs, towards life, and this brought results.

Closest to Oblomov are his faithful servant Zakhar and friend Andrei Stolts. For Zakhar, his master is superior to everyone. Stolz is German on his father's side, Russian on his mother's side, and received a practical labor education, different from Oblomov's. He accomplished a lot: he served and retired, acquired a house and money. Oblomov's image the same, according to Stolz, like a lump of dough. Andrei takes him everywhere with him, but Oblomov gets tired and says that his ideal is to get married, go to the village and live there leisurely. Stolz tells him that this is not life, but Oblomovism. This is how Ilya Ilyich’s life ends: he finds his dream in the house of Agafya Pshenitsyna, which does not require him to change his life.

Dobrolyubov, in the article “What is Oblomovism,” condemned the “apathetic” master, spoke about the inertia of feudal Russia, and saw in “Oblomov” its collapse. The hero for Dobrolyubov is “a living, modern Russian type, minted with merciless severity and correctness.” He ranked Oblomov among the “superfluous people” - Onegin, Pechorin, Rudin, Beltov.

Aesthetic criticism saw a pure, gentle nature in the hero. Oblomovism is a typically national phenomenon; it is a common path for provincial nobles. Service in the department is beyond Oblomov’s strength, who preferred lying on the couch to a career. The first part of the novel describes the disease, and the second gives an explanation for it. The kingdom of serf Russia is the origin of Oblomov’s apathy, inactivity, and fear of life. Oblomovism is an expression of the social disorder of feudal Russia. Its reason is the habit of receiving everything for free, without labor.

Oblomov, as Goncharov wrote, is “the embodiment of sleep, stagnation, immobility, dead life, - crawling from day to day, in one person and one setting, and at the same time Oblomov's image absorbed the main features national character... both the best and the worst."

Introduction

The work “Oblomov” by Goncharov is a socio-psychological novel that was published in 1859. In the book, the author touches on a number of eternal themes: parents and children, love and friendship, the search for the meaning of life and others, revealing them through the biography of the main character - Ilya Ilyich Oblomov - a lazy, apathetic man, overly dreamy and completely unadapted to real life. The image of Oblomov in Goncharov’s novel is central and most striking in a masculine way works. According to the plot of the book, the reader meets Ilya Ilyich, when the hero has already reached thirty extra years and represents a fully formed personality. Like many men his age, he dreams of big family, children, a sweet, thrifty wife and a prosperous end of life in his native estate - Oblomovka. However, all these ideas about the distant wonderful future remain only in the hero’s dreams; in real life, Ilya Ilyich does absolutely nothing that would bring him even one step closer to the idyllic picture that he had long planned in his dreams.

Oblomov's days pass in continuous idleness; he is even too lazy to get out of bed to greet guests. His whole life is a sleepy kingdom, a dreamy half-asleep, consisting of continuous stringing and creation unrealistic illusions, which exhausted him mentally and from which he sometimes got tired and fell asleep exhausted. In this monotonous life leading to degradation, Ilya Ilyich was hiding from real world, fenced himself off from him in every possible way, afraid of his activity and not wanting to take responsibility for his actions, much less work and confidently step over failures and defeats, continuing to move forward.

Why is Oblomov trying to escape from real life?

To understand the reasons for Oblomov’s escapism, it is worth briefly describing the atmosphere in which the hero was brought up. Home village Ilya Ilyich - Oblomovka, was located in a picturesque and quiet area remote from the capital. Beautiful nature, a calm, measured life on the estate, the lack of need to work and the excessive care of his parents led to the fact that Oblomov was not ready for the difficulties of life outside Oblomovka. Brought up in an atmosphere of love and even adoration, Ilya Ilyich thought that he would encounter a similar attitude towards himself in the service. Imagine his surprise when, instead of similarity loving family, where everyone supports each other, a team with a completely different attitude was waiting for him. At work, no one was interested in him, no one cared about him, since everyone thought only about increasing their own salary and promotion. career ladder. Feeling uncomfortable after his first mistake in the service, Oblomov, on the one hand, fearing punishment, and on the other, having found a reason for dismissal, he leaves his job. More hero did not try to get a job somewhere, living on the money that was sent to him from Oblomovka and spending all his days in bed, thus reliably hiding from the worries and problems of the outside world.

Oblomov and Stolz are antipodal images

The antipode of the image of the main character in the novel “Oblomov” by Ilya Ilyich is his childhood friend, Andrei Ivanovich Stolts. By character and life priorities Stolz is the complete opposite of Oblomov, although they come from the same social class. Unlike the lazy, apathetic, dreamy Ilya Ilyich, who lives exclusively in his past, Andrei Ivanovich always strives forward, he is not afraid of failures, since he knows that in any case he will be able to achieve his goal, to reach ever greater heights. And if the meaning of Oblomov’s life is illusory world, which he builds in his imagination and for which he lives, then for Stolz hard work remains such a meaning.

Despite the fact that in the work the heroes are contrasted as two differently directed principles and two antithetical personality types - introverted and extroverted, Stolz and Oblomov organically complement each other and need each other. Without Andrei Ivanovich, Ilya Ilyich would probably have completely abandoned business in Oblomovka or sold it for pennies to someone like Tarantiev. Stolz most clearly understood the harmful influence of “Oblomovism” on his friend, so he tried with all his might to return him to real life, taking him with him to social events or forcing him to read new books.
The author's introduction into the narrative of such a character as Andrei Ivanovich helps to better understand the image of Ilya Ilyich. Compared to his friend, Oblomov, on the one hand, looks passive, lazy, not wanting to strive for anything. On the other hand, his positive traits- warmth, kindness, tenderness, understanding and sympathy for loved ones, because it was in conversations with Ilya Ilyich that Stolz gained peace of mind, lost in the constant race of life.

Revealing the image of Oblomov through love

In the life of Ilya Ilyich there were two different loves– spontaneous, all-encompassing, stormy and revitalizing love for Olga Ilyinskaya and quiet, pacifying, based on respect, full of peace and monotony love for Agafya Pshenitsyna. The image of Ilya Ilyich Oblomov is revealed differently in relationships with each of the women.

Love for Olga was that bright ray that could pull the hero out of the “swamp of Oblomovism,” because it was for the sake of Ilyinskaya Oblomov forgets about his favorite robe, begins to read books again, it’s as if his wings grow, as a real goal appears - a possible happy future with Olga, a family and his own comfortable estate. However, Ilya Ilyich was not ready to completely change; Ilyinskaya’s aspirations for constant development and achieving new heights were alien to him. In a relationship with Olga, Oblomov is the first to retreat and the first writes her a letter in which he says that her love is not true feelings. This act can be considered not only as the hero’s weakness, his fear of change and internal passivity, but also as better understanding spheres of feelings, excellent intuitive sense and understanding of the psychology of other people. Ilya Ilyich subconsciously felt that they life paths too different that Olga needs much more than he is ready to give her. And even if he tries to become for her the very ideal of a gentle, kind, sensual, but at the same time continuously developing, active person, he will be unhappy for the rest of his life, never having found the desired happiness.

After the difficult but predetermined separation of Oblomov and Olga, the hero finds solace surrounded by the care of Pshenitsyna. Agafya, by nature, is the ideal of the “Oblomov” woman - poorly educated, but at the same time very kind, sincere, economic, caring for the comfort and satiety of her husband and adoring him. Ilya Ilyich’s feelings for Pshenitsyna were built on respect, which gradually grew into warmth and understanding, and then into a calm, but strong love. Let us remember that when Stolz tried to take Oblomov with him, he did not want to go, not because he was lazy, but because it was important for him to stay with his wife, who was able to give him the happiness that he had dreamed of for so long.

Conclusion

Analysis of Oblomov’s image makes it clear that interpreting Ilya Ilyich as unambiguously positive or negative hero it is forbidden. He attracts the reader in his own way, but also causes antipathy with his laziness and passivity, which indicates the versatility of the character’s nature, his inner depth and, possibly, powerful unrealized potential. Oblomov is a composite image of a typical Russian person, a dreamy, contemplative personality who always hopes for the best and sees true happiness in monotony and tranquility. As critics point out, Goncharov largely copied Ilya Ilyich from himself, which makes the novel even more interesting for modern reader, interested in the work of the great Russian writer.

A detailed analysis of the image of the hero of Goncharov’s novel will be useful for 10th graders when writing an essay on the topic “The Image of Oblomov in the novel “Oblomov”.”

Work test

It is not by chance that Ivan Aleksandrovich Goncharov wrote his famous novel"Oblomov", recognized by contemporaries as a classic after its publication, ten years later. As he himself wrote about him, this novel is about “his” generation, about those barchuks who came to St. Petersburg “from kind mothers” and tried to make a career there. To really make a career, they had to change their attitude towards work. Ivan Alexandrovich himself went through this. However, many local nobles and adult life remained idle. IN early XIX century this was not uncommon. For Goncharov, the artistic and holistic representation of a representative of a nobleman degenerating under the conditions of serfdom became the main idea of ​​the novel.

Ilya Ilyich Oblomov - a typical character at the beginning of the 19th century

Oblomov’s appearance, the very image of this local nobleman-idler, absorbed so much characteristic features that has become a household name. As the memoirs of contemporaries testify, in Goncharov’s time it even became an unwritten rule not to call a son “Ilya” if his father’s name was the same... The reason is that such people do not need to work to provide for themselves. They don’t have to serve, after all, capital and serfs already provide him with a certain weight in society. This is a landowner who owns 350 serfs, but is absolutely not interested in agriculture, which feeds him, and has no control over the thief-clerk who shamelessly robs him.

Expensive mahogany furniture is covered in dust. His entire existence is spent on the couch. It replaces his entire apartment: living room, kitchen, hallway, office. There are mice running around the apartment and there are bedbugs.

Appearance of the main character

The description of Oblomov's appearance indicates the special - satirical role of this image in Russian literature. Its essence is that it continued the classical tradition extra people in his Fatherland following Pushkinsky Evgeniy Onegin and Lermontov's Pechorin. Ilya Ilyich has an appearance that matches this lifestyle. He dresses his old, plump, but already loose body in a rather threadbare robe. His gaze is dreamy, his hands are motionless.

The main detail of Ilya Ilyich’s appearance

It is no coincidence that, repeatedly describing Oblomov’s appearance throughout the novel, Ivan Aleksandrovich Goncharov focuses attention precisely on his plump arms, with small hands, completely pampered. This artistic technique - man's hands not busy with work - additionally emphasizes the passivity of the protagonist.

Oblomov's dreams never find their real continuation in business. They are his personal way of nurturing his laziness. And he is busy with them from the moment he wakes up: shown by Goncharov, for example, a day in the life of Ilya Ilyich, begins with an hour and a half of motionless daydreaming, naturally, without getting off the couch...

Positive traits of Oblomov

However, it should be admitted that Ilya Ilyich is kinder and more open. He is friendlier than the high-society dandy Onegin, or the fatalist Pechorin, who brings only trouble to those around him. He is not capable of quarreling with a person over a trifle, much less challenging him to a duel.

Goncharov describes the appearance of Ilya Ilyich Oblomov in full accordance with his lifestyle. And this landowner lives with his devoted servant Zakhar on the Vyborg side in a spacious four-room apartment. A plump, doughy 32-33-year-old balding brown-haired man with brown hair, a rather pleasant face and dreamy dark gray eyes. This is Oblomov’s appearance in brief description, which Goncharov introduces to us at the beginning of his novel. This hereditary nobleman from a once famous family in the province came to St. Petersburg twelve years ago to pursue an bureaucratic career. He started with a rank. Then, due to negligence, he sent a letter to Arkhangelsk instead of Astrakhan and, frightened, quit.

His appearance certainly encourages the interlocutor to communicate. And it is not surprising that guests come to see him every day. Oblomov's appearance in the novel "Oblomov" cannot be called unattractive; it even to some extent expresses the remarkable mind of Ilya Ilyich. However, there is no practical tenacity or purposefulness in it. However, his face is expressive, it displays a continuous stream of thoughts. He speaks practical words and makes noble plans. The very description of Oblomov’s appearance leads the attentive reader to the conclusion that his spirituality is toothless, and his plans will never come true. They will be forgotten before they reach practical implementation. However, in their place will come new ideas, equally divorced from reality...

Oblomov's appearance is a mirror of degradation...

Note that even Oblomov’s appearance in the novel “Oblomov” could have been completely different if he had received something else home education... After all, he was an energetic, inquisitive child, not prone to being overweight. As befits his age, he was interested in what was happening around him. However, the mother assigned vigilant nannies to the child, who did not allow him to take anything in his hands. Over time, Ilya Ilyich also perceived any work as the lot of the lower class, men.

Appearances of opposite characters: Stolz and Oblomov

Why would a physiognomist observer come to this conclusion? Yes, because, for example, Stolz’s appearance in the novel “Oblomov” is completely different: wiry, agile, dynamic. Andrei Ivanovich does not tend to dream; instead, he rather plans, analyzes, formulates a goal, and then works to achieve it... After all, Stolz, his friend with youth, thinks rationally, having legal education, as well as rich experience in service and communication with people.. His origin is not as noble as that of Ilya Ilyich. His father is a German who works as a clerk for landowners (in our current understanding - a classic hired manager), and his mother is a Russian woman who received a good liberal arts education. From childhood he knew that a career and position in society should be earned through hard work.

These two characters are diametrically opposed in the novel. Even the appearance of Oblomov and Stolz is completely different. Nothing similar, not a single similar feature - two completely different human types. The first one is a wonderful conversationalist, a man open soul, however, a lazy person in the last incarnation of this flaw. The second is active, ready to help friends in trouble. In particular, he introduces his friend Ilya to a girl who can “cure” him of laziness - Olga Ilyinskaya. In addition, he brings order to the landowner agriculture Oblomovki. And after Oblomov’s death, he adopts his son Andrei.

Differences in the way Goncharov presents the appearance of Stolz and Oblomov

In different ways we recognize the appearance traits that Oblomov and Stolz possess. The appearance of Ilya Ilyich is shown by the author in a classic way: from the words of the author talking about him. We learn the appearance of Andrei Stolts gradually, from the words of other characters in the novel. This is how we begin to understand that Andrey has a lean, wiry, muscular physique. His skin is dark, and his greenish eyes are expressive.

Oblomov and Stolz also have different attitudes towards love. The appearance of their chosen ones, as well as the relationships with them, are different between the two heroes of the novel. Oblomov gets his wife-mother Agafya Pshenitsyna - loving, caring, not bothersome. Stolz marries the educated Olga Ilyinskaya - his comrade-in-arms wife, his assistant wife.

It is not surprising that this man, unlike Oblomov, squanders his fortune.

Appearance and respect of people, are they related?

The appearance of Oblomov and Stolz is perceived differently by people. The weakling Oblomov, like honey, attracts flies, attracts the swindlers Mikhei Tarantiev and Ivan Mukhoyarov. He periodically feels bouts of apathy, feeling obvious discomfort from his passive position in life. The collected, far-sighted Stolz does not experience such loss of spirit. He loves life. With his insight and serious approach to life, he frightens scoundrels. It’s not for nothing that after meeting him, Mikhei Tarantiev “goes on the run.” For

Conclusion

Ilyich’s appearance fits perfectly into the concept of “an extra person, that is, an individual who cannot realize himself in society. The abilities that he possessed in his youth were subsequently ruined. At the beginning -improper upbringing, and then - idleness. The formerly nimble little boy became flabby by the age of 32 and lost interest in surrounding life, and by the age of 40 he fell ill and died.

Ivan Goncharov described the type of nobleman-serf owner who has a rentier position in life (he regularly gets money from the labor of other people, but Oblomov has no such desire to work himself.) It is quite obvious that people with such life position have no future.

At the same time, the energetic and purposeful commoner Andrei Stolts achieves obvious success in life and a position in society. His appearance is a reflection of his active nature.

Name: Ilya Oblomov

A country: Russia

Creator:

Activity: landowner

Family status: married

Ilya Oblomov: character story

The novel is dedicated to a state characteristic of the Russian person. He describes a hero who has fallen into personal stagnation and apathy. The work gave the world the term “Oblomovism” - a derivative of the name of the character in the story. Goncharov created a striking example literature of the 19th century century. The book turned out to be the pinnacle of the writer's creativity. The novel is included in school curriculum Russian literature and does not lose its relevance, although two centuries have passed since its creation.

History of creation

"Oblomov" is a landmark work for Russian literature of the 19th century. Its meaning is not always accessible to schoolchildren who become acquainted with the book at a young age. Adults consider more deeply the idea that the author wanted to convey.

The main character of the work is the landowner Ilya Oblomov, whose lifestyle is incomprehensible to others. Some consider him a philosopher, others a thinker, and others a lazy person. The author allows the reader to compose own opinion, without speaking categorically about the character.

It is impossible to evaluate the concept of a novel separately from the history of the creation of the work. The basis of the book was the story “Dashing Illness,” written by Goncharov several years earlier. Inspiration struck the writer at a time when the social and political situation in Russia was tense.

At that time, the image of an apathetic tradesman who was unable to take responsibility for his actions and decisions was typical for the country. The idea for the book was influenced by reasoning. The critic wrote about the appearance of the image of the “superfluous man” in literary works that time. He described the hero as a freethinker, incapable of serious action, a dreamer, useless to society. Oblomov's appearance is a visual embodiment of the nobility of those years. The novel describes the changes occurring in the hero. The characteristics of Ilya Ilyich are subtly outlined in each of the four chapters.

Biography

The main character was born into a landowner family living according to the traditional lordly way of life. Ilya Oblomov spent his childhood on a family estate, where life was not very diverse. The parents loved the boy. The affectionate nanny spoiled her with fairy tales and jokes. Sleep and long sittings at meals were commonplace for the family, and Ilya easily adopted their inclinations. He was protected from all sorts of misfortunes, not allowing him to fight the difficulties that arose.

According to Goncharov, the child grew up apathetic and withdrawn until he turned into a thirty-two-year-old, unprincipled man with an attractive appearance. He lacked interest in anything and concentration on a specific subject. The hero's income was provided by serfs, so he did not need anything. The clerk robbed him, his place of residence gradually fell into disrepair, and the sofa became his permanent location.

Oblomov’s descriptive image includes bright features lazy landowner and is collective. Goncharov's contemporaries tried not to name their sons after Ilya if they were the namesakes of their fathers. The household name that Oblomov's name acquired was carefully avoided.

Satirical description of appearance actor becomes a continuation of the string of “extra people” that he started and continued. Oblomov is not old, but he is already flabby. His face is expressionless. Gray eyes do not carry even a shadow of thought. He wears an old robe. Goncharov pays attention to the character’s appearance, noting his effeminacy and passivity. The dreamer Oblomov is not ready for action and indulges in laziness. The tragedy of the hero lies in the fact that he has great prospects, but is not able to realize them.

Oblomov is kind and selfless. He does not have to put any effort into anything, and if such a prospect arises, he fears it and shows uncertainty. He often dreams of the setting of his native estate, bringing back a sweet longing for his native place. From time to time, beautiful dreams are dispelled by other heroes of the novel.

He is the antagonist of Ilya Oblomov. The friendship between the men began in childhood. The opposite of a dreamer, Stolz, who has German roots, avoids idleness and is accustomed to working. He criticizes the lifestyle preferred by Oblomov. Stolz knows that his friend’s first attempts to realize his career ended in failure.

Having moved to St. Petersburg as a young man, Ilya tried to work in an office, but things did not go well, and he chose inaction. Stolz is an ardent opponent of passivity and tries to be active, although he understands that his work is not intended for high goals.

She became the woman who managed to awaken Oblomov from idleness. The love that settled in the hero’s heart helped him leave the usual sofa and forget about drowsiness and apathy. Golden heart, sincerity and breadth of soul attracted the attention of Olga Ilyinskaya.

She valued Ilya’s imagination and fantasy and at the same time tried to assert herself by caring for a man who had renounced the world. The girl was inspired by her ability to influence Oblomov and understood that their relationship would not continue. Ilya Ilyich's indecisiveness became the reason for the collapse of this union.

Fleeting obstacles are perceived by Oblomov as indestructible barriers. He is not able to adapt and adapt to social frameworks. Inventing his own cozy world, he distances himself from reality, where he has no place.

Isolation became the path to simple happiness in life, and it was brought by a woman who was constantly nearby. rented out the apartment where the hero lived. After breaking up with Olga Ilyinskaya, he found solace in Agafya’s attention. A thirty-year-old woman fell in love with a tenant, and her feelings did not require changes in character or way of life.

Having united their households, little by little they began to show trust in each other and began to live in perfect harmony. Pshenitsyna did not demand anything from her husband. She was content with the merits and did not pay attention to the shortcomings. The marriage produced a son, Andryusha, Agafya’s only consolation after Oblomov’s death.

• The chapter “Oblomov’s Dream” describes how the hero dreams of a thunderstorm. By popular belief On Elijah’s day you cannot work, so as not to die from thunder. Ilya Ilyich has not worked all his life. The author justifies the character's idleness by believing in omens.
• Coming from a village whose life is cyclical, Oblomov builds love relationship according to this principle. Getting to know Ilyinskaya in the spring, he confesses his feelings in the summer, gradually falls into apathy in the fall and tries to avoid meetings in the winter. The relationship between the heroes lasted a year. This was enough to experience a bright palette of feelings and cool them down.

• The author mentions that Oblomov served as a collegiate assessor and managed to be a provincial secretary. Both positions did not correspond to the class to which the landowner belonged, and they could be achieved through hard work. Comparing the facts, it is easy to assume that the hero, who was lazy and while studying at the university, received his position in a different way. The classes of Pshenitsyna and Oblomov corresponded, which the author emphasizes the kinship of souls.
• Life with Agafya suited Oblomov. It is curious that even the woman’s surname is consonant with the rural nature for which the hero yearned.

Quotes

Despite his laziness, Oblomov shows himself to be an educated and sensitive person, deep person With with a pure heart and good thoughts. He justifies his inaction by saying:

“...Some people have nothing else to do but talk. There is such a calling."

Internally, Oblomov is strong to commit the act. The main step towards changes in his life is his love for Ilyinskaya. For her sake, he is capable of feats, one of which is saying goodbye to his favorite robe and sofa. It is quite possible that an object that could interest the hero just as much was simply not found. And if there is no interest, why forget about convenience? Therefore he criticizes the world:

“...There is nothing of their own, they are scattered in all directions, not directed towards anything. Underneath this comprehensiveness lies emptiness, a lack of sympathy for everything!..”

Oblomov in Goncharov’s novel appears at the same time as a lazy person with a negative connotation and an exalted character with poetic talent. His words contain subtle turns and expressions that are alien to the hard worker Stolz. His elegant phrases attract Ilyinskaya and turn Agafya’s head. Oblomov’s world, woven from dreams and dreams, is built on the melody of poetry, love for comfort and harmony, peace of mind and goodness:

“...Memories are either the greatest poetry when they are memories of living happiness, or burning pain when they touch dried wounds.”

Oblomov’s image consists of two parts. There is Oblomov, “moldy, almost disgusting,” “a greasy, awkward piece of meat.” There is Oblomov, in love with Olga, Oblomov, who is “deeply touching and sympathetic in his sad comedy.” Between these Oblomovs there is a gulf and at the same time a charged interaction, the struggle of Oblomovism with the “true active life of the heart,” that is, with the real personality of Ilya Ilyich. The dual nature of Oblomov’s image also corresponds to the splitting of the novel into 2 semantic parts, and the role of the connecting link between them is played by “Oblomov’s dream,” to which Druzhinin attaches great importance. Indulging in delightful laziness on the sofa, Goncharov's hero falls into sleep. And he is carried away to childhood. By the time when in Oblomovka, near the nanny, for the first time “a young mind was running around in fiction, there, in the open space, Oblomov’s poetic dreaminess was taking shape, not recognizing the shackles of prosaic reality.
Ilya Ilyich falls asleep with a painful, insoluble question: “Why am I... like this?” Reason and logic were powerless to answer it, powerless to explain to Oblomov what the true nature of his personality was. In a dream, he is answered by the ancestral memory and the hero’s unconscious attachment to his home. Under all the layers of Oblomov’s existence, in the very depths of sleep and consciousness, Goncharov finds the source of the living and warm humanity of this world.
The moral and emotional core of Oblomov’s world is the mother of Ilya Ilyich.
“Oblomov, having seen long ago deceased mother, and in a dream he trembled with joy, with hot love for her: he, sleepy, slowly floated out from under his eyelashes and became motionless.”
Now we have before us the best, purest Oblomov. He remains this way in his love for Olga, with whom he is connected not by passion, but by a meek, tender feeling.
The story about Oblomov’s life unfolds in 2 time dimensions: Ilyusha’s upbringing - its results in the character of Ilya Ilyich, direct threads stretch from childhood to the hero of the initial chapters of the novel.
The life of the Oblomovites is believable. From her, as from surrounding nature, strong movements are removed. The sum of the “educational instructions of the nanny” consists of endless “no” and “no”, on which the entire description of the “cramped corner” rests.
In Oblomovka’s life, the symbol of which for the child was the afternoon nap - “an all-consuming, do-nothing sleep, a true likeness of death,” A day passed full of the first and main life concern in Oblomovka - worry about food”; night has come.
The only form of spiritual life available to Oblomovites is participation in the world of fairy tales, legends, and myths. By developing daydreaming, the fairy tale only tied the boy more closely to home. After all, the same bummer lives in fairy tales, only poetically decorated. The nanny whispers to him about some unknown country, where there is neither night nor cold, where miracles happen, where rivers of honey and milk flow, where no one all year round doesn’t do it, but all day long they only know that all the good fellows, such as Ilya Ilyich, and beauties are walking around, which “cannot be told in a fairy tale, nor described with a pen.”
According to Goncharov, it is the first unconscious childhood impressions that shape the nature of the future person. It is to show the beginning of Oblomovism that Goncharov introduces Oblomov’s dream into the narrative. He most fully reveals the pictures of patriarchal life in home, which forever remained an ideal for Ilya Ilyich real life- calm and well-fed.