Drawing of a human hand. Small details matter

How to draw hands with a pencil?

Hands are a personal and unique part of the body. They can often tell a story about a person's life through their shape and size. Long years people study their lines and structure, trying to read the future from the lines. Today we will learn draw hands with a simple pencil by using step by step lesson. Let's pay Special attention their construction and application of shadows so that the drawing comes out as realistic as possible.

Tools and materials:

  1. White sheet of paper;
  2. Eraser;
  3. Hard simple pencil;
  4. Two soft simple pencils.

Stages of work:

Photo 1. The picture will show two hands. One lies on top of the other. Let's start with the hand that will be on top. To build we use hard pencil. Let's denote simple lines first hand shape:

Photo 2. Place the second hand on the bottom left. She will be turned sideways. We are in no hurry to draw the fingers. Let’s just outline the wrist and hand:

Photo 3. On the left hand we will draw the fingers and folds on the bends. We don’t put pressure on the pencil in a stylish way; the pressure should be weak at the first stage. Otherwise, later the contours will not stand out naturally. The fingers are spaced slightly unevenly so that they peek out from behind each other. The small finger has the most folds because it is the most bent:

Photo 4. Now let's move on to the right hand. She lies on the top left. Add fingers and two parallel lines at the level of the bones, at the level of the bends. Thanks to this, it will be easier to navigate when building:

Photo 6. We continue to shade gradually adding more volume. Let's outline the outline a little and work on the right hand. Little finger and ring finger are on a bend, so we add more shadow to them than to the others:



Photo 7. Add folds and contour to the bends. Let's draw the details of the upper hand, and at the same time create volume on the lower one:

Photo 8. Let's add more shadow, but try not to over-dark it. The strokes are applied gradually. This trick helps make hands look realistic:

Photo 9. Let's add more contrast. We continue adding shadow:

Photo 10. Let's refine the outline again, it will highlight the foreground. We leave the remaining places untouched.

Artists are entitled to many benefits that will never exist. For example, coupons for free food, separate transport so as not to blend in with the gray mass in the minibus, or a personal butler. I’m not an artist myself, but I’m already starting to feel all the delights permanent job hands (in my case left hand). After drawing for a long time, not only the hands begin to hurt, but also the back, tailbone and other parts of the body subject to creative pressure. In this lesson you will learn how to draw a brush. And two at once: human and artistic. A brush is a means of transferring paint to paper, oil to bread and powder to the brain. This is exactly what it looked like Magic wand when he went to study at magic school. With the help of a brush, such weapons of mass destruction as Malevich's Black Square were created, which shows the ratio of the black population and the rest of the inhabitants of the Earth. Over time, the brush multiplied by spores among people and began to appear at social parties and in laboratories for the creation of chemical weapons.

After the invention of the automatic pen and hydrogen bomb the brush lost its position and moved itself exclusively to artistic field, where it suddenly became a means of creating masterpieces. Being an artist, of course, does not promise great success, but sometimes there is money. What you can do with a brush:

  • Chewing on it gives an influx of new brilliant ideas and also relaxes the nervous system;
  • Draw the most famous painting in the world, or not to draw;
  • Make a cache out of it and hide your stash;
  • Use as a murder weapon;
  • Poking it at someone (just not too much);

Let's try to draw it all.

How to draw a brush with a pencil step by step

Step one. I won’t comment, because there’s not much to say here. From the pictures everything is visible and clear.
Step two.
Step three.
Step four.
I hope you enjoyed the lesson. See more similar ones

In order to paint a picture, the artist needs a canvas on a stretcher, as well as paints and brushes. The success of his work largely depends on the quality of the latter, so the choice of such instruments must be approached responsibly. To choose the right brushes for painting, you need to consider what paints you will have to work with, as well as your budget.

In an effort to choose the right brushes for painting, you need to know what they are, what the brushes are made of and what paints they are intended for. So, for example, to paint with gouache or watercolor, they use squirrel, kolinsky and synthetics. They all have their own quality characteristics:

  • The column is suitable for all styles of painting, but its price is quite high.
  • Squirrel is ideal for watercolors, and synthetics are ideal for acrylic painting.
  • The pony brush is a good alternative to the kolinsky and squirrel brushes.
  • The brush made from pig wool is more suitable for oil paints.
  • A badger brush is used for soft paints.
  • Sable in its quality has the properties of columnar and squirrels, but with such bristles you can write major works and miniatures.
  • Synthetic brushes are not suitable for watercolors; they are more often used for acrylics.

Any brush is made of a handle, a hair tuft and a base. The quality of this drawing tool determines whether it will be convenient for the artist to work. In turn, its durability in use depends on the quality of all components of the brush.

To choose the right brush sizes and the tool itself, you need to focus on the following points:

  • material from which the brush is made – brush good quality convenient to use;
  • the brush handle should be smooth;
  • its length should be convenient for the user.

The base of the brush should encircle the handle as tightly as possible, fixing the hair bun motionless. There should be no seam on it so that the instrument is comfortable to hold in your hand. The most important part of the product is the hair bun, which differs in material. A synthetic paint brush is of worse quality than natural brushes. Such drawing tools are classified by numbers.

Artists know how to choose brushes and what types of brushes are available. On right choice The size of the brush also affects the size of the brush, as well as what paints the specialist plans to paint with. artistic creativity. Suitable for one thin brushes, the other needs a round one.

A brush with good hair has the following qualities:

  • her hairs are elastic;
  • when wet they do not lose their shape;
  • do not fall out during operation;
  • the glue with which they are fastened does not extend beyond the holder.

For all these characteristic features You need to pay attention to choose a good brush.

In the video: how to choose the right brushes for painting.

Types of brushes and their purpose

To choose the right brush, focus on the bristles from which the bun is assembled. You also need to know which brushes are best to use for watercolors, gouache or oil paints:

  • Squirrel wool brushes. Ideal for painting with watercolors. Thin and soft brushes allow you to control the flow of paint, so they are convenient for painting small details of a picture. To ensure a high-quality brush made from squirrel hairs, the bristles are first degreased, sorted by length, unusable hairs are removed and straightened.

  • Intended for watercolor paint, the artist can not only use them comfortably, but also save on price. To choose a brush for painting for children, pay attention to their painting skills.

  • Sable wool brush. It is the most expensive tool used by professional artists. The choice of such brushes makes it possible to paint fine lines, they can be used to paint with gouache and watercolor.

  • Pony hair tassels. Quite elastic and soft, suitable for drawing with ink. However, for those who are going to paint with gouache, this is also a worthy option. With the help of such bristles it is easy to apply strokes of paint.

  • Nylon tassels. Recommended for acrylic paint, there are different shapes, it all depends on the specifics of the artist’s work. A sales assistant at an art supply store will help a beginner make the right choice.

Natural brushes are characterized by the fact that the tuft in them is made of animal hair. Made from natural material, which is much higher quality than synthetics, such brushes will last much longer.

Suitable brushes for oil work

For artists who paint with oil paints, it is recommended to purchase the following brushes:

  • bristles, which are particularly elastic and quickly absorb paint;
  • medium soft mongoose brushes;
  • badger hair brushes that are suitable for mixing oil and acrylic;
  • a synthetic nylon brush, which is almost as good in quality as natural ones.

Synthetics are inexpensive, so they use these brushes to paint on landscape paper at school. Thanks to the light nylon hairs, children can clearly see the shade of paint on the bristles. A thin brush is convenient for marking contours and boundaries between colors, while a thick brush is useful for painting large areas of the design.

Paint by number tools

Brushes by numbers are included in the kit, which is sold along with paints by numbers. Painting by numbers – modern look art, when a non-professional artist has the chance to create a painting of a famous celebrity.

Brushes by numbers, made of elastic nylon fiber, are perfect for such creativity.

To choose good brushes for drawing by numbers, you need to take into account that they are divided according to purpose, quality of hair and their shape. This choice also depends on the paint the artist uses. A nylon (synthetic) brush is perfect for painting with oil paints. Flat brushes are often used in shape, and everyone chooses the sizes individually. The artist needs those brushes that seem to be an extension of his hand.

What types of brushes are there?

All brushes for gouache, watercolor and oil paints may also differ in the shape of the bristles:

  • Round brushes. These products are suitable for painting gouache paint, allowing you to paint over small details of the drawing.

  • Flat brushes. More elastic, therefore they are used for painting areas of paintings with close-up images, for example, of the earth, sky, grass. Their capsule is compressed at the end, forming a flat tuft of hair. Artists use them to sketch cityscapes. The shape of the brush resembles a cat's tongue.

  • Flute brushes Their shape is wide enough to apply broad strokes to the painting canvas. They are used mainly in working with watercolors, sometimes with oil paints.

  • These brushes are round and very long in shape, needed to apply thin lines. They have found their application in graphics.

  • In all respects they resemble font ones, differing only in short hair.

  • Fan tassels. They are one of the varieties of flat brushes. They received this name due to their fan-shaped shape. Their use allows you to soften the color stretch and contrast of contours.

Depends on the right tool final result artist's work. But for an experienced painter such a choice is not a problem. And purchasing all these goods in a specialized art supply store is not difficult.

Tips from professional artists (2 videos)


Variety of brushes (25 photos)


















Any skill needs to be developed and brought to perfection; even if you have talent from birth, you need to constantly develop and hone it.

That absolutely everyone can learn to draw, and we hope that you have already started following our advice. Today we want to touch on another “sore” topic for novice artists, namely, drawing such complex parts of the body as hands, feet and, of course, eyes. As a rule, these body parts are always the most difficult to draw and that is why it is worth giving them a little more of your time and attention when you are learning to draw.

How to draw hands

A few basic rules:

1. It is necessary to practice drawing the palm in different positions. The same principle works here as everywhere else - Practice, practice and practice again.

2. Children's palms are thicker than their fingers.

3. A woman's palm is thinner and more graceful.

4. To make the palm more masculine, add angularity to it.

5. On the palms of older people, we place more emphasis on the knuckles and draw more wrinkled skin.

First, we need to understand a little about the anatomy of the palm. Take a close look at your hands. Your main goal is not to remember what part of the hand is called, study the proportions and shapes. Please note that the phalanges of the fingers are not on the same line, and the fingers cannot be perfectly straight and are always tilted in one direction.

The index, middle, ring and little fingers are quite closely connected and cannot be far from each other, while the thumb has a fairly wide range of motion.

Try tracing your hand and filling in the outline with details. This will help you understand a little better what the palm should look like in the drawing.

Before you start drawing a hand, you should first outline its overall size and the points at which the ends of the fingers will be located. Only after this the sketch is divided into several parts.

When drawing hands, there are generally accepted proportions. For example, the length of the palm is equal to the length of the index finger multiplied by 2. Forefinger equal to the innominate, sometimes the innominate can be slightly longer than the index. The little finger reaches the upper phalanx of the ring finger.

The nail should occupy half of the phalanx. Women's nails are drawn more rounded, and men's nails are drawn more square.

If you find it difficult to draw fingers, imagine that the phalanges are cylinders connected to each other.

Don't forget to add shadows to make your hand more realistic.

When starting to draw, try simpler options first, such as an open or unfolded palm. Gradually make the task more difficult, for example, by drawing a hand clenched into a fist.

How to draw feet

As in the first case, before you start drawing, you need to carefully study the anatomy of the foot.
The structure of the hands and feet are somewhat similar to each other, however, the proportions will differ.
The length of the foot is usually equal to the length of the head of the person you are drawing. The foot consists of two parts - the heel and metatarsus (the part that is connected to the toes). Top part the feet rise to the top. The bone that is on the outside is always lower than the one on the inside. The bottom of the foot has a curve; it is not drawn flat. Thumb is always drawn parallel to the ground, and all others will be lowered towards the ground.

Another note is that if you draw the foot from above, the toes will be longer than when drawing the foot from below.

The bottom of the nail is halfway up the top joint, and the width of the nail is longer than its height. The thumb is the width of the second two fingers.

How to draw eyes

If your goal, of course, is to be able to draw portraits, then you will have to devote a lot of time to your eyes. The look is what needs to be conveyed first when drawing the eyes.

The first step is to draw the shape of the eye. In the future, when drawing portraits, you will have to devote quite a lot of time to this step, since an incorrectly shown form will ruin your entire drawing.

After this, outline the cornea. Immediately apply highlights to the pupil. Don't miss any little thing you see. The iris of the eye should not be completely round. From below and from above it is cut off by the eyelid. Iris falling under upper eyelid, it will always be a little darker. The rest of the shadows and highlights will depend on your desire or who you are drawing.

Darken the white of your eye. Along the edges the shadows should be slightly darker.

Eyelashes are drawn the final stage. They are thicker at the base than at the end. Please note that the eyelashes are reflected slightly in the eyes.

Finally, we remind you once again that the main thing is practice. Start simple and gradually improve your skill by gradually complicating your tasks.

Draw and get inspired with us.

Main photo taken from the site

Guys, we put our soul into the site. Thank you for that
that you are discovering this beauty. Thanks for the inspiration and goosebumps.
Join us on Facebook And In contact with

All children love to draw. But sometimes things don’t turn out the way a child wants. Or maybe he doesn’t have enough familiar ways to express himself? Then you can inspire him to experiment with different techniques, among which there is sure to be a favorite. After this, your child will probably want to invent something new.

website I have collected the most interesting techniques for you.

Dot patterns

First we draw the simplest squiggle. Then using cotton swab and paints (gouache or acrylic) we make intricate patterns as the soul pleases. It is better to pre-mix the paints and dilute them slightly with water on the palette.

Frottage

A technique familiar and loved by many since childhood. We place an object with a slightly protruding relief under a sheet of paper and paint over it with pastel, chalk or an unsharpened pencil.

Foam prints

Dipping a sponge into thick gouache, the child can draw landscapes, bouquets of flowers, lilac branches or animals.

Blotography

One option: drop paint onto a sheet and tilt it in different directions to create an image. Second: the child dips the brush into the paint, then places the blot on a sheet of paper and folds the sheet in half so that the blot is imprinted on the second half of the sheet. Then he unfolds the sheet and tries to understand who or what the drawing resembles.

Hand and foot prints

It's simple: you need to dip your foot or palm in the paint and make an imprint on paper. And then use your imagination and add a couple of details.

Paint patterns

For such an application you need to apply a thick layer of paint onto the paper. Then, using the opposite end of the brush, scratch patterns on the still wet paint - various lines and curls. When dry, cut out the desired shapes and paste them onto a thick sheet of paper.

Fingerprints

The name speaks for itself. You need to paint your finger with a thin layer and make an imprint. A couple of strokes with a felt-tip pen - and you're done!

Monotype

On level ground smooth surface(for example, glass) a design is applied with paint. Then a sheet of paper is applied, and the print is ready. To make it more blurry, the sheet of paper must first be wetted. Once everything is dry, you can add details and outlines if desired.

Scratch

The highlight of the work is that the drawing needs to be scratched. A sheet of cardboard is densely shaded with spots of multi-colored oil pastel. Then you need to mix black gouache with soap on a palette and paint over the entire sketch. When the paint is completely dry, use a toothpick to scratch the design.

Air colors

To make the paint, mix a tablespoon of self-raising flour, a few drops of food coloring and a tablespoon of salt. Add a little water to the consistency of thick sour cream and mix well. The paint can be placed in a pastry syringe or in a small bag. Tie tightly and cut the corner. We draw on paper or regular cardboard. Place the finished drawing in the microwave at maximum mode for 10-30 seconds.

Marbled paper

Paint a sheet of paper yellow acrylic paint. When it is completely dry, paint it again with diluted pink paint and immediately cover it cling film. The film needs to be crumpled and gathered into folds, since they are the ones that will create the desired pattern. We wait until it dries completely and remove the film.

Painting with water

We draw with watercolors a simple figure and fill it with water. Until it dries, we put colored blots on it so that they mix with each other and form smooth transitions like this.

Prints of vegetables and fruits

Vegetables or fruits need to be cut in half. Then you can cut out some kind of pattern on it or leave it as is. We dip it in paint and make impressions on paper. For prints you can use an apple, potato, carrot or celery.

Leaf prints

The principle is the same. We smear the leaves with paint and make prints on paper.