Inspector why a silent scene is important in a play. N

Gogol's comedy "The Inspector General" is an innovative work. For the first time in Russian literature, a play was created in which the social, rather than love conflict. In The Inspector General, the playwright exposed the vices of Russian society, laughed at all his heroes, but it was a bitter laugh, “laughter through tears.”

The depravity of the officials of the city of N., their fear for their places, made these people blind - they mistook Khlestakov for an auditor. At the end of the play, everything seems to fall into place - Khlestakov is exposed, the officials are punished. But real ending The last act and the famous silent comedy scene are still ahead.

Excited by the news about the imaginary auditor, the officials are told that... the real auditor has arrived. In the “heat of events,” everyone had already forgotten that the real one should come, if Khlestakov was just a deceiver. And so, like thunder among clear skies, news: “The official who arrived from St. Petersburg by personal order demands you to come to him this very hour.”

This message literally paralyzes all the heroes, they petrify: “The mayor is in the middle in the form of a pillar, with outstretched arms and his head thrown back,” “The other guests remain just pillars,” “For almost a minute and a half, the petrified group maintains this position.”

We understand that it is at this moment that all officials experience real horror. The fear that they experienced under Khlestakov increased tenfold also because they need to relive everything again. And if upon arrival imaginary auditor The heroes managed to somehow prepare, but here complete surprise turned the officials into stone statues.

In the middle, as the head of the city, the main “thief and swindler,” stands the mayor. The author indicates that he spread his arms and threw his head up. It seems as if Anton Antonovich is asking the sky: “For what? Why?" This hero considers himself no more sinful than others - after all, everyone lives the way he does. Skvoznik-Dmukhanovsky’s wife and daughter rushed to the mayor, as if seeking his protection as the head of the family.

In a silent scene, in my opinion, Gogol, without the help of the characters’ replicas, was able to express their character, the essence of each character. So, meek and cowardly caretaker educational institutions Luka Lukich was “lost” “in the most innocent way,” and the trustee of charitable institutions, Strawberry, tilted his head to the side, listening to something. This cunning man does not lose his head, but “listens” to events, ponders how he can “get out of the water unscathed.” But Judge Lyapkin-Tyapkin looks the most comical from the outside. He “with his arms outstretched, crouched almost to the ground and made a movement with his lips, as if he wanted to whistle or say: “Here’s to you, grandma, and St. George’s Day!” We understand that the judge was very frightened, because he knows very well that he has many sins behind him.

The figures of Bobchinsky and Dobchinsky are comical, their eyes bulging, their mouths open and, it seems, they rushed into each other’s arms, and even petrified halfway there. However, like all the remaining guests. Gogol shows us that each of them has a dirty conscience and each of them is afraid of punishment.

It is in the silent scene that the boundaries of comedy are pushed. And it develops from social into moral, philosophical. The author reminds us that sooner or later all people will have to answer for their actions, like officials in a comedy. Gogol appeals to each of us - we need to live according to our conscience, always remember our responsibility to ourselves, God, and people.

Thus, the famous “silent scene” affects the interests of all the characters in the play: in the finale, Gogol brings all the characters onto the stage, forcing them to become “petrified” within a few minutes. This technique allows the playwright to focus the viewer’s attention on the action itself, to more deeply feel the horror that the characters experienced upon learning of the arrival of the real auditor.

In addition, a silent scene allows for a variable interpretation of the comedy's ending. A real auditor has arrived, and will the city receive its well-deserved retribution? Or maybe someone has arrived who the residents associate with heavenly punishment, which everyone fears? Or maybe it wasn’t the inspector who came, but important official traveling accompanied by a gendarme? And even if a real auditor arrived, maybe the audit will go smoothly and everything, as always, will end well?

The author himself does not give a direct answer, because the ending, in fact, is not that important. The very idea of ​​inevitable punishment, of judgment, which everyone knows about and which everyone is afraid of, is important. Or maybe it’s worth living in such a way as not to be afraid of answering before God?

N. V. Gogol's comedy “The Inspector General” at one time became one of the most innovative works of dramatic art. Many of the techniques used by the author have never been used by playwrights before and have not been embodied in theater stage. Such innovative techniques include the aforementioned “silent scene”, which ends the final part of the comedy “The Inspector General”. What did the author want to achieve by concluding the work with a silent scene? What effect did you expect? It is believed that the silent scene that ends the comedy “The Inspector General” was introduced into the work by the writer under the impression of famous painting Russian artist Karl Bryullov “The Last Day of Pompeii”. It is this picture that strikes the person looking at it with the strength and expressiveness of frozen emotion. The image is motionless, static, but at the same time the faces of the people depicted in the picture, their figures, the poses they take, testify to their internal state better than any words. The eloquence of static scenes, their expressiveness - it was these properties that were subtly noticed by N.V. Gogol and later successfully used by the writer. After all, “The Inspector General” is far from the only work of the writer in which there is a “silent scene” (in another extremely popular work- the story “Viy” - the author also uses this technique). If we consider artistic techniques, used by N.V. Gogol, in more detail, one can notice a certain pattern: the technique of “death”, a kind of “petrification” is the basis for the depiction of many characteristic Gogol characters (for example, the same landowners in “ Dead souls ah"). In The Inspector General, the silent scene is climax, and he should be the most eloquent. Freezing in an expressive pose (in this case, the poses of all characters are different, which emphasizes their individual personal qualities) is a real pantomime. The mayor, members of his family, the postmaster, Strawberry, Luka Lukich - all of them become mimes for some time, actors in the “theater of facial expressions and gestures”. And words are not needed here, maybe even unnecessary. Posture and facial expression can express an incomparably greater surge of emotions than words. Moreover, the silent scene in “The Inspector General” is also massive - everyone stands as if struck by thunder, and this circumstance once again emphasizes how shocking and stunning the news was for all the characters that “... an official who arrived by personal order from St. Petersburg demands you to come to him this very hour.” Gogol was the first Russian playwright to use the pause technique, which was successfully used by many directors, screenwriters and writers after him. Today, the pause technique is one of the most commonly used dramatic techniques.

characters are present. 3) How does this episode help to understand the idea of ​​the work.

1) what is called comedy? What type of literary work is comedy?
2) Name what events taking place in the comedy The Inspector General can be correlated with each element of the plot..
Exposition -
Tie -
Development of action -
Climax -
Denouement-

10) why does the play end with a *silent scene*? What do you think its participants are thinking about?

The order in the city was typical for most cities of that time. Describe the city to which the auditor came: its location relative to the capital, the border, how comfortable the city is, what problems the author draws our attention to. (D.1)
Why did the mayor believe that the young man, greedily looking at what the hotel visitors eat and not paying money for housing and food for two weeks, is the auditor? (D.1)
Khlestakov can’t decide with whom to flirt: with the mayor’s wife Anna Andreevna or his daughter Marya Antonovna. But how did the heroines themselves react to the “auditor” Khlestakov? (D.4)
How did each of the officials behave when they visited Khlestakov in the mayor’s house with petitions and gifts of money?
Officials, reflecting on Khlestakov’s rank, assume that “a general will not hold a candle to him! And when he is a general, then perhaps he is a generalissimo himself.” Meanwhile, out of fear of an “important” person, they did not notice that Khlestakov himself let slip about his true rank: “They even wanted to make him a collegiate assessor, but yes, I think why.” That is, the rank young man was even lower than that. What was the actual rank of Khlestakov? (D 2)
Once again, carefully re-read the “Silent Scene” at the end of the comedy. What is its significance in your opinion?
This official is a passionate hunter. Even in the institution under his jurisdiction there is “a hunting arapnik right above the cabinet with papers.” Name the hero, what does he manage in the city? (D.1)
It was this hero who began to report to the “auditor” Khlestakov about how things really were in city institutions when he visited him in the mayor’s house along with other officials. Name it. (D.4)
One of the employees of this institution has such a violent temper that he is ready not only to smash furniture, but to lose his life - “for science.” Name the institution and the official who runs it. (D.1)
This hero asked Khlestakov: “When you go to St. Petersburg, tell all the different nobles there: senators and admirals, that your Excellency or Excellency lives in such and such a city:.” Who wanted to inform all the capital's nobles about themselves? (D.4)

Further more. The postmaster is presented as playful and exalted, and if at first you take this for mannerism, then by the middle of the play there is no longer any doubt about the hero’s orientation. Continuing the theme, Khlestakov sits on the judge’s lap and asks what kind of women he likes: blondes and brunettes. And in this case, the judge’s embarrassment takes a completely different turn.

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At the mere mention of men, the Mayor’s daughter spreads her full skirt and shows off his trousers. And during her explanation with Khlestakov, she completely rolls around the stage: she either stands up doggy style, or lies on her back and spreads her legs in pantaloons.

The silent scene in the finale was completely unexpected decision. The final act begins with the Gorodnichy family accepting congratulations on the occasion of their daughter’s imminent wedding to Khlestakov. At the same time, the Mayor himself, his wife and daughter in elegant suits sitting on the stage, and behind them there is a painted decoration covering the entire wall. It depicts caricatured figures of beautifully dressed ladies and gentlemen with slits instead of faces, like on some photographer’s set on the Yalta embankment, and through these slits one can see the faces of the actors playing provincial officials.

When in the finale the actors who played Khlestakov and Osip appear in uniform and announce the arrival of the inspector, the set soars up and completely naked actors appear before the eyes of the astonished audience, squealing and covering themselves with their hands. Then the lights go out, the curtain goes out. The dressed actors (the Gorodnichy family, Khlestakov and Osip) bow, and the naked ones behind the scenes quickly put on canvas rags and take a bow in them.
I won’t judge how Christian Gogol would have reacted to this production, but the audience was clearly encouraged by the ending. However, if I were the teachers who brought schoolchildren to the performance, I would be embarrassed that the students would judge Gogol’s comedy based on a rather frivolous production.
Otherwise, interesting scenery, unexpected directorial decisions, good job Alexandra Lazareva, the charm of Svetlana Nemolyaeva, the hilariously funny Khlestakov and the very colorful servant Osip - a fellow in a soldier's overcoat who commands his unlucky master.

Writes Yulia Nabokova

The silent scene in N. V. Gogol’s comedy “The Inspector General” is preceded by the denouement of the plot, Khlestakov’s letter is read, and the self-deception of the officials becomes clear. At this moment, what connected the heroes throughout everything goes away. stage action- fear, and the unity of people is disintegrating before our eyes. The terrible shock that the news of the arrival of the real auditor produced on everyone again unites people with horror, but this is no longer the unity of living people, but the unity of lifeless fossils. Their muteness and frozen poses show the exhaustion of the heroes in their fruitless pursuit of a mirage. The pose of each character in the silent scene plastically conveys the degree of shock and the force of the blow received. There are many shades here - from the mayor frozen “in the form of a pillar with outstretched arms and his head thrown back” to the other guests who “remain just pillars.” It is important that the character’s character and behavior during actions were also reflected in his pose, for example, Bobchinsky and Dobchinsky froze with “rushing movements of their hands towards each other, mouths agape and eyes bulging at each other.”

On theater stage the city of spiritual poverty, baseness, stupidity and human pity froze, the picture of squalor, meaninglessness and ugliness generated by the police-bureaucratic regime of the Nicholas era froze.

It is unlikely that by a real auditor Gogol meant some kind of honest and decent official who would restore justice and legality in the city and punish embezzlement and bribery. This scene has a wide symbolic meaning, it reminds all viewers and readers of the work about their personal responsibility for what is happening to them and around them, speaks of the inevitable retribution that sooner or later overtakes everyone who lives at odds with their conscience, who does not value the high title of a person.