Ksenia Knorre is a pianist. Ksenia Knorre

Russian pianist, professor at the Moscow State Conservatory. P.I. Tchaikovsky. Honored Artist of the Russian Federation (2006).

Born into a Moscow family of musicians; her mother, Vera Gornostaeva, is a professor at the Moscow State Conservatory. P.I. Tchaikovsky. On her paternal side, she is the granddaughter of the famous scientist Georgy Knorre. In 1972 she graduated from the Central music school(class of A. S. Sumbatyan), in 1978 - the Moscow Conservatory (class of Boris Yakovlevich Zemlyansky), in 1983 - assistant internship (supervisor - Samvel Alumyan). In 1979-1982 she worked as an accompanist at the Moscow State Conservatory. P.I. Tchaikovsky. In 1981-2001 she taught a general piano class at the Moscow State Conservatory. P.I. Tchaikovsky, since 1995 - associate professor, since 2007 - professor of the department of special piano under the direction of Professor V.V. Gornostaeva. She was the wife of violinist Gidon Kremer, in this marriage she gave birth to a daughter, Lika Kremer. Married to Lithuanian pianist Petras Geniušas, their son is pianist Lukas Geniušas.

Ksenia Knorre, piano. Franz Liszt. Sonata in B minor, S 178 Robert Schumann. Carnival, op. 9

Ksenia Knorre was born into a family of musicians (her mother is the famous pianist Vera Gornostaeva). She graduated from the Central Music School at the Moscow Conservatory in the class of the famous teacher of that time A. S. Sumbatyan (among her students are V. Ashkenazi, V. Krainev and others), then continued her studies at the Moscow Conservatory and graduate school, where her teachers were Professor Boris Zemlyansky and Samvel Alumyan.
IN student years began performing as a soloist in chamber ensembles. Performed in a duet with an outstanding violinist Gidon Kremer, took part in famous international music festivals: J. S. Bach in Ansbach (Germany), Lockenhaus (Austria), Mozart-91 in St. Petersburg and others. She toured many times in Europe, the USA, and Japan. Has entries in radio and television collections.
Music criticism, responding to the performances of Ksenia Knorre, notes the performing scale, impeccable command of stage timing and style, expressive sound plasticity. Central location The pianist's repertoire includes the music of Beethoven and romantic composers.
A significant part creative activity K. Knorre is interested in pedagogy. Since 1982, the pianist has been teaching at the Moscow Conservatory, where she currently teaches a special piano class, and her students include laureates of international competitions.
“... Listeners who attended Ksenia Knorre’s concerts in the Small Hall of the Conservatory, in the Rachmaninov Hall or in other halls will certainly remember and “evoke” her strict and free appearance, filled with charm and immersed in music - in the moments when they listen to the recordings of this compact -disk. Those who have not heard the pianist in open concerts and, therefore, they do not connect the sound with the plasticity of her appearance at the piano, they will be directed towards the music itself and the image of the performer will somehow arise by itself, naturally and irresistibly, the image seems to be present, but does not dominate the perception of the music of Schumann and Liszt. This is one of the true features of the pianist, who went through the excellent school of the Moscow Conservatory. Ksenia Knorre is one of the individuals younger generation Russian pianists who have already entered the period of professional maturity, but retain within themselves a sense of the beginning of their journey.” Andrey Zolotov
Above everything piano creativity Liszt rises like a mountain peak in his Sonata in B minor. This is Liszt's largest work for piano. The Sonata was created throughout 1852 and was completed in early 1853. Liszt was at that time in his forty-second year, the age of maturity. Left behind brilliant career a wandering virtuoso and disappointment in it, two revolutions - 1830 and 1848, passionate debates in artistic circles in Paris, a passion for the utopian socialism of Saint-Simon and the religious socialism of Lamennais. The richness of the spiritual world inherent in the composer, his broad artistic outlook - deep connections with poetry, painting, sculpture, his philosophical education - all this could not have been more reflected in the sonata.
The figurative sphere of the sonata can be divided into two types of contrasts. One of them is usually personified in opposition: Faust - Mephistopheles. Faust is a seeker of truth who fights for the freedom and power of the human spirit. Mephistopheles is the bearer of doubt and skepticism, which corrode the creative impulse, oppose it, and slow down noble endeavors. Another type of contrast makes itself felt in the antithesis: earthly, real - and detached, appealing to heaven or to mysterious predestination.
The content of the sonata is romantic from beginning to end; it unfolds an exciting story about a person, her life, spiritual world, bright dreams and the collapse of hopes. The sonata, like a mirror, reflected the traits inherent in Liszt the romantic and the problems that tormented him.
The musical language of the sonata shows us a vivid example of monothematicism, in which Liszt achieved the highest skill, sometimes creating themes-images of opposite nature from one motive, sounding unrecognizably new.
“If Liszt had written only the sonata in B minor, this gigantic work arising from a single grain, then this alone would have been enough to say: he was a genius” - these words belong to Richard Strauss.
The first performance of Liszt's sonata in B minor took place on January 22, 1857 in Berlin and was significant in all respects: the performer was the outstanding pianist Hans von Bülow, a student of Liszt, and with this performance the first grand piano produced by the later famous Bechstein factory was consecrated.
In Schumann's piano cycle "Carnival" (1835), many characteristic aspects of the composer's work found expression. This is, first of all, the gift of apt figurative characterization. In the work, relatively independent miniature plays follow one another, creating a single stream of images.
The work, according to Schumann, was created during the Leipzig Carnival of 1835. It opens with a “Preamble”, painting a picture of the holiday; here is jubilant solemnity, cheerful bustle, and lyricism. Next come masks typical of Italian folk comedy. The music depicts a lazy, baggy Pierrot, a witty Harlequin and a cheerful Columbine dancing together with the talkative old man Pantalone. Here are the mysterious masks of the “Dancing Letters” and quick portrait sketches of those who excited the composer’s imagination: the dizzying virtuoso Paganini and the gentle Chopin. The personality of the author of “Carnival” himself is expressed in musical portraits Florestan and Eusebius (under these names, personifying different aspects of Schumann’s nature, he often appeared in print). Florestan's music conveys impatient passion and changeable moods; in the image of Eusebius, softness and languid dreaminess prevail. The author's heartfelt sympathies lie with the portraits of two heroines; “Estrellas” (Ernestine von Fricken) and “Chiarines” (Clara Wieck, later Schumann’s wife). Both plays are in the character of a romantic waltz; in the first there is more external fascination, ardor, in the second - sincerity, warmth.
The ending of Carnival humorously depicts the campaign of the Davidsbündlers. This is what Schumann called the circle of his like-minded people who defended the ideals of progressive art. The Davidsbündlers are characterized by marching heroic character, and their opponents - philistines (philistines and routiners) - with the old-fashioned German dance "Grossvater".
The pathos of Schumann's work lies in the display of clashes of diverse images and scenes. The intensifying rise of feelings towards the end of “Carnival” expresses the victory of the free spirit of “Bündlerism” over stupid philistinism.
"Carnival" is subtitled "small scenes written in four notes." Letter designation they are made up of the name of the Czech town of Ash (A - Es - C - H), where Ernestine von Fricken lived, and three of them (Es - C - H) are the first letter of the composer’s surname. These sounds play a role theme song"Carnival". Varying in all the pieces of the cycle, it seems to connect them with a thread of melodic kinship.

Performers: Ksenia Knorre, piano

Composers: Franz Liszt (1811-1886) Robert Schumann (1810-1856)

FULL DISC CONTENTS:

ADDITIONAL INFORMATION:

Honored Artist of Russia, Professor, Member of the Moscow Union of Musicians.

Born in Moscow. In 1972 she graduated from the Central Music School (class of A. S. Sumbatyan), in 1978 - the Moscow Conservatory (class of B. Ya. Zemlyansky), in 1983 - assistant internship (supervisor - S. S. Alumyan) . In 1979-1982 worked as an accompanist at the Moscow Conservatory.

Pedagogical activities:

In 1981–2001 taught a general piano class at the Moscow Conservatory, since 1995 - associate professor, since 2007 - professor of the department of special piano under the direction of Professor V.V. Gornostaeva.

At the same time (since 1992) he is Gornostaeva’s assistant at the department of special piano; since 1998 he has had his own class.

Since 1995 he has also taught specialized piano at the Central Music School.

Since 2000, he has been teaching a special piano class at MGUMI. Chopin.

Training courses, master classes:

She conducted master classes in Germany and Italy (1991–1994), Spain (2003–2004), Lithuania (2004), Russia (2004–2006), Estonia (2006).

In 2004, 2005, 2006 took part and conducted master classes at the Festival in Kostomuksha (Karelia).

Students:

Among Knorre's students are laureates of Russian and international competitions, the music festival named after. G. G. Neuhaus.

Students: M. Galiakhmetov, S. Myasoedov, D. Glebov, T. Titova, V. Myagkova, M. Manyukov, S. Bachkovsky, A. Kabanova, A. Tsagarelli, I. Ovsyannikova, S. Tsygankova, E. Yatsuk.

Participation in the jury of competitions:

Chairman of the jury of the competition for young pianists “Tradition and Modernity” named after. M. P. Mazura (St. Petersburg, 1995).

Chairman of the jury of the 3rd open competition-festival of young musicians named after. N. A. Alekseeva (2005).

Foreman of the 2nd Circuit Jury open festival them. A. Glazunova (2005). Member of the jury of the competitions for young pianists named after. M. I. Glinka (Moscow, 1994, 1998).

Member of the jury of the 4th International Children's competition Rotary (2006).

Concert activities:

Performs with solo and ensemble programs in Russia, CIS countries, as well as abroad (Austria, USA, Netherlands, Germany, Finland, etc.).

Since 1981, soloist of the Mosconcert. She played with G. M. Kremer, Yu. I. Korchinsky, M. I. Vaiman and others.

She participated in international music festivals dedicated to J. S. Bach (Ansbach, 1975), W. A. ​​Mozart (St. Petersburg, 1991), T. Mann (Lithuania, 1997) and others.

Scientific works. Editions. Publications:

Author of reviews and articles published in the Russian press “ Hot planet"(in the collection: Samvel Alumyan. Life and fate of a musician. M. 1997), dedicated to creativity S. S. Alumyan; author of the biographical sketch “B. Y. Zemlyansky" (in the collection "Professors of performing classes at the Moscow Conservatory (pianists)". M., 2006).

Discography:

Has stock recordings on radio (1980-1995), CDs have been released (Vilnius, 1998; Moscow Conservatory 1999, 2005).

Rem Gennadievich URASIN

Rem Urasin is a People’s Artist of the Republic of Tatarstan, an outstanding pianist, he is called “Chopin’s envoy.” He is one of those who can chivalrously sing the poet’s love in sounds, ignite with passion and soar above everyday life.

Already at the age of 15, the gifted musician won the International Youth Competition named after F. Chopin in Moscow, and three years later became a laureate of the XIII International Competition named after F. Chopin in Warsaw (1995). Polish critics called Rem Urasin “chopin-like,” one of the foreign newspapers wrote: “Chopin himself played it.” Ram was born in 1976 in Kazan.

At the age of five he began studying piano at a special music school at the Kazan State Conservatory (class of M. V. Sukharenko), and at eight he performed with the symphony orchestra of the Tatar Philharmonic. At the age of 13, the pianist first appeared on stage with a solo program consisting entirely of works by Chopin. In 1994–2001 Rem Urasin studied with Professor Lev Naumov at the Moscow Conservatory and did an assistant internship.

In 2001, Rem Urasin won the Grand Prix of the prestigious International Performing Competition in Monte Carlo. 2004 brought the pianist the title of laureate at the Sydney Piano Competition and four special prizes. The pianist has given concerts in many cities of Russia and abroad: with great success solo concerts by R. Urasin were held at the Gaveau Hall (Paris), Suntory Hall (Tokyo), Izumi Hall (Osaka), Sydney opera house, Beijing Concert Hall and other prestigious halls in the world. Among the musicians with whom Urasin collaborated are Mikhail Pletnev, Vladimir Spivakov, Misha Maisky, Julian Rakhlin, Kazimierz Kord, Anthony Wit, Fuat Mansurov, Veronika Dudarova, Alexander Rudin. The talented musician was applauded in Germany, France, Switzerland, Austria, Italy, Poland, Slovakia, Iceland, Japan, Australia, Taiwan and other countries. The musician has recorded several CDs. Kazan filmmakers made two films about him: “This is eternal miracle"(1993) and " Big game"(2000).

Rem Urasin's transcriptions for piano are very popular. According to the results of the annual competition of the Musical Review newspaper, Rem Urasin was recognized as “Musician of 2009”.

In 2009–2010 For the 200th anniversary of Chopin, Rem Urasin prepared a grandiose cycle “Fryderyk Chopin. Complete collection essays." The pianist's repertoire includes all works by F. Chopin. In the 2017/2018 season, on the stage of the Moscow Conservatory, the musician opens to the public his new large-scale author’s cycle - “The Great Romantics”.

The musician is active creative life, performing solo concerts in Russia and abroad, teaches at the Kazan State Conservatory.

His talent, fortunately, combines sincerity, warmth, elegance with the wisdom and maturity of original, always convincing interpretations performed works. His talent is multifaceted, in constant development, in an eternal pursuit of painful and joyful searches, - this is what L.N. Naumov, professor at the Moscow Conservatory, said about his student Rem Urasin.

Alexey Olegovich KURBATOV

Alexey Kurbatov - Russian composer, pianist, teacher. He created his first work at the age of 5, and at the age of 6 he wrote a ballet. He studied composition with T.N. Khrennikov, T.A. Chudova and E.D. Teregulov. Graduated with honors from the Moscow State Conservatory in piano class with Associate Professor Yu.R. Lisichenko and Professor M.S. Voskresensky.

As a pianist, Alexey has given concerts in more than 100 cities around the world. Alexey has performed with many orchestras, including the best halls Russia and abroad. His recordings were published on CD and played on radio and TV in many countries.

Alexey actively took part in cultural programs funds V. Spivakova , M. Rostropovich , Russian Performing Arts Foundation etc., and also performed together in concerts with such worldwide famous artists, How Vladimir Spivakov , Misha Maisky , Maxim Vengerov , Vadim Repin, Gerard Depardieu.

Distinguished by the originality and individual uniqueness of the language, Kurbatov’s works continue the best traditions world symphonic and chamber instrumental music. At the same time, his work fits organically into the context of Russian culture and history. In this sense, it is no coincidence that such works as the symphonic poem “1812” (written for the 200th anniversary of terrible events), a poem for a reader and a trio “Leningrad Apocalypse” (commissioned by the widow of the famous Russian mystic writer Daniil Andreev) and the Third (Military) Symphony, which premiered in St. Petersburg on September 8, 2012 on the Day of Remembrance of the Victims of the Siege of Leningrad. The concert from the Great Hall of the Philharmonic was broadcast on the streets of the city and became big event in the cultural life of St. Petersburg.

Symphonic and chamber works Kurbatov are heard in Russia, Austria, Armenia, Belgium, Belarus, Brazil, Great Britain, Hungary, Germany, Israel, Spain, Italy, Kazakhstan, Canada, China, Latvia, Lithuania, Mexico, the Netherlands, New Zealand, Poland, Portugal, Turkey, France, USA, Ukraine, Croatia, Sweden, South Africa, South Korea, Japan in halls such as Carnegie Hall (New York), Salle Gaveau (Paris), Big hall Philharmonic Society (St. Petersburg), Great Hall of the Conservatory (Moscow) and many others. Many performers include his music in their recordings on CD. The composer created 7 symphonies, the opera “The Black Monk” (first performed on the stage of the Great Hall of the Moscow Conservatory in 2014), 7 instrumental concerts, more than a dozen symphonic poems, many chamber and vocal works, music for films and performances. Many Russian and foreign musicians- such as Lyudmila Berlinskaya, Alexey Volodin, Mikhail Voskresensky, Alexander Gindin, Andrey Gugnin, Pavel Dombrovsky, Yaron Kolberg, Petr Laul, Konstantin Lifshitz, Nikolai Petrov, Rem Urasin, Yuri Favorin, Vadim Kholodenko (piano), Boris Andrianov, Claudio Boorges, Alexander Buzlov, Evgeny Rumyantsev, Sergey Suvorov, Denis Shapovalov (cello), Gevorg Grigoryan, Daria Zykova, Pyotr Migunov, Maxim Paster, Artem Safronov (vocals), Nadezhda Artamonova, Alena Baeva, Yulia Igonina, Gayk Kazazyan, Roman Mints, Count Murzha (violin), Sergei Poltavsky, Irina Sopova (viola), Yuri Bashmet, Alexey Bogorad, Alan Buribayev, Ilya Gaisin, Damian Iorio, Alexey Nyaga, Anatoly Levin, Yuri Medyanik, Vag Papyan, Andris Poga, Igor Ponomarenko, Vladimir Ponkin , Alexander Rudin, Anatoly Rybalko, Maxim Rysanov, Sergei Skripka, Pavel Sorokin, Yuri Tkachenko, Konstantin Khvatynets, Valentin Uryupin (conductors). In 2010-2011 he collaborated with the famous Greek composer Vangelis. Alexey took part in the creation of the musicals of the Moscow Operetta Theater - “Count Orlov”, “Jane Eyre” and “Anna Karenina”.

Alexey conducts master classes in many cities of Russia, is invited as a member of the jury of a number of music competitions. In 2012-2013, he was invited to the position of music editor for the opening ceremony of the XXVII World Summer Universiade in Kazan.

Nadezhda Viktorovna ARTAMONOVA

Born in Kyiv. She started playing music at the age of four; At the age of five she performed with an orchestra for the first time.

Graduated from KSSMSh named after N. V. Lysenko (1998; class of Associate Professor A. Panov); Moscow Conservatory (2004) and graduate school (2008), where she studied in the class of professor, Honored Artist of the RSFSR S. I. Kravchenko.

Laureate of international competitions, is active concert activities. Nadezhda’s biography includes numerous performances in prestigious concert halls, including the Great Hall of the Conservatory, the halls of the Moscow International House of Music, Concert hall named after P. I. Tchaikovsky, Moscow House of Composers, Pavel Slobodkin Center; Beethoven Hall in Bonn, Hall of Columns them. Lysenko in Kyiv, Perm Organ Hall, etc.

Collaborates with the S. T. Richter Foundation, the Vocation is a Musician Foundation, and the Conservation Fund creative heritage B. Tchaikovsky.

In her creative work Nadezhda pays great attention to modern music. She performed for the first time the Toccata Sonata by E. Teregulov, the violin concerto by A. Komissarov, the sonata by L. Rodionova, the Fantasia for violin by A. Kurbatov and much more.

Nadezhda Artamonova is not only a bright and original violinist, but also a sensitive and attentive teacher. She worked at the Central Music School (CMS) at the Moscow Conservatory, the State Musical Pedagogical Institute named after. Ippolitova-Ivanov. IN currently Nadezhda teaches at the College of Musical and Theater Arts. G. P. Vishnevskaya. Many of her students are laureates of international competitions and scholarship holders of various foundations.

Nadezhda Artamonova gives master classes in various cities of Russia. He is a jury member of many Russian and international competitions.

Evgeniy Valerievich RUMYANTSEV

One of the brightest and most charismatic young people Russian musicians, Evgeny Rumyantsev (cello) combines brilliant virtuosity and depth of interpretation with an exciting temperament and unique cello sound. Possessing amazing artistic versatility, he successfully combines performances with orchestras and solo concerts with chamber music in a variety of compositions. His talent was highly appreciated by Mstislav Rostropovich, open lessons which the young cellist performed on numerous occasions.

Evgeny Rumyantsev was born in 1984 in Moscow. He began learning to play the cello at the age of 8 and gave his first concert at 11. Graduated from the Central Music School at the Moscow Conservatory (cello class of G.I. Zubareva) and the Moscow Conservatory named after P.I. Tchaikovsky (2007, class of Professor N.N. Shakhovskaya). Currently he is continuing his postgraduate studies with N.N. Shakhovskaya. He took master classes from Mstislav Rostropovich, David Geringas, Eberhard Finke, Sergei Roldugin. Regular participant projects of the St. Petersburg House of Music, foundations of Vladimir Spivakov, Mstislav Rostropovich and “Russian Performing Art”. Laureate of the XIII International Competition named after P.I. Tchaikovsky (2007), winner of the International Cello Competition named after A.I. Khachaturian (Yerevan, 2010).

The young artist is active in concert activities. He performed in cities of Russia, France, Germany, Switzerland, Italy, Great Britain, the Netherlands, Austria, Hungary, Croatia, Lithuania, Finland, Israel, Tunisia, Algeria, Japan. Participant of many international festivals, including: Usedomer Musikfestival, Juventus Music Festival, named after Vladimir Horowitz, named after Mstislav Rostropovich, “Moscow Autumn”, Maximafest, Ars Longa, “Mozart Days in Moscow”, “Tribute to Svyatoslav Knushevitsky”, “Moscow International Cello festival”, “Festival for the 125th anniversary of the birth of S.M. Kozolupov”, “Music of the Stars”, “Festival in memory of Svyatoslav Richter” and others. In his repertoire great amount cello music from different eras.

In addition to solo performances, Evgeniy constantly plays in ensembles, performing a large number of chamber music. Has recordings on CD, television and radio. Evgeny Rumyantsev is a member of the Association of Laureates of the International Tchaikovsky Competition. Gives master classes.

Zoya Valerievna VYAZOVSKAYA

Zoya Vyazovskaya was born in Moscow on April 10, 1990. After graduating from music schools as a pianist, harpist, violinist and flutist, she entered the AMK at the Tchaikovsky Moscow State Conservatory, where she combined her studies in the theoretical and wind departments (N.M. Lotakova class).

She graduated with honors from the Tchaikovsky Moscow State Conservatory, as well as from the Royal Academy of Music in London, having received a grant from the Association of the Royal British Schools of Music to study in the class of Professor William Bennett.

In 2010, making his debut on the international stage, becoming a laureate of the second prize at the International Flute Competition. Carl Nielsen, and then giving a solo concert at the Flute Convention in Manchester, Zoya now actively performs in Russia and abroad, both as a soloist and in orchestras. She has worked with outstanding conductors such as Martin Brabbins, Hines Holliger, Jane Glover, Daniel Barenboim, Edward Gardner, Simon Gaudens, Francesco Pascaletti, Alisa Firsova and others.
As a soloist, Zoya has performed with orchestras in Denmark (Odense Symphony Orchestra), England (Royal Academy of Music concert orchestra, Meladina ensemble, etc.), Russia (MCO "Vremena Goda", Symphony Orchestra of the Tchaikovsky Moscow State Conservatory, etc.)

International awards also include III Prize at the British Flute Society International Flute Competition (2011), Special Prize for Performance modern work International Competition named after. Carl Nielsen, numerous awards from UK foundations, as well as the. Alexander Nevsky and 1st prize at the International Flute Competition named after. V. Tsybina (2007).
Recordings of Zoya Vyazovskaya's performances are now broadcast on radio stations in Great Britain, Scotland, Slovenia, Denmark, France, Belgium, and the United States.

Zoya regularly performs as both a flutist and pianist in chamber ensembles.
In 2012, 2013 and 2014, Zoya was a flute teacher and pianist at the William Bennett International Summer Flute School.

Zoya is active educational activities, giving regular series of master classes in Russian cities and abroad. Since 2014, Zoya Vyazovskaya has been the main organizer of the annual international flute competition “My Favorite Flute” and the “Big Flute Days” festival, whose guests include world-famous flutists Trevor Vai, Matthias Ziegler, Norbert Gierlinger and Diana Schulz.
Since September 2014, Zoya has been a teacher of the flute class at the Gnessin MSMSH and the AMK at the Tchaikovsky Moscow State Conservatory.

Zoya Vyazovskaya is a soloist of the Classics-Art ensemble and conducts active concert activities as part of the group, touring in Russia and abroad.

Diana Romanovna KRIVENKO

Born in Yekaterinburg in 1990. Having graduated with honors from the Ural Music College (a ten-year school at the Ural State Conservatory named after M.P. Mussorgsky) in the flute class, she entered the Moscow State Conservatory. Tchaikovsky to the class of Associate Professor O.Yu. Ivusheykova.

In 2015, she graduated with honors from Moscow State Conservatory. P.I. Tchaikovsky, completed an internship at the United Institute of Arts in Essen (Germany); In the class of Professor M. Schmidt-Kassdorf, she studied the features of authentic performance on the traverse flute.

In 2017, she completed an assistant internship at the Moscow State Conservatory. P.I. Tchaikovsky, majoring in “The Art of Musical and Instrumental Performance” at the Department of Contemporary Music.

Since 2018 - candidate for a candidate's degree at the Moscow State Conservatory. P.I. Tchaikovsky.

From 2014 to 2015 Diana Krivenko was a flute teacher at the Moscow State Budgetary Educational Institution “Children's School of Arts named after. J. S. Bach."

In 2016, together with associate professor of the Moscow State Conservatory named after. P.I. Tchaikovsky by Philippe Nodel organized " Music studio at GBOU School No. 67,” where he is the head of the studio and a flute teacher.

Since 2017, he has been participating as a flute teacher at the Moscow International Summer School in Gnesinka.

Since 2018, he has been teaching at the Gnessin MSMSH.

Teaching experience – 5 years.

Diana Krivenko took part in many international festivals, including: Renaissance Music and Dance Festival “La Renaissanse” (2011), International Chamber Music Festival Bruchsal (2015), International Music Festival Plecrto La Rioja (Spain, 2015), International Festival EARLYMUSIC (St. Petersburg, 2016), Festival early music in Kuskovo “Gallant Baroque” (2017-2018).

She performed in many cities in Europe, China, Japan, Argentina, as well as in Russia - St. Petersburg, Yekaterinburg, Pyatigorsk, Vladimir, Kazan, Perm, Ufa. In many of these cities, Diana Krivenko regularly gives master classes.

In the last few years, he has been participating in the organization of master classes and festivals, collaborating with such famous musicians as E. Finkelstein, J. Ballint, K. Janz, F. Nodel, F. Renggli.

Irina Valentinovna YANTSEVA

Coloratura soprano. She graduated from the music school in Dimitrovgrad with a degree in choral conducting and the Kazan State Conservatory. N. G. Zhiganova, specialty " Solo singing"(Professor's class, Honored Artist of the Russian Federation G.T. Lastovki).

She improved her skills at master classes by A. Milcheva, V. Dzeani, P. Bonfanti, D. Nenov.

Since 2001, she has been a soloist of the Samara Academic Opera and Ballet Theater, where she has performed over 30 roles in various repertoire, including: Queen of the Night (“The Magic Flute”), Violetta (“La Traviata”), Gilda (“Rigoletto”), Rosina (“ Barber of Seville"), Snegurochka, Marfa ("The Tsar's Bride"), etc.

She has collaborated with conductors: Andrew Lawrence-King, Marco Boemi, Mika Aishenholz, Fuat Mansurov, Alexander Anisimov; directors: Nina Chusova, Mikhail Panjavidze, Yuri Alexandrov, Georgy Isaakyan.

Her stage partners were Viktor Chernomortsev, Boris Statsenko, Akhmet Agadi and others.

She took part in the Chaliapin Festival in Kazan (Queen of the Night), the International Festival “Seeing Music” in Moscow.

She has performed on the stages of the Bolshoi (Beethoven Hall), Mariinsky (Mariinsky-2), Musical Theater named after. Stanislavsky and Nemirovich-Danchenko, Saratov, Yekaterinburg, Astrakhan theaters.

Together with the troupe of the Tatar Academic state theater Opera and Ballet named after. M. Jalila toured in Holland, Denmark, France, Switzerland (Queen of the Night, Donna Anna “Don Juan”).

As a concert singer, she has toured in Russia (Ulyanovsk, Kazan, Moscow), Azerbaijan (Baku), China (Shenzhen), etc. She collaborates with the Samara Academic Symphony Orchestra and the Ulyanovsk State Symphony Orchestra.

Honored Artist of the Samara Region.

Since 2018 – curator of the Youth Opera Program of the Samara Academic Opera and Ballet Theater.

Ivan Kirillovich VELIKANOV

Was born in 1986 in Paris. He began composing music as a child, and from the age of seven he began to study systematically under the guidance of composer and organist Leonid Karev.

In 1993 he moved to Moscow. IN 1997-1999 studied singing under the direction of L.A. Davydova and performed as a treble player, including as part of the Madrigal ensemble.

IN 2000-2004 studied at the Academic music school at the Moscow Conservatory at the Faculty of Music Theory, attended composition classes, studied playing the harpsichord under the guidance of Assoc. T.A. Zenaishvili.

IN 2004-2009 studied at the Moscow Conservatory in the composition department (Prof. R.S. Ledenev), also attended the organ class (Prof. L.B. Shishkhanova) and symphonic conducting (Prof. V.K. Polyansky); V 2008-2012 – at the department of opera and symphony conducting (class of Prof. G.N. Rozhdestvensky; graduated with honors). At the same time, he continued studying the organ (class of Prof. A.S. Semenov) and the harpsichord (class of Rev. M.A. Uspenskaya), took conducting lessons from prof. V.A. Altshuler.

IN 2008 became a laureate of the International Competition for Young Composers named after. P. Jurgenson and won the competition Bolshoi Theater(in the category “creation of an opera or ballet for youth”). Diploma II All-Russian competition young conductors named after. I. Musina ( 2011 , Kostroma).

Participant of master classes: on conducting by K. Mazur (2006), K. Kiesler (2007), T. Currentzis (2008), Sir R. Norrington (2010), G. Gelmetti (2014), G. Lanzetta (2015), M. Yurovsky (2016, 2018), A. Polyanichko (2017); in playing the harpsichord by K. Schornsheim (2010, Germany); on playing the organetto by G. Perez (2011, France) and the zinc by J. Tubery (2011, Corsica); on the performance of Western European music of the 14th century. (2011, Italy).

IN 2009 created the first ensemble of ancient wind instruments in Russia Alta Capella and is its artistic director. As part of the ensemble, he took part in master classes by Prof. M. Lyubenova (2010, Germersheim, Germany), prof. U. Dongua (2010, 2011, 2012, Moscow), prof. B. Dickey (2010, early music courses in Urbino, Italy), prof. V. Bekyu (2011, Salzburg, Academy of Ancient Music, Bremen - International Summer Academy, Mozarteum; 2013, Moscow), prof. G. Perez (2012, 2013, Moscow), prof. E. Lawrence-King (2013, 2014, Moscow), prof. J. Tubery (2013, Moscow), prof. J.-F. Novelli (2014, Moscow), prof. G. David (2014, Bremen), prof. B. Bagby and M. Moyona (2015, Moscow). He performs as a multi-instrumentalist in various ensembles and solo.

WITH 2011 – organizer and artistic director International Festival Renaissance music and dance La Renaissance , taking place in Moscow.

IN 2012 as an assistant to the musical director, he took part in the production of “Imaginations of Soul and Body” by E. de Cavalieri at the Moscow Academic Children's Theater musical theater them. N.I. Satz (artistic director - E. Lawrence-King; special jury prize of the National Theater Award "Golden Mask" - 2013). Assisted V. Yurovsky in concerts of the State Academic Symphony Orchestra of Russia. E.F. Svetlanova; ensemble Alta Capella performed in a joint program with the State Symphony Orchestra with the performance of works by G. Schütz and J. Brahms (2014).

IN 2014 founded Chamber Orchestra of Tarusa , whose repertoire includes music of the 18th-20th centuries, performed in an authentic manner on historical instruments.

IN 2014 – guest conductor at the State academic theater Opera and Ballet of the Republic of Sakha (Yakutia) named after. D.K. Sivtseva (prepared updated version and conducted the opera “The Magic Flute” by V.A. Mozart). In season 2014/2015 gg. - conductor of the chamber orchestra of the Moscow Pavel Slobodkin Center, where he performed a series of concerts from works different eras from J. Haydn to S.S. Prokofiev.

IN 2014-2017 – assistant conductor at the Moscow Academic Musical Theater named after K.S. Stanislavsky and V.I. Nemirovich-Danchenko, where he staged the opera “The Meek” by J. Tavener and the ballet “Rashomon. Variations" by G. Varlamov. He also conducted the performances “Meet the Orchestra”, “Guide to the Orchestra”, “ Magic lamp Aladdin" (opera by N. Roth); held a series of ancient music concerts in the Atrium with the participation of theater soloists.

IN 2016 performed in two concerts as a guest conductor with the orchestra Toscana Classica(Florence). In March 2017 conducted the opera “The Magic Flute” by Mozart and the ballet “Romeo and Juliet” by Prokofiev, in April-May he was musical director production of the opera “The Marriage of Figaro” by Mozart at the Mikhailovsky Theater (St. Petersburg). IN 2017 worked with D. Yurovsky at the Novosibirsk State Academic Opera and Ballet Theater (assistant and second conductor of the play “Un ballo in maschera” by G. Verdi). IN 2018 staged the opera “Chinese Women” by K.V. Gluck (director T. Mitkaleva; Tarusa, House of Writers).

Gayk Georgievich KAZAZYAN

Soloist of the Moscow State Academic Philharmonic, winner of international competitions Gaik Kazazyan is one of the most promising young musicians of his generation, performing with constant success in Russia and abroad.

Hayk Kazazyan was born in 1982 in Yerevan. In 1989 he entered the Yerevan Music School named after. Sayat-Nova to the class of Professor Levon Zoryan.
During 1993-95. won several republican competitions, won the Grand Prix of the Amadeus-95 competition and was invited to Belgium and France with solo concerts. In 1996 he moved to Moscow.

Studied with a professor people's artist USSR E. D. Grach at the music school named after. Gnesins (1996-2000) and Moscow State Conservatory named after. P. I. Tchaikovsky (2000-2006), as well as with Professor I. Rashkovsky at the Royal College of Music in London (2006-2008).

During the period of study 2002-2003. Gayk was awarded a scholarship from the President of the Russian Federation, from 2003-2004. - Russian government scholarship.

He took master classes from such outstanding musicians as I. Handel, S. Mintz, B. Kushnir, P. Frank. He performed in the St. George Hall of the Kremlin before presidents B. N. Yeltsin and J. Chirac (1997). In the period from 1997-2007. Gayk becomes a laureate and winner of many international competitions, including the International Competition named after. P.I. Tchaikovsky in Moscow (2002), International competitions named after. G. Wieniawski in Poznan, (2001), named after. J. Thibault and M. Long in Paris (2005). Awarded a Gold Medal and Prize audience choice at the violin competition in Switzerland (2004), a gold medal and the audience award at the violin competition in Tongyeong (South Korea, 2007). In 2011 he won the competition named after. G. Enescu in Bucharest.

His concerts were broadcast by the TV channels “Culture”, “Mezzo”, Brussels Television, BBC radio stations in London, “Orpheus” and others.

Published in 2010 solo album entitled “Opera Fantasies”, recorded by the American company Delos.

Since 2002 is a soloist of the Moscow State Academic Philharmonic.

Since 2008 he has been teaching at the Moscow Conservatory in the violin department under the direction of Professor E. D. Grach.

Hayk Kazazyan performs in the largest halls in the world, including Carnegie Hall (Stern Grand Hall) in New York, Victoria Hall in Geneva, Barbican Hall and Wigmore Hall in London, the Chatelet Theater and the Gaveau Hall. in Paris, Usher Hall in Edinburgh, Royal Concert Hall in Glasgow, Big, Small and Rachmaninov Halls of the Moscow Conservatory, Concert Hall. P.I. Tchaikovsky, Chamber Hall of the Moscow International House of Music, State Central Concert Hall "Russia", Great Hall of the Philharmonic in St. Petersburg and others.

He is a participant in such music festivals as the International Music Festival in Sion (Switzerland), the Verbier Festival (Switzerland), the Yuri Temirkanov Festival “Arts Square” in St. Petersburg, the Nikolai Petrov Festival “The Musical Kremlin” in Moscow, the International Music Festival in Tongyong (South Korea).

Performs with famous orchestras such as the Royal Scottish Orchestra, the Russian National Orchestra, the Prague Philharmonic Orchestra, the Irish National Orchestra, National Orchestra France, Munich Chamber Orchestra, Chamber Orchestra of Russia, Chamber Orchestra "Moscovia" conducted by E. Grach, State Academic Symphony Orchestra of Russia. E. F. Svetlanova, State Symphony Orchestra conducted by P. Kogan, Symphony Orchestra conducted by V. Ziva.

Among famous musicians of our time, with whom G. Kazazyan collaborates, conductors A. Lazarev, K. Orbelyan, A. Polyanichko, A. Buribaev, E. Litton, A. Liebrich, P. Kogan, V. Ziva, J. van Steen, pianists F. Kempf, A. Kobrin, E. Mechetina, R. Urasin, A. Shibko, V. Kholodenko, violinists G. Nikolich, B. Brovtsyn, cellists A. Buzlov, S. Antonov, B. Andrianov and others.

Alexandra Georgievna GROT

Born in Moscow in 1981. She began studying music at the age of 6, first on the piano under the guidance of her mother. Having heard the famous flutist James Galway at the age of 8, she decided to play the flute. From the age of 12 she studied at the Special Music School named after. Gnessins in the class of Prof. Albert Hoffman. Becoming a laureate youth competitions in Moscow and Tolyatti, was soon noticed by the New Names charity foundation and the foundation named after. Vladimir Spivakov, from whom she performed concerts throughout Russia, and then abroad - in Poland, Sweden, Israel, Greece, Croatia, Bulgaria. At the age of 15, having received first prize at the international competition “Jeunesses Musicales” in Bucharest / Romania /, she decided to continue her studies abroad and in 1999 she entered the Paris National Conservatory in the class of prof. Pierre-Yves Artaud. During her years of study in Paris, Alexandra was awarded scholarships from the SYLFF Tokio Foundation, Academie Villecroze, Banque Société Generale; took master classes with such flutists as Emmanuel Pahu (France), Jean-Claude Gerard (Germany), Ransom Wilson (USA), Benoit Fromanger (France). In 2000, Alexandra won 2nd prize at the international competition “Pacem in Terris” in Bayreuth / Germany /. In the 2002-2003 season, she was invited by Vladimir Spivakov to a festival in Colmar, and also played solo concerts at the Musee d'Orsay and the Louvre Auditorium in Paris, broadcast on French radio.

In 2004 she became a laureate of the Juventus festival under the auspices of Secretary General Council of Europe; in this regard, the famous European music magazine Diapazon devoted two articles to her, including a portrait, which noted the density of her sound, the confidence of her playing, and her passionate and restrained musicality. In 2004, Alexandra Grot moved to permanent place residence in Germany, and soon entered graduate school at the Higher School of Music in Munich in the class of prof. Andras Adoryan. The result of creative collaboration with this outstanding teacher won 1st prize and three special prizes at the largest international competition for flutists. Carl Nielsen in Denmark in 2006. In the same year, the French company Harmonia Mundi released her first solo disc dedicated to Russian music (Stravinsky, Denisov, Schnittke, Prokofiev).

In 2008, Alexandra became a laureate music award concert association of the city of Ingolstadt, in 2009 received special prize at the international flute competition in Kobe, Japan. In the 2007-2009 seasons she performed with solo and chamber concerts in Denmark, France, Germany, Switzerland, as well as as a soloist with the Capella Orchestra in St. Petersburg, with the National Philharmonic Orchestra of Ukraine in Kiev, with Philharmonic Orchestra Bad Reichenhall and the Georgian Chamber Orchestra in Germany, Symphony Orchestra Odense in Denmark. The performances were broadcast many times on radio and television in France and Denmark. Currently lives in Düsseldorf.

Teacher High school music Essen, Germany.

Member of the Moscow Union of Musicians.

Born in Moscow. In 1972 she graduated from the Central Music School (class of A. S. Sumbatyan), in 1978 - the Moscow Conservatory (class of B. Ya. Zemlyansky), in 1983 - assistant internship (supervisor - S. S. Alumyan) . In 1979-1982 worked as an accompanist at the Moscow Conservatory.

Pedagogical activities:

In 1981-2001 taught a general piano class at the Moscow Conservatory, since 1995 - associate professor, since 2007 - professor of the department of special piano under the direction of Professor V.V. Gornostaeva.
At the same time (since 1992) he is Gornostaeva’s assistant at the department of special piano; since 1998 he has had his own class.
Since 1995 he has also taught specialized piano at the Central Music School.
Since 2000, he has been teaching a special piano class at MGUMI. Chopin.

Training courses, master classes:

She conducted master classes in Germany and Italy (1991-1994), Spain (2003-2004), Lithuania (2004), Russia (2004-2006), Estonia (2006).
In 2004, 2005, 2006 took part and conducted master classes at the Festival in Kostomuksha (Karelia).

Students:

Among Knorre's students are laureates of Russian and international competitions, the music festival named after. G. G. Neuhaus.
Students: M. Galiakhmetov, S. Myasoedov, D. Glebov, T. Titova, V. Myagkova, M. Manyukov, S. Bachkovsky, A. Kabanova, A. Tsagarelli, I. Ovsyannikova, S. Tsygankova, E. Yatsuk.

Participation in the jury of competitions:

Chairman of the jury of the competition for young pianists “Tradition and Modernity” named after. M. P. Mazura (St. Petersburg, 1995).
Chairman of the jury of the 3rd open competition-festival of young musicians named after. N. A. Alekseeva (2005).
Chairman of the jury of the 2nd district open festival named after. A. Glazunova (2005). Member of the jury of the competitions for young pianists named after. M. I. Glinka (Moscow, 1994, 1998).
Member of the jury of the 4th International Rotary Children's Competition (2006).

Concert activities:

Performs with solo and ensemble programs in Russia, CIS countries, as well as abroad (Austria, USA, Netherlands, Germany, Finland, etc.).

Since 1981, soloist of the Mosconcert. She played with G. M. Kremer, Yu. I. Korchinsky, M. I. Vaiman and others.

She participated in international music festivals dedicated to J. S. Bach (Ansbach, 1975), W. A. ​​Mozart (St. Petersburg, 1991), T. Mann (Lithuania, 1997) and others.

“A bright, talented pianist with great musical and virtuoso abilities. Possesses a varied repertoire. Particularly gravitates towards romantic music. K. Knorre is a mature, established professional with his own creative person"(Professor S. L. Dorensky).

Scientific works. Editions. Publications:

Author of reviews and articles “Hot Planet” published in the Russian press (in the collection: Samvel Alumyan. Life and fate of a musician. M. 1997), dedicated to the work of S. S. Alumyan; author of the biographical sketch “B. Y. Zemlyansky" (in the collection "Professors of performing classes at the Moscow Conservatory (pianists)". M., 2006).

Discography:

Has stock recordings on radio (1980-1995), CDs have been released (Vilnius, 1998; Moscow Conservatory 1999, 2005).