How old is Katya Elbow fathers and children. Female images in the novel "Fathers and Sons": semantic and artistic significance

Ekaterina Lokteva is Anna Odintsova’s sister, a very quiet and calm girl. The image of Catherine in the novel “Fathers and Sons” by Ivan Sergeevich Turgenev is one of the most pleasant female images. Initially, the girl seems like a sweet, fragile person, but throughout the novel we see how she reveals her persistent character. Katerina is very young, she is only twenty years old. Despite her youth, she loves music and is very good at musical instrument called piano. When asked to play, she chose a Mozart sonata. She played very well, but a little strictly and dryly.

Katerina is from a family of poor nobles. Her parents died when she was only twelve years old. From that time on, she was raised by her older sister, Anna Sergeevna. Katya was constantly in Anna's shadow. She felt uncomfortable under her sister's gaze. Katerina was afraid of her sister, although she didn’t even know about it.

Katerina Sergeevna loves reading books and thinking about life more than flirting with men and dancing at balls. Due to the fact that the girl was often left alone, she often thought about everything: "...I lived alone a lot; you will inevitably begin to think...".

Katerina Sergeevna is timid, silent, and often blushes over trifles. She is also very kind, observant, sociable, but at the same time she perfectly demonstrates stubbornness and independence, which only make a girl beautiful. The author shows readers the differences between the sisters not only internally, but also externally.

Anna is a beauty slim figure and perfect posture. Catherine did not have the same beauty as her sister, but she was very sweet and real. Anna is flirtatious, loves balls, and is an experienced flirt with men. This is all alien to Katerina, books and thoughts are her balls, she also loves nature. Describing Katerina, the author involuntarily shows his attitude towards the heroine - warm and good. The reader feels the love with which the author is trying to show it to us. It is not surprising that Catherine has incredible strength spirit combined with tenderness, because this is what is inherent in Turgenev’s Women. In the novel, Ivan Sergeevich showed 3 main female characters, but most of all it was Catherine who fell into the readers’ souls.

Initially, Arkady was in love with Anna, or rather with her beauty. Communicating with Katya more and more, Arkady realized that he truly loves Katerina, and not Anna, because Katerina is real with a rich inner world.

Essay by Ekaterina Lokteva

Katerina Sergeevna Lokteva is one of the three main female characters that Turgenev presented in his 1862 novel Fathers and Sons. The author tried to convey the problem of relations between the older and younger generations.

Katya Lokteva is the younger sister of Anna Sergeevna Odintsova. By appearance, you can say that she is about eighteen years old, but in fact she is twenty full years. She is dark-skinned, has black hair and small dark eyes. Appeared in the novel dressed in pink dress, she immediately seems like a very sweet and shy girl, but later her independence is revealed.

Katerina is silent, but very kind and smart, loves to read books, think about them, prefers reading more than dancing at balls. It’s easy to talk to Katya in the most different topics, she is sensitive, natural and natural.

Although Anna Odintsova and Katerina are sisters and belong to noble class, they are very different from each other, including in temperament. Even, most likely, they are opposites, because Katya is not flirtatious, which cannot be said about Anna. Moreover, Lokteva was afraid of Anna Odintsova. Katya did not have strong beauty, she smiled a lot. She loved nature and music, and could play the piano well. Anna, on the contrary, was very beautiful and slender; if you start dividing all the heroes of the work into “fathers” and “children,” then Anna will join the latter option. Odintsova was arrogant, acted very proud, it was uncomfortable to be around her, she had a very a strong character. That is why, when Arkady was in love with Anna, he ultimately preferred Katerina to Lokteva, she is natural and most importantly simple. And it is thanks to Katerina that she and Arkady experience those feelings that make them happy. Also in the novel there are the following female characters: Fenechka, Avdotya Nikitichna. Fenechka is a young girl and a simple peasant woman about twenty-three years old, she has dark hair and eyes. She is very shy and resembles Katerina in her inner world.

I have good impressions from such a simple and natural female image of Katerina Sergeevna Lokteva.

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INTRODUCTION

Works by I.S. Turgenev are some of the most lyrical and poetic works in Russian literature. Female images give them a special charm. “Turgenev’s woman” is some kind of special dimension, a certain ideal that embodies beauty, both external and internal.

“Turgenev’s women” are characterized by poetry, integrity of nature, and incredible strength of spirit. I.S. Turgenev, in relation to women, reveals everything good or bad that is in his heroes.

In the novel "Fathers and Sons" Turgenev showed us three main female images: the image of Anna Sergeevna Odintsova, the image of Katerina Sergeevna Lokteva, the image of Fenechka and the image of Kukshina.

Women's images Anna Sergeevna Odintsova and Katerina Sergeevna Lokteva in the novel “Fathers and Sons”

Turgenev novel female image

Turgenev describes Anna Sergeevna and Katerina Sergeevna as completely opposite. Anna Sergeevna is flirtatious, very experienced in relationships with men, and talkative. And Katerina Sergeevna is timid, silent, “constantly blushes and quickly takes a breath.” She loves to read, think about life, about books, about people, than to dance at balls and flirt with men.

Even in appearance the author shows their opposite, dissimilarity from each other. Anna Sergeevna is very beautiful, slim, and has decent posture. “Her naked arms lay beautifully along her slender figure; light fuchsia branches fell beautifully from her shiny hair onto her sloping shoulders; her light eyes looked calmly and intelligently, precisely calmly, and not thoughtfully, from under a slightly overhanging white forehead, and her lips smiled with a barely noticeable smile "Some kind of gentle and soft power wafted from her face." It cannot be said that Katya was a beauty, but “she smiled a lot, shyly and frankly, and looked somehow funny and stern, from bottom to top. Everything about her was still young and green: her voice, and the fluff all over her face, and pink hands with whitish circles on the palms, and slightly compressed shoulders..."

Anna Sergeevna did not love anyone. And although she liked Bazarov because he was different from others, she could not surrender to the power of her feelings. She knew perfectly well that Bazarov fell in love with her contrary to his convictions, saw how he avoided her, understood that a declaration of love was inevitable, and waited for him, pleased with herself. And for Bazarov, probably, there was no love, but only passion and the luxurious body of Anna Sergeevna. Although Arkady was at first in love with Anna Sergeevna, or rather not even with her, but with her beauty, he chose Katya. Most likely this happened because Katerina is closer to nature, natural, kind, gentle, simple. It's easy and pleasant to communicate with her. And Anna Sergeevna behaves proudly, even arrogantly, and makes everyone who communicates with her feel not very comfortable.

Every stroke in Odintsova’s portrait indicates that this is a lady from high society. Anna Sergeevna Odintsova amazed with the dignity of her posture, smooth movements, intelligent and calmly looking eyes. Her face exuded soft and gentle strength. It was not only her movements and gaze that were calm. Life on her estate was distinguished by luxury, tranquility, coldness, lack of interesting people. Regularity and constancy are the main features of the way of life on Odintsova’s estate.

When Bazarov and Arkady arrived at her estate, they saw how measured and monotonous her whole life was. Everything here turned out to be “put on rails.” Comfort and serenity formed the basis of Odintsova’s existence. She had suffered enough in life (“grated kalach”) and now it was as if she only wanted to take a break from her past. More than once in conversations with Bazarov she called herself old. This young woman has the soul of an old woman. How else can we explain her desire to do her best to drown out the love that has arisen within herself, just so that it does not interfere with her measured way of life.

The author writes about her: “Her mind was inquisitive and indifferent at the same time. Her doubts never subsided to the point of forgetfulness and never grew to the point of anxiety. If she weren’t independent, she might have rushed into battle, would have recognized passion...” Odintsova herself knows this quality of her nature well, she tells Bazarov: “I love what you call comfort.”

But at the same time, Anna Sergeevna is capable of noble deeds, sympathy, high sadness. She comes to say goodbye to the dying Eugene, although he only asked his father to inform him that he was ill and dying.

At the end of the novel, we learn that Anna Odintsova married “not out of love, but out of conviction, to one of the future Russian leaders...” Coldness of reason in her is, unfortunately, combined with some coldness of soul.

Odintsova has a strong character, and she even suppressed her younger sister Katya in some ways.

Katya is a nice girl, and although at first she is perceived as a pale shadow of Odintsova, she still has character. A dark brunette with large features and small, thoughtful eyes. As a child she was very ugly, but by the age of 16 she began to get better and became interesting. Meek, quiet, poetic and bashful. Milo blushes and sighs, is afraid to speak, and notices everything around him. Musician. Loves flowers and makes bouquets of them. Her room is amazingly tidy. Patient, undemanding, but at the same time stubborn. Her individuality is gradually revealed, and it becomes clear that in an alliance with Arkady she will be the main one.

Odintsova’s image is interesting precisely because of its ambiguity. She cannot be called either a positive or negative heroine without sinning against the truth. Anna Sergeevna - alive and bright man, with its own advantages and disadvantages.

Turgenev never admits irony in relation to Odintsova. He considers her enough smart woman(“A woman with a brain,” according to Bazarov), but it is unlikely that he is very fascinated by her.

The novel “Fathers and Sons” is filled not only with a line of conflict that constantly flared up between the main character, Yevgeny Bazarov, as well as Pavel Petrovich and Nikolai Petrovich. Of course, this theme occupies the main place in the novel; Turgenev devotes greatest attention describing precisely the conflict between the new and old generations, the clash of their interests.

However, the reader has the opportunity to observe love scenes, behind the outbreak of feelings, behind marriage and family happiness. Most of all confirmation is the relationship between Arkady and Katerina.

Arkady was the son of Nikolai Petrovich. He was finally freed from under bad influence Bazarov and began to build his personal life. Katerina, just like her lover, freed herself from the control of her sister Anna. And now, having met, an explanatory scene takes place between them, which we are introduced to in the second part of the novel.

The conversation between Katerina and Arkady is accompanied by birdsong. Their meeting is scheduled in a beautiful garden. At first the heroes talked in common topics, they both enjoyed each other's company. Next, Arkady starts talking about Bazarov, however, Katerina subtly notices that the men are not alike, that they are completely different. At one point, Arkady is offended by Katya’s words, however, he understands that he himself no longer wants to be like his friend.

In parallel to this relationship, the connection between Eugene and Anna is also revealed. Bazarov confesses his passionate, crazy love to Odintsova, however, the cold-blooded woman rejects him. This set of circumstances is quite difficult for Bazarov to endure. But the love of Katerina and Arkady was sincere and pure, mutual and real. That is why they find happiness with each other.

In the novel "Fathers and Sons", the images of Arkady and Eugene are completely different. Despite the fact that they were friends, after arriving at Odintsova’s estate, Kirsanov understands and sees his difference from his friend. He agrees with Katya’s statement that Bazarov was “predatory,” lonely and distant, but Arkady himself and his Katerina are completely “tame,” ordinary, simple people.

It was after the scene of the conversation with Katerina that Arkady no longer understands his friend, he moves away from him, does not share his opinion. Kirsanov understands that it is completely pointless to oppose oneself to society. It’s much more comfortable and cozy to be friends with people and go with the general flow. Arkady chooses his path, the hero follows in the footsteps of his father, towards a happy and measured family life.

Kate - younger sister Anna Sergeevna Odintsova. Initially she seems to be just a sweet, shy young lady. But gradually independence and mental strength. Katya internally frees herself from the despotic power of her older sister and helps Arkady Kirsanov overthrow the despotic power of his “teacher” Bazarov over him. It is thanks to her that both of them become themselves and experience feelings that can make them happy. Katya clearly embodies the truth and beauty of the ordinary in Turgenev’s novel.

1. New!

   I. S. Turgenev's novel "Fathers and Sons" was written in 1861 - at a time when the centuries-old foundations of Russia were changing. One of the themes of the work is eternal theme love. In the novel we see bright love stories: the love story of Pavel Petrovich...

The problem of fathers and children can be called eternal. But it is especially aggravated in turning points development of society, when the older and younger generations become exponents of the ideas of two different eras. This is exactly the time in the history of Russia - the 60s of the 19th century...

Youth is the time to acquire wisdom, old age is the time to apply it. J.-J. Rousseau Arkady Kirsanov, having spent a day at the Bazarovs' estate, asks his older teacher friend if he loves his parents, and receives a direct answer: “I love you, Arkady”...

I. S. Turgenev said this about his novel “Fathers and Sons”: “My whole story is directed against the nobility as an advanced class. Look at the faces of Nikolai Petrovich, Pavel Petrovich, Arkady. Weakness and lethargy or limitation. The aesthetic feeling made...

2. New!

   It is no coincidence that the novel “Fathers and Sons” is considered the pinnacle of I. S. Turgenev’s work: social issues were concentrated in it, revealing the confrontation between two main social types era. The problematic and thematic basis of the novel is the relationship between liberal nobles...

Turgenev's girl is a literary stereotype formed in Russian culture on the basis of a generalized image of several of his female characters. This is a reserved but sensitive girl who, as a rule, grew up in nature on an estate, pure, modest and educated. She doesn't get along well with people, but has a deep inner life. Turgenev's girl is not distinguished by her striking beauty. Her features are huge moral strength, “explosive expressiveness, determination to “go to the end,” sacrifice, combined with an almost unearthly dreaminess.” Rationality in it is combined with impulses of true feeling and stubbornness; She loves stubbornly and relentlessly. For example, we can cite Asya from Turgenev’s story of the same name, Lisa Kalitina from the novel “The Noble Nest,” and Natalya Lasunskaya from the novel “Rudin.”

The novel “Fathers and Sons” presents a whole gallery of female images - from the simple peasant woman Fenechka to the high society lady Anna Sergeevna Odintsova. Female images in the novel play an important role in revealing the ideological content of the novel. Each female image is introduced by the author into the narrative as the personification of certain character qualities: for example, Fenechka personifies femininity, gentleness, the ability to love faithfully and sincerely; Katya - practicality, balance, efficiency; Kukshina parodies Bazarov’s worldview; Bazarov's mother becomes a symbol of maternal love and devotion; the image of Anna Sergeevna Odintsova - a rich, independent and intelligent woman.

The difficult life path that Anna Sergeevna Odintsova had to go through formed and tempered her strong character, thanks to which she became self-sufficient person- reasonable, balanced, free from prejudices. The daughter of a gambler, a reveler, a loser, she was able not to give up, even remaining in early age without parents and with a little sister in her care. Anna Sergeevna received a good education, and besides, having a naturally sharp mind and the ability to understand people well, she, despite her young age, is a very harmoniously developed personality. It is difficult to deceive her - she looks at everything objectively, and in this she is helped by her inherent sobriety of mind and pronounced practicality. Anna Sergeevna is not the kind of person who gives freedom to her feelings, moreover, she is not even capable of showing strong emotions. Peace of mind and balance - these are the things that have real value for her, and, remembering Anna Sergeevna’s difficult life path, we understand why.

Fenechka’s first appearance leaves in the soul a feeling of something soft, warm and very natural: “She was a young woman of about twenty-three, all white and soft, with dark hair and eyes, with red, childishly plump lips and tender hands.” It should be noted that Fenechka did not appear in front of Arkady and Bazarov on the first day of their arrival. That day she said she was sick, although, of course, she was healthy. The reason is very simple - she was terribly shy. The duality of her position is obvious: a peasant woman whom the master allowed to live in the house, but he himself was ashamed of this. Nikolai Petrovich committed a seemingly noble act. He settled with him a woman who gave birth to a child from him, that is, he seemed to recognize certain of her rights. It seems to me that Turgenev sympathizes with Fenechka and admires her. It’s as if he wants to protect her and show that in her motherhood she is not only beautiful, but also above all rumors and prejudices: “And really, is there anything in the world more captivating than a young beautiful mother with a healthy child in her arms? ” Bazarov, living with the Kirsanovs, happily communicated only with Fenechka: “Even his face changed when he talked to her: it took on a clear, almost kind expression, and some kind of playful attentiveness was mixed in with his usual carelessness.” I think the point here is not only in Fenechka’s beauty, but precisely in her naturalness, the absence of any affectation and attempts to pretend to be a lady. The image of Fenechka is similar delicate flower, which, however, has unusually strong roots. It seems to me that of all the heroines of the novel, she is closest to the “Turgenev women”.

Katya Odintsova initially seems like just a sweet, shy young lady. But gradually independence and spiritual strength are revealed in her. Katya internally frees herself from the despotic power of her older sister and helps Arkady Kirsanov overthrow the despotic power of his “teacher” Bazarov over him. It is thanks to her that both of them become themselves and experience feelings that can make them happy. Katya Odintsova clearly embodies the truth and beauty of the ordinary in Turgenev’s novel.

The pseudo-nihilist Avdotya Nikitishna Kukshina is very harsh in her assessments and irreconcilable in her views. She is interested in the situation of women around the world and is interested in natural sciences. This heroine is cheeky, vulgar, stupid. In addition, she is sloppy and unkempt. Kukshina is unhappy women's destiny: she is ugly, not popular with men, abandoned by her husband. In “nihilism” she finds relaxation, a feeling of being busy with “important work.” In the novel, this image is presented in satirical tones.

Bazarov's mother, Arina Vlasevna, is a very sensitive and pious woman; she “should have lived over two hundred years in old Moscow times.” She is “very kind, and in her own way, not at all stupid,” but her entire education was limited to one novel she read in her youth, the clavichord and a superficially acquired French language. “She loved and feared her son unspeakably...”

In this essay I would like to pay a little attention to Princess R. The princess was known as a frivolous coquette, she loved to dance a lot, laugh, joke with young people, and at night she rushed around the room in tears for a long time. She was very well built, her heavy golden braid fell below her knees, but she could not be called a beauty, only her eyes, gray and deep, in which her inner world was hidden, stood out on her face. The love story of Pavel Petrovich and Princess R. echoes the history tragic love Turgenev to Polina Viardot. The portraits of these women are very similar. Pauline Viardot, like Princess R., constantly traveled abroad, led a cheerful, strange life. Polina Viardot alternately moved Turgenev away and then brought Turgenev closer to her. After long separations, their love flared up again, only to later go out.

The works of I. S. Turgenev are among the most lyrical and poetic

works in Russian literature. Female images give them a special charm. All female characters in “Fathers and Sons” are drawn skillfully and with love. Each of them is unique, vitally true and attractive in its own way.