Brief description of Onegin. The focus and genre originality of the work

Central character“Eugene Onegin,” a novel in verse, after which the work is named, is a native of St. Petersburg, a young nobleman, spoiled by social evenings and receptions. He is single and is capable of making a worthy match for any of the “elite” brides. Evgeniy’s manners are not just good, they are polished to shine. And it costs him nothing to turn the head of even the most selective lady.

Onegin is good-looking, courteous, educated, dressed according to latest fashion and closely monitors appearance. Despite the fact that the hero has lived in the world for a little more than a quarter of a century and is constantly among noisy friends, his existence is poisoned depressive state. This “noble” blues is associated with the uncertainty in which Eugene lives. He gravitates towards a free, unencumbered life, but among the idle crowd he feels lonely. Pushkin’s hero does not yet know what he would like to devote his life to. Inconstancy in relationships, parties, small talk, where the hero has no equal, he’s pretty tired of it. But in order to devote himself to hard work, Onegin is too lazy. Perhaps this is how the “crisis of 30 years” crept up on the young master.

Finding himself at a crossroads, he comes to the deep province to take over the inheritance left to him by his dying uncle. Evgeniy stops at a new estate. And from the leisurely village life he begins to feel even more depressed. In order to somehow unwind, he makes friends with his neighbor, local romantic and poet Vladimir Lensky, who introduces him to the Larin family. Lensky wooes them youngest daughter Olga. Onegin immediately notes that her older sister is much more interesting. Tatyana falls in love with the city guest literally from the first minutes of their acquaintance. Brought up on French novels, a girl writes a letter to the chosen one of her heart. French, where she confesses her love to him. But Evgeniy rejects the girl’s ardor, since he understands that a party like Tatyana Larina was created exclusively for married relationships. The hero is not ready to get married yet.

Some time later, Lensky brings Onegin to a party at the Larins’ house. Tatiana's name day is being celebrated. Evgeniy becomes bored, he gets angry with his young friend and, for the sake of “humorous” revenge, dances and flirts with his fiancee. Out of jealousy, Lensky challenges the city slicker to a duel. The joke turns into tragedy - the young poet dies during a duel. Onegin leaves the village and goes on a long journey.

Returning to St. Petersburg two years later, the hero meets Tatyana, now a married lady, at a ball. Continuing to love him, the girl agreed to marry a rich man, Prince N. Now she is cold and unapproachable to Onegin. Seeing her differently, Evgeniy realizes that he is in love. He writes and gives letters to Tatyana, but receives no answers. Having achieved a personal meeting, Onegin passionately confesses his love. But the “new” Tatyana firmly refuses him, explaining that he was late, and she will never break her oath of fidelity to her husband. The hero is left alone and hears the steps of Prince N approaching.

Onegin Quotes

We all learned a little bit
Something and somehow
So upbringing, thank God,
It's no wonder to shine here...

You can be a smart person
And think about the beauty of your nails...

He who lived and thought cannot
Don't despise people in your heart...

How smaller woman we love,
The easier it is for her to like us
And the more likely we destroy her
Among seductive networks...

But pathetic is the one who foresees everything,
Whose head isn't spinning...

Dashing fashion, our tyrant,
The disease of the newest Russians...

And so public opinion!
Spring of honor, our idol!
And this is what the world revolves on!...

Moscow... so much in this sound
For the Russian heart it has merged!
How much resonated in him!...

Talking too much
We are happy to accept...

Blessed is he who was young from his youth,
Blessed is he who matures in time...

Give me the forbidden fruit,
And without that, heaven is not heaven for you...

Love for all ages...

I thought: freedom and peace
Substitute for happiness.
My God! How wrong I was...

Eugene Onegin is portrayed by Pushkin as a "young rake". As a boy, Evgeniy grows up carefree and carefree, because his teacher, a Frenchman by birth, teaches him everything “jokingly” so that “the child would not be exhausted.” Therefore, Evgeniy did not receive a proper education. Having become a young man, he quickly becomes a regular at social events, because he was able to easily fit into the circles of high society, thanks to his command of French and ability to dance.

In communicating with lovely ladies, Onegin quickly masters the “science of tender passion,” deftly winning the hearts of beauties:

How early could he be a hypocrite?
To harbor hope, to be jealous,
To dissuade, to make believe,
Seem gloomy, languish,
Be proud and obedient
Attentive or indifferent.

Onegin, thanks to his ability to charm women, constantly received invitations to various techniques in the world, accepting several notes every day in which he is invited to attend some social event.

Onegin is a well-groomed and fashionable young man who carefully monitors his appearance and his clothes, he spent a lot of time in front of the mirror, in his arsenal cosmetics were:

Perfume in cut crystal;
Combs, steel files,
Straight scissors, curved
And brushes of thirty kinds
For both nails and teeth.

Getting ready for the next entertainment event, he spent a very long time preening in front of the mirror and “came out of the restroom looking like a windy Venus...”

Onegin was spoiled female attention, he was accustomed to a free and free lifestyle, when he easily got all the best. He was not used to responsibility, to obligations; all his connections with women were fleeting and frivolous. The constant carelessness, repeated daily, eventually became disgusting to Onegin and ceased to bring him satisfaction:

No: his feelings cooled down early;
He was tired of the noise of the world;
The beauties didn't last long
The subject of his usual thoughts;
The betrayals have become tiresome;
Friends and friendship are boring.

It was in this state, when he was tired of entertainment, betrayal and intrigue, that Onegin went to the village, where he met Tatyana. And although Onegin was a “rake” and a “dandy”, a narcissistic man spoiled by female attention, a man who knew how to “play” the strings excellently female soul, could skillfully pretend and be a hypocrite, he was able to treat Tatyana with respect and understanding. After her declaration of love for him, Onegin did not laugh at her, did not spread rumors, he tried to talk frankly with her, wanting her to fall in love with a more worthy man.

Onegin also shows his kind and understanding character towards his friend, Vladimir. He condescendingly and patiently listens to his romantic reasoning, without inserting his “cooling word,” suggesting that with age Lensky’s “bliss” will pass anyway:

And without me the time will come;
Let him live for now
Let the world believe in perfection;
Forgive the fever of youth
And youthful heat and youthful delirium.

Before the duel with Lensky took place, Onegin experiences a feeling of guilt, he is tormented by his conscience that he could not cool the poet’s ardor. He realizes that his friend is too young, too hot. Onegin realizes that it was in vain that he played such a cruel joke with his friend, laughing at his “tender and timid love.” But still, he is too proud to ask Lensky for forgiveness and prevent the duel, and besides, he does not want to hear “the laughter of fools,” because refusal to duel may be accepted by society as cowardice.

Onegin, after all, is a very ambiguous person. Tatyana herself, in reflections about him, says:

The eccentric is sad and dangerous,
The creation of hell or heaven,
This angel, this arrogant demon,
What is he? Is it really imitation?
An insignificant ghost, or else
Muscovite in Harold's cloak,
interpretation of other people's whims,
A complete lexicon of fashion words?
Isn't he a parody?

Such reasoning arose from Tatyana after studying the books she found in Onegin’s house; these were works “in which the century and modern man depicted quite accurately..."
Tatyana leafed through the pages and saw on many of them Onegin’s marks, where his soul “involuntarily expresses itself.”

All this suggests that Eugene Onegin was still a thinking person, with a living and feeling soul, not completely corrupted by secular society.

A.S. Pushkin managed to overtake his era - he created an absolutely unique work, a novel in verse. The great Russian poet was able to present the image of Eugene Onegin completely in a special way. The hero appears to the reader as complex and ambiguous. And its changes are manifested throughout the work in dynamics.

Onegin - representative of high society

The description of Onegin’s character in the novel “Eugene Onegin” can begin with the characteristics that A. S. Pushkin gives to his hero. These are the following “facts”: firstly, Onegin is an aristocrat from St. Petersburg. As for his attitude towards the people around him and life philosophy, then the poet describes him as “an egoist and a rake.” Such education was cultivated among the nobility of that time. Children of high-ranking persons were placed in the care of foreign educators. And by the beginning of their youth, their tutors taught them basic skills, the presence of which can be traced in the main character of Pushkin’s work. Onegin owned foreign language(“and in French perfectly…”), knew how to dance (“he danced the mazurka easily”), and also had a good developed skills etiquette (“and bowed at ease”).

Surface formation

At the beginning of the work, Onegin is described through author's narration. Pushkin writes about the mental illness that befell his hero. Describing the character of Onegin in the novel “Eugene Onegin,” we can emphasize: the root cause of this “blueness” may well be the conflict that characterized Onegin’s relationship with society. After all, on the one hand, main character obeyed the rules established in noble society; on the other hand, he internally rebelled against them. It should be noted that although Onegin was well-mannered, this education was not particularly deep. “So that the child would not be exhausted, a tutor from France taught him everything in jest.” In addition, Onegin can also be called a seducer. After all, he knew how to “appear new, jokingly amaze innocence.”

Main features at the beginning of the work

Onegin is a very controversial person. On the one hand, his unsightly character traits are selfishness and cruelty. But on the other hand, Onegin is endowed with a subtle mental organization, he is very vulnerable, and has a spirit striving for true freedom. It is these qualities that are most attractive in Onegin. They make him another “hero of our time.” The introduction to the main character occurs in the first chapter, during his irritated and bilious monologue. The reader sees a “young rake” who sees no value or meaning in anything and is indifferent to everything in the world. Onegin is ironic about his uncle's illness - after all, it tore him away from social life, however, for the sake of money, he is able to endure “sighs, boredom and deception” for some time.

Life of Onegin

Such education was typical of the representatives of his circle. The character of Onegin in the novel "Eugene Onegin" at first glance may seem frivolous. Onegin could easily quote several poems or Latin phrases in a conversation, and his daily life took place in a completely monotonous environment - balls, dinners, visits to theaters. The poet presents the life of the main character of the work through a description of the office of Onegin, whom he calls “a philosopher at eighteen years old.” On the table of the main character next to Byron there is a column with a doll, as well as a large number of a variety of toiletries. All this is a tribute to fashion, hobbies, aristocratic habits.

But most of all, the soul of the protagonist is occupied by the “science of tender passion,” which can also be mentioned in the description of Onegin’s character in the novel “Eugene Onegin.” However, after meeting his main character, Pushkin warns readers that they should not succumb to the temptation to perceive Onegin as a “dummy” - he is not like that at all. All secular surroundings and familiar lifestyle do not cause any enthusiasm in the main character. Onegin got bored with this world.

Blues

The life of the main character was completely calm and cloudless. His empty existence was filled with entertainment and worries about his own appearance. The main character is overcome by the “English spleen,” or Russian blues. Onegin's heart was empty, and his mind found no use. He was sick of not only literary work. The main character takes up the book, but reading does not give him any pleasure. After all, Onegin has become disillusioned with life, and he is unable to believe the book. The main character calls the apathy that has taken hold of him “disappointment,” willingly covering himself with the image of Childe Harold.

However, the main character does not want and does not know how to really work. At first, he tries himself as a writer - however, he does this work “yawning”, and soon puts it aside. And such boredom pushes Onegin to travel.

Onegin in the village

In the village, the main character again managed to “perk up his spirit.” He is happy to observe the beauties of nature, and even makes attempts to make life easier for the serfs by replacing the heavy corvee with a “light tax.” However, Onegin is again overtaken by his tormentor - boredom. And he discovers that in the village he experiences the same feelings as in the aristocratic capital. Onegin wakes up early, swims in the river, but still he gets bored with this life.

Turning acquaintance

However, the scenery changes after the main character meets Lensky, and then the Larin sisters, who live next door. Close interests and good upbringing allow Onegin and Lensky to get closer. The main character pays attention to his older sister, Tatyana. And in her sister, Olga (who was Lensky’s beloved), Onegin sees only “the lifelessness of features and soul.” Tatyana's character traits in the novel "Eugene Onegin" contrast her with the main character. She's close to folk life, despite the fact that he speaks Russian poorly.

Her best features were brought up by her nanny, who conveyed to Tatyana the concept of moral duty, as well as the basics of the people's worldview. The integrity of Tatyana's character in the novel "Eugene Onegin" is manifested in the courage with which she makes a confession to her lover, as well as in the nobility of her intentions and fidelity to her marital vow. Onegin's rebuke makes her more mature. The heroine changes in appearance, but retains best qualities character.

As for the character of Olga in the novel “Eugene Onegin,” the poet assigns a secondary role to this heroine. She is pretty, but Onegin immediately sees her spiritual emptiness. And this character very quickly causes rejection among the impressionable reader. In the image of Olga, the great Russian poet expresses his attitude towards the flighty girls of his era. He says about their portrait: “I used to love him myself, but he tired me immensely.”

The character of Lensky in the novel "Eugene Onegin"

Lensky appears before the reader in the image of a freedom-loving thinker who was educated at one of the European universities. His poetry is covered in the spirit of romanticism. However, Pushkin hastens to warn the reader that in reality Lensky remains an ignoramus, an ordinary Russian landowner. Although he is cute, he is not very sophisticated.

Hero's integrity

Onegin rejects Tatiana's feelings. For all of her love confessions he responds with a rude rebuke. At this moment in time, Onegin does not need the sincerity and purity of the feelings of the village girl. However, Pushkin justifies his hero. Onegin was distinguished by decency and honesty. He did not allow himself to mock another person’s feelings, his naivety and purity. In addition, the reason for Larina’s refusal was the coldness of Onegin himself.

Duel with Lensky

The next turning point in revealing Onegin's character is his duel with Lensky. But in this case, Onegin does not demonstrate nobility, preferring not to refuse the fight, the outcome of which was predetermined. The opinion of society, as well as the perversity of the values ​​that existed in that environment, hung over Onegin’s decision like a sword of Damocles. And the main character doesn't open his heart to feeling true friendship. Lensky dies, and Onegin regards this as his own crime. And the senseless death of a friend awakens the “sleep of the soul” of the main character. The character of Eugene Onegin in the novel “Eugene Onegin” changes: he understands how lonely he is, and his attitude towards the world takes on different shades.

Repeated meeting with Tatyana

Returning to the capital, at one of the balls the main character again meets “that same Tatyana.” And his charm knows no bounds. She married woman- but only now Onegin is able to see the kinship of their souls. In his love for Tatyana, he sees the possibility of his spiritual resurrection. In addition, Onegin learns that her love for him is also still alive. However for main character The thought of possible betrayal of her lawful husband turns out to be completely unacceptable.

In her soul there is a duel between feelings and duty, and it is not resolved in favor love passions. Tatiana leaves Onegin alone on her knees. And the poet himself also leaves his hero during this scene. How his life will end remains unknown. Research by literary scholars and historians shows that the poet planned to “send” Onegin to the Caucasus, or turn him into a Decembrist. However, this remained a secret, which was burned along with the final chapter of the work.

The author of the novel and its main character

The versatility of the characters in the novel “Eugene Onegin” is revealed in the process of the plot development of the poem. Describing the events that took place in the work after Onegin’s duel with Lensky, Pushkin includes in the text a small mention of a young townswoman. She asks what happened to Olga, where is her sister now, and what about Onegin - where is “this gloomy eccentric”? And the author of the work promises to talk about it, but not now. Pushkin specifically creates the illusion of authorial freedom.

This technique can be seen as the intention of a talented storyteller who conducts a casual conversation with his readers. On the other hand, Pushkin can be characterized as a real master, who perfectly masters the chosen manner of presenting the work. The author of the work acts as one of the characters in the novel only in relation to Onegin himself. And this indication of personal contacts will distinguish the main character from other characters. Pushkin mentions a “meeting” with Onegin in the capital, describes the first embarrassment that gripped him during this meeting. This was the main character’s manner of communication - caustic jokes, bile, “the anger of gloomy epigrams.” Pushkin also informs the reader about general plans see “alien countries” with your main character.

For the first time, Onegin’s characterization is given in Chapter I of the novel, where Pushkin not only introduces us to his hero, but also reveals important stage its evolution. And how did he appear?

We note Onegin's honesty and directness: he does not try to instill in himself kindred feelings or pity for his rich old uncle. With his characteristic caustic wit, Onegin mocks the hypocrisy of relatives showing ostentatious care for the sick: “What low deceit...”

But Evgeniy is also ironic about himself: after all, it is he who is going to the dying man,

Getting ready, for the sake of money,
For sighs, boredom and deception...

Onegin's directness is a characteristic that hardly excuses his cynicism, the swagger with which the “young rake” speaks about the dying old man.

So in just one stanza, in one statement of the hero, a complex, contradictory character is revealed: Onegin is sarcastic, smart, does not take into account some social conventions and prejudices, is capable of self-exposure, angry and cynical. The hero's words are caustic, full of dark irony. But this was not Onegin’s speech at his first entrance into the world.

He's completely French
He could express himself and wrote...

Young Onegin speaks gracefully, easily, more often in French than in Russian, and knows how to conduct a casual conversation on any topic. Without a doubt, the content of Onegin’s statements testifies to some of his free-thinking, but at the same time it is clear that this free-thinking is shallow and frivolous.

In the story about Eugene's upbringing and social successes, several mocking verses paint him from head to toe and make one guess about his origin, lifestyle, and surroundings. For example: “He served excellently and nobly.”

The words "distinguished-noble" - a common term used in service records and other official documents - help to imagine a brilliant and perhaps brave retired officer. But one cannot help but feel the ironic connotation of these words, especially when you read the next verse - “lived with debts.” Living on credit is a subtle art, which many aristocrats of that time mastered superbly, but it has little to do with nobility. Onegin's father is one of many like him: a carefree, sociable and hospitable playmaker.

Onegin's teacher is also depicted in an epigrammatic style. Image of the teacher and him pedagogical activity helps us understand Onegin’s character, understand why he was able to “touch everything lightly,” “but he was sick of persistent work.”

The author also makes Onegin himself, during the period of his secular success, the target of friendly but merciless ridicule. In themselves, the qualities acquired by Onegin by the time he entered the “society” are not funny or ironic. The funny thing is that this baggage is enough for Evgeny himself, and it’s quite enough for the world: “What do you need more?” - the author asks ironically, revealing the circle of interests of both the hero and the environment.

Let's consider the most important life interest of young Onegin - love play. Why “the science of tender passion”? Why not say “love”? Is it possible to combine the words “science” and “passion”? After all, passion presupposes an uncontrollable feeling, which sometimes even the mind cannot cope with. The fact is that there is no such feeling here, but there is a skillful fake, a complex “science” that replaces true suffering and happiness. And further: “How early he could be a hypocrite,” “Appear gloomy, languish,” “How he knew how to appear new,” etc. Every word speaks of the false, ostentatious nature of feelings, of the fact that Onegin perfectly mastered the entire arsenal of the science of love, but his heart was silent.

Is it his great fault that he, “a child of fun and luxury,” did not find serious business in life? The entire course of the narrative makes us understand that the dear young man, the “philosopher at eighteen years old,” lived as was customary, as was customary in his circle.

Pushkin also recalls his stay in society in the same tone as Onegin’s youth. The son of his time and circle, the poet could not avoid communicating with the light. Digressions help us to more fully feel the atmosphere of cheerful, frivolous emptiness and vulgarity that surrounded Onegin, to see a typical picture of the morals of secular society.

The poet conveys the rapid, uncontrollable pace of Eugene’s monotonous and motley life: “Where will my prankster gallop?”, “Onegin flew to the theater.” Eugene is still full of life, he still greedily pursues its joys. But the closer the narrative comes to the moment of the hero’s disappointment, the more the feeling of sadness, bitterness, and anxiety grows.

Onegin's disappointment is often explained by satiety. But the point, of course, is not only that. After all most of the youth of his circle did not feel satiated and followed the beaten path. The emergence of disillusioned young people was due to a certain historical situation, which gave rise to the Decembrist movement. But in order to be disappointed in life, one had to have a remarkable nature, to have deeper needs than those who felt great in the social whirlpool. This is the characteristic of Onegin.

However, Eugene's gloominess is the result of his aversion to secular society- does not yet indicate active protest. One of the means of image " young rake"In Chapter I there is a description of the everyday background. For example, when describing what decorated his office, Pushkin does not directly express his condemnation, but, on the contrary, rather justifies Evgeniy.

Onegin is characterized not only by everyday details directly related to him, but also by the depiction of a life that is distant from him - the life of the small St. Petersburg people. This household background, contrasted with pictures of Onegin’s life, indirectly casts light on the hero of the novel.

In the stanzas depicting Onegin's disappointment, the background itself changes. This is still the same Petersburg, but not halls and living rooms, not a theater, not household paintings, but a poetic Neva landscape that harmonizes with the mood of the hero.

Lanterns are shining everywhere;
Still frozen, the horses fight...

In the subsequent stanzas of Chapter I, the theme of freedom sounds louder and louder. The generation of advanced intelligentsia of the 20s lived in an atmosphere of longing for freedom, feeling like prisoners, convicts.

Getting to know Onegin's uncle in Chapter II of the novel helps us to better understand the evil sarcasm of the hero that sounded at the beginning of the novel. Only one stanza is dedicated to Uncle, in which the poet in a few lines reveals the essence of a person, gives the opportunity to imagine and life path character and his environment. Lifestyle, character, spiritual world, level of interests of the old landowner - everything is given in the last two lines of this quatrain.

This is the environment in which Onegin found himself. Apparently, most of the steppe landowners were not much different in spirit and way of life from Uncle Eugene. Their characterization of Onegin, as well as the judgments of secular judges, is in many ways reminiscent of the gossip of enemies. This is what the neighbors say about Onegin: “Our neighbor is ignorant, crazy,” etc.

The neighbors' criticism of the hero also applies to his manner of speaking. The landowners are outraged by Eugene's independent, free tone and the lack of respectful intonations in his speech. It is clear that in such an environment Onegin’s blues could only worsen. And other sides village life he couldn't appreciate it. IN further development image of Onegin important role acquires its comparison with other characters in the novel.

The main character of the novel is the young landowner Evgeny Onegin, a man with a complex contradictory nature. The upbringing that Onegin received was disastrous. He grew up without a mother. The father, a frivolous St. Petersburg gentleman, did not pay attention to his son, entrusting him to “poor” tutors. As a result of this, Onegin grew up to be an egoist, a person who cares only about himself, about his desires and who does not know how to pay attention to the feelings, interests, and suffering of other people. He is capable of offending, offending a person without even noticing it. Everything beautiful that was in the young man’s soul remained undeveloped. Onegin's life is boredom and laziness, monotonous satisfaction in the absence of real, living work.

The image of Onegin is not invented. In it the poet summarized the features typical images for young people of that time. These are people who were provided for through work and serfs who received a disorderly upbringing. But unlike most representatives of the ruling class, these young men are smarter, more sensitive, more conscientious, more noble. They are dissatisfied with themselves, their environment, and the social order.

In his views and requirements for life, Onegin is superior not only to his rural landowner neighbors, but also to representatives of St. Petersburg high society. Having met Lensky, who received higher education V the best university in Germany, Onegin could argue with him on any topic, as with an equal. Friendship with Lensky reveals in Onegin’s soul the possibilities of faithful, friendly relationships between people hidden behind a mask of cold egoism and indifference.

Seeing Tatyana for the first time, without even talking to her, without hearing her voice, he immediately felt the poetry of this girl’s soul. In his attitude towards Tatyana, as well as towards Lensky, such a trait as goodwill was revealed. Under the influence of the events depicted in the novel, evolution occurs in Eugene’s soul, and last chapter In the novel, Onegin is no longer the same as we saw him before. He fell in love with Tatiana. But his love does not bring happiness, neither to him nor to her.

In the novel “Eugene Onegin,” Pushkin portrayed a frivolous young man who, even in love, cannot give himself advice. Running away from the world, Onegin could not escape from himself. By the time he realized this, it was already too late. Tatyana doesn't believe him now. And this opens Onegin’s eyes to himself, but nothing can change.

The image of Lensky in the novel "Eugene Onegin"

Another path I took noble intelligentsia 20s of the XIX century, revealed in the image of Lensky. This is the way of the fashionable craze at the time philosophical teachings and detached from life, dreamy romantic poetry:
Lenskoye has many excellent qualities. Pushkin points to Lensky’s inherent “noble aspirations and feelings and thoughts of the young, tall, gentle, daring,” “thirst for knowledge and labor and fear of vice and shame.”
But Lensky lacks knowledge and understanding of reality. “A dear ignoramus at heart,” he perceives people and life as a romantic dreamer. Like Onegin, society is alien to him provincial nobility This narrow interests, but he idealizes Olga, an ordinary girl. Misunderstanding of people, enthusiastic daydreaming is what leads Lensky to tragic end at the first encounter with reality.
Lensky - educated, cultured person. His conversations with Onegin touch on philosophical, social, and scientific issues. Pushkin notes his “freedom-loving dreams.” Lensky is a poet, a sentimental romantic. In stanza X of the second chapter, Pushkin lists the main motives of Lensky’s poetry, and in stanzas XXI and XXII of the sixth chapter he cites his elegy as an example of romantic poetry.
The motives that Pushkin notes in Lensky’s poetry are close to Zhukovsky and other sentimental romantic poets of that time. The motifs of “love, sadness, separation”, a mysterious “something”, glorification of the “faded color of life”, “foggy distance” and “romantic roses” are typical of Zhukovsky’s poetry.
Romantics like Lensky cannot withstand the blows of life: they either reconcile themselves with the reigning way of life, or die at the first collision with reality. Lensky died. But if he had remained alive, he most likely would have turned into an ordinary landowner. A major poet he would hardly have done so: Lensky’s “languid and sluggish” poetry did not promise this.

Tatiana is the embodiment of everything Russian and national. This is a discreet and pure, but deep nature. She is not like all the secular girls. Her characterization is given as if from the opposite, Pushkin says what is not in her - there is no coquetry, affectation, or insincerity in her. Pushkin explains how such two dissimilar sisters were born in the same family. It turns out that Tatyana has been different from her peers since childhood. She preferred solitude to games, reading to dolls, and she also amazingly feels and understands nature. This sensitivity makes Tatyana closer to to the common people than to a secular society. The basis of her world is folk culture. The episode with Tatiana's fortune telling and dream shows how much is intuitive in her. At the same time, Tatyana is somewhat similar to Onegin - the desire for loneliness, the desire to understand herself and understand life. But she also has Lensky’s traits - belief in ideal happiness, love, creating a sweet image.