How did Pavel Ryzhenko die? The great Russian artist Pavel Viktorovich Ryzhenko died

On July 16, 2014, the Russian world suffered an irreparable loss - one of the greatest creators 20th century - artist Pavel Ryzhenko, whose cause of death - stroke - in the twentieth century is predominant among young talented people.

Pavel Ryzhenko - a brilliant creator of historical composition

In the vastness of Europe modern world very difficult to find talented artist working in style classical realism. The character of such a creator must be revealed to match the era - contradictory in its revolutionary desire for development and simultaneous passive inaction. It was precisely because of this sinful inaction, carrying within itself a contented despondency, that the genius of Russian realism arose - Pavel Ryzhenko, whose paintings were written exclusively in this classical style.

The artist lived a short but extremely fruitful life, representing an icon of God's chosen creator and a role model for artists of realistic traditions. The death of Pavel Ryzhenko marked the final transition contemporary art from the mainstream of realism into the framework of avant-gardeism, the departure of the classical canons of construction and color arrangement of composition from the field visual arts in the expressive swimming of the futuristic brevity of the idea and the straightforwardness of the compositional image.

Biographical note

Pavel Ryzhenko, whose biography does not differ from several hundred similar biographies of artists, anticipating the interest of fans in this topic, left several notes about his past.

The future artist was born in 1970, in the city of Kaluga. In his autobiographical texts, Pavel Ryzhenko, anticipating how interested his fans would be in his biography, recalled that his childhood was entirely filled with the joy of communicating with his grandmother and mother. Creative path was started by Pavel Viktorovich not by chance - from the very early years he was characterized by a lively mind and an excellent memory: “This for me is the Motherland, bright, quiet, full of love, which many have forgotten, but many have not.”

Since 1988, Pavel has been a graduate of the Moscow University at the Surikov Institute. He joined the army, where, according to him, he already clearly realized his calling in painting. After her, from 1990, he studied at the Russian Academy of Painting, Sculpture and Architecture, where his teacher was professor, People's Artist of Russia I. S. Glazunov.

Pavel Ryzhenko

Since 1997, after 1996, Pavel Ryzhenko begins active pedagogical activity at the department of architecture, and then restoration and even later - composition at his native academy. There he taught until his death. Pavel Ryzhenko is an artist whose cause of death was the result of a fruitful creative activity.

Features of the spiritual content of the composition

Pavel Viktorovich Ryzhenko was instantly glorified as a genius on an all-Russian scale after defending his thesis- the canvas "Kalka", where the semantic center of the composition is the figure of Prince Mstislav the Old, tied with ropes, proudly standing opposite the Mongolian governor resting after the battle. Pavel Ryzhenko, whose paintings are filled with this unbending, honest, but simple and humble character, showed the features of the Russian people in the best possible way.

The artist is a preacher of the divine idea

The artist always spoke very openly about his spiritual and practical quests. Take the path of gratitude Orthodox artist immersing the viewer with his art beautiful world the land inspired by God and the Russian nation as a whole, according to him, it was his training at the academy and meeting the priests that helped him. He idolized the Orthodox national idea and unwittingly became her mouthpiece, her evangelist. “Oslyabya”, “Blessing of Sergius”, “Victory of Peresvet”, “Prayer of Peresvet” - in all these images, with their unshakable calm and prudence, the appearance of a holy man is invisibly present, not at all similar to the canonical iconographic image. Paul himself explained this feature of his images by the fact that he considers classical Orthodox iconography a monstrous hybrid of Eastern and Byzantine painting, with their European standards and manner of painting, and not the original Russian cult painting.

Pavel Ryzhenko collaborated a lot with monasteries and high clergy, writing religious paintings and portraits for them. His latest work is a diorama. The customer was the Kaluga St. Tikhon's Hermitage. Unfortunately, Pavel Ryzhenko, the artist whose cause of death caused the Russian world to shudder with its suddenness, was unable to attend its opening.

Pavel Ryzhenko and his paintings in the historical genre of painting

Throughout his life, with all his heart and consciousness, radiating filial love for his homeland and filling every stroke and every stroke on his canvases with this love, Pavel Ryzhenko completely and completely “imbued” his paintings with unprecedented power with greatness. This was the greatness of the Russian Spirit, contained in the images of the hero Peresvet, in the majestic but submissive pose of Emperor Nicholas II, the monumental tragic grandeur of the battles of the past and sunlight monastic apiaries.

As a master of battle scenes, the composition and color scheme of which were imbued with the idea of the Divine battle with Darkness, the artist accepted Active participation in military-patriotic actions on Russian territory. He was included in the Studio of Military Artists named after M. B. Grekov as one of the leading master painters, and the first published information that Pavel Ryzhenko died, the cause of death, made public a few days later, was reported to the press by the Department of Culture of the Ministry of Defense .

During the political upheaval in the spring of 2014 in Ukraine, Pavel Ryzhenko repeatedly expressed his support for the nascent states of Novorossiya. In addition, in the process of painting his canvas “Stokhod”, the artist continuously consulted with Igor Ivanovich Strelkov about the uniform of Russian officers and became very friendly with him, even depicting him on the canvas in the main triangle of the composition. Having learned that Pavel Ryzhenko, whose cause of death directly depended on his enormous mental activity, had died, Strelkov wrote: “I’m grieving. He was a bright man. When I consulted him, he already complained that his hands were going numb.”

People's Artist

Pavel Ryzhenko sincerely believed in an enlightened, morally pure and spiritual rich Russia, supported with all his heart the formation of Novorossiya and its political arrangement in line with the Russian state, while always remaining a monarchist. A huge number of his paintings, created since the early 1990s, are dedicated to the Battle of Kulikovo, the era of Nicholas II, as well as the First World War. In his workshop there were six ready-made dioramas, which were periodically put forward for exhibitions.

Parting words for descendants

When Pavel Ryzhenko died, the cause of death was not immediately announced. Only a few days later it became known that due to the tense professional activity he had a stroke.

The artist was buried at the Zhdamirovsky cemetery in the village of the same name near Kaluga.

During his lifetime he was a very progressive-oriented person, an adept of Orthodox thought as a historically changing content human existence, the essence of which can be perfectly reflected in the principles of classical pictorial realism.

Honored Artist of Russia, one of the leading masters of the Grekov Studio of Military Artists Pavel Ryzhenko died on the night of July 15-16 at the 44th year of his life. The cause of death was stroke.

“This is a huge, irreparable loss for the army culture and the entire artistic community. Pavel was not just talented and active person, he was in many ways the soul of the Studio of War Artists, a kind of center of creative, creative ideas. His efficiency, coupled with caring, active civic position It was simply amazing,” said the head of the department, Anton Gubankov.

Pavel Ryzhenko was born in 1970 in Kaluga. He studied at the Russian Academy of Painting, Sculpture and Architecture and at the historical and religious workshop of Professor Ilya Glazunov. In 2007, Ryzhenko began working at the Grekov Studio of Military Artists, where he became one of the leading masters of diorama and panoramic art. In 2012 he was awarded the title “Honored Artist of the Russian Federation”.

IN last years Ryzhenko created many large-scale paintings, dedicated to the Battle of Kulikovo, Sergius of Radonezh, the First World War and the era of Nicholas II. Over the years of work at the Studio, he created six large-scale dioramas. Last work master - the diorama “Standing on the Ugra” - was prepared for the Kaluga St. Tikhon’s Hermitage, its opening is planned in September 2014.

This is what is written on the main page of the official website: dedicated to creativity Pavel Ryzhenko: “I invite people to take another look at our controversial past, full tragic events, in which it was fully manifested great spirit our people. Understand that we are not a gray mass, not a so-called “electorate,” but a people with rich history and self-awareness. I want to believe that I offer people an alternative to mass, “tinsel” culture, which makes us forget about the main issues of existence."

What the artist does should be another hole in this stinking canvas that is stretched above us, so that people can see the real sky through it. And not create some kind of another black blot so that everyone can see what freaks we are. Yes, we already know that we are freaks. How can I fix it? The artist’s paintings should be not only hope, but also a hint on how to correct yourself.

I am developing what has been done. There are thoughts about painting 5-6 paintings, starting with the Old Testament, the martyrdom of Christ, the persecution of Christians in Rome, reaching the present day and connecting all this with today. And I know how to do it. Today Only one work will be devoted to it, but it will draw on the meaning for the entire last twenty years."

In painting, I adhere to the style of classical realism, which most deeply reflects the essence and spirit itself historical events, which interest me as an artist who has dedicated his work to the history of Russia."

Autobiography

After entering the Moscow Art School in 1981, I found for myself new world smells. Now to the bittersweet world watercolor paints the aroma mixed in oil paints, which I still can’t get rid of to this day, having absorbed it to the roots of my hair. Wonderful world Tretyakov Gallery, the dampness of the ancient streets of Zamoskvorechye, the brown sky over Moscow, when, ice glass, I looked at the red flag over the building of the Supreme Council... All this was mixed up in the boy’s mind then, and only at the age of 18, having enlisted in the army and finding myself in a completely different world, I realized that my path was not a search for what I didn’t lose it, but the path given to me is the path of a painter.

The nineties were the years of my studies at the Academy, these were the tossing, the search for faith, answers to questions, these were meetings with completely new people for me - priests. The first serious thoughts about the purpose of creativity arose precisely then, at the Academy of Painting, Sculpture and Architecture, in which I was lucky enough to be a part-time student. My classmates, like me, were imbued with communication with the great teacher, artist, warrior - Ilya Sergeevich Glazunov. I remember the delight that first gripped me in the halls of the Hermitage in front of the paintings of Rembrandt, Van Dyck, Vermeer... It seemed that all these great masters were present here, next to me. I felt the breath of living history, the greatness of powerful empires - Byzantium, Rome, Russian Empire. I felt the coolness of the Sinai desert and the smell of gunpowder smoke over Borodino; the stern faces of Russian warriors, fearless and invincible, stood before me.

Every person, and especially Russians, is drawn in the depths and secrets of his heart towards the light - Christ. Faith in Christ came to me very late, but having believed, I wanted to run after him, hoping to someday get closer to this light. It’s difficult for me to write about this, there are no words to clearly express my thoughts, but I need to say about the people, gone and alive, who are the bearers of the faith and spirit of the Russian Empire. And say it on canvas, because this is my duty to the great truth of Rus'. The duty of a not completely broken resident of the metropolis, who, through the outlines of modern houses, through the smog of the Third Ring, sees how again and again these strict and loving faces of our ancestors, who shed their sweat and blood for Christ and for each of us, appear.

Approaching the turn of my life, the line that the great Pushkin could not cross, at which many stopped, I ask myself the question of questions: who did I serve? Exactly to whom, and not to what, and in general, what is art?
I hope that my paintings will wake you up genetic memory of my contemporaries, pride in their Fatherland, and perhaps will help the viewer find for themselves the only the right way. And then - I will be happy with my duty fulfilled."

Pavel Ryzhenko

Exhibitions:

2000 – Moscow, Service Foreign Intelligence
2003 – Moscow, Central House Artist
2005 – Moscow, Maly Manege
2006 – Moscow, Maly Manege
2007 – Moscow, State historical Museum
2007 – Moscow, Museum of the Russian Armed Forces
2008 – Moscow, Central Exhibition Hall Manege
2008 – St. Petersburg, Central Exhibition Hall Manege
2009 - Moscow, Museum of the Russian Armed Forces
2009 – Kostroma, VK
2010 – Moscow, Poklonnaya Gora, WWII Museum
2011 - Moscow, Museum of the Russian Armed Forces
2011 – Kaluga, DVK “Gubernatorsky”, estate “Polotnyany Zavod”

) - Russian artist, graduate and teacher of the Russian Academy of Painting, representative of “classical Russian realism”.

In 1982 he entered the Moscow Secondary art school at . In 1990 - to the Russian Academy of Painting, Sculpture and Architecture, studied with professor folk artist Russia by Ilya Glazunov. In 1996 he defended his diploma film “Kalka”.

From 1996 to 1999 - in independent creative activity. Since 1999, he has been teaching at the Russian Academy of Painting, Sculpture and Architecture in the Department of Composition.

"Wreath."

"OSLYABYA"
A quiet morning, penetrated by the rays of the warm sun, apple trees blooming, beehives can be seen behind the monk’s back. But the main thing in this little picture is that the monk’s name is Oslyabya. And this monk is preparing not to whiten the trunks, but to give his life - for Christ and for all the Russian people he loved, including for you and me. He leaned his heavy hand on a tree and thought. My whole life passed before my mind's eye. He, Oslyabya, is ready. He - the warrior of Christ - will nevertheless whiten his apple trees, and then, taking a sword, rush into the very hell of the Battle of Kulikovo to beat the enemies of God and lay their corpses in sheaves, and then be cut down himself along with his great brother Peresvet.

"Life of Sergius"

"Anthill"

"Novice"

"Prayer"

" Street cleaner "

What else could touch the soul of a sinner-murderer, yesterday’s sailor from the battleship Gangut? Perhaps the absurdity of the situation and the painful insecurity of the girl who opened her umbrella over her murdered mother? Why should he shoot the girl? But the brave sailor slid down the wall and sank into the snow. He does not have the strength to lift the rifle, and his powerful hand hangs from his knee. He's confused. Will he realize what he has done? And what will happen to him later?

"Ring the Bells"

"Victory of Peresvet"

"THE BLESSING OF SERGIUS"
Venerable Sergius blesses Dimitri Ivanovich Donskoy for the Battle of Kulikovo. What a difficult subject for a painting after the canvases already painted before you! I really wanted to portray the essence. Just the gist and nothing more. It seemed to me that the monk simply gathered these stern, weather-beaten people going to death, and embraced them with his heart. And it was so warm and quiet, as if the victory had already been achieved and everyone had returned alive... As if he, Sergius, would not have to call out loud at the liturgy the names of the heroes at that moment leaving for Paradise from the blood-smoking field of Kulikov.
And Sergius quietly whispers to Dimitri, but not yet to Donskoy: “You will win!”

"Elder Ambrose"

In the painting “Brotherhood” there are Athonite monks standing on their prayer guard. I deliberately depicted two aspects of water here. One water - raging sea waves, like passions crashing against a rock - a monastic feat. Another water flows from a source, from under the cross. She is quiet, pure and blessed. She's like living water, resurrects souls. This picture is about the meaning of monastic service, which is like a fortress that keeps away the evil of passions. A fortress, behind whose walls, as in a blessed pool, the human soul blossoms.

"THE ROYAL DECREE. MALYUTA SKURATOV"

"Tsar's Silence"

Silent and praying Great Sovereign All Rus' Ivan Vasilyevich the Terrible. Grozny is for traitors to the holy monarchical idea that united the gigantic Kingdom accumulated in space. He is silent and, like a Christian, he does not defend himself, does not justify himself, but in the calm greatness of his duty fulfilled, with humility and strength, mentally sums up his life. Quiet, no fuss. In the depths of your spiritual cell.
Can we, each of us, remember and evaluate our path as our great Fathers, the Russian sovereigns, knew how to do, combining within ourselves all the hardship of royal service with monastic work.

"Photo for memory"

"ALEXANDROVSKY PALACE"

"Farewell to the convoy"

" Royal shoulder straps"

"The Unspeakable Light"

"Battle of the Neva"

"Field of Kulikovo. Standing on the bones"

"TIME OF TROUBLES"
I put the answer in the very title of the picture.
“There is cowardice, treason and deceit all around,” St. Nicholas II said about his time. We can say the same about our time and add much more to the words of the passion-bearing emperor. There is something to be despondent about.
It seems that the same thoughts visited the Russian people during the Polish invasion. Orphans cried, sin and its consequences - pestilence, famine and war - then bled the Motherland dry. But the Russian people found a way out - they turned to repentance. And like a child, the Lord pressed the Russian people to his chest. Forgave, consoled, put me back on stronger legs.
Remembering that Time of Troubles, let us turn to the present, but not in despondency, but in the active correction of each of our lives.

"Easter in Paris"

"Man's Fate"

"Alexander Nevskiy"

Pavel Ryzhenko

“Mentally addressing the reader, I immediately want to apologize to him for the need to tell about myself, since my biography is completely banal and there is nothing unusual in it. I was born in the not so distant 1970 in Kaluga. The years of my childhood... Many people call this time the “era stagnation." For me, the seventies were the joy of communicating with my loving parents, my grandmother, whom I consider almost a saint to this day, friends in the yard.... Then everything was different, and most importantly, the people were different. For some reason I remember the old people especially well (almost all of them fought or went through the war). These old people surrounded us in the yard, knocked on dominoes, looked affectionately at our games and almost never closed the doors of their modest homes in modern times. I remember once I went into the apartment of my friend, who was not at home. His mother, Isolda Irinarkhovna, and grandmother, not at all surprised by my appearance in the kitchen, immediately sat me down for dinner. I didn’t want to eat, but it was inconvenient to refuse. Slowly devouring the okroshka, I looked at the hanging above the table is a reproduction of a painting by Poussin, in which the ancient Romans were celebrating some event, and for some reason one of them threw himself on a sword... These memories are very important to me. More important than dry reports, like reports from the front - you were born, studied, served, entered, comprehended the secrets of creativity, became recognized, successful, and on and on. This for me is the Motherland, bright, quiet, full of love, which many have forgotten, but many have not.
After entering the Moscow Art School in 1981, I discovered a new world of smells. Now the honey-bitter world of watercolors has been mixed with the aroma of oil paints, which I still can’t get rid of, having absorbed it to the roots of my hair. The wonderful world of the Tretyakov Gallery, the dampness of the ancient streets of Zamoskvorechye, the brown sky over Moscow, when, leaning against the icy glass, I looked at the red flag over the building of the Supreme Council... All this was mixed up in the mind of the boy, and only at the age of 18, having entered the service in army and finding myself in a completely different world, I realized that my path was not a search for what I had not lost, but the path given to me, the path of a painter.
The nineties were the years of my studies at the Academy, these were the tossing, the search for faith, answers to questions, these were meetings with completely new people for me - priests. The first serious thoughts about the purpose of creativity arose precisely then, at the Academy of Painting, Sculpture and Architecture, in which I was lucky enough to be a part-time student. My classmates, like me, were imbued with communication with the great teacher, artist, warrior - Ilya Sergeevich Glazunov. I remember the delight that first gripped me in the halls of the Hermitage in front of the paintings of Rembrandt, Van Dyck, Vermeer... It seemed that all these great masters were present here, next to me. I felt the breath of living history, the greatness of powerful empires - Byzantium, Rome, the Russian Empire. I felt the coolness of the Sinai desert and the smell of gunpowder smoke over Borodino; the stern faces of Russian warriors, fearless and invincible, stood before me.
Every person, and especially Russians, is drawn in the depths and secrets of his heart towards the light - Christ. Faith in Christ came to me very late, but having believed, I wanted to run after him, hoping to someday get closer to this light. It’s difficult for me to write about this, there are no words to clearly express my thoughts, but I need to say about the people, gone and alive, who are the bearers of the faith and spirit of the Russian Empire. And say it on canvas, because this is my duty to the great truth of Rus'. The duty of a not completely broken resident of the metropolis, who, through the outlines of modern houses, through the smog of the Third Ring, sees how again and again these strict and loving faces of our ancestors, who shed their sweat and blood for Christ and for each of us, appear.
Approaching the turn of my life, the line that the great Pushkin could not cross, at which many stopped, I ask myself the question of questions: who did I serve? Exactly to whom, and not to what, and in general, what is art?
I hope that my paintings will awaken the genetic memory of my contemporaries, pride in their Fatherland, and perhaps help the viewer find the only right path for themselves. And then - I will be happy with my duty fulfilled."

Pavel Ryzhenko

Yesterday, a talented Russian painter and teacher died suddenly of a stroke. Pavel Viktorovich Ryzhenko. He was only 44 years old.

Pavel Ryzhenko is known as the author of monumental paintings and dioramas covering tragic themes medieval Russian history and Orthodoxy, the events of the First World War and the Great Patriotic Wars, abdication and death of the latter's family Russian Emperor Nicholas II. For my short life Pavel Ryzhenko managed to write a huge number of works, in which he showed himself both as a philosopher exploring the problems of a person’s moral choice in difficult life circumstances, and as a historian, and as a brave and independent artist.

Pavel Viktorovich Ryzhenko was born in 1970 in Kaluga. In 1982 he entered the Moscow Secondary Art School at the Surikov Institute, after which he served in the army for two years. In 1990 he entered the Russian Academy of Painting, Sculpture and Architecture, studied at the department of Ilya Sergeevich Glazunov. In 1996 he defended himself with his diploma film “Kalka”. For more than ten years he taught at the Glazunov Academy (first the department of architecture, then restoration, then composition), associate professor of painting. He worked at the “Studio of Military Artists named after M. B. Grekov”, the author of the large-scale diorama “Operation Bagration” in Minsk (who doesn’t know: this is an operation to liberate Belarus from the fascist invaders in 1944). Several years ago Pavel Ryzhenko wrote almost prophetically: “ Approaching the turn of my life, the line that the great Pushkin could not cross, at which many stopped, I ask myself the question of questions: who did I serve? Exactly to whom, and not to what, and in general, what is art? I hope that my paintings will awaken the genetic memory of my contemporaries, pride in their Fatherland, and perhaps help the viewer find the only right path for themselves. And then - I will be happy with my duty fulfilled».