How to learn to draw a person beautifully with a pencil: step-by-step instructions. How to draw a person with a pencil step by step in full growth

Instructions

Draw on a piece of paper vertical line, top point which coincides with the crown person, and the lower one - with feet. Divide this line into eight parts - each part is equal to the height of the head person.

The widest part of the figure is equal to two whole and one third of the width of the head. Using the created auxiliary marks as guide lines, begin the shape person, taking into account all the relationships of body parts.

The waist should always be slightly wider than the head, and the elbows should be in line with the navel. Place the lower edge of the knees at a distance of one quarter of the figure from the point of the feet, and draw the shoulders at a distance of one sixth from the point of the top of the head.

Place your belly button below waist level on your figure and place your elbows just above your belly button. All these moments make female figure distinguishable from . Try the woman's figure from different angles - front, back and side. This will allow you to get the most adequate idea of ​​proportions and their combinations.

Sources:

  • Human head proportions

Drawing a female body requires special attention and proportions. It is not enough to draw beautifully, it is important to do it correctly. However, no matter how difficult this process may seem, it is quite possible to learn, just follow the instructions and gain some experience.

You will need

  • Pencil, paper, model

Instructions

With the body, maintain proportionality. As a result, its shape should resemble hourglass. Give your shoulders and hips a rounded look and your waist an elegant edge. Make all lines smooth and natural. Perform the convex bend of the body up to the breast line and the concave bend in the area diagonally. When drawing the hips, make them inner part flatter than the outer part.

Display shoulders with a smooth slope. Make the lines of the arms soft and prominent, trying to accurately depict the structure of the muscles. Change the thickness of your hand along its entire length. Narrow it down and then expand it again.

Upper part Draw the legs as thick and rounded, narrowing closer to the knee. Make the muscles on the shins and calves protruding.

note

Avoid flatness of the image, its averageness. Pay special attention to the structural appearance of the elbows and knees.

Helpful advice

To simplify the process of drawing arms and legs, first make a skeletal diagram of them from ovals, and then outline its outline, detailing all the bends and dimples. To create a diagram, use ovals rather than cylinders. This will help convey it more clearly and correctly real form thighs, shins, forearms. Convey muscle relief using light and shade.

Sources:

  • Artist recommendations in 2019

To draw the feminine believably body, you need to maintain proportions and be very careful. After all, you need to draw not just beautifully, but also correctly. And yet, no matter how difficult this process may seem, learning to draw the feminine body quite possible. The main thing is to follow the instructions and practice a little beforehand.

You will need

  • - a simple pencil;
  • - a sheet of A4 paper;
  • - eraser.

Instructions

When depicting the body, try to maintain proportionality. Schematically, it should resemble an hourglass in its shape. Give roundness to the shoulders and hips, and elegant sophistication to the waist. Try to make all lines smooth, soft and natural. Perform the concave bend of the body in the abdominal area and the convex bend to the chest line diagonally. When depicting the hips, make their inner part flatter than the outer part.

The shoulders should be displayed with a smooth slope, and the lines of the arms should be soft and prominent. Try to depict the muscle structure as accurately as possible, but just don’t overdo it. Still draw it body, but not . Vary the thickness of each arm throughout. Slightly narrow it towards the elbow, then widen it again and narrow it again towards the hand.

note

Avoid averageness and flatness of the image; on the contrary, try to make it three-dimensional, three-dimensional. Pay attention Special attention structural mapping of the knees and elbows.

Helpful advice

To simplify the process of depicting limbs, first draw them schematically, from ovals, then outline the contours, detail all the bends and muscles, and after that remove unnecessary lines using an eraser. And the relief of the muscles can be highlighted using chiaroscuro and shading.

A person is one of the most interesting objects to draw, so a novice artist definitely needs to learn how to depict him. You should start by studying standard proportions. Using this knowledge, you will be able to believably portray any person, regardless of the characteristics of his figure and face.

Instructions

Explore theoretical basis question. There are standard proportions human body, which vary depending on the specific figure person. To construct a standard human body, draw a vertical axis. Divide it into 8 equal segments. On the first segment from above, draw the head, outline it as an oval, and then expand the upper half of the skull.

Measure 4 more segments down - the groin area is located at this level person. If you go a third of the way up, you will find the fingertip level. Consider the fact that even in a relaxed state, the human hand is slightly bent.

From the bottom point of the vertical axis, rise two segments and mark the location of the knees. By determining the proportional relationship of all parts of the body, you can more clearly work out their shape.

To learn to draw figure in different poses, try modifying the sketch consisting of only lines. Bend and straighten body parts while maintaining their original size.

When drawing bent parts of the body, you need to take into account the peculiarities of the work of various muscles. A minimal knowledge of anatomy will be useful to you if you want to draw people perfectly correctly.

After the outlines of the figure are constructed, you will need to give the object volume. To do this, it is worth taking into account the peculiarities of light distribution on surfaces of different shapes and textures. It is also necessary to study the characteristics of the material you are working with. For example, to achieve natural skin tones in a drawing, watercolors, pastels, and oils must be mixed and applied differently.

The perception of the drawing will be influenced not only by how the body is drawn, but also by the image of the clothing. Carefully design all draperies, taking into account the shape of the body under the fabric and the softness or hardness of the fabric itself - then the image will be realistic.

IN colloquial speech Shoulder usually means the distance from the neck to the shoulder joint. However, the more precise meaning of the term refers to the section of the arm from this joint to the elbow. It is surrounded by a lot of muscles. If you want to learn how to draw a person realistically, study and sketch this part of the body.

You will need

  • - paper;
  • - pencil;
  • - eraser;
  • - watercolor;
  • - palette;
  • - brushes.

Instructions

Draw the axes on which the drawing will be built. Using segments you can roughly depict the bones of the hand, around which you need to draw a shape. Using sighting, measure the proportional relationship of all parts of the arm and torso, record the results in the drawing.

Approximate outlines outline the outline of the left hand. The thickness of the arm at the base of the shoulder is half the length of the humerus. Towards the elbow, the arm gradually narrows.

Divide the length of your arm to the elbow in half. The upper half is occupied by the deltoid muscle. It is clearly visible in the photograph. Draw its shape, reminiscent of a triangle. Make the upper part of the muscle more convex - it should protrude beyond the shoulder joint and, as it were, cover it.

Step back from the top of the triangle by about a quarter of its length. The biceps brachii muscle overlaps here. Since it is not tense, the hand in this place has a smooth, rounded shape. The muscle on the underside of the arm looks the same. Draw it a little more convex at the base.

To convey the volume of an object, shade it or fill it with paint. Softer contours and smooth transitions The colors will work if you choose watercolor or acrylic. Mix shades of sepia, red, yellow, brick in the palette in such proportions to create the skin color. Make a few servings mixed colors different saturation. Paint the lightest areas first - near the elbow and along the left side of the deltoid muscle.

This method is just a tool to help you draw the human figure. This method does not claim to be the best and fastest. The purpose of this drawing method is to determine the shape of a person in three-dimensional space.
Classic animation (and Disney in particular) uses a similar way of developing characters.
Using this method will help you get your ideas down on paper.

Pose
Basic anatomy

Stick figures...

Wait, don't go! Drawing stick figures can be simple... but when... last time, You drew them well...
Do not underestimate the capabilities of such figures and the possibility of using them on initial stage.
First of all, they represent very important element any object you draw: size proportions. Everyone knows that dimensions determine almost everything in a drawing. Too short a leg or too big a nose can ruin the impression of any, even the best drawing.
Let's look at the stick figures. They have differences in details, but the essence is the same. We'll look at the details later. First, let's look at the proportions of the standing figure.

Stick figure 1. This is the main figure. You see the head, torso, arms and legs. You can't do much with it other than practice with the proportions of the figure's parts.

Stick figure 2.
You can experiment with this little man, determining the proportions of the arms and legs.


Stick figure 3. Added shoulder and pelvis width. Next we will see the need for these components of the figure.


Exercise.
Try to draw such figures and determine their proportions. This is the fastest and easy way practice determining proportions.
Using stick figures is also very quick way determine how big you can draw people on paper. You don't have to worry about not fitting into the frame of the sheet, since you can clearly see where your legs or arms, etc. end.

Language of the body
Stick figures again.

Now that you know how important it is to determine proportions, we move on to creating poses using the same figures. It’s easier to say: decide what your hero does?
When playing with people, you can experiment with poses before you start drawing the desired pose for the drawing. Yes..., an unassuming little man will help you plan your masterpiece.

People in motion.
Here are some examples of using stick figures to define poses.

Spear throw.

I think this one is dancing...

This one is running...
You see some shift in the position of the pelvis and shoulders because we are looking at it from the outside.

Gladiator
Again some reduction in size (hand with sword). Note the rotation of the body: a very natural position, especially when turning in an effort to see something.

Sadness or searching for contact lenses...

Slacker
Another example of torso curvature. Shoulders and hips are directed at an angle.

At the same time an impossible or extremely uncomfortable position.
Anyway, it looks stupid

Balance When you determine a pose, you should pay attention to the center of gravity. It is located in the lower abdomen of a person, slightly above the perineum. The weight of your legs makes up almost half of your total weight.
The position of the center of gravity in relation to the “rest points” of the body indicates the balance of the body. The following examples demonstrate this.

Red circle - center of gravity
Red arrow – direction of gravity
Green arrow - rest points

Standard gait
As you can see, the center of gravity lies between two rest points. This is a balanced pose.


A fall
Here the center of gravity is close to the rest points. This is an imbalance that causes the body to move sideways to the left.


Balancing
This is possible because the body is positioned quite symmetrically.


Compare with the following...
Here the body leans to the right, causing imbalance. You will notice that the center of gravity moves slightly to the right.


Run, figure run!
When running, the center of gravity is in front of the resting point. As you can see this is an unbalanced pose, ending with a falling movement of the figure. She won't fall, of course, because she runs and puts one foot in front of the other, preventing the figure from hitting the ground.


Incline
The figure is at rest because the center of gravity is between two points of rest: one leg and a shoulder. The second leg is crossed with the first and does not affect stability.


Of course, you don't have to make the pose balanced. An unbalanced pose conveys dynamics, action and movement, while a balanced pose conveys a calm pattern.
All of the above are just aspects of what you should take into account when thinking through a pose. This will give your drawing a very natural look.

Movement and action
The body is a flexible and mobile system, influenced by the center of gravity. It has no natural solid position.

The first picture shows a little man walking. Notice how the pelvic joints move due to gravity. Shoulder movement usually occurs in reverse side from the movement of the pelvic joints.

The second image shows a person lying down (side view), leaning on one arm. This forces the rest of the body to hang on the free shoulder. Also, since the spine has some flexibility, it may be slightly bent.


Construction
To draw the human body, you should at least know how it is composed.

At the base of the body, of course, lies the skeleton. We've already seen some of this in the stick figure system. Now we will look at the details. The human body consists of the following parts:

head (black)
ribs (blue)
spine (blue)
basin (blue)
connections (red)
hands (green)
palms (green)
legs (green)
]feet (green)

Front view


Side view

Pay attention to the spine (arms are not included as the focus is on the spine).


We can use the simplified skeleton shape when we want to draw a human figure:


Now you have a better idea of ​​your figure.

Body building

Armed with knowledge of the skeletal structure, we can now continue to work on the attachment of “external material”: muscle or fat. To represent these parts we will use ellipses, cylinders and other shapes.
You choose the shape that is most similar to the part you want to draw.

Can't we now continue to draw the real body? Of course we can. But, still, it is better to use stick figures so that at the initial stage you do not get distracted by extraneous details, and focus on the correct proportions, balance and pose.

Three-dimensional representation of body parts.
Red lines are connection lines.


Who doesn't remember famous work Leonardo da Vinci, where artistic diagram clearly illustrates the proportionality of the human body. Harmoniously designed, it looks incredibly beautiful. But we ourselves need to figure out how to draw a person. It is worth learning to convey this harmony of proportions of the human body. How? Now I will try to show what discoveries I have made for myself in drawing the human figure.

I'm in help will come a kind of guide on how to draw the human body, a set for creativity from the items necessary for every artist, both a professional and a beginner, for example, a preschooler: paper, pencils, a ruler and an eraser. My son, who is 7 years old, will also come to my rescue.. My baby and I decided that our model of a person was a man in jeans and a T-shirt. We found his photograph on one of the websites.

But I would like to point out right away that this step-by-step instruction suggests that those who follow these drawing lessons will be able to easily repeat any step. And it won’t be difficult even for a child to do this..

We distribute the entire execution of a person’s drawing into several stages:

  • Support work;
  • Picture detail;
  • We “revive” the drawing of a human figure.
This way we can draw a person step by step with a pencil. Go!

Support work

First of all, we make a schematic sketch, taking into account the proportions of the person.

How to draw sketches of people correctly? To do this you need to start small. We make an image of an oval. This will be the head. We measure its size. I got it to be 2 cm long. The proportions of a person are such that you need to measure only 7 of these lengths to depict a person of average height.


Here's a sketch of the silhouette. It’s difficult to see a picture of a person in this. But this is how we will understand how to draw a person in full height.


Now we are waiting for exclusively step-by-step work.

Neck.

A person's neck can be different. But I went by the average. The neck is usually no wider than the head, and at the same time not too thin, about half the width of the head.

Do not forget that this is a pencil drawing for beginners and there may be some inaccuracies in it. With practice you can achieve good luck and even understand how to teach a child to draw a person, no matter how old he is.

Shoulders.

To draw the shoulder line, it is important to take into account the fact that on average a man has them the same length as his head. And one moment. Draw the shoulders with a slight downward slope (see picture above).

Waist.

How to draw a human figure? The next point is how to “find” and draw our person’s waist. Marking will help with this. If my head is 2 cm, then I will define my waist below the fifth cm, approximately 5.2-5.3. I put a point and move from there horizontal line, which will be greater than the width of the head, but less than the span of the shoulders. I connect this line with the shoulder line.

Torso.

The fourth mark (from top to bottom) will be the point of the lower torso. It is usually wider than the waist, but should not be wider than the shoulders. Draw a horizontal line. We connect its edges with the waist.

Legs.

The drawing of a person should be complemented by the “making” of the legs. How easy is it to do this? Let's divide this stage into several steps:

Hands.

We are approaching the final stage and complementing the drawing of a person with another important detail - the hands. And again we divide this step of drawing a person with a pencil step by step:
In general, we figured out how to draw a figure. But that is not all. Now the model needs some details to be worked out.

Picture detail

Our pencil-drawn person needs a face to “appear.” And that’s why we depict each element in the picture. And these are ears, hairstyle, eyes, nose and eyebrows.


We were able to draw a human figure. But this was just a diagram. Now we work on each detail of his clothing separately. We make folds on the clothes, and even mark some noticeable seams.


We erase everything auxiliary lines. And now we see that this is more reminiscent of a human appearance than the picture of a robot “on hinges” was until now.

Let's bring our model to life

We figured out how to draw the body. And now we will dress this body. In the photo that we chose as a model, there is a man in jeans and a T-shirt. We show all this in our image.


Don’t forget about the chiaroscuro effect, as this makes the work more voluminous.


If until now it was difficult to explain some points to children, then even a child who is one or two years old can cope with the coloring stage.


The child and I tried our best and we ended up with a pretty handsome man. Perhaps in the future we will be able to learn to portray a girl and a child. The main thing is the beginning. Good luck in your future practice!

See below for a few more options.

Drawing a person can be the most vivid and profound experience in an artist's life. Today we have prepared for you advice from a famous Italian artist Giovanni Civardi from Drawing the Human Figure. Let this knowledge become a source of inspiration and creative stimulation, helping to convey moods and memories in the form of a drawing.

You can draw a human figure and a portrait using any materials - from pencils to watercolors. The pencil is the most common tool due to its low cost and versatility. Charcoal is great for making quick drawings with strong tonal contrast and is less suitable for detailing small parts̆. Thick and smooth paper is recommended for ink. good quality. Mixed media is a simultaneous combination different materials in one picture.

Experiment in your search own techniques, which will allow you to achieve the greatest expressiveness, and try to take advantage of random effects.

Basics of plastic anatomy

Artists study anatomy with the goal of meaningfully depicting the human figure. To reproduce it reliably, you need to not only see, but also understand what you are drawing.

Thanks to knowledge of anatomy, the image becomes more convincing and alive than nature itself.

In general, the shape of the body is determined by the skeleton as the main supporting structure, the muscles that cover it, and the upper layer consisting of fat. It is useful to learn and remember the relative sizes of the articulating bones and their proportions relative to each other and the entire skeleton, because without this information it is impossible to “translate” a figure onto paper and acquire the skill of logically and consistently depicting it.

Below are the main bones of the skull and neck along with skin, cartilage, fat, muscle, hair and more in layers.

Skeleton male torso, enclosed within the contours of the body, in the frontal, lateral and dorsal planes. These drawings will help expand your understanding of body shape.

Upper and lower limbs in different planes. As in the previous figure, the skeletal structure is shown within the outlines of the body.

It is important for the artist to consider three main aspects of muscle: its appearance (shape, size, volume), location (where it is located relative to the skeletal structure and neighboring muscles, how deep or superficial) and its mechanism (function, direction of muscle pull, corresponding changes in shape and etc.).

Proportions

To make the drawing believable, it is necessary to take into account the proportions of the body and head. The height of the head from forehead to chin is often taken as a unit of measurement to determine body proportions. The height of a standard figure is approximately 7.5-8 heads. Remember a few more proportional relationships: the head fits three times into the total height of the body and neck, the length of the upper limbs is also equal to three heads, and the lower ones - three and a half.

Despite the differences between individuals, they can be divided into three main groups of types with similar characteristics within each - ectomorphs, mesomorphs and endomorphs.

Hands and feet

It is easy to understand why the hands and feet, with their structure and the variety of possible gestures, are considered the most difficult parts of the body to convincingly reproduce, both in drawing and in painting and sculpture.

Drawing your hands and feet is the best way to study them in as much detail as possible. You will be able to make sure that the resulting studies are quite decent, comparable to facial drawings, and maybe even more expressive.

First, a quick (but diligent) sketch is made in the desired angle and pose, then, using its “geometrization,” the necessary anatomical information and volume are conveyed, after which details and individual outlines are clarified.

Just as for the head and body, knowledge about the structure of the bones of the feet and hands will be useful.

Draw your own hands and feet in different positions. You can use a mirror. Take it various items in your hands and convey the dynamics and mood of the gesture in the drawing.

Head, face, portrait

The main interest for the artist has always been the face and figure. A portrait is not simply a reproduction of physical features for the purpose of recognizing a particular character. This is a story through facial expressions about his personality, thoughts and emotions.

We described in detail how to draw a head and facial features in the article.

Sketches of a man in a sketchbook

A sketch is a quick, spontaneous drawing from life, completed in a short time with a few informative lines. Drawing people in natural settings, who are not posing deliberately and probably have no idea that they are being looked at and depicted, will seem difficult at first. But there is no real reason to be afraid or lost - it is unlikely that anyone will pay attention to what you are doing.

Ability to portray strangers̆ in any position and under any circumstances is important for the development of technical skills and value judgment. And, of course, regular sketching practice will sharpen the gift of observation and interpretation, teach you to look deeper and make quick, confident, understandable and accurate decisions.

Some quick tips on how to sketch from life:

  • Make it a habit to always carry a pencil and a small sketchbook - one that can easily fit into your bag or pocket - with you in case something catches your attention or seems interesting.
  • It is worth striving to increase observation and the ability to isolate the main thing and at the same time coordinate visual perception, value judgment and hand movements during drawing.
  • Don’t try to reflect on paper everything you see in real life. Given the limited amount of time and the risk of the model changing her pose at any second, focus on what matters most.
  • To learn to use your memory to reproduce the sequence of basic phases of movement, you will need maximum concentration in observing people.

If you're still nervous about the idea of ​​drawing people from life (keep in mind that if someone notices what you're doing, some might be flattered and others might walk away in displeasure), drawing statues can help you mentally prepare for it and gain some confidence. and sculptures in museums or monuments in public places.

Find out if you can do sketches in the museum, and if so, feel free to go there and sketch the sculptures from different angles.


This is how drawing is taught in Paris - in the courtyard of the Louvre with sculptures.

Drawing stages

If you're drawing a full figure (clothed or naked), you can first draw a few quick, light lines to outline the space it will occupy on the piece of paper (maximum height, maximum width, etc.). Then outline the main body parts (head, torso and limbs) taking into account relative proportions.

Finish the drawing with significant outlines, shadows and details that cannot be omitted. Erase the construction lines if necessary.

In the book “Drawing the Human Figure,” each section is analyzed in as much detail as possible; there are detailed images of the human skeleton in different planes. It is described in detail how to draw the figure of a man, woman, child, elderly person, how to depict nudes and a person in clothes.

Head:

We draw a figure that resembles an egg turned upside down. This figure is called OVOID.
Divide it vertically and horizontally exactly in half with thin lines.

Vertical
line is the axis of symmetry (it is needed so that the right and left parts
turned out to be equal in size and the image elements were not on
at different levels).
Horizontal - the line where the eyes are located. We divide it into five equal parts.

The second and fourth parts contain the eyes. The distance between the eyes is also equal to one eye.

The figure below shows how to draw an eye (the iris and pupil will be
not completely visible - partially covers them upper eyelid), but we're not in a hurry
to do this, first let's finish our sketch.

Divide the part from the eye line to the chin into two - this is the line on which the nose will be located.
We divide the part from the eye line to the crown into three equal parts. The top mark is the line where the hair grows)

We also divide the part from the nose to the chin into three parts. The top mark is the lip line.
The distance from the upper eyelid to the tip of the nose is equal to the distance from the upper edge of the ear to the lower.

Now we make our standard preparation cry in three streams.
Lines,
drawn from the outer edges of the eyes will indicate to us the place where to draw the neck.
The lines from the inner edges of the eyes are the width of the nose. Lines drawn in an arc from
the center of the pupils is the width of the mouth.

When you color the image, notice that the convex parts of it
parts (forehead, cheeks, nose and chin) will be lighter, and the eye sockets, cheekbones,
the contour of the face and the area under the lower lip are darker.

The shape of the face, eyes, eyebrows, lips, nose, ears and
etc. Every person is different. Therefore, when drawing someone's portrait, try
see these features and apply them to a standard workpiece.

Another example of how everyone's facial features are different.

Well, here we see how to draw a face in profile and half a turn - the so-called “three quarters”
At
When drawing a face in half a turn, you need to take into account the rules
perspective - the far eye and the far side of the lip will appear smaller.

Let's go to the image human figures.
In order to depict the body as correctly as possible, you need, as when drawing portraits, to know a few secrets:

The unit of measurement for the human body is “head length”.
- The average height of a person is 7.5 times the length of his head.
- Men, naturally, are usually a little taller than women.
-
We, of course, begin to draw the body from the very head that we will be
measure everything. Did you draw it? Now we put its length down another seven times.
This will be the growth of the person depicted.
- The width of the shoulders is equal to two head lengths for men and one and a half lengths for women.
- At the place where the third head ends :), there will be a navel and the arm will bend at the elbow.
- The fourth is the place where the legs grow.
- Fifth - mid-thigh. This is where the arm length ends.
- Sixth - bottom of the knee.
-
You may not believe me, but the length of the arms is equal to the length of the legs, the length of the arm is from the shoulder
to the elbow will be slightly less than the length from the elbow to the fingertips.
- The length of the hand is equal to the height of the face (note, not the head - the distance from the chin to the top of the forehead), the length of the foot is equal to the length of the head.

Knowing all this, you can quite plausibly depict the human figure.

Taken in group dedicated to graffiti in contact with.


Lip shapes


nose shape




Eye shapes

Women's brochure shapes

(c) Book "How to Draw the Head and Human Figure" by Jack Hamm


The proportions of a child's figure differ from
adult proportions. The fewer times the length of the head interferes with growth
child, the younger he is.

IN children's portrait everything is a little different.
The child's face is more rounded, the forehead is larger. If we draw a horizontal
line through the middle baby face, then it won't be an eye line like
was in the portrait of an adult.

To learn how to draw a person not only
standing like a pillar, we will temporarily simplify our image. Let's leave
just the head, chest, spine, pelvis and we’ll screw it all together
arms and legs. The main thing is to maintain all proportions.

Having such a simplified version of the human figure, we can easily give him any pose.

When we have decided on the pose, we can
add meat to our simplified skeleton. Do not forget that the body, it is not
angular and does not consist of rectangles - we try to draw smooth ones
lines. The body gradually tapers at the waist, as well as at the knees and elbows.

To make the image more alive, character and expression must be given not only to the face, but also to the pose.

Hands:

Fingers with joints as smooth as a board in the entire skeleton are the most wide parts bones.

(c) book "Anatomy for Artists: It's Simple" Christopher Hart