Who is an architect in the matrix? The Matrix: Neo's New Meeting with the Architect

Many film critics note that after the conceptual “Matrix Number One,” its sequels smacked too much of the desire to make as much money as possible more money on the success of the previous film in order to be considered worthy of the predecessor film. Perhaps things could look completely different...

Many believe that the (then) Wachowski brothers, in fact, created one and only film, on the glory of which they built their entire subsequent career. The first “Matrix” is brilliant. The second and third parts of the trilogy went far towards pure commerce, and this slightly spoiled the aftertaste, but what original painting turned out to be above all and any praise - that's for sure.

Unfortunately, having filled the sequels with stunning special effects, filling them to capacity with characters and minor events, the authors of “The Matrix” lost the scorching simplicity of the original, which the peculiar happy ending with the sunrise only contributed to.
But what would you say if you found out what the Wachowskis' original idea was? If it had been properly embodied on the screen, the effect of “The Matrix” would have been tripled, because the film would have surpassed even “Fight Club” in terms of the cruelty of the final turn of events!

The script for The Matrix was created by the Wachowskis over more than five years. Years of continuous work have generated a whole illusory world, densely penetrated by several storylines, from time to time intricately intertwined with each other. Adapting their colossal work for film adaptation, the Wachowskis changed so much that, by their own admission, the embodiment of their plans turned out to be only a “fantasy based on” the story that was invented at the very beginning. Although, of course, the basic idea has always remained the same.

The most interesting thing is this: at a certain stage, an extremely entertaining component was ultimately removed from the script - the harsh final twist. The fact is that from the very beginning, the Wachowskis conceived their trilogy as a film with perhaps the saddest and most hopeless ending imaginable. Judging by the extensive portion of the script, which was rejected in its entirety at the stage of coordinating the production of the film with producer Joel Silver, we were deprived of an extremely stunning finale, which would certainly have looked better than that“happy ending”, which eventually made it to the screens.

First of all, it is worth mentioning that script sketches and different variants of the same film, having been rejected, were not further developed, so much remained not integrated into a coherent system. Thus, in the “sad” version of the trilogy, the events of the second and third parts are quite severely curtailed. At the same time, in the third, final part, the unfolding of such a severe intrigue begins that it practically turns on its head all the events that occurred earlier in the plot. Likewise, the ending of Shyamalan's The Sixth Sense completely shakes up all the events of the film from its very beginning. Only in “The Matrix” the viewer had to look at almost the entire trilogy with new eyes. And it’s a shame that Joel Silver insisted on the implemented version - this one is clearly better.

So, original script stories:

Six months have passed since the end of the events of the first film. Neo, being in real world, discovers an incredible ability to influence his surroundings: first, he lifts into the air and bends a spoon lying on the table, then determines the position of the Hunter machines outside of Zion, then, in a battle with the Octopuses, destroys one of them with the power of thought in front of the shocked ship crew.

Neo and everyone around him can't find an explanation this phenomenon. Neo is sure that there is a good reason for this, and that his gift is somehow connected with the war against machines, and can have a decisive impact on the fate of people (it is interesting to note that in filmed this ability also exists, but it is not explained at all, and they do not even particularly focus on it - maybe that’s all there is to it. Although, based on common sense, Neo’s ability to perform miracles in the real world makes absolutely no sense in light of the entire concept of “The Matrix”, and just looks strange) .

So Neo goes to Pythia to get an answer to his question and find out what to do next. Pythia tells Neo that she doesn't know why he has superpowers in the real world, and how they relate to Neo's Purpose. She says that the secret of our hero's Destination can only be revealed by the Architect - the supreme program that created the Matrix. Neo is looking for a way to meet the Architect, going through incredible difficulties (this involves the already familiar Master of Keys being captured by the Merovingian, a chase on the highway, etc.) .

And so Neo meets the Architect. He reveals to him that the human city of Zeon has been destroyed five times already, and that the unique Neo was deliberately created by machines in order to personify hope for liberation for people, and thus maintain calm in the Matrix and serve its stability. But when Neo asks the Architect what role his superpowers manifesting in the real world play in all this, the Architect says that the answer to this question can never be given, for it will lead to knowledge that will destroy everything Neo's friends fought for and himself.

After talking with Architect Neo understands that some secret is hidden here, the solution to which could bring the long-awaited end to the war between people and machines. His abilities are becoming stronger. (The script contains several scenes of Neo's impressive fights with machines in the real world, in which he has developed into the ultimate superman, and can do almost the same things as in the Matrix: fly, stop bullets, etc.)

In Zion, it becomes known that cars have begun moving towards the city of people with the goal of killing all those who have left the Matrix, and the entire population of the city sees hope for salvation in Neo alone, who does truly grandiose things - in particular, he gains the ability to arrange powerful explosions there where he wants.

Meanwhile, Agent Smith, who has escaped the control of the main computer, has become free and has acquired the ability to endlessly copy himself, and begins to threaten the Matrix itself. Having inhabited Bane, Smith also penetrates the real world.

Neo seeks a new meeting with the Architect to offer him a deal: he destroys Agent Smith by destroying his code, and the Architect reveals to Neo the secret of his superpowers in the real world and stops the movement of cars to Zeon. But the room in the skyscraper where Neo met with the Architect is empty: the creator of the Matrix has changed his address, and now no one knows how to find him. Towards the middle of the film, a total collapse occurs: there are more Smith agents in the Matrix than people, and the process of their self-copying grows like an avalanche; in the real world, machines penetrate Zion, and in a colossal battle destroy everyone except a handful of survivors, led by Neo, who , despite his superpowers, cannot stop thousands of cars rushing into the city.

Morpheus and Trinity die next to Neo, heroically defending Zeon. Neo, in terrible despair, increases his strength to absolutely incredible proportions, breaks through to the only surviving ship (Morpheus' Nebuchadnezzar), and leaves Zion, climbing to the surface. He heads to the main computer to destroy it, avenging the deaths of the inhabitants of Zeon, and especially the deaths of Morpheus and Trinity.

Bane-Smith is hiding aboard the Nebuchadnezzar, trying to stop Neo from destroying the Matrix, as he realizes that doing so will kill himself. In an epic fight with Neo, Bane also displays superpowers, burning out Neo's eyes, but ultimately dies. What follows is an absolutely stunning scene in which Neo, blinded but still seeing everything, breaks through a myriad of enemies to the Center and causes a grand explosion there. He literally incinerates not only the Central Computer, but also himself. Millions of capsules with people are switched off, the glow in them disappears, the cars freeze forever and the viewer sees a dead, deserted planet.

Bright light. Neo, completely intact, without wounds and with his eyes intact, comes to his senses sitting in the red chair of Morpheus from the first part of The Matrix in a completely white space. He sees the Architect in front of him. The Architect tells Neo that he is shocked at what a person can do in the name of love. He says that he did not take into account the power that is infused into a person when he is ready to sacrifice his life for the sake of other people. He says that machines are not capable of this, and therefore they can lose, even if it seems unthinkable. He says that Neo is the only one of all the Chosen Ones who "was able to come this far."

Neo asks where he is. In the Matrix, the Architect answers. The perfection of the Matrix lies, among other things, in the fact that it does not allow unforeseen events to cause it the slightest damage. The Architect tells Neo that they are now at the "zero point" after the reboot of the Matrix, at the very beginning of its Seventh Version.

Neo doesn't understand anything. He says that he has just destroyed the Central Computer, that the Matrix is no more, along with all of humanity. The architect laughs and tells Neo something that shocks to the core not only him, but the entire audience.

Zion is part of the Matrix. In order to create for people the appearance of freedom, in order to give them Choice, without which a person cannot exist, the Architect came up with a reality within a reality. And Zeon, and the whole war with the machines, and Agent Smith, and in general everything that happened from the very beginning of the trilogy, was planned in advance and is nothing more than a dream. The war was only a diversionary maneuver, but in fact, everyone who died in Zion, fought with the machines, and fought inside the Matrix, continues to lie in their capsules in pink syrup, they are alive and are waiting for a new reboot of the system so that they can start “living” in it again ", "fight" and "free yourself". And in this harmonious system, Neo - after his “rebirth” - will be assigned the same role as in all previous versions of the Matrix: to inspire people to fight, which does not exist.

No human has ever left the Matrix since its creation. No man has ever died except according to the plan of the machines. All people are slaves and that will never change.

The camera shows the film's characters lying in their capsules in different corners“nurseries”: here is Morpheus, here is Trinity, here is Captain Mifune, who died the death of the brave in Zeon, and many, many others. They are all hairless, dystrophic and entangled in hoses. Neo is shown last, looking exactly the same as he did in the first film when he was "liberated" by Morpheus. Neo's face is serene.

This is how your superpower is explained in “reality,” says the Architect. This also explains the existence of Zeon, which people “could never build the way you saw it” due to lack of resources. And would we really, laughs the Architect, allow people freed from the Matrix to hide in Zeon if we always had the opportunity to either kill them or connect them to the Matrix again? And would we really have to wait decades to destroy Zeon even if it existed? Still, you underestimate us, Mr. Anderson, says the Architect.

Neo, looking straight ahead with a dead face, tries to comprehend what has happened, and casts his last glance at the Architect, who says goodbye to him: “In the Seventh Version of the Matrix, Love will rule the world.”

The alarm sounds. Neo wakes up and turns it off. Last shot of the film: Neo in business suit leaves the house and quickly heads to work, disappearing into the crowd. The end credits begin to heavy music.

But the producers insisted on a happy ending, albeit not a particularly joyful one, and their condition was the mandatory inclusion in the picture of the epic confrontation between Neo and his antipode Smith as a kind of biblical analogue of the battle of Good and Evil. In the end it's quite sophisticated philosophical parable The first part unfortunately degenerated into a set of virtuoso special effects without particularly deep thought.

This will never be taken down. One can only imagine how it could have been. And it could be very, very cool.

Now I finally found the answers to those stupid plot holes that plagued me in this trilogy. This... This is simply brilliant! If the film had been brought to the screen as originally intended, the effect of watching “The Matrix” would have been 10 times stronger. And in terms of the cruelty of the final turn of events, this film would have surpassed even the magnificent “Fight Club”!
The script for The Matrix was created by the Wachowski brothers over the course of five years. It gave birth to an entire illusory world, densely permeated with several storylines, which from time to time intricately intertwined with each other. Adapting their colossal work for film adaptation, and yielding to the demands of producer Joel Silver, the Wachowskis changed so much that, by their own admission, the embodiment of their plans turned out to be only a “fantasy based on” the story that was invented at the very beginning.

So, the original script for The Matrix.

First of all, it is worth mentioning that the script sketches and different versions of the same film, being rejected, were not further developed, so much remained not linked into a coherent system. Thus, in the “sad” version of the trilogy, the events of the second and third parts are quite severely curtailed. At the same time, in the third, final part, the unfolding of such a severe intrigue begins that it practically turns on its head all the events that occurred earlier in the plot. Likewise, the ending of Shyamalan's The Sixth Sense completely shakes up all the events of the film from its very beginning. Only in “The Matrix” the viewer had to look at almost the entire trilogy with new eyes. And it’s a shame that Joel Silver insisted on the implemented version

Six months have passed since the end of the events of the first film. Neo, being in the real world, discovers an incredible ability to influence his surroundings: first, he lifts into the air and bends a spoon lying on the table, then determines the position of the hunting machines outside of Zion, then, in a battle with Octopuses, destroys one of them with the power of thought in front of the ship's shocked crew.

Neo and everyone around him cannot find an explanation for this phenomenon. Neo is sure that there is a good reason for this, and that his gift is somehow connected with the war against machines, and is capable of having a decisive impact on the fate of people (in the filmed film this ability is also there, but it is not explained at all, and it is not even shown on it). especially draw attention - maybe that’s all. Although, on common sense, Neo’s ability to perform miracles in the real world makes absolutely no sense in the light of the entire concept of “The Matrix”, and just looks strange).

So Neo goes to Pythia to get an answer to his question and find out what to do next. Pythia tells Neo that she doesn't know why he has superpowers in the real world, and how they relate to Neo's Purpose. She says that the secret of our hero’s Destination can only be revealed by the Architect - the supreme program that created the Matrix. Neo is looking for a way to meet the Architect, going through incredible difficulties (this involves the already familiar Master of Keys being captured by the Merovingian, a chase on the highway, etc.).

After a conversation with the Architect, Neo realizes that there is some secret hidden here, the solution of which could bring the long-awaited end to the war between people and machines. His abilities are becoming stronger. (The script contains several scenes of Neo's impressive fights with machines in the real world, in which he has evolved into Superman, and can do almost everything he could in The Matrix: fly, stop bullets, etc.).

Towards the middle of the film, a total collapse occurs: there are more Smith agents in the Matrix than people and the process of their self-copying grows like an avalanche; in the real world, machines penetrate Zion, and in a colossal battle they destroy all people, except for a handful of survivors led by Neo, who , despite his superpowers, cannot stop thousands of cars rushing into the city.

Bane-Smith is hiding aboard the Nebuchadnezzar, trying to stop Neo from destroying the Matrix, as he realizes that doing so will kill himself. In an epic fight with Neo, Bane also displays superpowers, burning out Neo's eyes, but ultimately dies. What follows is a scene in which Neo, blinded but still seeing everything, breaks through billions of enemies to the Center and causes a grand explosion there. He literally incinerates not only the Central Computer, but also himself. Millions of capsules with people turn off, the glow in them disappears, the cars freeze forever and the viewer sees a dead, deserted planet.

Bright light. Neo, completely intact, without wounds and with intact eyes, comes to his senses sitting in the red chair of Morpheus from the first part of “The Matrix” in a completely white space. He sees the Architect in front of him. The Architect tells Neo that he is shocked at what a person is capable of in the name of love. He says that he did not take into account the power that is infused into a person when he is ready to sacrifice his life for the sake of other people. He says that machines are not capable of this, and therefore they can lose, even if it seems unthinkable. He says that Neo is the only one of all the Chosen Ones who "was able to come this far."

Neo asks where he is. In the Matrix, the Architect answers. The perfection of the Matrix lies, among other things, in the fact that it does not allow unforeseen events to cause it even the slightest damage. The Architect informs Neo that they are now at the "zero point" after the reboot of the Matrix, at the very beginning of its Seventh Version.

No human has ever left the Matrix since its creation. No man has ever died except according to the plan of the machines. All people are slaves and that will never change.

The camera shows the film's heroes lying in their capsules in different corners of the "nurseries": here is Morpheus, here is Trinity, here is Captain Mifune, who died a brave death in Zeon, and many, many others. They are all hairless, dystrophic and entangled in hoses. Neo is shown last, looking exactly the same as he did in the first film when he was "liberated" by Morpheus. Neo's face is serene.

The alarm sounds. Neo wakes up and turns it off. The last shot of the film: Neo in a business suit leaves the house and quickly heads to work, disappearing into the crowd. The end credits begin to heavy music.

Not only does this script look more coherent and understandable, not only does it really brilliantly explain plot holes that were left unexplained in the film adaptation - it also fits much better into the gloomy style of cyberpunk than the "hopeful" ending of what was seen us trilogy. This is not just Dystopia, but Dystopia in its most brutal manifestation: the end of the world is long behind us, and nothing can be fixed.
The architect in the form of a control system is not only and not so much a reference to the Freemasons, but first of all a symbol of manual programming of the established order of things, which is not natural and is based on ignorance, suppression and control. And Neo's rebellion, useless within the framework existing system, which programs this rebellion, serves as a demonstration that the fight against this system without going beyond its framework is impossible, meaningless and useless.

As a result, Neo’s initial, seemingly fateful choice with the red and blue pills becomes meaningless, because both paths turn out to be false within the system, are embedded in it and do not bring either him or humanity closer to liberation. With all his abilities and talents, the hero still does not fully understand the real structure of the system, in which he, both as a clerk and as a savior, is just a slave to a system that he does not know and does not understand.

If such ideas really crossed the minds of the Wachowski brothers, then it’s a shame that they didn’t make it to big screen, although the matryoshka concept of the Matrix within the Matrix itself is not new. It could be an excellent example of a postmodern world of lost meanings and ideals striving for program zero.

Hello Neo! The Architect said, sitting on his swivel chair.

Neo looked at the Architect. He first looked at his face, then lower - at his hands, jacket, legs, then looked up again, grinned at something and nodded his head, humming:
- Yes

Neo looked at the ceiling. He seemed to be looking at the lamps on the ceiling for a while. Then he turned his gaze to the wall where screens with his image hung...

The architect, who had been sitting and looking at him all this time, waiting for the question, finally also turned his gaze to the screens - where Neo was looking... He raised his hand with the remote control in his hand, and, circling the screens, began to explain:
- This is... mmm...
“Don’t,” Neo interrupted him sharply, raising his hand without looking up from the screens, “it won’t be interesting...

There was a moment's pause. Nothing has changed. Finally the Architect began to speak:
- I am the Architect... I created the Matrix, - Neo did not react and his voice became quieter and less confident, - I was waiting for you... You... have... a lot... questions...

The architect stopped mid-sentence with the air of a man who understands that he is not being listened to. Neo continued to stare at the monitors as if nothing had happened, as if he didn’t care about what the Architect was talking about... He fidgeted in his chair.
Soon Neo turned to face the Architect and asked sharply but calmly:
- Why am I here?

The architect cleared his throat to clear his throat. He sat down more comfortably - it seems he finally got what he wanted. He took a few breaths to harmonize his breathing, then answered:
“You changed your condition,” he said this in a fairly calm voice, but seeing that Neo was not satisfied with this question, he added, “more strongly... than... usually...”

Neo looked at the Architect, frowned and somehow said somewhat impudently:
- What, you think I don’t know this?!

The architect smiled. And in this smile, it seems, there was even some kind of delight. He said:
- Interesting... You think faster than others...

Neo, in Once again, looking up from the monitors, glanced towards the Architect and grinned. Then he said with a smile:
- But you're still the same...

The architect seemed shocked by this statement. He was turning something over in his head, then said:
- How can you remember me?!

Neo at this time began to walk around the hall. Slowly he took one step, then another. Gradually, he thus walked around a quarter of the room. The architect turned in his chair to face him, so he had already turned 90 degrees. Continuing the leisurely walk, Neo, without looking in the direction of the Architect, said:
- You didn't answer my question.

The architect cleared his throat again. Once again, the anxiety seems to have gone away. He took a few breaths again and began to answer:
- The Matrix is much more extensive than you can imagine. Matrices are like nesting dolls, nested into each other, and few people are even able to see where the very first programs come from... You consider yourself unique, but before you there were people who achieved the same understanding, experience, state, which indicates that all of you ...

While the Architect continued to speak, Neo came close to the monitors... He looked at the monitor on which there was his own image - he was standing here in the middle of the room in the place from which he left. Neo watched for a moment, then raised his hand, slowly touched the monitor, and ran his hand over it. Then he found a barely visible switch and pressed it. The monitor went dark... Neo turned his head to the left - to the next monitor. He took a step towards him and turned it off too... Then he also turned off the monitor on the top and top right. So four monitors were turned off.

“I have a remote control,” the Architect suddenly said, showing the remote control in his hand.

Neo turned to the Architect, looked at the remote control and said:
- For now it’s more interesting for me...

He turned back to the monitors. The architect asked in an excited voice:
- Neo! Are you satisfied with the answer?

Neo turned off a couple more monitors, then, approaching the next one, he said:
- I'm waiting for you to stop playing the fool and finally tell me why you need me.

The architect cleared his throat again.

Do you have a sore throat? - Neo asked indifferently
“Umm... no,” the Architect hesitated, “it’s just... you’re behaving somehow... somehow...”
“Not like that,” Neo helped him.
“Yes,” the Architect agreed, then, as if to remember the question, he repeated, “why do I need you... Neo!” Are you saying that you didn't want to meet me?

Neo shook his head with the air of a man who is dissatisfied with the lack of normal dialogue. He said:
- You understand perfectly well that if we both didn’t want something from each other... our communication would not have taken place!

The architect was a little taken aback. His lower lip even dropped down, which showed his surprise. However, he stopped this matter very quickly and became collected.
- Yes, of course, Neo! - he said, - we both want something from each other..

Then the Architect thought about it. Neo looked at him and seemed to listen to the rustling of thoughts in his head. The architect very soon came to something and said:
- Why do you need me?
- Ha-ha-ha! - Neo burst into such loud, uncontrollable laughter that he first threw his head up, then down.

The architect waited excitedly for Neo to finish laughing. However, this did not last long. When Neo's laughter began to subside, Neo, still slightly stuttering from laughter, said:
- Should you have asked me this question?
- But you yourself don’t ask me the right questions! - the Architect got excited, - and I just can’t begin to say what I have to tell you!
“So here it is,” Neo said with the voice of a man who understood something important, “you program not only the Matrix... And not only the consciousness of a person... You program everything... Even your own behavior...”

He suddenly took several long steps to the side and stood up, looking at the architect again. It looked like he deliberately wanted to change the location. After standing for a while, he suddenly walked away and stood at the other end of the room. Then, again standing there for a while, he went to the center, approached the Architect at a distance of two steps, turned sharply, turning his back to him, and stood up again. The architect, his eyes bulging, just looked at Neo’s actions that completely did not fit into any framework. But that was something else! Neo suddenly took it and lay down on the floor on his back. Lying on the floor, he said loudly:
- You are acting strictly according to the program! You are the program!

The architect suddenly jumped up from his chair.
- Neo! I think you better leave!
- What? What's happened? What's happened? “We’re having such a nice conversation,” Neo said, lazily rising from the floor.

Rising from the floor, he walked around the Architect and sat down on his chair. Then he suddenly snatched the remote control from him, put his hand on the arm of the chair and crossed his legs, swaying. He spun around in his chair, making a full rotation around him. Then he began to press buttons on the remote control, causing the pictures on the monitors to change. Various episodes of human life were shown...

Neo! - the Architect was indignant, - This is my place!
- Don’t be afraid... I don’t need your place. Let me sit for a minute, at least feel it... By the way, don’t you have any green tea there, or cocoa... with... some kind of cupcake... No?... Well, okay...

The architect seemed barely able to stand on his feet. He twitched in place, but did not know how to react. Neo kept clicking on the remote control, looking at the monitor, rocking in his chair. Then he suddenly turned to the Architect:
- Well, it seems to me that I could very well play this role here...

Neo looked at the Architect. He looked at Neo in a daze. Neo continued:
- Well, what... I’ll change my state... I’ll become an Architect... Well, - he raised his eyebrows looking at the former Architect, - temporarily... and while you rest... relax, huh?

The architect seemed simply speechless. He sometimes tried to say something, but it seemed he had no voice.

By the way, why do you call me Neo?

Here the Architect was finally able to overcome his numbness and mumbled:
- Well... that’s what I always call those who come here...
“Ah,” Neo shook understandingly, “a habit... Let’s... let’s break it and you’ll call me... mmm... well, think of it yourself, it’ll be better that way!”
- Well, this is some kind of nonsense!

It seems that something influenced the Architect and he began to control himself better. He went somewhere, then returned with a chair. But after carrying the chair a few steps, he stood rooted to the spot. Neo held a glass of tea in his hand, and next to it stood a kettle on the floor with another empty glass. The architect sighed and placed a chair a few steps away from Neo, then sat down.
They sat like that for a minute. Neo looked at the monitors and clicked, and the Architect looked at Neo, sometimes looking down at the floor and thinking about something. Finally the Architect said:
“You are completely out of control,” the Architect’s eyes sparkled, it was not anger, it was even some kind of pride of a scientist who accidentally discovered something grandiose, “I just can’t force you to do what I need... You are completely unpredictable!” But you live in a matrix... I don’t understand how this is possible...
- And you won’t be able to understand this... until you go beyond your own programs!
- What do you mean by my programs?
- Those that dictate a pattern of behavior to you, a pattern of actions from which you cannot deviate.
- This is absurd! I come up with the plans myself! I'm an Architect!
-You have become dependent on your own creation!

The architect smiled and said:
- Are you trying to manipulate me?
- Only those who are being manipulated can be manipulated. I'm just acting naturally. I am free. But you - no!
“This is some kind of nonsense,” the Architect fired nervously, “to teach the chicken eggs!”
- Eggs? Take a closer look! Look at both of us from the outside! Do you still believe that you are taking your place as the Architect, and I am the one who came to visit you? By the way, can I pour you some tea?
- You're just an upstart!
“Okay,” Neo admitted, “that’s what you call me now.” If you like this name!

The architect shook his head, expressing impotence. Then he said:
- Even a free soul has some values! And you... You're just an upstart, there's nothing sacred about you! You don't care!

Neo scratched his head. Then he poured tea from the teapot into another glass and handed it to the Architect. He sighed as if he had nowhere to go, and took it.
They sat in silence for half a minute. The architect took a large sip of tea. Neo said:
- Don’t you ever get bored here? Alone?

The architect almost choked on his tea at these words. He coughed. Neo stood up and tapped the Architect on the back. He gave signs that this should not be done. Neo stopped and returned to his chair.

Of course,” Neo spoke, lounging on an armchair, looking at the ceiling, “I also have values, where would I be without them...

By that time, the Architect had already completely recovered his condition and listened carefully to Neo. He continued:
-... But now, I left them temporarily.
- This is nonsense! You don't realize what you're saying! Valuables cannot just be taken and thrown away, even temporarily. They will still work in a certain situation! I don't think you even know what you're talking about!
“Situations,” Neo waved his hand around the room, “The situations now are... that I’m sitting next to the Architect of the Matrix and drinking tea...

The Architect looked like he knew Neo was up to something, but he couldn't understand the accuracy of his words.

Neo rode up to the Architect in a chair. He then turned around in his chair so that they were both now sitting in a line next to each other and facing the screens. Neo pressed a couple of buttons on the remote control and pictures appeared on the screens, which merged into one large one on the entire wall - nature appeared there. And it was as if the camera, flying low and smoothly, showed all the beauty of nature - rivers, fields, mountains... waterfalls... And they both looked at this beauty...
- Stop! - the Architect suddenly shouted, as if remembering something important, - We need... Damn, fuck your leg, we need to attack Zeon now!

He started to rise with the glass, when Neo’s hand pressed the Architect’s shoulder in a friendly manner, pushing him back down. In a calm voice he said:
“Or maybe it’s not necessary,” he put his hand on the Architect’s shoulder, and his voice became more and more soft and even velvety, “maybe some more tea?” Let's drink in peace... together... forgetting about the attacks... about the Zeons... enjoying beautiful views wildlife, - then Neo changed his voice to a more cheerful one, - Well, or can we turn on some action movie to the extreme, if it’s really rushing?

Igor Terentyev

From Moscow State University to The Matrix.

From closedness to competition.

From investors to merger.

Quotes

About inflation:

About family:

In thirteen years, Timur Gizatullin has gone from an economics student to one of the youngest participants in the ranking of Russian billionaires.

Igor Terentyev

“If earlier we could raise money for a truckload of sweets, earn a profit, and put some of it aside, now you can’t earn anything from a truckload. I would advise those people who want to realize themselves to gain more knowledge and make a career as employees,” according to the owner of the Matrix holding, Timur Gizatullin, attempts to create a new business in most cases will not be successful. At the same time, he stipulates that it is possible to open a family business in a separate niche, but it is unlikely that a small project will develop into a company with noticeable capitalization. However, in the early 90s everything was different.

From Moscow State University to The Matrix. Schoolboy Timur Gizatullin connected his career with science. Before his eyes was the example of his father - a professor and doctor economic sciences. The future entrepreneur decided to enroll at Moscow State University, but the opening prospects in business changed his priorities: “I looked at what Moscow is and studied it more carefully. Living in the capital and visiting it is absolutely different concepts. I realized that life in Ufa can be embellished, so I returned to hometown, entered the Bashkir State University and organized food supplies from Moscow.” Timur Gizatullin actually had no initial capital - suppliers helped, who provided a deferment. Due to a lack of funds, he attracted friends and classmates into the business, who agreed to share in future profits.

A new stage was the creation of a company for wholesale trade alcoholic products(now the holding’s share in this market in Bashkiria is about 65%). The company regularly faced non-payments, which prompted its owner to create his own retail store. In 2000, Timur Gizatullin opened the World of Wines chain of specialized stores. But the very next year, the entrepreneur entered food retail by purchasing the Universal Trading company from Uralsib Bank.

How much did the purchase cost? And who made the offer - you or Uralsib?

– $400 thousand. This was the cost of 5 shops leased from the municipality. It cannot be said that the business was unprofitable, but it could not develop at the expense of its profits and required restructuring. The proposal came from Uralsib - we were always in close contact (“Uralsib, before the purchase of its shares by Nikolai Tsvetkov’s Nikoil and integration into the financial group of the same name, was the largest local financial institution. - “F.”). We were the first to receive an offer, we quickly responded to it and acquired the network in a matter of months.

Why is the supermarket chain called "Matrix"?

- (With a smile). Of course, the associations with the film are unambiguous, but it is very difficult to come up with a brand name so that it will impress everyone. In addition, it must be patented. And this brand was free - this is the first factor. Secondly, the word “matrix” is used by retail chains for the assortment list. And the third one is mathematical system numbers, which is very well organized. And we strive for organized and correct business.

From closedness to competition. The first time they heard about Matrix in Moscow was in the spring of 2005, when the chain opened its own hypermarket in the capital. In the same year, only in December, investors also learned about it - the company placed bonds. Before this, Timur Gizatullin’s business was actually stewing in its own juice - Bashkiria (and Tatarstan) long time remained closed markets to outside investors. The entrepreneur himself agrees with this definition:

– We do not have a serious competitor who could step on our heels. We for a long time We are in very comfortable conditions without external influences, but sooner or later all federal networks will start working in our market.

What is the reason for the closedness of the market?

“Perhaps we are a deterrent in terms of the fact that competitors do not have time to offer more money or quickly respond to the proposal received. In addition, in the republic for a long time it was difficult to obtain land for the construction of new facilities. Now the situation has changed - I know about six Perekrestok stores being designed.

Did difficulties in obtaining land apply to all investors or only to external ones?

– I think for everyone. The city is different in that there is not much free land.

Timur Gizatullin is not afraid of new competitors, as he believes that the format of supermarkets near home is safe in terms of the impact of larger stores: “Practice shows that even chains such as Metro influenced us only for two to three weeks, when sales “ Matrix" fell by 2-3%, and then the figures recovered. New players are eating away market share from unorganized trade.” But Raiffeisenbank analysts believe that large federal networks are one of the main risks for the company: “ Financial results“Matrixes may suffer significantly due to competition with larger players who have the opportunity to obtain more comfortable purchasing conditions from suppliers.”

Experts also note another negative factor– concentration of the company’s business in one region – Bashkiria. In the summer, Matrix opened its first supermarket in Samara, but expansion is progressing with difficulty. “We are forced to postpone the opening of stores due to the fact that the requirements of Rospotrebnadzor are regularly becoming more stringent. There are also many problems with energy supply,” explains Timur Gizatullin.

As for the capital region, the company's only facility remains a hypermarket. And in the near future the number of Matrix assets in Moscow will not increase. According to Timur Gizatullin, there is no normal supply of commercial real estate on the market: “We want to enter the built residential areas with the format of a supermarket near the house. In large formats - hypermarkets or supermarkets in shopping centers I don’t see myself, because there are powerful players here that The Matrix cannot compete with.” True, the company is designing four mini-shopping centers in Moscow.

Development, along with wholesale trade and retail, is another area of activity of the group. The company's strategy in this area is quite simple: after the formation of a flow of rental payments, it plans to sell shopping complexes to specialized investors. At the same time, Matrix supermarkets will remain as anchor tenants in these centers.

From investors to merger. Until last year, Timur Gizatullin’s business was an unstructured group of companies without a consolidation center. With the help of consultants Ernst & Young, a reorganization was carried out, as a result of which OJSC Holding Matrix became the parent company of the group. As a rule, such restructuring is associated with the upcoming sale of the business to a strategic investor. But the owner of “The Matrix” has a more multifaceted idea: “We can develop at the same pace, albeit gradually, but confidently. But at the same time, the holding gave the investment company the task of looking for retail chains that are ready to sell themselves. Financing such purchases cannot be done with loans and bonds. If we receive an interesting offer, the holding will issue an additional issue and attract investor resources. This is the operational plan." There have been no tempting offers yet - Timur Gizatullin says that he sees no reason to buy networks with low profitability.

There is also a strategic plan, which is designed for 2–2.5 years. in spring next year“Matrix” will receive an audit report on IFRS statements for 2007 (while the company is publishing unaudited reports. - “F.”) and will begin searching for a partner among investment funds, to which it will sell up to 40% of the shares in 2009.

What can attract investors to a company? Firstly, high growth rates. In 2006, the holding's revenue increased by 47%, according to the results of the first half of 2007 - by 48%. Secondly, a large share of real estate is owned by the company - 80% of 122 thousand square meters. meters of retail space (but most of of which is pledged against bank loans. - “F.”).

There are also two disadvantages. According to IFRS reporting, the holding has a low effective rate income tax. Instead of the standard 24% in 2006 it was 1.1%, in the first half of 2007 - 12.6%. Raiffeisenbank analysts attribute these indicators to the group's low transparency. Timur Gizatullin calls not to dramatize the situation: “Even in tax office I once had to explain these numbers. According to IFRS, we capitalize part of the interest expenses (and make a profit), since the objects for which loans were received have not yet been launched.” The second minus is more significant. The holding has a high debt load. At the end of the first half of 2007, the debt/EBITDA ratio was 6.5, and for retail chains a figure not exceeding 4 is considered comfortable. It is not surprising that the holding plans to use the funds received from investment funds in accordance with the strategic plan not for development, but for repayment loans. “In 2009, we must restructure the debt, otherwise we will not be able to develop further,” explains the entrepreneur.

Before turning his attention to the funds, Timur Gizatullin discussed the possibility of merging with Perm group“Norman-Vivat”: “Both I and Vadim Yusupov (owner of Norman-Vivat.” - “F.”) liked the idea. They wanted to create a board of directors of independent specialists to manage both networks, but no progress was made - for example, I was completely occupied with the audit of the Matrix. I think we will return to this conversation after a while.” Vadim Yusupov adds that the matter did not go beyond the exchange of primary information: “ The most important reason What happened was that Matrix itself viewed itself as a single company that engaged in wholesale and retail trade. And we proposed to allocate for the merger retail business. We ourselves are involved in approximately the same businesses, but we have clearly separated them - they have independent management and development strategy.” He also does not exclude the possibility of resuming negotiations: “We are interested in any paths of development in the Urals region, including mergers and acquisitions.”

Even a hypothetically united company, not to mention the Matrix itself, will not be able to withstand the largest players and, most likely, will become their victim in the medium term. But Timur Gizatullin urges us not to rush to conclusions: “For example, in Italy there are many networks that successfully exist in a certain niche and earn money for their shareholders. And this situation suits me completely.”

Quotes

About inflation:“In my understanding, its rate this year will be 20%, because the cost of imported cheese, bread, and milk has increased sharply. We will receive additional profit, since the income from the more expensive goods will be higher, but do not forget that the cost wages is also growing."

About family:“I don’t understand businessmen who don’t have time for their families, apparently they are stuck in a routine. I myself deal only with global decisions, and I can make them both at home and on vacation.”

Timur, Gizatullin, Matrix, year, company, year, Matrix https://www.site https://www.site/articles/18403/ 2019-03-06 2019-03-05 May 11th, 2015

Remember, when the second and third “Matrixes” began to be released, many said that this was no longer the same, that everything had slipped into special effects and “Hollywood”, the holistic plot and philosophical beginning of the film, which could be traced back in the first part, disappeared, so to speak. Have you ever had such thoughts? But I just discovered today that a certain original “Matrix” script is circulating on the Internet. Most likely it appeared from the fan resource http://lozhki.net/, there are a lot of English-language scripts and film materials posted there.

But it cannot be ruled out that this is just a fan fantasy. If anyone has more accurate information on this matter, please share. And you and I will read what the real “Matrix” should have been like by the Wachowski brothers (or who didn’t know the Wachowski sisters and brothers).

The Wachowski brothers wrote the script for the Matrix trilogy for five years, but the producers reworked their work. In the real Matrix, the Architect tells Neo that both he and Zeon are part of the Matrix in order to create the appearance of freedom for people. Man cannot defeat the machine, and the end of the world cannot be corrected.

The script for The Matrix was created by the Wachowski brothers over the course of five years. It gave birth to an entire illusory world, densely permeated with several storylines, which from time to time intricately intertwined with each other. Adapting their colossal work for film adaptation, the Wachowskis changed so much that, by their own admission, the embodiment of their plans turned out to be only a “fantasy based on” the story that was invented at the very beginning.

Producer Joel Silver removed the harsh ending from the script. The fact is that from the very beginning, the Wachowskis conceived their trilogy as a film with the saddest and most hopeless ending.

So, the original script for The Matrix.

So Neo goes to Pythia to get an answer to his question and find out what to do next. Pythia tells Neo that she doesn't know why he has superpowers in the real world, and how they relate to Neo's Purpose. She says that the secret of our hero’s Destination can only be revealed by the Architect - the supreme program that created the Matrix. Neo is looking for a way to meet the Architect, going through incredible difficulties (this involves the already familiar Master of Keys being captured by the Merovingian, a chase on the highway, etc.).

Bane-Smith is hiding aboard the Nebuchadnezzar, trying to stop Neo from destroying the Matrix, as he realizes that doing so will kill himself. In an epic fight with Neo, Bane also displays superpowers, burning out Neo's eyes, but ultimately dies. What follows is a scene in which Neo, blinded but still seeing everything, breaks through myriads of enemies to the Center and causes a grand explosion there. He literally incinerates not only the Central Computer, but also himself. Millions of capsules with people turn off, the glow in them disappears, the cars freeze forever and the viewer sees a dead, deserted planet.

No human has ever left the Matrix since its creation. No man has ever died except according to the plan of the machines. All people are slaves and that will never change.

But the producers insisted on a happy ending, albeit not a particularly joyful one, and their condition was the mandatory inclusion in the picture of the epic confrontation between Neo and his antipode Smith as a kind of biblical analogue of the battle of Good and Evil. As a result, the rather sophisticated philosophical parable of the first part unfortunately degenerated into a set of virtuoso special effects without particularly deep thought.

Here you can download original script

And also what is it The original article is on the website InfoGlaz.rf Link to the article from which this copy was made -