Why Yaroslavna is the ideal image of a Russian woman. Essay “Yaroslavna - the image of a patriotic woman in “The Tale of Igor’s Campaign”

Essay on the topic "Yaroslavna - the image of a Russian woman

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The Tale of Igor’s Campaign” is a wonderful monument ancient Russian culture. He conveyed to us not only a description of the events of his time, creative thinking and the worldview of our ancestors, in poetic form he created images of princes, simple warriors and Russian women. Along with the depiction of brave and self-willed princes, the author of “The Lay” does not ignore the wives of Russian soldiers, dwelling in detail on the image of Yaroslavna, Igor’s wife, one of the best in the work. Tender and devoted, selfless and faithful, Yaroslavna pours out her grief in traditional lamentation. But it sounds so soulful and dramatic! Yaroslavna does not just perform the prescribed ritual. She sincerely grieves over the death of her husband’s squad, about Igor’s wounds, regretting that she is not around, that she cannot help, although her soul is ready to fly like a bird, to ease the suffering of her beloved. “I’ll fly,” says the cuckoo, along the Danube, I’ll wet the silk sleeve in the Kayala River, I’ll wash the prince’s bloody wounds on his mighty body in the morning. Rus' has already been baptized, Christianity is officially recognized. And in Yaroslavna’s cry one can clearly hear the beliefs and traditions of paganism. She, as if to living and omnipotent deities, turns to the sun and wind, the mighty Dnieper - Slovutych, asking for protection for Igor and his warriors. Oh wind, sail! Why, sir, are you blowing towards me? Why are you rushing Khin’s arrows on your light wings at my dear warriors?.. O Dnieper Slovutich! You have broken through the stone mountains through the Polovtsian land... Closely, sir, my dear one to me, So that I do not send tears to him to the sea early. Already in this ancient monument laid down those traditions that will later develop in our classical literature: the extraordinary dedication of a Russian woman, her complete subordination to the interests of her husband - a warrior, defender of the homeland, and boundless faith in the rightness of his cause. Bright and thrice bright sun! You are warm and beautiful to everyone: Why, lord, did you extend your hot rays to the warriors of my army? In a waterless field, thirst twisted your bows, filled your quivers with grief? Yaroslavna is an equivalent image along with other heroes of “The Tale of Igor’s Campaign.” It will be much later that “Domostroy” will appear, which will outline the circle of women family problems, will make her a dumb “slave of her husband” in the Middle Ages. And again women will have to “win” that special position of friend, keeper of the hearth, which she rightfully occupied in ancient times. The image of Yaroslavna will appear and be supplemented with features and virtues, will acquire new life in the heroines of Pushkin and Nekrasov, Turgenev and Tolstoy, but the beginning was made in “The Lay”, and this is very important and valuable. Far away in Putivl, on the visor As soon as the dawn breaks in the morning, Yaroslavna, full of sadness, like a cuckoo, calls to the Yura...

“I’ll fly,” he says, “like a cuckoo along the Danube.”

I will wet my silk sleeve in the Kayala River,

I will wipe off the prince’s bloody wounds on his mighty body.

The history of Russian literature has preserved many interesting female images who embodied the ideal of a Russian woman. The most striking of them is the image of Yaroslavna, the wife of Prince Igor, in the ancient Russian story “The Tale of Igor’s Campaign.”

The image of Yaroslavna is built on the best folklore traditions. The monologue of the wife of the courageous Prince Igor occupies only a page and is a lamentation, but its significance for the entire story is great. We see the love, tenderness, and loyalty of the Russian woman who helped her to survive brave warriors in their military exploits. After all, the warriors knew that they were eagerly awaited in their homeland and they definitely needed to return.

The author of “The Lay” compares Yaroslavna with a cuckoo, because it was this bird that was popularly a symbol of a lonely, grieving woman. As in many folk works, we can observe the heroine’s appeal to various phenomena

Nature: wind, Dnieper, sun. Even during the times of paganism, the Slavs turned with prayers to these natural phenomena, believing in their omnipotence.

An interesting fact is that Yaroslavna is worried not only about the thought of Igor’s injury, but also about the fate of his soldiers. This once again confirms that this woman is a true princess, for whom the fate of the state is important:

Why, my lord, did you spread your hot rays

All is well with the warriors;

In a waterless field, thirst bent their bows...

Unfortunately, the lot of many wives, mothers, and sisters of that time was to wait a long time for their warriors. But all the warriors returned from campaigns, and sorrowful crying echoed across the Russian land. Perhaps this is why tragic motifs predominate in the depiction of female images in Russian folklore.

Yaroslavna is the ideal of a Russian woman - a devoted, loving wife, a wise ruler.

“I will fly,” he says, “like a cuckoo along the Danube. I will wet the silk sleeve in the Kayala River, and I will wipe off the prince’s bloody wounds on his mighty body. In the history of Russian literature, many interesting female images have been preserved that embodied the ideal of the Russian woman. The most striking of them is the image of Yaroslavna, the wife of Prince Igor, in the ancient Russian story “The Tale of Igor’s Campaign.” The image of Yaroslavna is built on the best folklore traditions. The monologue of the wife of the courageous Prince Igor occupies only a page and is a lamentation, but its significance for the entire story is great. We see the love, tenderness, and loyalty of the Russian woman who helped brave warriors survive in their feats of arms.

After all, the warriors knew that they were eagerly awaited in their homeland and they definitely needed to return. The author of “The Lay” compares Yaroslavna to a cuckoo, because this particular bird was popularly a symbol of a lonely, grieving woman. As in many folk works, we can observe the heroine’s appeal to various natural phenomena: the wind, the Dnieper, the sun. Even in the times of paganism, the Slavs turned with prayers to these natural phenomena, believing in their omnipotence. An interesting fact is that Yaroslavna is worried not only about the thought of Igor’s injury, but also about the fate of his soldiers. This once again confirms that this woman is a true princess, for whom the fate of the state is important: Why, my lord, did he stretch out his hot torches to the warriors; in a waterless field with thirst he bent their bows...

Unfortunately, the lot of many wives, mothers, and sisters of that time was to wait a long time for their warriors. But all the warriors returned from campaigns, and sorrowful crying echoed across the Russian land. Perhaps this is why tragic motifs in the depiction of female images predominate in Russian folklore. Yaroslavna is the ideal of a Russian woman - a devoted, loving wife, a wise ruler.

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In the great monument of ancient Russian literature, “The Tale of Igor’s Campaign,” there is an undoubted connection with folk traditions. The very idea of ​​the work is popular; nationality is manifested in the description of events, and in language, and in artistic manner the author, as well as in the images that he creates. One of these folk images Igor’s young wife, Yaroslavna, appears in the poem.

Yaroslavna is a typical Russian woman. This image occupies a very important place in ideological plan poems. He is covered with thoughts of peace, family, home, imbued with tenderness and affection, bright popular beginning. The image of Yaroslavna and other women expresses the sadness and care of the homeland and people for their soldiers. They contain the idea of ​​creation, which opposes troubles and Destruction, the idea of ​​contrasting war and peace. The wives of Russian soldiers mourn their husbands who died on the battlefield. And their cry, full of tenderness and sadness, is deeply folk.

The character of the heroine is most clearly revealed in the famous cry of Yaroslavna. The author seems to quote the cry of a Russian woman pitying not only her husband, but also his soldiers:

Oh wind, sail!..

Why are you rushing Khin's arrows?

On your porches

On my dear warriors?..

Bright and thrice bright sun!..

Why, lord, did you spread your hot rays

Are my warriors happy?

In a waterless field thirst twisted their bows,

Have they filled their quivers with grief?

She also recalls Svyatoslav’s glorious campaign against, of which the Russian people can rightfully be proud. In her cries and sentences one can hear folk tunes. It was not by chance that the author chose this style of presentation - the style of folk lyrical songs. He most accurately reveals the image of the heroine as a representative of her people. It is precisely the same words and expressions that are filled with crying that were used verbally. folk art- in songs, laments, parables. The appeals and images that the author uses are present in all folk works of that time. From the very beginning, crying is built exclusively on folklore images- Yaroslavna, for example, strives, like the heroines folk tales, “to fly like a cuckoo along the Danube.” Such transformation into birds or animals was very typical for ancient parables and songs.

Yaroslavna turns to nature: to the wind blowing under the clouds, nurturing ships on the blue sea; to the Dnieper, which broke through stone mountains and cherished Svyatoslav’s plantings; to the sun, which is beautiful for everyone, but in the steppe the Russian soldiers were overcome with waterless thirst and languor. All these images contain characteristics of the great and vast Rus'. These appeals clearly reflect and unbreakable connection heroines with all the Russian people. It is at native nature she is looking for sympathy and help:

About Dnepr Slovutych!

Come, sir, to my dear one,

So that I don’t send him tears

It's early at sea.

The peculiarity of Yaroslavna’s monologue is also that it reveals inner world Yaroslavny. She stands on equal terms with the powerful forces of nature. She shows courage, wanting to be with her husband in danger, as well as mercy: with her presence she wants to ease the suffering of the wounded Igor.

In Yaroslavna’s voice one can hear not only suffering and sadness. Every word of her cry is filled with tenderness and love. Her tender lyrical words bring reconciliation to feelings, soften the bitterness of loss and defeat. She deeply grieves for the army, but her grief is bright, full of hope. Together with her, all Russian women, the entire Russian people hope and believe in a happy outcome of events. And these hopes come true - Igor escapes from captivity. He is helped by the same nature to which the heroine turned with a prayer.

Thus, in Yaroslavna the author embodied typical features people, he created the type of Russian woman devoted to her husband and home country. And, besides, this image became the embodiment of the sorrows and joys of the Russian people, their hopes. Through him, as well as through other characters, the poet conveys the main idea of ​​his work - a call for unity in the name of happiness and peace throughout Rus'.

Essay The Lay of Igor’s Campaign - “The Lay of Igor’s Host”

Topic of the essay: - Yaroslavna - continuation of folklore traditions in the image (2)

“I’ll fly,” he says, “like a cuckoo along the Danube.”

I will wet my silk sleeve in the Kayala River,

I will wipe off the prince’s bloody wounds on his mighty body.

The history of Russian literature has preserved many interesting female images that embodied the ideal of the Russian woman. The most striking of them is the image of Yaroslavna, the wife of Prince Igor, in the ancient Russian story “The Tale of Igor’s Campaign.”

The image of Yaroslavna is built on the best folklore traditions. The monologue of the wife of the courageous Prince Igor occupies only a page and is a cry - a lamentation, but its significance for the entire story is great. We see the love, tenderness, and loyalty of the Russian woman who helped brave warriors survive in their feats of arms. After all, the warriors knew that they were eagerly awaited in their homeland and they definitely needed to return.

The author of “The Lay” compares Yaroslavna with a cuckoo, because it was this bird that was popularly a symbol of a lonely, grieving woman. As in many folk works, we can observe heroines to various phenomena

Nature: wind, Dnieper, sun. Even during the times of paganism, the Slavs turned with prayers to these natural phenomena, believing in their omnipotence.

An interesting fact is that Yaroslavna is worried not only about the thought of wounding Igor, but also his soldiers. This once again confirms that this woman is a true princess, for whom the fate of the state is important:

Why, my lord, did you spread your hot rays

All is well with the warriors;

In a waterless field, thirst bent their bows...

Unfortunately, the lot of many wives, mothers, and sisters of that time was to wait a long time for their warriors. But all the warriors returned from campaigns, and sorrowful crying echoed across the Russian land. Perhaps this is why tragic motifs predominate in the depiction of female images in Russian folklore.

Essay The Lay of Igor's Campaign - "The Lay of Igor's Campaign"

Topic: - Yaroslavna - continuation of folklore traditions in the image (2)

“I’ll fly,” he says, “like a cuckoo along the Danube.”

I will wet my silk sleeve in the Kayala River,

I will wipe off the prince’s bloody wounds on his mighty body.

The history of Russian literature has preserved many interesting female images that embodied the ideal of the Russian woman. The most striking of them is the image of Yaroslavna, the wife of Prince Igor, in the ancient Russian story “The Tale of Igor’s Campaign.”

The image of Yaroslavna is built on the best folklore traditions. The monologue of the wife of the courageous Prince Igor occupies only a page and is a lamentation, but its significance for the entire story is great. We see the love, tenderness, and loyalty of the Russian woman who helped brave warriors survive in their feats of arms. After all, the warriors knew that they were eagerly awaited in their homeland and they definitely needed to return.

The author of “The Lay” compares Yaroslavna with a cuckoo, because it was this bird that was popularly a symbol of a lonely, grieving woman. As in many folk works, we can observe the heroine’s appeal to various phenomena

Nature: wind, Dnieper, sun. Even during the times of paganism, the Slavs turned with prayers to these natural phenomena, believing in their omnipotence.

An interesting fact is that Yaroslavna is worried not only about the thought of Igor’s injury, but also about the fate of his soldiers. This once again confirms that this woman is a true princess, for whom the fate of the state is important:

Why, my lord, did you spread your hot rays

All is well with the warriors;

In a waterless field, thirst bent their bows...

Unfortunately, the lot of many wives, mothers, and sisters of that time was to wait a long time for their warriors. But all the warriors returned from campaigns, and sorrowful crying echoed across the Russian land. Perhaps this is why tragic motifs predominate in the depiction of female images in Russian folklore.

Yaroslavna is the ideal of a Russian woman - a devoted, loving wife, a wise ruler.