How to get carrot color. How to get coffee color when mixing paints or gouache? What colors of paint need to be mixed to get orange?

Blue is the main color, along with red and yellow. Blue represents cold color scheme. In the Panton palette, developed in the mid-20th century. – 180 shades of blue, each of which has its own name and number.
When you mention this color, boundless images of the sea and sky, space, deepening twilight, and moonlight arise in your imagination.

How to get blue if it is not in the palette?

It is believed that blue can be obtained by mixing green and yellow, but in practice the combination of these colors gives more of an olive color. Blue is unique and inimitable. It is impossible to obtain it by mixing paints.

Traditional color wheel

To achieve the desired color or shade, you can use the color wheel.
Basic colors, which include blue, red and yellow, when mixed, form orange, green, brown and purple.

How to create a classic blue using paint mixing

If you have blue but want a different shade, use existing colors to get the tone you want. Shade can be extremely important when creating a work of art, as well as in the field of design and interior decoration.

In standard sets of acrylic paints, the blue color is ultramarine, a bright and at the same time dark shade with purple notes.

To create a lighter tone, mix 3 parts blue + 1 part white.

How to get royal blue

This shade can be described as blue at the junction with lilac.
Mix blue and mangenta pink in equal proportions. To make the shade lighter, add white.

How to get dark blue color

Sometimes the main blue in the color palette looks too bright and light. In order to get a darker shade, mix 3 parts blue with 1 part black. This way the resulting color will be darker.

How to get gray-blue color

This shade perfectly conveys the atmosphere of the sky and water surface on a cloudy day.
To do this, mix the base blue color with brown. The result will be a dark gray-blue shade, which white will help lighten.

Without having a basic blue color in your arsenal, it is impossible to create it by mixing other colors, but if you have a basic blue, you can experiment with creating new shades and tones of it.

Beginning painters and designers are often interested in how to mix paints to get the desired color. There are basic shades, when combined, a new one can emerge original version. In some situations, this task arises when one paint runs out and can be replaced by mixing several options. Two or more can be used for this purpose.

How to mix paints to get different shades?

I would like to note that such a task is difficult, since some paints, after being combined with each other, provoke reactions, which ultimately have a negative effect on the result, for example, the color may become dark or even lose its tone and become gray.

Understanding what paints can be mixed, it is worth saying that it is impossible to obtain yellow, red and blue colors by combining other paints, but they are actively used in different combinations.

Let's learn how to mix paints to get some colors:

1. Pink. To make this color come out, you need to mix red and white in equal quantities. By varying the proportion of white paint, you can obtain shades of different saturation.
2. Green. To get this color, mix blue, cyan and yellow in equal proportions. If you want to create an olive shade, then combine green, yellow and add a small amount of brown. Light shade obtained by mixing yellow, green and white.
3. Orange. This beautiful color is achieved by combining red and yellow. The more red you end up with, the brighter the final shade.
4. Violet. In this case, you need to mix the following paint colors: and blue, and in equal proportions. If you change the proportions and add white, you can get different shades.
5. Grey. Exists great amount options, so here's to getting different shades, you should mix black and white in different proportions.
6. Beige. This color is often used, for example, when painting portraits. To obtain it you need to brown color add white, and then, to improve brightness, use a little yellow.

It is worth noting that the closer the colors are to each other on the color wheel, the similar their tone, which means the result will be purer and more saturated.

The paint mixing table allows you to create a huge palette from 3 basic colors bright colors. It is very exciting! The main thing is to choose the right paints according to the color mixing table.

Artist's Workshop: Magic Lessons

1. The combination of two adjacent colors of the spectrum produces shades with different intensities of these colors. For example, yellow and orange when superimposed produce yellow-orange or orange-yellow, depending on which of these 2 colors predominates. If you mix 3 adjacent ones in equal proportions color wheel shades, for example, yellow, red and orange, you will get the same orange, but dirtier.

2. When you add white to any color, you get it pastel shades of different intensity.

3. By mixing 2 primary colors in equal proportions, which are separated by 1 shade on the color wheel, we get exactly the intermediate color that separates them. For example, red + blue = purple.

4. An equal combination of 2 contrasting colors (located opposite each other on the color wheel) always produces gray with a tint of one of these colors. For example, red + green, blue + orange, etc. Interestingly, if you mix complementary colors in a 2/1 ratio, you get absolute gray (without additional shades).

5. 3 primary colors located next to each other, when applied in equal proportions, also form gray, for example, green + yellow + orange. Pay attention to the striking pattern: harmonious color combinations(which you can get using the color wheel) when mixing the shades included in them give grey colour- balancing, they absorb each other.

Creating new colors using a paint mixing table

As we already know, there are only 3 colors that cannot be obtained by mixing others. But from them you can create all other shades. These magical colors are red, yellow and blue. By the way, by mixing them with each other in equal proportions, you can get black. How to create all the other shades of the palette, see the table:

The color mixing table and color wheel are used not only in painting, they are simply irreplaceable when tinting and mixing decorative plaster in construction, in perfumery and soap making, when dyeing fabrics, batik, etc.

Color spectrum: revealing the secrets of the rainbow

Isaac Newton, passing light through a prism, received a multi-colored beam called a spectrum. For ease of color combinations continuous line the spectrum with all its transitional tones was turned into a circle. As you know, in the color spectrum there are three primary shades (red, blue and yellow), and when they are mixed in pairs with each other, three more secondary shades are obtained (green, orange and purple). It is these 6 shades that form the color wheel, and each of them has additional colors(blue and red-violet, yellow-green, purple, red and yellow-orange, blue and yellow-green). Newton, by the way, identified 7 colors, adding blue to the spectrum, which, along with the six main ones, is considered the color of the rainbow. By mixing these shades, making them darker or lighter to varying degrees, you can get a full range of colors.

I would like to immediately make a reservation that the division of the spectrum is arbitrary and depends on the characteristics of our perception. A person can identify up to 1000 tones in the color spectrum. It is interesting that reptiles and birds do not distinguish blue shades, and some fish see everything around them in red. It is believed that for cats the environment around us colorful world looks duller, but they distinguish a huge variety of shades of gray.

Color spectrum table

The colors of the spectrum are called chromatic, as opposed to achromatic (from Latin, “without color”): white, black, gray. The order of shades in the spectrum is always the same, starting with red and ending with violet.

Shades on the color wheel from green-blue to blue-violet are considered cool, from yellow-green to red-violet - warm. This division is quite arbitrary and depends on what associations these colors evoke in us: red-orange fire, yellow sun, blue ice, blue ocean abyss. Did you notice that when we separated colors we didn't mention green? And this is no coincidence. Clean green color(which, by the way, is extremely rare) is considered neutral. A drop of yellow makes it warmer, a drop of blue cools it down.

The color wheel is extremely important in a designer's work. With its help, you can not only determine harmonious color combinations, create the desired atmosphere in the room or an attractive image, but also influence perception by skillfully emphasizing the brightness, purity, beauty of color, enhance its intensity by adding complementary shades, balance cold tones with warm ones, etc. d. This magic is not difficult to learn even without being a designer, and it can be used not only in interior or clothing design. With the help of the color wheel, anyone can create harmony in the apartment, correctly combine colors in clothes, manicure, makeup, etc. For example, Blue eyes orange-coral lipstick or peach eyeshadow will highlight the look, and a scarlet dress will be refreshed by a green-turquoise scarf.

Take paints. Any kind of paint will do - even those used on furniture or walls - but it is best (and cleanest) to practice with a few small tubes of oil or acrylic paint. First, let's see what happens if we mix just two colors - red and blue.

• Note: Black can be obtained by mixing existing colors. Black pigment, of course, exists, but its use is too conspicuous. It is better to obtain dark colors by mixing transparent primary colors: shadows also have shades, depending on the time of day and other factors.
• Read the "Other Tips" section below for guidance on choosing the best magenta and cyan.

1. Mix red and blue. Everyone knows that red and blue when mixed give purple, is not it? Indeed, but it's not that bright, vibrant purple. Instead they form something like this:

   • Not very pleasing to the eye? This is because red and blue absorb more and reflect less of the spectrum, producing a dark, dirty purple instead of a vibrant and bright one.

2. Now try this: mix magenta with a little cyan and you will see the difference. This time you will get something like this:

   

   • Magenta is a shade of purple, cyan is a blue-green shade, often called royal blue or turquoise. Along with yellow, they are the primary colors in the CMYK model, which is based on a subtractive color scheme (producing color by subtracting individual components from white). This scheme is used in printing, including color printers.
   • You can see that using true primary colors - magenta and cyan - results in a much brighter, more vibrant hue. If you want a deeper purple, add more blue. For a deep purple, add black.

3. Mix pigments to create primary and secondary colors. There are 3 main color pigments: cyan, magenta and yellow. There are also 3 secondary colors obtained by mixing two primary colors:

   • Cyan + yellow = green
   • Cyan + magenta = blue
   • Magenta + yellow = red
   • Cyan + magenta + yellow = black
   • In subtractive color mixing, the combination of all colors produces black.

4. "Read the information below. The Mixing Paints section provides more detailed guidance on how to achieve a wide range of shades, including light, dark and greyish. The Tips section provides an extensive list of colors and combinations you can use to get those colors on your palette.

   Light mixing: additive colors

   1. Take a look at your monitor. Look at the white areas on this page and get as close as possible. Even better if you have a magnifying glass. When you bring your eyes closer to the screen, you will see not white, but red, green and blue dots. Unlike pigments, which work by absorbing color, light is additive, meaning it works by adding up light streams. Cinema screens and displays, whether it's a 60-inch plasma TV or the 3.5-inch Retina display in your iPhone, use an additive method of mixing colors.

      Mix light to create primary and secondary colors. As with subtractive colors, there are 3 primary and 3 secondary colors obtained by mixing the primary colors. The result may surprise you:

      • Mixing red + blue = magenta
      • Mixing blue + green = cyan
      • Mixing green + red = yellow
      • In additive color mixing, the combination of all colors produces white.
      • Please note that primary additive colors are secondary subtractive colors, and vice versa. How can it be? Know that the effect of subtractive color is a combined process: it absorbs some colors, and we perceive what remains, that is, reflected light. Reflected color is the color of the luminous flux that remains when all other colors have been absorbed.

   Modern color theory

   1. Understand the subjective nature of color perception. Human perception and identification of color depend on both objective and subjective factors. While scientists can detect and measure light down to the nanometer, our eyes perceive a complex combination of not only hue, but also color saturation and brightness. This circumstance is further complicated by the way we see the same color on different backgrounds.

      Hue, saturation and lightness are the three dimensions of color. We can say that any color has three dimensions: hue, saturation and lightness.

      • Tone characterizes the position of a color on the color wheel - red, orange, yellow, and so on, including all intermediate colors, such as red-orange or orange-yellow. Here are some examples: Pink refers to a magenta or red tone (or anything in between). Brown refers to the orange tone because brown is dark orange.
      • Saturation- This is what produces rich, vibrant color, like on a rainbow or color wheel. Pale, dark and muted colors (shades) are less saturated.
      • Lightness shows how close a color is to white or black, regardless of color. If you take a black and white photograph of flowers, you can tell which ones are lighter and which ones are darker.
        • For example, bright yellow is relatively light color. You can lighten it up even more by adding white and making it a pale yellow.
        • Bright blue is naturally dark and low on the light scale, while dark blue is even lower.

   Mixing paints

   1. Follow these instructions to get any color you want. Magenta, yellow and cyan are primary subtractive colors, which means that they can be mixed to create any other color, but they themselves cannot be obtained from other colors. Primary subtractive colors are used when mixing pigments such as inks, dyes and paints.

      

      Low saturation colors (soft colors) come in three main types: light, dark and muted.

      Add white to get lighter colors. Any color can be lightened by adding white to it. To achieve a very light color, it is better to add the base color to the white a little at a time so as not to waste excess paint.

      Add black to get dark colors. Any color can be darkened by adding black to it. Some artists prefer to add a complementary color that is opposite a given color on the exact CMY/RGB color wheel. For example, green can be used to darken magenta and magenta can be used to darken green because they are opposite each other on the color wheel. Add black or complementary color a little at a time so as not to overdo it.

      Add white and black (or white and a complementary color to the original) to create muted, grayish colors. By varying the relative amounts of black and white flowers, you can get any desired level of lightness and saturation. For example: add white and black to yellow to get light olive. Black will darken yellow, turning it into olive green, and white will lighten that olive green. Different shades of olive green can be achieved by adjusting the amount of color added.

      • To achieve a desaturated color such as brown (dark orange), you can adjust the hue in the same way as to achieve bright orange - by adding small amounts of colors nearby on the color wheel: magenta, yellow, red or orange. They will make the brown brighter while changing its shade. But since brown is not a bright color, you can also use colors on the other sides of the triangle, such as green or blue, which will darken the brown while changing its hue.

   2. Get black. This can be done by mixing any two colors that are mutually complementary, as well as three or more colors that are equidistant from each other on the color wheel. Just don't add white or any color containing white unless you want a shade of gray. If the resulting black leans too much toward a particular color, neutralize it by adding a little complementary color to that color.

      Don't try to get white. White cannot be obtained by mixing other colors. Like the three primary colors - magenta, yellow and cyan - you will have to buy them, unless, of course, you are working with materials like watercolor, for which paper itself is used instead of white if necessary.

      Develop an action plan. Think about the hue, lightness, and saturation of the color you have and the color you want, and make adjustments accordingly.

      • For example, the shade of green can be brought closer to cyan or yellow - its neighbors on the color wheel. It can be lightened by adding white. Or darken it by adding black or a complementary color, namely purple, magenta or red, depending on the shade of green. You can tone it down by adding black and white, or make the desaturated green a little brighter by adding (bright) green.
      • One more example. You mixed red and white to make pink, but the pink came out too bright and warm (yellowish). To correct the warm shade, you will have to add a little magenta. To tone down hot pink, add white, a complementary color (or black), or both. Decide if you want a darker pink (add only the complementary color), a grayish pink (add white and the complementary color), or just a lighter pink (add only the white). If you plan to adjust the hue with magenta and tone down the pink with green or cyan (complementary to magenta and red), you can try combining the two by using a color between magenta and cyan, such as blue.

   3. Mix paints and start creating a masterpiece! If all of this seems overwhelming, you just need a little practice. Creating a color guide for your own needs - good way Practice using the principles of color theory. Even by printing it from your computer, you will provide yourself useful information for a time when you do not yet have practice and cannot work on an intuitive level.

   Samples of colors and methods for obtaining them

   • Select the color you want and follow the instructions below. Each sample gives whole line opportunities; you can adjust the amount of paint you use to get exactly the color you want. For example, any light color can be lightened or darkened by adding more or less white. Complementary, or complementary, colors are colors that are opposite each other on the RGB/CMY color wheel.
   • Red: Add a little yellow or orange to the magenta.
     • Light red (salmon pink, coral): Add white to red. Use less white and more red to get coral.
     • Dark red: Add a little black (or cyan) to the red. Cyan is complementary to red.
     • Muted red: Add white and black (or cyan) to red.
   • Yellow: Yellow cannot be obtained by mixing other colors. You'll have to buy it.
     • Light yellow: Add white to yellow.
     • Dark yellow (olive green): Add a little black (or purple-blue) to the yellow. Violet-blue is complementary to yellow.
     • Muted yellow (light olive): Add white or black (or violet-blue) to yellow.
   • Green: Mix cyan and yellow.
     • Light green: Add white to green.
     • Dark green: Add a little black (or magenta) to the green. Magenta is complementary to green.
     • Grey-green: Add white and black (or magenta) to green.
   • Cyan (turquoise blue): Cyan cannot be obtained by mixing other colors. You'll have to buy it.
     • Light cyan: Add white to cyan.
     • Dark cyan: Add a little black (or red) to the cyan. Red is complementary to cyan.
     • Grey-blue: Add white and black (or red) to the cyan.
   • Purple Blue: Mix magenta with cyan or blue.
     • Light violet blue (lavender): Add white to the purple-blue.
     • Dark violet blue: Add a little black (or yellow) to the purple-blue. Yellow is complementary to violet.
     • Grayish-violet-blue: Add white and black (or yellow) to the purple-blue.
   • Violet: Mix magenta with a little cyan, blue or violet blue.
     • Light purple: Add white to purple.
     • Dark purple: Add some black (or lime green) to the purple. Lime green is complementary to purple.
     • Muted purple: Add white and black (or lime green) to the purple.
   • Black: Black can be created by mixing any two complementary colors or three equidistant colors on the precise CMY/RGB color wheel, such as red, green and blue. If instead of pure black you got dark color, correct it by adding a color that is complementary to it.
   • White: White cannot be obtained by mixing other colors. You'll have to buy it. To get white warm shade(such as cream), add a little yellow. To get a cool white, add a little cyan.
   • Grey: Gray is a mixture of black and white.
   • When mixing paints, add a little at a time to adjust the color. You can always add more. This is especially true when working with black and blue, which tend to dominate other colors. Add a little at a time until you achieve the desired result.
   • To find out if a color is complementary, use your own eyes. This old trick: Look closely at the color, then look away at the white surface. Due to “color fatigue” in the eyes, you will see the opposite color.
   • Choosing primary colors when purchasing can be difficult. Look for magenta that does not contain white or blue pigments (PW and PB). The best pigments are violet and red pigments such as PV19 and PR122. Good cyan PB15:3. PB15 and PG7 are also good. If you need artist paints or glazes, you can try using a printer to match the colors. Print a sample from your computer to take with you to the store, or look for primary colors on the sides of a cereal or cookie package.
   • You need one color triangle of colors that provide visual balance to the painting, and another color triangle to identify pairs of colors that neutralize each other, since the complementary colors for these tasks are slightly different. So, ultramarine goes well with lemon yellow and other beautiful yellows, but to darken those yellows, use purple. Additional information information on this issue can be found online.
   • How many tubes with different colors actually needed to paint a picture? In Jean-Louis Morell's book about watercolor painting shows how, using the cyan-yellow-magenta color triangle, you can get almost any desired color from just four or five, but this can also be done using the above three plus white (paper is used as white in watercolor painting)!
     • The best range of shades can be obtained by mixing colors that are close to the CMY primary colors, but to obtain more dark shade, one - or better yet, two - should be darker than these primary colors, for example, Persian blue or cobalt blue, alizarin crimson.
   • What are you writing? The colors you need depend entirely on what you're writing. For example, ultramarine, Neapolitan yellow, burnt sienna and whitewash are useful for distant landscapes if bright greens and yellows are not needed.

   What you will need

   • Palette - a disposable paper palette works well.
   • Palette knife (any size)
   • Watercolor paper or primed canvas (you can buy these from your local art store; ready-made primed canvas works well)
   • Containers with water or solvent for washing brushes
   • Synthetic brush of your choice (#8 round or #6 flat works well)
   • Spray bottle to keep water-based paints from drying out
   • Paper towels for removing dirt and cleaning brushes
   • Color circle
   • Paints
   • A robe or an old shirt that you don’t mind getting dirty
   • Gloves

There can be many reasons for looking for the color green. For example, you want to paint the kitchen, draw a landscape, or make leaves for a plant out of plasticine, and buy required material no possibility. Then you have to look for the answer to the question of how to get

Color Basics

The science called coloristics studies colors, their features and combinations. Any artist, even a beginner, has an idea of ​​how to get a particular shade by mixing paints, and, naturally, knows how to get green.

You may not believe it, but all the objects around you are painted in only 3 colors. They are called basic. These are red, yellow and blue. By mixing these colors and using black and white, thousands of shades can be created: brown, purple, pink, orange and many more. By learning these basics, future artists will also learn how to produce the color green.

The color ring is used to visually study color. It is convenient to use it to determine which color needs to be mixed with which in order to obtain more complex shades. Moreover, changing the proportions of the initial colors also changes the final one. Paints from different companies may differ slightly in color - this also needs to be taken into account when mixing.

What needs to be mixed?

We figured out that any color can be obtained by mixing red, blue and yellow. All that remains is to figure out what colors to mix to get green. For the answer, let's turn to the color ring. It clearly shows that the color we need is between yellow and blue. This means that they need to be mixed to get green. If you take paints in equal proportions, you get regular color, the kind you can find in a jar labeled “green.” But what happens if you change the amount of one of the colors?

Many shades

We have already talked about shades above, it remains to figure out what they are. This is what artists call colors that are very similar to the main one, but modified by adding other colors. Let's see what this looks like in practice.

We have already figured out how to get green by mixing blue and yellow in equal proportions. If the proportions change, the color will change. For example, adding blue to green will make the second “cooler”. This is the name of the shades that can be found on Adding yellow makes the color “warm”, for example light green. And if you add a lot of yellow paint, you get lemon.

How to change color correctly?

Often, artists are faced with a more difficult task - how to get a green color that is much more interesting than the standard one. To do this, you can experiment. For example, adding black - it will make the green darker, like a swamp or coniferous, but in some cases this is necessary. You need to work with black very carefully. Even the smallest drop can make the color look muddy, so add it a little at a time. And white will make the shade lighter. At the same time, the brightness will decrease - the green will appear as if in a fog. The same recommendations apply to other colors.

In pursuit of interesting shades, some begin to add all the colors in a row to green. This is not worth doing. Colors located on the other side can easily ruin everything. That is, if you mix yellow and blue, try not to add red and its shades. Only those who have sufficient painting skills can do this correctly.

Psychology of green

Knowing how to get green can be useful in many areas of life. But before you actively use it in the interior, decide whether it will suit you psychological point vision.

Experts have long noticed that furniture can greatly influence a person’s mood. For example, red evokes passion or aggression, soft pink is suitable for frivolous pastime, and orange adds energy and positivity.

As for green, a lot depends on its brightness and saturation. More bright hues allow you to relax and have a pleasant rest after a hard day working day, and juicy emerald shades or light green will add vigor. At the same time, dark colors make the interior more serious. But all psychologists are inclined to the same opinion - green is the most relaxing and calm color of all. If this is exactly what you need, actively use green in the interior.

How to get other colors?

Whatever your goals, it's unlikely that you can get by with just one color. Green can be successfully combined with many other shades, because in nature, leaves of this color serve as the background for irises, dandelions, forget-me-nots and poppies. Moreover, it all looks very harmonious. This means that green, if desired, can be successfully combined with any shades. But how to get them?

Red, yellow and blue are the main ones, as we found out above. They are complemented by black and white. A simple table will tell you what colors you can get by mixing.

The article gives a complete and detailed answer to the question of how to get green by mixing paints. This means that now you can easily cope with this task and create many amazing shades that are not in your paint palette.