Farce is a theatrical genre. What is farce

What is farce?

The word "farce" has several meanings. About farce as a form theatrical arts, the previous answers already have everything. For Dahl, “farce” is a joke, a funny prank. Nowadays, “farce” is more often used to mean something hypocritical, cynical (for example, elections have turned into a pathetic farce), or sometimes as a crude joke.
A farce comedy of light content with purely external comic characters. In the Middle Ages, farce was also called the form folk theater and literature, widespread in the XIV 16th centuries in the western European countries. Primaries of farcical buffoonery are preserved in circus clowning
FARS French farce, Latin. farsa is one of the comic genres medieval theater. In the 7th century, in ecclesiastical Latin, farsa (farsia) denoted an insertion in a church text (Epistola cum farsa, Epistola farsita, etc.), later these insertions became common in prayers and hymns. The assignment of the term F. to a dramatic interlude can be attributed to the 12th century. The undoubted source of F. are French games (jeux), known already in the 12th century under various names: dits, d#233;bats, etc. Game under the leaves (Jeu de la feuill#233;e, ca. 1262) by Adam de La Gal 12381286 has a number of purely farcical features, both in terms of plot and witty situations, and interpretation individual characters(predecessor of the Italian Harlequin devil Herlequin Croquesots, physicist, monk). The content of farces, as well as fabliaux, which are extremely close to them, was borrowed from everyday reality; F.'s themes are varied family relationships and the relationship between master and servant, the deception of his wife, trickery in trade and in court, the adventures of a boastful soldier, the failures of an arrogant student; colorful images of monks and priests, traders and artisans,
soldiers and students, peasants and farm laborers, judges, officials; comic situation is achieved by introducing the external effect of a brawl, altercation, etc.; often many complications are brought into play by the use of several dialects, professional vocabulary, and Macaroni Latin; The individualization of the speech of F.'s characters was carried out quite consistently in most cases. There are no developed characters in the farce; as in fabliau, F.'s heroes act more, exchange puns and witty remarks; The plot grows due to the rapid transfer of action from one place to another, unexpected clarifications. Unlike the large forms of the medieval city theater, F. did not know the lengthy preparation of the performance, did not have equipped stage area, made do with the most primitive staging means. French farce and those close to F. were the lot of small brotherhoods and were staged from the 14th century. mainly parliamentary clerks (clercs de Basoche) and actors (enfants sans souci). Early F. include Free Shooter from Bagnolet (Franc Archer de Bagnolet, 1468) and Trois galants et Philipot, where the old motif of a boastful soldier is beautifully developed. The number of F. has increased greatly since the end of the 15th century. ; F.'s original cycle about Patelen dates back to this time. Three farces Monsieur Pierre Patelen 1470, New Patelen c. 1480, Will of Patelen c. 1490 paint the immortal image of the rascal lawyer avocat sous lorme. The obvious popularity of these farces, especially the first, is evident from the numerous editions (16 editions from 1489 to 1532) and those references to the main F. that are found in the New Patelen and in the Testament.
Firstly, farce is a type of folk theater, similar to the Italian “commedia dell’arte”, that is, improvisational performances with the participation of masked actors. It became widespread in most Western European countries with the development and growing popularity of the Mystery plays (1416 centuries). The main pathetic and solemn action began with comedic inserts. Actually, it was then that the term farce arose from the word “minced meat, stuffing.” Farce gradually developed into a separate theater genre, truly popular and democratic. Farce is characterized by crude humor, buffoonery, improvisation, and an emphasis not on the individual, but on the typical traits of the characters. Farcical motives are clearly visible in literary creativity playwrights of the Renaissance and 17th century (Shakespeare, Moliere, Cervantes, etc.).
Secondly, since the 19th century. the term farce is used as a title a separate genre dramaturgy and theater performances, preserving the main features of a medieval farce: lightness and unpretentiousness of the plot, slapstick humor, unambiguous characters, external comic devices. Often serves as a synonym for vaudeville, stage jokes, sitcoms, theatrical and circus clownery, etc. One-act jokes by A.P. Chekhov “The Proposal,” “The Bear,” “Anniversary” carry the features of farce.
At the everyday level, the word farce is used in figurative meaning to define a rude joke, a shocking prank.

Medieval comic theatrical genre- comedy. Farce is the strange child of two incompatible parents. If comedy is his mother, then the father who gave him his name was a church text in which farce was called insertions (translation - “stuffing”) - Epistola cum farsa or Epistola farsita, however, there were many of them in hymns and even just in prayers. If we continue the comparison, looking at it, the tragedy so beloved by the ancient Roman population is not too far away. Farce in in this case was that poor tragedians were devoured in the arena beasts of prey to the cheerful cries of the audience. It is not for nothing that the saying comes to mind that any action only for the first time can be a tragedy, repeated twice is already a farce. This ceases to convince. So what is farce?

So the term stuck to a small dramatic interlude in the 12th century. Farce is the problems of the family, and the relationship between servant and master, and trickery, and the adventures of soldiers and students, any of both farm laborers and merchants, and judges and officials.

The figurative series are replete with comic situations, achieved by fairly cheap means - with the help of brawls and squabbles. The development of the plot involves jumping from one place of action to another, there is no unity. The characters are not developed deeply; the characters mostly make puns and make wisecracks. The themes are varied and most often borrowed from the surrounding everyday life. The production means are the most primitive, since there is no preparation for the performances. By the end of the 15th century, the number of farces increased, and the genre flourished.

Farce is the heyday of French theater

The French theater, for all its infancy, had already acquired some purely farcical features by the 12th century. Building on witty plot moves. Characters - predecessor of Harlequin, alchemist, monk. The trilogy about Potilenus, the lawyer, the trickster and the swindler is becoming especially famous. Author unknown. Villon, de la Salle, and Blanchet are also suspected. Edifying and political farces were composed by Queen Margot (of Navarre, the same one). Much later, farce constantly shone through in the comedies of the famous Moliere. For example, or "The Tricks of Scapin." The critical time for the development of theater was the 17th century. Farce is leaving the French stage. A full-fledged literary comedy triumphantly takes its place.

Farce is the father Italian comedy

Farce, in itself not a very independent dramatic action, had a huge impact on the whole world. In particular, Italy became a real home for farce, but in the end it received a talented child - commedia dell'arte, with the immortal masks of Columbine, Pantalone, Doctor and Harlequin.

Farce is the main genre on the stage of medieval Europe

The literature of other European countries has left us a legacy of examples of this genre. In Germany there were Maslenitsa games, flogging human weaknesses. In the 12th-15th centuries, the Meistersingers (German poet-singers), especially those from Nuremberg, most often succeeded in composing farces. Like knights proud of their lineage, the Mastersingers were true professionals and respected the art of poetry as a craft. And in Spain Cervantes created. The most famous farces of his brilliant pen are “Two Talkers” and “Theater of Miracles”.

Farce (theatre) Farce(French farce, from Latin farcio √ I fill: medieval mysteries were “filled” with comedic inserts), 1) a type of folk theater and literature widespread in the 14th-16th centuries. in Western European countries. F. was distinguished by a comic, often satirical orientation, realistic concreteness, and cheerful freethinking. F.'s heroes are townspeople. Peasants were always ridiculed, as were representatives of the minor nobility. Mask images (stupid husband, grumpy wife, stupid judge, charlatan doctor, pedantic scientist, swindler, etc.), devoid of individuality, represented the first attempt to create social types. F. were saturated buffoonery. The most famous were the French f. (15th century) “Lohan”, “Lawyer Patlen” and others. The traditions of folk f. big influence for the development of democratic trends in France. acting(farcical actors of the 17th century - Tabarin, Gros-Guillaume, Gautier-Garguil, Turlupin, etc.), based on the work of Moliere. Italian traditions F. became the basis commedia dell'arte, English F. found implementation in the comedies of W. Shakespeare, Spanish. F. √ in one-act plays L. de Rueda, in interludes by M. Cervantes; German F. ( fastnachtspiel) received literary embodiment in the works of G. Sachs. F. was partially revived at the end of the 19th and 20th centuries. V satirical plays A. Jarry, B. Brecht. The techniques of farcical buffoonery were preserved in circus clowning. 2) In the 19th-20th centuries. genre of bourgeois-commercial theater, not associated with folk tradition: meaningless, often scabrous comedies built on external comic techniques.

Great Soviet Encyclopedia. - M.: Soviet encyclopedia . 1969-1978 .

See what "Farce (theatre)" is in other dictionaries:

Farce comedy of light content with purely external comic techniques. In the Middle Ages, farce was also a type of folk theater and literature that was widespread in Western European countries in the 14th and 16th centuries. The techniques of farcical buffoonery have been preserved... Wikipedia

farce- a, m. farce f. 1. A comedy of the 14th-16th centuries associated with folk tradition. satirical, everyday or other content with extensive use of external comedy; presenting such a comedy on stage. BAS 1. Given funny scenes farces in which... Historical Dictionary of Gallicisms of the Russian Language

- (French farce). You will produce a little dramatic in a comic, mostly banal spirit, comic play. 2) funny prank, funny prank. Dictionary foreign words, included in the Russian language. Chudinov A.N., 1910. Farce in broad... ... Dictionary of foreign words of the Russian language

Theater on Vasilyevsky Location Saint Petersburg, Vasilyevsky Island, Sredny Avenue, 48 Founded 1989 Director Vladimir Slovokhotov Artistic director Vladimir Slovokhotov Main director Vladimir Tumanov Website official website... ... Wikipedia

- (French farce, Latin farsa) one of the comic genres of medieval theater. In the 7th century, in ecclesiastical Latin, farsa (farsia) meant an insertion in a church text (Epistola cum farsa, Epistola farsita, etc.), later these insertions became common in... ... Literary encyclopedia

Ushakov's Explanatory Dictionary

FARCE, farce, male, and (obsolete) FARCE, farce, female. (French farce). 1. Theater play light, playful, often frivolous content (lit., theater). Comedy and farce theater. 2. portable, units only An obscene, shameful, cynical spectacle (public... Ushakov's Explanatory Dictionary

Theater "GITIS" is a theater in Moscow, a branch of the Russian Academy of Theater Arts (GITIS). Since 1958, the theater has been located in the historic Nirnzee house in the Bolshoi Gnezdnikovsky Lane, 10; performances also take place on the training stage... ... Wikipedia

This term has other meanings, see Farce (meanings). Farce (French Farce) is a comedy of light content with purely external comic techniques. In the Middle Ages, farce was also called a type of folk theater and literature,... ... Wikipedia

I Theater (from the Greek théatron a place for spectacle; spectacle) a type of art (See Art). Like other arts, T. is a form of social consciousness, it is inseparable from the life of the people, its national history and culture. The rise or decline of T., development... ... Great Soviet Encyclopedia

Books

Farce... and what else is there? Farce theater in Russia 1893-1917, D. Zolotnitsky. The monograph by Doctor of Art History D.I. Zolotnitsky covers a topic that has hardly been touched upon so far in the literature on the theater. The history of theaters is presented in chronological order as follows...

Farce

FARCE (French farce, Latin farsa) is one of the comic genres of medieval theater. In the 7th century, in ecclesiastical Latin, farsa (farsia) denoted an insertion in a church text (Epistola cum farsa, Epistola farsita, etc.), later these insertions became common in prayers and hymns. The assignment of the term F. to a dramatic interlude can be attributed to the 12th century. The undoubted source of F. are French games (jeux), known already in the 12th century under various names: dits, debats, etc. “Game under the leaves” (Jeu de la feuillee, ca. 1262) by Adam de la Gal (1238-1286) ) has a number of purely farcical features, both in terms of the plot and wit of the situations, and the interpretation of individual characters (the predecessor of the Italian Harlequin is the devil Herlequin Croquesots, “physicist”, monk). The content of farces, as well as fabliaux, which are extremely close to them, was borrowed from everyday reality; F.'s themes are varied - family relationships and relationships between master and servants, deception of his wife, trickery in trade and in court, the adventures of a boastful soldier, the failures of an arrogant student; the images are colorful - monks and priests, traders and artisans, soldiers and students, peasants and farm laborers, judges, officials; a comic situation is achieved by introducing an external effect - a fight, altercation, etc.; often many complications are brought into play by the use of several dialects, professional vocabulary, and Macaroni Latin; The individualization of the speech of F.'s characters was carried out quite consistently in most cases. There are no developed characters in the farce; as in fabliau, F.'s heroes act more, exchange puns and witty remarks; The plot grows due to the rapid transfer of action from one place to another, unexpected clarifications. In contrast to the large forms of medieval city theater, F. did not know the lengthy preparation of the performance, did not have an equipped stage area, and made do with the most primitive staging means. French farce and those close to F. were the lot of small brotherhoods and were staged from the 14th century. mainly parliamentary clerks (clercs de Basoche) and actors (enfants sans souci). Among the early F. are “The Free Shooter from Bagnolet” (Franc Archer de Bagnolet, 1468) and “Trois galants et Philipot”, where the old motif of a boastful soldier is beautifully developed. The number of F. has increased greatly since the end of the 15th century; F.'s original cycle about Patelen dates back to this time. Three farces - “Monsieur Pierre Patelen” (1470), “The New Patelen” (c. 1480), “The Testament of Patelen” (c. 1490) - paint the immortal image of a swindler-attorney - avocat sous l’orme. The obvious popularity of these farces, especially the first, is evident from the numerous editions (16 editions from 1489 to 1532) and those references to the main F. that are found in the “New Patelen” and in the “Testament”.
The question of authorship has not yet been resolved, and the names of François Villon, Adam de la Salle, and Pierre Blanchet as the authors of Patelin are equally unlikely. By the 16th century include the farces of Margaret of Navarre, of which one, entitled “Comedy,” is an example of edifying F. (an old woman teaches two girls and two married women how to act in family difficulties), and the other “Trop, prou, peu, moins "(Too, much, little, less) is an example of a political farce. Under the name Trop and Prou are the Pope and Emperor Charles V, while in the person of peu and moins are small, ordinary people; in F. the greed and arrogance of “these two halves of God” - the pope and the emperor - are ridiculed. More than 130 French f. date back to the 15th-16th centuries. Undoubtedly, F. undergoes a certain evolution under the influence of the Italian “comedy of masks” in the work of the authors-actors Gros Guillaume, Gualtier Garguille, Turbepin and later Moliere; Moliere's comedies, even of the late period, largely retain echoes of F. ("The Tricks of Scapin", "The Imaginary Invalid", etc.), but he combines the external comedy of random situations with a deep demonstration of reality and the vividness of the images. In France XVII V. is critical for the development of F.; the latter is being replaced by literary comedy.
Similar genres of fiction are represented in the literature of other countries. In Germany, Maslenitsa games are close to F. - “fastnachtspiel” (see). F.'s spread in Italy dates back to the 15th and 16th centuries; for the Aragonese court, F. of an allegorical nature wrote Sannazzaro in eleven-syllable verses; this farce penetrated into Mantua and Venice. Semi-dialectal F. with amusing content was written by Pietro Caracciolo (“Il magico”). There is no doubt about the connection between the tradition of F. and the comedy of masks; there is a certain closeness to F. in the work of Ruzante (q.v.) of the first period (1520-1530). In Spain genre features F. can be observed in the works of Lope de Rueda, Gilles Vicente and in the famous interludes of Cervantes (“Theater of Miracles”, “Two Chatterboxes”, etc.). Bibliography:

I. F.'s texts were published in the collections: Recueil de farces, moralites et sermons joyeux, publ. p. Leroux de Lincy et Fr. Michel, 4 vls, P., 1831-1838; Ancien theater francais, publ. p. E. Viollet le Duc, 10 vls, P., 1854-1857; Recueil de farces, soties et moralites, publ. p. P.-L. Jacob, P., 1859; Le theater francais avant la Renaissance (1450-1550), publ. p. E. Fournier, Paris, 1872; Picot E. et Nyrop Chr., Nouveau recueil de farces francaises des XV-e et XVI-e siecles, Paris, 1880.

II. Petit de Julleville L., Les comediens en France au moyen age, P., 1885; Teatro italiano dei secoli XIII, XIV, XV a cura di F. Torraca, Firenze, 1885; Schamburg K., Die Farce Pathelin und ihre Nachahmungen, Diss., Lpz., 1887; Brotanek R., Die englischen Maskenspiele, Wien, 1902; Beneke A., Das Repertoir und die Quellen der franzosischen Farcen, Diss., Jena, 1910; Croce B., Teatri di Napoli dal rinascimento alla fine del Secolo XVIII, Bari, 1916; Holbrock R. T., etude sur Pathelin (Essai de bibliographie et d'interpretation), Baltimore, P., 1917; Steele M. S., Plays and Masques at Court during the reigns of Elizabeth, James and Charles, New Haven, 1926; see also French literature.

Literary encyclopedia. - At 11 t.; M.: Publishing House of the Communist Academy, Soviet Encyclopedia, Fiction. Edited by V. M. Fritsche, A. V. Lunacharsky. 1929-1939 .

(Latin farcio – I’m filling: medieval mysteries were “stuffed” with farces), a genre of folk theater in Western European countries of the 14th–16th centuries. The farce is full of comic effects, buffoonery, often contains satirical allusions to specific individuals. The heroes of the farce are masked images, the first attempt at typification in drama.

Literature and language. Modern illustrated encyclopedia. - M.: Rosman. Edited by prof. Gorkina A.P. 2006 .

FARCE. - Everyone's hero dramatic work, embraced by a single, integral desire, passion, encountering the confrontation of the environment, inevitably violates the norms, customs and habits of this environment. The heroes of the comedy violate socio-psychological norms; A farce is usually a comedy in which the hero violates the social and physical norms of public life. Thus, in Aristophanes’ “Lysistrata,” the heroine seeks to force men to end the war by encouraging women to refuse them love. Thus, Argan (“The Imaginary Invalid” by Molière) sacrifices the interests of his family to the interests of his imaginary sick stomach. The field of farce is primarily eroticism and digestion. Hence, on the one hand, there is an extreme danger for farce - to fall into greasy vulgarity, on the other - the extreme sharpness of farce, which directly affects our vital organs.

In connection with the physical element of the farce, it is naturally characterized on stage by an abundance of externally effective movements, collisions, hugs, and fights. Farce is by its nature peripheral, eccentric - it is an eccentric comedy. Animal fuss in the stage interpretation turns into physical action, ennobled by rhythm and plasticity: the farce on stage takes on the character of a buffoonery. Since physical standards human society Incomparably less changeable than socio-psychological norms, farce (or eccentric comedy) requires incomparably less everyday development than everyday comedy. For the same reason, a good farce is more durable than a domestic comedy. In its design, farce is thus closer to tragedy (see Tragedy), everyday comedy to drama (in the narrow sense of the word).

History of farce. Farces developed from everyday scenes introduced as independent sideshows into medieval plays of a religious or moralistic nature. Farces supported the tradition of comic performances coming from the Greco-Roman stage, and gradually transformed into the comedy of new centuries, remaining as special type light comedy. Farce performers in former times were usually amateurs. This is, for example, the Bazoche society in France; probably belonged to him, unknown by name, the author of the famous French farce “Lawyer Patelin” (1470), published many times with alterations of the text and under different titles. Lists of farces appear only from the end of the 15th century: the Catholic clergy mercilessly fought against them. However, farces were played already in the 13th century. J. d'Abondance, the author of the farce "La cornette" (1545), which has family troubles as its theme, also belonged to the Bazoche society. The same is true for another famous farce (anonymous): "Le cuvier". The German "Shrovetide performances" are similar to French farces. (Feschnachtspiele), the best of which were written by Hans Fogli, Hans Sachs, Rosenbluth. Reuchlin gave a German adaptation of the farce about Patelen under the name "Neppo". Rich in farces spanish literature. They were introduced by H. Visenier (first half of the 16th century). Exemplary farces can be seen in Cervantes' Interludes. Among the Italians, farce often merged with commedia dell'arte. In the old English theater Foote's many farces were famous. We have most of farces - translations and adaptations of Western ones. German and French farces have been published in several collections, some of which contain about a hundred farces.

V. Volkenshtein., I. E. Literary Encyclopedia: Dictionary literary terms: In 2 volumes / Edited by N. Brodsky, A. Lavretsky, E. Lunin, V. Lvov-Rogachevsky, M. Rozanov, V. Cheshikhin-Vetrinsky. - M.; L.: Publishing house L. D. Frenkel, 1925

farce

Explanatory Dictionary of the Living Great Russian Language, Dal Vladimir

farce

m. farces pl. French joke, funny prank, funny prank of a joker. To farce, to break down, to fool around, to imitate, to make people laugh, to make jokes or things. Farsun, farsun, who farses, throws out farces.

Explanatory dictionary of the Russian language. D.N. Ushakov

farce

farsa, m., and (obsolete) FARSA, farces, w. (French farce).

A theatrical play with light, playful, and often frivolous content (lit., Theatre). Comedy and farce theater.

portable, units only An obscene, shameful, cynical spectacle (public). In most capitalist states, the so-called. "free" elections have turned into a pathetic farce.

Crude joke, buffoonish trick (colloquial obsolete). He will make everyone laugh with his inflated speech, grimace, and common farce. Lermontov.

Explanatory dictionary of the Russian language. S.I.Ozhegov, N.Yu.Shvedova.

farce

A theatrical play of light, playful content with external comic effects.

trans. Something hypocritical, cynical. Rude f.

adj. farcical, -aya, -oe (to 1 meaning).

New explanatory dictionary of the Russian language, T. F. Efremova.

farce

trans. An obscene, shameful, cynical spectacle.

decomposition A rude joke, a clownish trick.

Encyclopedic Dictionary, 1998

farce

FARCE (French farce, from Latin farcio - I start: medieval mysteries were “filled” with comedic inserts)

a type of medieval Western European (mainly French) folk theater and literature of an everyday comedy-satirical nature (14-16 centuries). Close to the German fastnachtspiel, Italian commedia dell'arte, etc.

In the theater of the 19th-20th centuries. comedy-vaudeville light content with purely external comic devices.

farce

historical region in southern Iran. Before the Arab conquest (7th century) it was called Parsa, Persis. In the Middle Ages - the core of the states of the Buyids, Mozafferids, Zends and others.

Farce

Farce- a comedy of light content with purely external comic techniques.

In the Middle Ages, farce was also called a type of folk theater and literature, widespread in the 14th - 16th centuries in Western European countries. Having matured within the mystery, farce gained its independence in the 15th century, and in the next century it became the dominant genre in theater and literature. The techniques of farcical buffoonery were preserved in circus clowning.

The main element of the farce was not conscious political satire, but a relaxed and carefree depiction of urban life with all its scandalous incidents, obscenity, rudeness and fun. The French farce often varied the theme of a scandal between spouses.

In modern Russian, a farce is usually called profanation, an imitation of a process, for example a trial.

Farce (stop)

Farce (- Fars, or پارس - Pārs), Parsi- one of the 31 provinces (stays) of Iran, as well as a historical region. Located in the south of the country, near the Persian Gulf. Area - 122,608 km², population - 4,596,658 people (2011). The administrative center is the city of Shiraz.

Fars province is the historical homeland of the Persians and the Persian language, as well as the cradle of Iranian statehood. Latinized name Persia comes from the ancient Persian name for this area - Parsa or Parsuash.

Farce (disambiguation)

Farce- ambiguous concept:

Farce is a comedy of light content.
- The genre of medieval drama - see Farce in the Middle Ages.
Fars is an ostan and historical region in Iran.
Fars is a river in Adygea and Krasnodar region.

“Farce” - picture (1988) folk artist Russia Valeria Balabanov (1939-2009).

Fars (river)

Farce- a river in Adygea and the Krasnodar Territory, a left tributary of the Laba (Kuban basin).

Length - 197 km, drainage basin area - 1450 km². The total fall is 910 m, the slope is 4.61 m/km. According to the State Water Register of Russia, it belongs to the Kuban Basin District, the water management section of the river - Laba from the confluence of the Chamlyk River to the mouth, the river sub-basin of the river - there is no sub-basin.

There are large villages on the river: Novosvobodnaya, Makhoshevskaya, Yaroslavskaya, Dondukovskaya, as well as the large village of Khakurinokhabl.

The river has many tributaries. The largest of them: Psefir, Seraglio.

In the upper reaches of Fars one can see the remains of the “Turkish Wall”, the place where the Circassian defense line was during the period Caucasian war. The famous bear hazel grove is located here. In the Fars Valley there is a historically famous Bogatyrskaya Polyana, which had over 400 dolmens.

Examples of the use of the word farce in literature.

Farce, which Tumas and Birgitta Karolina play on a tiny toy projector, I had myself as a child.

Soon Bhutto was arrested on clearly trumped-up charges of complicity in political murder and after a long trial farce hanged

The hero's father is familiar from Aristophanes, the Atellans and folk farce an old man, grumbling and stingy, often amorous himself.

Shrugging his shoulders and smiling awkwardly, he extended his hands forward, as if he wanted to say: so what if solar system disintegrates that we are in an unusual gravitational field, on unusual ship, in the middle of the cosmic emptiness, that I am now in the middle of some kind of boudoir farce.

Hella Vuolijoki, who was at first distrustful of Brecht's adaptation, having read the play translated into Finnish, admitted that her hero had become truly national type and what a comedy is from farce turned into a deeply meaningful social play.

From afar his torment seems farce- the leaps from wisdom to stupidity and the use of the fruits of reason to play on the stomach like a drum, run around on a hundred legs or line the walls with the brain are painfully funny.

Hilda turned to Zeb and calmly asked: - First pilot, was I chosen? farce?

For the first time, citizen Ivan Ivanovich Ivanov for trying to tell the truth, similar to farce, the lads fought to the death.

And isn’t it a table, isn’t it a kind of throne and ciborium - the wooden stage of the Italian farce, covered with a canopy, with steps below?

The audience roared wildly, responding, however, not so much to the essence farce, whatever it consisted of, as much as the violent, amazingly chaotic dances of the commune women, whose bare ankles and ankles were clearly visible under the frayed hems of their sweeping robes.

Terborkh, Metsu, Stan and others - chose secular and elegant subjects for their paintings or depicted frivolous fun, pranks, farces and festivities.

Playing with mannerist contrasts, Middleton introduced features into the tragedy satirical comedy morals, in some places bordering on farce.

Between you and me, I would never have staged this play: it’s kind of trivial farce.

I desperately wanted to go home, to Foldora's farm, where I could hide from the whole world, do my work, where there were no wizards, long futile searches, nothing reminiscent of Aunt Paul and rude farce what she turned his life into.

About Caron, who reprinted rare antiques in small editions farces, facets, etc.