Other works by Aksakov. Aksakov's works

Are you familiar with other works by Aksakov and Bazhov? Make a list and write it down in your Workbook.

They are entertaining not only for children, but also for adults.

Moreover, they are very educational.

Garshin wrote such works as “Moroz Ivanovich” and “The Tale of Four Deaf People”.

And I recognized Garshin after reading his fairy tales “The Frog Traveler” and “The Tale of the Toad and the Rose.”

No less instructive works.

Aksakov wrote the story “Hares”, “Pigeons”, “Forest”.

A popular works Bazhov “Stone Flower”, “Blue Snake”, “ Malachite Box” and “Mistress of the Copper Mountain.”

This is only a small part of all the fairy tales and stories of these writers.

However, they are all filled with wisdom and life experience.

2. Explain in your own words what a literary fairy tale is. How is it different from a folk tale? Give examples.

Literary and folk tales are very similar to each other.

However, at the same time, they have significant differences.

First, and most importantly, there is an author in a literary fairy tale.

He is usually the only one.

In a folk tale, as the name suggests, the author is the people, that is, several authors.

This type of folklore has been passed down orally for many decades and generations.

In a literary fairy tale, it is possible to borrow from a folk tale, but the author makes his own adjustments and can change the plot and characters at his discretion.

Also, an ordinary fairy tale is characterized by stable expressions and images.

3. Do you think the tales from this section are close to folk tales or different from them?

In this section, all fairy tales are very similar to folk tales.

They have standard characters and plots.

For example, three daughters and a father.

There are also many expressions from folk tales.

Such as: “once upon a time...”, “soon the tale is told, but not soon the deed is done...”, “three to nine lands away” and so on.

However, all these works have one author.

It is he who decides how to complement the fairy tale, what to add or remove.

Some works from this block do not have a very standard plot.

Fairy tales from the people often have a clear plot.

These works, published in collections, that is, they are no longer folklore.

4. Do writers use the device of personification in their fairy tales? Give examples.

This helps to reveal the characters even more and explains his inner world to readers.

These works also contain personifications.

For example, a toad and a rose.

And in the fairy tale “Town in a Snuff Box,” Odoevsky brought to life every bell, hammers, roller and spring.

They all know how to talk and move.

5. Imagine that the writer did not use this technique. How would his work change? Could we call it a fairy tale?

Without this there would be no plot.

And without these heroes, a fairy tale cannot be called a fairy tale.

That is, it would simply be an unrealistic story.

It would be difficult to understand why certain characters behave this way.

What guides them and what they think about.

6. How do you understand what a narrative is? Find the definition of this concept in the encyclopedia. Compare it with this one.

Narration is a connected story about some events, about something that happened.

I completely agree with this definition.

That is, the narrative is equal to the story.

This incident is described, has already happened, and is described by the author.

It is important here not to neglect chronology, but to follow it.

Aksakov Sergei Timofeevich was born in 1791 in Ufa, and died in Moscow in 1859. This is a Russian writer, public figure, official, memoirist, literary critic, as well as the author of books about hunting and fishing, and collecting butterflies. He is the father of the Slavophiles, and the writers Ivan, Konstantin and Vera Aksakov.

In this article we will look at Aksakov's works in chronological order.

"Buran"

During 1820-1830 the main creative activity Sergei Timofeevich carried out translations, as well as literary and theatrical criticism, and created several poems. Your first significant work he wrote only in 1833. This was the essay "Buran", published a year later anonymously in an almanac called "The Right Hand". The basis of this work by Aksakov is real event, which the writer knew about from the words of his eyewitnesses. This essay already carried the main features of the author’s subsequent work, the main one of which was an interest in reality. This work already outlines characteristic properties Aksakov’s poetics, by which we recognize this author. S. Mashinsky wrote about this creation that the picture of the storm was painted with such expressive power, laconic colors and courageous simplicity, as only Pushkin could write in prose until then.

After publication, the work received very high marks from various critics. Alexander Sergeevich himself appreciated Aksakov’s description of the snowstorm. Later, 20 years later, Leo Tolstoy would turn to the experience of this author when creating the story “Blizzard”.

We continue to describe Aksakov’s works. The list will be supplemented by “Notes” about hunting and fishing. From the end of the 1830s, Aksakov’s life began new period. He, as he dreamed, left public service, focusing entirely on managing family and business affairs.

"Notes on Fishing"

Aksakov's works underwent significant thematic changes in the 40s. Then he began to create a “Family Chronicle”, and later, in 1845, he decided to write a book dedicated to fishing. Work on it was completed a year later, and in 1847 it was published under the title “Notes on Fishing.” In form, this work is a selection of essays by a fisherman. This creation of Aksakov was also met with unanimous approval. A significantly expanded and revised edition was published in 1854 under the title “Notes on Fishing,” and two years later a third appeared.

"Notes of a Gun Hunter"

Aksakov’s works, the list of which we are compiling, will be supplemented by a book entitled “Notes of a Gun Hunter.” In 1849, Sergei Timofeevich began working on a work about hunting. It was published in 1852. In style, this creation resembled the previous one: its chapters were essays. This book also soon became popular, and the circulation of this work was instantly sold out. And again, rave reviews from various critics, including Gogol, Turgenev, Chernyshevsky.

"Family Chronicle"

In 1840, Aksakov began creating the Family Chronicle. However, then his attention switched to the above-mentioned books about hunting and fishing, and only in 1852 did work on these memoirs resume.

Individual episodes of Aksakov’s work were published as they were written in periodicals. A small excerpt was published already in 1846, and in 1854 the first episode from the “Family Chronicle” appeared in “Moskvityanin”, followed by the fourth (in “Russian Conversation” in 1856) and the fifth (in “Russian Messenger” in 1856 year). At the same time, “Memoirs” was published, which later became the third, separate book of the trilogy.

The second edition, published in 1856, included two more excerpts from this work, which finally acquired its final form.

The release of "Family Chronicle" was associated with censorship friction. Aksakov also feared the reaction of his neighbors and relatives who did not want publicity family secrets. Therefore, the writer changed many geographical names and faces. The book introduces the reader to a picture of landowner life in the provinces. took an important place in Russian literature, met with enthusiastic reception from critics and readers alike.

"Childhood years of Bagrov the grandson"

Aksakov's fairy tales, the list of which consists, strictly speaking, of only one work, are considered by some for some reason to be numerous. This is understandable: such a beautiful fairy tale could only be created by an experienced author. Aksakov was very experienced, but worked mainly in other genres. This work was placed by the author as an appendix to the book “The Childhood Years of Bagrov the Grandson.” Aksakov’s works for children, as you can see, are few in number, but very interesting and popular even today.

The concept of "The Scarlet Flower" is an artistic adaptation (not the first) of the famous story about the meeting of beauty and the beast. It was published many times separately, becoming the most published work of Sergei Timofeevich and creating the myth of “Aksakov’s fairy tale.”

Other works

The work on the trilogy inspired the writer, who conceived the idea of another memoir, dedicated to the period his life in 1820-1830. He, however, did not have time to bring it to life, but in the course of his work he created whole line interesting memoir essays. “Acquaintance with Derzhavin”, “Biography of M. N. Zagoskin” and “Memories of M. N. Zagoskin” appeared in 1852.

In the period from 1856 to 1858, the author created memoir essays that continued the series about A. S. Shishkov, Ya. E. Shusherin and G. R. Derzhavin. This book was published in "Russian Conversation" in parts, and then, in 1858, was included in the collection entitled " Various essays S. T. Aksakov." This time the memoirs were greeted without enthusiasm by critics, including N. A. Dobrolyubov. The author was accused of partiality and subjectivity in relation to his friends of his youth.

Latest works

“Collecting Butterflies” is a story written in 1858 for the collection “Bratchina,” a charity publication for the benefit of students at Kazan University. This creation is thematically related to the author’s university memoirs. It was born after his death. Aksakov, 4 months before his death, dictated another work - “Essay winter day". "Meeting with the "Martinists" was the last creation published during the life of Sergei Timofeevich and published in "Russian Conversation" in 1859.

Aksakov Sergey Timofeevich was born in October 1 1791 in Ufa, and died in Moscow in 1859 -m. This is a Russian writer, public figure, official, memoirist, literary critic, and also the author of books about hunting and fishing, and collecting butterflies. He is the father of the Slavophiles, public figures and writers Ivan, Konstantin and Vera Aksakov.

In this article we will look at Aksakov's works in chronological order.

"Buran"

During 1820-1830, Sergei Timofeevich's main creative activity was translations, as well as literary and theatrical criticism, and several poems were created. He wrote his first significant work only in 1833. This was the essay “Buran”, published a year later anonymously in an almanac called “The Right Hand”. The basis of this work by Aksakov is a real event, which the writer knew about from the words of eyewitnesses. This essay already carried the main features of the author’s subsequent work, the main one of which was an interest in reality. This work already outlines the characteristic properties of Aksakov’s poetics, by which we recognize this author. S. Mashinsky wrote about this creation that the picture of the storm was painted with such expressive power, laconic colors and courageous simplicity, as only Pushkin could write in prose until then. After publication, the work received very high marks from various critics. Alexander Sergeevich himself appreciated Aksakov’s description of the snowstorm. Later, 20 years later, Leo Tolstoy would turn to the experience of this author when creating the story “Blizzard”.

We continue to describe Aksakov’s works. The list will be supplemented by “Notes” about hunting and fishing. From the end of the 1830s, a new period began in Aksakov’s life. He, as he dreamed, left public service, concentrating entirely on managing family and economic affairs.

"Notes on Fishing"

"Notes of a Gun Hunter"

In 1849, Sergei Timofeevich began working on a work about hunting. It was published in 1852. In style, this creation resembled the previous one: its chapters were essays. This book also soon became popular, and the circulation of this work was instantly sold out. And again, rave reviews from various critics, including Gogol, Turgenev, Chernyshevsky.

"Family Chronicle"

In 1840, Aksakov began to create the “Family Chronicle”. However, then his attention switched to the above-mentioned books about hunting and fishing, and only in 1852 did work on these memoirs resume. Individual episodes of Aksakov’s work were published as they were written in periodicals. A small excerpt was published already in 1846, and in 1854 the first episode from the “Family Chronicle” appeared in “Moskvityanin”, followed by the fourth (in “Russian Conversation” in 1856) and the fifth (in “Russian Messenger” in 1856 year). At the same time, “Memoirs” was published, which later became the third, separate book of the trilogy. The second edition, published in 1856, included two more excerpts from this work, which finally acquired its final form. The release of “Family Chronicle” was associated with censorship friction. Aksakov was also afraid of the reaction of his neighbors and relatives, who did not want family secrets to be made public. Therefore, the writer changed many geographical names and faces. The book introduces the reader to a picture of landowner life in the provinces. This trilogy has occupied an important place in Russian literature, having met with an enthusiastic reception from both critics and readers.

“Childhood years of Bagrov the grandson”

This work was created in the period from 1854 to 1856. The author wanted to create a unique book for children, which should be written as if for adults, without being adjusted to the age of the audience, with a lack of moralizing. The birth of this work by Aksakov for children occurred in 1858. The book shows the transformation of the hero's inner world with age. Fairy tales by Aksakov, the list of which consists, strictly speaking, of only one work - “ The Scarlet Flower", some consider for some reason to be numerous. This is understandable: only an experienced author could create such a beautiful fairy tale. Aksakov was very experienced, but worked mainly in other genres. This work was posted by the author as an appendix to the book “The Childhood Years of Bagrov the Grandson.”Aksakov’s works for children, as you can see, are few in number, but very interesting and popular even today.

The idea " Scarlet flower» is an artistic adaptation (not the first) of the famous story about the meeting of beauty and the beast. It was published many times separately, becoming the most published work of Sergei Timofeevich and creating the myth of “Aksakov’s fairy tale.” The list of creations of this author is not yet complete; after writing this work, he created others.

Other works

Work on the trilogy inspired the writer, who conceived the idea of another memoir work dedicated to the period of his life in 1820-1830. He, however, did not have time to bring it to life, but in the course of his work he created a number of interesting memoir essays. “Acquaintance with Derzhavin”, “Biography of M. N. Zagoskin” and “Memories of M. N. Zagoskin” appeared in 1852. In the period from 1856 to 1858, the author created memoir essays that continued the series about A. S. Shishkov, Ya. E. Shusherin and G. R. Derzhavin. This book was published in “Russian Conversation” in parts, and then, in 1858, was included in the collection entitled “Miscellaneous Works of S. T. Aksakov.” This time the memoirs were greeted without enthusiasm by critics, including N. A. Dobrolyubov. The author was accused of partiality and subjectivity towards his friends from his youth.

Latest works

“Collecting Butterflies” is a story written in 1858 for the collection “Bratchina,” a charity publication for the benefit of students at Kazan University. This creation is thematically related to the author’s university memoirs. It was born after his death. Aksakov, 4 months before his death, dictated another work - “Essay on a Winter Day”. “The meeting with the “Martinists” was the last creation published during the life of Sergei Timofeevich and published in “Russian Conversation” in 1859.

Aksakov Sergei Timofeevich was born in 1791 in Ufa, and died in Moscow in 1859. This is a Russian writer, public figure, official, memoirist, literary critic, and also the author of books about hunting and fishing, and collecting butterflies. He is the father of the Slavophiles, public figures and writers Ivan, Konstantin and Vera Aksakov.

In this article we will look at Aksakov's works in chronological order.

"Buran"

During 1820-1830, Sergei Timofeevich's main creative activity was translations, as well as literary and theatrical criticism, and several poems were created. He wrote his first significant work only in 1833. This was the essay "Buran", published a year later anonymously in an almanac called "The Right Hand". The basis of this work by Aksakov is a real event, which the writer knew about from the words of eyewitnesses. This essay already carried the main features of the author’s subsequent work, the main one of which was an interest in reality. This work already outlines the characteristic properties of Aksakov’s poetics, by which we recognize this author. S. Mashinsky wrote about this creation that the picture of the storm was painted with such expressive power, laconic colors and courageous simplicity, as only Pushkin could write in prose until then.

"Notes on Fishing"

"Notes of a Gun Hunter"

"Family Chronicle"

In 1840, Aksakov began creating the Family Chronicle. However, then his attention switched to the above-mentioned books about hunting and fishing, and only in 1852 did work on these memoirs resume.

The second edition, published in 1856, included two more excerpts from this work, which finally acquired its final form.

The release of "Family Chronicle" was associated with censorship friction. Aksakov was also afraid of the reaction of his neighbors and relatives, who did not want family secrets to be made public. Therefore, the writer changed many geographical names and faces. The book introduces the reader to a picture of landowner life in the provinces. This trilogy has occupied an important place in Russian literature, having met with an enthusiastic reception from both critics and readers.

"Childhood years of Bagrov the grandson"

Aksakov's fairy tales, the list of which consists, strictly speaking, of only one work - "The Scarlet Flower", some consider for some reason to be numerous. This is understandable: only an experienced author could create such a beautiful fairy tale. Aksakov was very experienced, but worked mainly in other genres. This work was placed by the author as an appendix to the book “The Childhood Years of Bagrov the Grandson.” Aksakov’s works for children, as you can see, are few in number, but very interesting and popular even today.

Other works

In the period from 1856 to 1858, the author created memoir essays that continued the series about A. S. Shishkov, Ya. E. Shusherin and G. R. Derzhavin. This book was published in “Russian Conversation” in parts, and then, in 1858, was included in the collection entitled “Miscellaneous Works of S. T. Aksakov.” This time the memoirs were greeted without enthusiasm by critics, including N. A. Dobrolyubov. The author was accused of partiality and subjectivity towards his friends from his youth.

Latest works

“Collecting Butterflies” is a story written in 1858 for the collection “Bratchina,” a charity publication for the benefit of students at Kazan University. This creation is thematically related to the author’s university memoirs. It was born after his death. Aksakov, 4 months before his death, dictated another work - “Essay on a Winter Day”. “Meeting with the “Martinists” was the last creation published during the life of Sergei Timofeevich and published in “Russian Conversation” in 1859.

Aksakov Sergei Timofeevich is a famous Russian writer, government official and public figure, literary and theater critic, memoirist, author of books about fishing and hunting, lepidopterist. Father of Russian writers and public figures Slavophiles: Konstantin, Ivan and Vera Aksakov. Corresponding Member of the Imperial St. Petersburg Academy of Sciences.
Sergei Aksakov was born (September 20) on October 1, 1791 in the city of Ufa. He came from an ancient, but poor noble family. His father Timofey Stepanovich Aksakov was provincial official. Mother - Maria Nikolaevna Aksakova, nee Zubova, a very educated woman for her time and social circle.
Aksakov spent his childhood in Ufa and on the Novo-Aksakovo estate. Significant influence on the formation of Aksakov’s personality in early childhood provided by his grandfather Stepan Mikhailovich. Long walks into the forest or the steppe laid deep, powerful layers of impressions in him, which later, decades later, became inexhaustible sources artistic creativity. Little Aksakov loved to listen to the stories of the serf nanny Pelageya, one of which was later processed into famous fairy tale"The Scarlet Flower". Memories of Aksakov’s childhood and youth formed the basis of his memoir-autobiographical trilogy: “Family Chronicle” (1856), “Childhood of Bagrov the Grandson” (1858), “Memoirs” (1856).
At the age of eight, in 1801, Aksakov was assigned to the Kazan gymnasium. There, with interruptions due to illness, he studied until 1804, after which, at the age of 14, he was transferred to the newly opened Kazan University. At the university, Aksakov successfully performed in amateur theater and published handwritten journals “Arcadian Shepherdesses” and “Journal of Our Activities”. In them he published his first literary experiments- poems written in a naive-sentimental style.
Since 1806, Aksakov has been taking part in the activities of the “Society of Lovers of Russian Literature” at Kazan University. He interrupted his participation in it in June 1807 due to his move to St. Petersburg.
In St. Petersburg, Aksakov’s first rapprochement with literary figures took place. During these years, Aksakov lived sometimes in St. Petersburg, sometimes in Moscow, sometimes in the village. After his marriage (1816) to Olga Semyonovna Zaplatina, Aksakov tried to settle in the village. He lived with his parents for five years, but in 1820 he was separated, receiving Nadezhdino (Orenburg province) as his patrimony. Having moved to Moscow for a year, I lived in a wide, open house. The old ones have resumed literary connections, new ones have started. Aksakov entered the writer's room and literary life Moscow. After spending a year in Moscow, Aksakov moved, for the sake of economy, to the Orenburg province and lived in the village until the fall of 1826.
In August 1826, Aksakov parted with the village forever. He visited here on visits, but, in essence, remained a resident of the capital until his death. In Moscow, he met with his old patron Shishkov, now the Minister of Public Education, and easily received from him the position of censor. Closeness with Pogodin expanded his circle of literary acquaintances. He was dismissed from the post of censor for what he omitted in I.V.’s magazine. Kireevsky "European" article "The Nineteenth Century". With Aksakov’s connections, it was not difficult for him to settle in, and in next year he received the position of inspector of the land surveying school, and then, when it was transformed into the Konstantinovsky Land Survey Institute, he was appointed its first director and organizer.
In 1839, Aksakov, provided with a large fortune that he inherited after the death of his father, left the service and, after some hesitation, never returned to it. During this time he wrote: a number of theater reviews in the “Dramatic Additions” to the “Moscow Bulletin” and several small articles in “Galatea” (1828 - 1830). His translation of Molière's "The Miser" was performed at the Moscow theater during Shchepkin's benefit performance. In 1830, his story “Recommendation of the Minister” was published in the Moscow Bulletin (without signature).
Finally, in 1834, his essay “Buran” appeared in the almanac “Dennitsa,” also without a signature. According to critics, this is the first work that talks about the real writer Aksakov. Since then, Aksakov’s work has developed smoothly and fruitfully.
Following “Buran”, “Family Chronicle” was started. Already in these years, a certain popularity surrounded Aksakov. His name enjoyed authority. The Academy of Sciences elected him more than once as a reviewer when awarding awards.
Temporarily leaving the “Family Chronicle”, he turned to natural science and hunting memories, and his “Notes on Angling Fish” (Moscow, 1847) was his first broad literary success. “Notes of a Gun Hunter of the Orenburg Province” was published in 1852 and aroused even more enthusiastic reviews than “Fish Fishing.” Among these reviews there is an article by I.S. Turgenev. Along with hunting memories and characteristics, stories about his childhood and his immediate ancestors were brewing in the author’s thoughts.
Soon after the publication of “Notes of a Gun Hunter,” new excerpts from the “Family Chronicle” began to appear in magazines, and in 1856 it was published as a separate book.
Joy literary success softened the hardships of the last years of his life for Aksakov. The family's material well-being has been shaken; Aksakov's health was getting worse. He was almost blind - with stories and dictation of memories he filled the time that not so long ago he devoted to fishing, hunting and active communication with nature.
A number of works have already marked these last years his life. First of all, “Family Chronicle” received its continuation in “The Childhood Years of Bagrov’s Grandson.”
Aksakov’s “Literary and Theatrical Memoirs,” included in “Miscellaneous Works,” are full of interesting small information and facts, but are infinitely far from Aksakov’s stories about his childhood. More deep meaning has and could have had even more if “The Story of My Acquaintance with Gogol” had been completed.
These latest works written during the intervals of a serious illness, from which Aksakov died on April 30, 1859 in Moscow.
In 1991, when the 200th anniversary of the birth of Sergei Aksakov was widely celebrated, a Memorial house-museum writer.
Few buildings can boast such rich history like this wooden house near the Belaya River. It was built in the first half of the 18th century. The building housed the office of the Ufa governorship. The family of the writer’s maternal grandfather Nikolai Zubov also lived here. After the death of N.S. Zubov, the house was bought by the writer’s father, Timofey Aksakov.
In 1795 the whole family moved here to permanent place residence. Here they lived until 1797. Children's first impressions of this house can be found in famous book Sergei Timofeevich Aksakov “Childhood years of Bagrov the grandson.” Here is an excerpt from this family chronicle:
“We lived then in provincial town Ufa and occupied a huge Zubin wooden house... The house was covered with planks, but not painted; it was darkened by the rains, and this whole mass had a very sad appearance. The house stood on a slope, so that the windows into the garden were very low from the ground, and the windows from the dining room to the street, on the opposite side of the house, rose three arshins above the ground; the front porch had more than twenty-five steps, and from it the Belaya River could be seen almost its entire width...”
Aksakov had special, warm memories associated with every corner of this house. This house is interesting in itself, as a wonderful example architecture XVIII century.