Zhora aka goga gosha. That’s why the irresistible Goga, aka Zhora, is a real psychopath! The most striking roles

“LOVE IS SELFLESS, SELF-SAFE,

NOT EXPECTING A REWARD."

(Love theme in the story “Garnet Bracelet”)

LOVE IS ALL POWERFUL: THERE IS NO WORRY ON EARTH -

HIGHER IS ITS PUNISHMENT, NOR HAPPINESS - HIGHER IS PLEASURE -

NIA TO SERVE HER.

V. SHAKESPEARE.

Purpose of the lesson: Show the writer’s skill in depicting the world human feelings, reveal the idea and artistic features, the role of detail in a story, develop the ability to analyze the text of a work of art.

INTRODUCTION: To the sounds of music by G. Sviridov “Illustrations for the story A, S Pushkin “Blizzard”, the teacher reads a sonnet by W. Shakespeare by heart.

Her eyes are not like stars

You can't call your mouth coral,

The open skin of the shoulders is not snow-white,

And a strand curls like black wire.

With damask rose, scarlet or white,

You can't compare the shade of these cheeks,

And the body smells like the body smells,

Not like a violet's delicate petal.

You won't find perfect lines in it,

A special color on the forehead.

I don't know how the goddesses walk,

And the darling steps on the ground.

But still she will hardly give in to those

Who was slandered in comparisons of magnificent people.

TEACHER: These words belong to the great Shakespeare. And here is how Vs reflects on this feeling 500 years later. Christmas.

Love, love is a mysterious word,

Who could fully understand him?

Everything is always old or new,

Are you languor of spirit or grace?

Irreversible loss

Or endless enrichment?

Hot day, what a sunset

Or the night that devastated hearts?

Or maybe you're just a reminder

About what inevitably awaits us all?

And the eternal world cycle?

TEACHER: Love is one of the most sublime, noble and beautiful human feelings. True love is always selfless and selfless. What sayings about love have you found?

(Students read out the quotes they found, then the teacher asks them to write down the ones they like.)

TEACHER: Aristotle said about this about 2.5 thousand years ago: “To love means to wish for another what you consider to be good, and to wish, moreover, not for your own sake, but for the sake of the one you love, and try, if possible, to deliver it good."

It is this kind of love, amazing in beauty and strength, that is depicted in the story “The Garnet Bracelet,” written in 1910. The work is based on real fact - history the love of a modest official for a socialite, the mother of the writer Leonid Lyubimov.

(STUDENT'S MESSAGE ABOUT STORY PROTOTYPES. See "Planning" 11th grade p. 64.)

ANALYTICAL CONVERSATION OF A COMPARATIVE CHARACTER.

1.How Kuprin artistically transformed real story, heard by him in the family of a high-ranking official? For what purpose was it introduced? tragic ending Zheltkov's love?

2.What social barriers push Zheltkov’s love into the realm of unattainable dreams? Are they the only ones who make the hero’s happiness impossible?

3.Can we say that in “ Garnet bracelet“was the writer’s dream of an ideal, unearthly feeling expressed?

1.The story, consisting of 13 chapters, begins with landscape sketch. Read it. Why do you think the story opens with a landscape? Find artistic media, predetermining future tragedy. What does this detail indicate that the “life-loving inhabitants” flocked to the city?

COMPILATION OF A TABLE.

Terrible weather, quiet cloudless days

Dense fog, clear, sunny, warm

The siren roared, the ferocious hurricane the yellow stubble of the fields

The softened highway, the thick mud glistened with the mica sheen of the cobwebs

Muddy muslin of rain

Emptiness, bareness, trees obediently dropped yellow leaves

Which one then artistic technique used by the writer?

LITERARY DEVICE: CONTRASTITION.

B. What thoughts arise. feelings? What is the ideological and compositional role of this sketch?

CONCLUSION: A feeling of a fading world, the transience of life, the approach of death, which can be tragic.

2. The main character is Sheina Vera Nikolaevna, princess, wife of the leader of the nobility. Read the portrait of the heroine. Find details that help create a portrait of the prince. Faith. Find description autumn garden, read it. Find repeated epithets in the description of the book. Faith and garden. Why book Doesn't Vera leave the dacha?

COMPILATION OF A TABLE.

LANDSCAPE KN. FAITH

Cold and arrogant cold proud face

The beauty of autumn flowers, the regal calm, the cold kindness

ness, practicality

A. What kind of associative series arises?

ASSOCIATIVE SERIES: Cold - arrogant - proud - arrogant - regal - aristocratic.

CONTINUATION OF THE CONVERSATION.

A. What can you say about the soul of the book? Faith? (she's cold)

B. Why does the description of the garden come after the description of feelings for your husband?

Q. Does Vera Nikolaevna suffer from “heart failure,” that is, is she heartless?

3. Find the episode of the book. Vera and her sister; highlight the heroine’s words about the sea, the forest. Find the episode in the finale - the garden's reaction to the heroine's tears. What is the ideological and compositional role of this comparison?

TABLE CONTINUATION

“ATTITUDE OF KN. FAITH IN NATURE"

SEA: “When I see the sea for the first time, it pleases and amazes me. Once I get used to it, I miss looking at it.”

FOREST: (pine trees, mosses, fly agarics - comparison) “As if made of red velvet and embroidered with white beads”

For Vera Nikolaevna the main thing is the Look as if sliding along the surface

external. The landscape perceives sti. There is no desire to look closely, feel-

through material values. to worry.

Teacher’s question: Why does the surrounding beauty leave Vera Nikolaevna indifferent?

TABLE CONTINUATION

THE ABUNDANCE OF BEAUTY CREATES SATESSNESS, WHICH IS LIKELY TO APPEAR IN PEOPLE WITH COLD HEARTS.

CONCLUSION: Kuprin draws a parallel between the description of the autumn garden and internal state heroines. Let us remember: “The trees calmed down and meekly dropped their yellow leaves.” The heroine is in the same indifferent state: she is strictly simple with everyone, coldly kind.”

CONTINUATION OF THE CONVERSATION.


Gifts for Vera Nikolaevna. What is their significance? How does Zheltkov’s gift look against this background? Read the description of the bracelet, find a semantic comparison. How is it (the bracelet) different from other gifts? Is there any symbolic meaning to this? Letter from Zheltkov to Vera Nikolaevna. Read. What characteristics can we give to the author? How can you relate to Zheltkov: sympathize, admire, pity or despise him as a weak-spirited person? An episode of Vera Nikolaevna's husband and brother visiting Zheltkov. Interior details. How do the participants in the scene behave (brother, Zheltkov, husband). Who wins the moral victory in this peculiar duel? Why? Find evidence that the hero is driven by that enormous feeling that can make a person either immensely happy or tragically unhappy.

COMPILATION OF A TABLE.

EXTERNAL INTERNAL (SOUL)


House, stairs, room.

Poverty.

2. Portrait. Purity, sincerity, ability to feel

3 Behavior during a conversation. Behind the external confusion, nervousness

There is a deep feeling hidden in the truth.

4. Last letter, music beauty, depth of soul.

CONCLUSION: A person who occupies a low position in society is capable of deep feelings and has a high soul.


Episode of Vera Nikolaevna's farewell to the deceased. (The room smelled of incense...) What does the heroine feel as she peers into the face of the one who passed away because of her? Her thoughts. Is this detail random? What do you think is the climax moment?

TEACHER'S WORD: The greatness of the experience a simple person is comprehended to the sounds of Beethoven's Sonata No. 2, as if bringing us shocks of pain and happiness, and unexpectedly displaces everything vain, petty from Vera Nikolaevna's soul and unexpectedly instills a reciprocal ennobling suffering.

MUSIC IS PLAYING. Against its background, the student reads the passage “Hallowed be thy name.”

FINAL CONVERSATION.

1. What mood will the ending of the story be filled with? What role does music play?

What do you think is the power of love? Did that same “great love that repeats itself once every thousand years” pass by Vera Nikolaevna? For which of the characters do you think this story became moral lesson, test of love? Is a different ending to the story possible?

TEACHER'S FINAL WORD.

A particular case is poeticized by Kuprin, brought to the level of general philosophical generalizations.... Love, according to Kuprin, “is always tragedy, always struggle, always joy and fear, resurrection and death.” The tragedy of love, the tragedy of life only emphasize their beauty.

Not in strength, not in dexterity, not in intelligence, not in talent,

Individuality is not expressed in creativity. But

HOMEWORK. Write a miniature essay or argument on the problem raised by the writer, according to the algorithm for the written answer of Part C within the framework of the Unified State Exam.


Sometimes we are so far from reality in our dreams that another comeback actually brings us pain and disappointment. And we run away from the slightest troubles of life, from its coldness and insensitivity. In our pink dreams we see a bright future, in our dreams we again try to build crystal castles in a cloudless sky. But there is a feeling in our lives that is so close to our dreams that it almost touches them. This is Love. With him we feel protected from the vicissitudes of fate. Already from childhood, the foundations of love and affection are laid in the minds of everyone. And each person will carry them throughout his life, sharing them with the world around him, thereby making it wider and brighter. But sometimes it seems that people are becoming more and more grounded own interests, and even feelings become victims of such a landing. They become stale, turn into ice, and become smaller. Unfortunately, not everyone has to experience happy and sincere love. And even that has its ups and downs. And some even wonder: Does it exist in the world? And yet, I really want to believe that this is a magical feeling, in the name of which, for the sake of a loved one, you can sacrifice the most valuable thing - even your own life. Precisely about such a selfless and forgiving love, writes Kuprin in his story “Garnet Bracelet”.

The first pages of the story are devoted to a description of nature. It’s as if all events happen against their miraculous light background, it comes true wonderful fairy tale love. Coldish autumn landscape fading nature is similar in essence to the mood of Vera Nikolaevna Sheina. From it we predict her calm, unapproachable character. Nothing attracts her in this life, perhaps that is why the brightness of her being is enslaved by everyday life and dullness. Even during a conversation with her sister Anna, in which the latter admires the beauty of the sea, she replies that at first this beauty also excites her, and then “begins to crush her with its flat emptiness...”. Vera could not be imbued with a sense of beauty in the world around her. She was not a natural romantic. And, having seen something out of the ordinary, some peculiarity, I tried (even if involuntarily) to bring it down to earth, to compare it with the world around me. Her life flowed slowly, measuredly, quietly, and, it would seem, satisfied life principles, without going beyond their scope. Vera married a prince, yes, but the same exemplary, quiet person as she herself was. It's just time, though oh hot, passionate love there was no question. And so Vera Nikolaevna receives a bracelet from Zheltkov, the shine of the garnets plunges her into horror, her brain is immediately pierced by the thought “like blood,” and now a clear feeling about the impending misfortune weighs on her, and this time it is not at all empty. From that moment on, her peace of mind was destroyed. Having received a letter along with the bracelet in which Zheltkov confesses his love to her, there is no limit to the growing excitement. Vera considered Zheltkov “unfortunate”; she could not understand the tragedy of this love. The expression “happy unhappy person” turned out to be somewhat contradictory. After all, in his feeling for Vera, Zheltkov experienced happiness. He ended his life on the orders of Tuganovsky, thereby blessing the woman he loved. Leaving forever, he thought that Vera’s path would become free, her life would improve and go on as before. But there is no turning back. Farewell to Zheltkov’s body was climax her life. At this moment, the power of love reached its maximum value and became equal to death. Eight years of bad, selfless love that demands nothing in return, eight years of devotion to a sweet ideal, selflessness from own principles. In one short moment of happiness, sacrificing everything accumulated over such a long period of time is not something everyone can do. But Zheltkov’s love for Vera did not obey any models, she was above them. And even if her end turned out to be tragic, Zheltkov’s forgiveness was rewarded. Crystal Palace, in which Vera lived, crashed, letting a lot of light, warmth, and sincerity into life. Merging in the finale with Beethoven’s music, it merges with both Zheltkov’s love and eternal memory about him.

I would so much like this fairy tale about the all-forgiving and strong love, created by I. A. Kuprin. I would like so much that cruel reality could never defeat our sincere feelings, our love. We must increase it, be proud of it. Love, true love, you need to study diligently, like the most painstaking science. However, love does not come if you wait for its appearance every minute, and at the same time, it does not flare up out of nothing, but also extinguish the strong one, true love impossible. She, different in all manifestations, is not a model life traditions, but rather an exception to the rule. And yet a person needs love for purification, for acquiring the meaning of life. A loving person is capable of sacrifice for the sake of peace and happiness of a loved one. And yet he is happy. We must bring into love all the best that we feel, that we are proud of. And then bright sun will certainly illuminate it, and even the most ordinary love will become sacred, merging into one with eternity. Forever…

Love is selfless, selfless, not waiting for reward (based on the story “The Garnet Bracelet” by I.A. Kuprin)
Sometimes we are so far from reality in our dreams that the next return to reality brings us pain and disappointment. And we run away from the slightest troubles of life, from its coldness and insensitivity. In our pink dreams we see a bright future, in our dreams we again try to build crystal castles in a cloudless sky. But there is a feeling in our lives that is so close to our dreams that it almost touches them. This is Love. With him we feel protected from the vicissitudes of fate. Already from childhood, the foundations of love and affection are laid in the minds of everyone. And each person will carry them throughout his life, sharing them with the world around him, thereby making it wider and brighter. thereby making it wider and lighter. But sometimes it seems that people are increasingly grounding their own interests, and even feelings become victims of such grounding. They become stale, turn into ice, and become smaller. Unfortunately, not everyone has to experience happy and sincere love. And even that has its ups and downs. And some even wonder: Does it exist in the world? And yet, I really want to believe that this is a magical feeling, in the name of which, for the sake of a loved one, you can sacrifice the most valuable thing - even your own life. It is about this kind of selfless and all-forgiving love that Kuprin writes in his story “The Garnet Bracelet.”
The first pages of the story are devoted to a description of nature. It’s as if all events take place against their miraculous light background, a wonderful fairy tale of love comes true. The cold autumn landscape of fading nature is similar in essence to the mood of Vera Nikolaevna Sheina. From it we predict her calm, unapproachable character. Nothing attracts her in this life, perhaps that is why the brightness of her being is enslaved by everyday life and dullness. Even during a conversation with her sister Anna, in which the latter admires the beauty of the sea, she replies that at first this beauty also excites her, and then “begins to crush her with its flat emptiness...”. Vera could not be imbued with a sense of beauty in the world around her. She was not a natural romantic. And, having seen something out of the ordinary, some peculiarity, I tried (even if involuntarily) to bring it down to earth, to compare it with the world around me. Her life flowed slowly, measuredly, quietly, and, it would seem, satisfied the principles of life without going beyond them. Vera married a prince, yes, but the same exemplary, quiet person as she herself was. The time had simply come, although there was no talk of hot, passionate love. And so Vera Nikolaevna receives a bracelet from Zheltkov, the shine of the garnets plunges her into horror, her brain is immediately pierced by the thought “like blood,” and now a clear feeling about the impending misfortune weighs on her, and this time it is not at all empty. From that moment on, her peace of mind was destroyed. Having received a letter along with the bracelet in which Zheltkov confesses his love to her, there is no limit to the growing excitement. Vera considered Zheltkov “unfortunate”; she could not understand the tragedy of this love. The expression “happy unhappy person” turned out to be somewhat contradictory. After all, in his feeling for Vera, Zheltkov experienced happiness. He ended his life on the orders of Tuganovsky, thereby blessing the woman he loved. Leaving forever, he thought that Vera’s path would become free, her life would improve and go on as before. But there is no turning back. Saying goodbye to Zheltkov’s body was the culminating moment of her life. At this moment, the power of love reached its maximum value and became equal to death. Eight years of bad, selfless love that demands nothing in return, eight years of devotion to a sweet ideal, selflessness from one’s own principles. In one short moment of happiness, sacrificing everything accumulated over such a long period of time is not something everyone can do. But Zheltkov’s love for Vera did not obey any models, she was above them. And even if her end turned out to be tragic, Zheltkov’s forgiveness was rewarded. The crystal palace in which Vera lived shattered, letting in a lot of light, warmth, and sincerity into life. Merging in the finale with Beethoven’s music, it merges with Zheltkov’s love and with the eternal memory of him.
I would really like this fairy tale about all-forgiving and strong love, created by I. A. Kuprin, to penetrate into our monotonous life. I would like so much that cruel reality could never defeat our sincere feelings, our love. We must increase it, be proud of it. Love, true love, must be studied diligently, like the most painstaking science. However, love does not come if you wait for its appearance every minute, and at the same time, it does not flare up out of nothing, but it is also impossible to extinguish strong, true love. She, different in all manifestations, is not an example of life traditions, but rather an exception to the rule. And yet a person needs love for purification, for acquiring the meaning of life. A loving person is capable of sacrifice for the sake of peace and happiness of a loved one. And yet he is happy. We must bring into love all the best that we feel, that we are proud of. And then the bright sun will surely illuminate it, and even the most ordinary love will become sacred, merging into one with eternity. Forever…

Help me please! Check and divide into paragraphs.
Love is the greatest feeling on earth. It makes a person happy, illuminates his whole life, and lifts him to heaven. But often love hurts a person’s heart, makes him suffer and suffer, experiencing an unrequited, unrequited feeling. In Kuprin’s story “The Garnet Bracelet” “love is selfless, selfless, not expecting a reward, the one about which it is said “strong as death.” Love for which anyone can commit! a feat, to give one’s life, to undergo torture is not work at all, but one joy.” It was this kind of extraordinary love that touched the ordinary official Zheltkov. He falls in love with the beautiful princess Vera Sheina and writes letters to her with passionate declarations of love. The girl doesn't give special significance these messages and soon marries a young and handsome prince. Despite this, Zheltkov continues to love the princess, and his love is so strong that he is preparing to adore Vera Nikolaevna from afar. He simply idolizes her: “I mentally bow to the ground of the furniture on which you sit, the parquet floor on which you walk, the trees that you touch in passing, the servants with whom you speak.” Of course, Zheltkov and Vera Nikolaevna are the main characters of the story, but at the same time no small importance in “Garnet Bracelet” Kuprin assigns General Anosov. With his thoughts about love, he helps his granddaughter begin to look at her life differently. own life with her husband (Vasily Lvovich) and forces her to take the love of the mysterious G.S.Zh. more seriously. The wisdom gained in the course of his life, certain experience allowed him to see in the love of the poor telegraph operator a non-intrusive affection young man, but a worthy, highly moral feeling. It is he who overturns the established life world Princess Vera and utters the words that caused her new attitude to the events taking place: “...maybe yours life path, Verochka, crossed exactly the kind of love that women dream about and that men are no longer capable of.” Such love, according to the general, is extremely rare and incomprehensible to most people who have never experienced anything like this in their lives. He says that people have completely forgotten how to love. Married people usually show each other equal relationships, not love, but respect. Love, “which should not be touched by any of life’s conveniences, calculations and compromises,” which “should be the greatest secret in the world,” “tragedy”—such love no longer exists. Every person dreams of her, “united, all-forgiving, ready for anything, modest and selfless,” and he will be happy if he manages to meet such love during his life. The true, all-consuming feeling experienced by the “little man” fills his life with meaning and does not seem wrong to him. “I knew neither complaint, nor reproach, nor the pain of pride.” This feeling was initially unrequited, and Zheltkov knew this very well. He does not reproach, does not blame the princess for anything, “you, you and the people who surrounded you, you all don’t know how beautiful you were.” He did not demand attention to himself, did not beg for reciprocity, knowing full well that this was impossible. Zheltkov really has his own way social status « small man“, but the feeling that is born in the soul cannot be called small. It is vast, has no temporal or spatial boundaries: “Think about what I needed to do? Run away to another city? All the same, the heart was always near you, at your feet, every moment of the day was filled with you, thoughts about you, dreams about you... sweet delirium.”