How did hip-hop and breakdance appear? Encyclopedia of Dance: Breakdancing

You are young? Full of physical strength and energy of mischief? Do you like hip-hop culture? Do you also want to achieve unrealistic heights in your ability to move vertically and horizontally? Do you want to attract admiring glances and finally become a leader or maintain unconditional leadership? Breakdancing - Your style!

Brakedance Break dance is a street dance style that developed from the hip-hop movement in the South Bronx (New York) in the early 70s.

Brakedance also the most modern and dynamic style of hip-hop.

He comes in hip hop culture along with rap, DJing and graffiti.

Breakdancers call themselves "B-boys"(English B-boys) and "B-Girls"(English B-girls).

Etymology of the word Break dance.

Exists explanation of the concept of breakdancing as an adaptation of Break, a dance that was popular before it was supplanted by Freak, but has risen again thanks to new performers. However, there is also different interpretation: The word breaking comes from the slang word break, meaning something crazy, which is exactly what the dancers did. .

It is unlikely that anyone can draw a line separating the concept of dance and sport in this direction of culture. Break dancing lessons– this means not just developing characteristic skills and abilities. This is really a whole philosophy of life. Only strong, purposeful and a positive person is able to master the art of Breakdance and achieve perfection in it.

Directions Breakdancing.

-POWER MOVE (or lower extreme).

- Glade & Fix. ELECTRIC BOOGIE.

Vesta Dance School will help you master Breakdancing to the fullest, which includes:

- expressing yourself through break dancing,

- a surge of both positive and accumulated negative energy,

Clarification of relationships in the language of movement and music (battle),

Becoming a self-confident, disciplined, strong personality.

The fresh, rebellious spirit of the streets is embodied in breathtaking spins and unreal acrobatic stunts. Breakdancing simply paralyzes the audience and the first thing people ask when they see this is: “Where did the guys learn to dance so cool?” - after all, no dance has as many acrobatic elements as Breakdancing. Almost every music video contains its elements. Breaking takes your breath away and captures the dreams of a huge part of young people around the world.

Pay Your Attention! Breakdancing training must be carefully thought out and planned to avoid serious mistakes that can lead to multiple injuries. It is most correct and safe to master breaking under the strict supervision of a professional teacher, for example in our Veata dance school, which knows all the intricacies of teaching Breakdance.

If you are a supporter of promoting your life position of independence and creativity, then the support of understanding like-minded people is simply necessary. Come learn breakdancing at Vesta dance school! You will really plunge into the atmosphere of Breaking with a great company of b-boys & b-girls. .

At our Vesta school you will be taught everything you have ever heard about: up rock, footwork, spinning moves, freeze, Electric Boogie... And also things you never even knew about before. Or maybe you already know a lot? So show yourself! Become your own! Breakdance Forever!

Breakdancing is a spectacular dance that combines amazing flexibility and complexity of acrobatic tricks. Its main properties are improvisation, originality and flamboyance.

Breakdancing presents dance direction hip-hop culture and includes many styles. To perform it, good coordination, physical endurance, a sense of rhythm and flexibility are required. In movements that include improvisational transitions from original plastic movements to acrobatic elements with rotations on the head, jumps on the hands and rotations around the body, the dancer not only demonstrates skill, but also splashes out his emotions and energy.

History of the dance

There is an interesting legend that tells that in the early 70s in America, people from the poor neighborhoods of New York, accustomed to sort things out with guns in their hands, decided to demonstrate their strength and dexterity in a more original way. The opponents took turns facing each other and showed their skills and intentions in the language of movements.

At the heart of any legend are real facts, so we can definitely say that breakdancing originated as street dance and only in the process of its development became a performing art. Breakdancers rarely use this name, preferring "breaking" or "b-boying". The term “breakdancing” was created artificially and was used in the media. This was necessary in order to separate the different directions included in the concept of breaking.

Breakdancing is predominantly performed by male representatives, since it is difficult for girls to learn it due to their physical characteristics, although many b-girls (girls break dancers) also achieve amazing success.

In its progress, breakdancing went through several stages, including both borrowing from other dances, which included their elements in breakdancing, and the actual development of b-boying. So we can mention the Good Foot style, in which broken movements and elements of rotation on the ground first appeared. Do not forget about the influence of Puerto Ricans, who developed and introduced many acrobatic tricks. Elements of kung fu and rhythmic components that came from African immigrants, etc. “participated” in the formation of breakdancing.

Of course, the development of breakdancing was facilitated by battles - competitions of breakers, in which it was very important to hit the enemy with the greatest possible sophistication of combinations of movements and tricks. Dancers began to unite into teams, developing their own styles and original movements.

Currently, breakdancing is widespread throughout the world, there are numerous breakdancing schools, championships and festivals are held.

Styles

Conventionally, breakdancing is divided into upper and lower. This division is formal, because the dance includes combinations of elements from both levels.

Elements of upper breakdancing require more plasticity and improvisational moves, while lower ones require physical training and acrobatic skills.

There are many areas of high breakdancing, but the main ones are:

Animation is a style in which dancers imitate the intermittent movements of animated dolls.

Waving - body movements that visually resemble waves.

King tut is a dance in which the limbs must be moved at right angles.

Slowmo - a style similar to slow motion video playback.

In turn, lower breakdancing includes the following main styles:

Fly (flare/delasal) - represents the movement of legs in a circle with a change of hands.

Rotations on the head (headspin, drill)

Rotations on the back or shoulder blades (backspin, windmill)

There are many styles of breakdancing, and the more of them in a dancer’s arsenal, the more opportunities he has for successful performances in the battle.

Features of breakdancing

Breakdance dancing to fast music with strong percussion, most often used musical genres:

Despite the proliferation of educational videos, it is better to learn breakdancing at school under the guidance of an experienced trainer.

Babyfashion asked questions about hip-hop classes to Anna Sokolova, a hip-hop teacher for children and adults at the dance school studio Good Foot.

- Anya, what age are the children in your hip-hop groups?

- In my groups, the age of children varies from 5 to 9 years. I believe that dancing has no age restrictions and, of course, the earlier children begin to get acquainted with amazing world dancing and music, the better. However, it is necessary to take into account the child’s characteristics, both physical and psycho-emotional, because the main thing is that dancing brings joy.

‒ Why might children be interested in hip-hop?

‒ Hip-hop is, first of all, freedom of expression. There are no restrictions in this style of dance and you can be whoever you want and do what you like without being stuck within certain boundaries. Children, free from adult complexes, quickly catch the very essence of this dance. They are interested in music, rhythm and the very energy of this dance style.

‒ How can parents understand that their child should pursue this particular field?

- This is quite complex issue. Sometimes it’s enough just to turn on hip-hop music and see that the child begins to improvise, while getting great pleasure. You can just chat, see the reaction to dance performances, you will immediately understand what your child is most interested in. After all, children, unlike many adults, are sincere and more honest in expressing their feelings.

‒ How are your classes structured? Is there some kind of system?

‒ Activities depend largely on the age of the children. Typically, a lesson includes a warm-up, practicing certain movements, learning choreography or small sequences based on them, work aimed at developing improvisation and musicality, stretching and general physical training, participation in a jam (when everyone takes turns going into a circle and begins to improvise based on material covered during the lesson) and sometimes games.

‒ Should parents help their child learn hip-hop culture?

‒ Parents, of course, should help their child, support him and show interest in what he is doing. Showing videos, playing music, asking children to teach you some moves - all this will help the child broaden his horizons in the field of dance. The main thing is that the child understands that you support him, and he can always count on your participation and help, and this is especially important in competitions and battles. I still admire every time the parents who, despite the early Sunday morning, go with their children to the competition and cheer for them, screaming louder than anyone else in the hall.

‒ Very exciting question: Are clothes and shoes necessary for classes?

‒ Clothing should be loose, not restricting children’s movements, and shoes should not be too slippery. But in any case, you need to try to choose clothes that correspond to this trend, because hip-hop is an already established culture with its own fashion and style.

About breakdancing for children in Nizhny Novgorod, we spoke with a dancer, an experienced teacher and director dance school“Good Foot” by Yulia Basayeva.

Yulia, tell me what “breakdancing” can give a child? How can it be useful?

"Break dancing" is a unique dance that includes great amount varying complexity of elements from different dance cultures and sports. In addition to excellent physical fitness and shape, the child opens up and expresses himself in dance. By teaching children, we help them overcome internal blocks, teach them to develop creativity, perseverance and patience - this is necessary to achieve mastery and perform spectacular tracks. Breakdancing helps children grow up purposeful: numerous competitions are an integral part of the breakdancing culture, and they provide invaluable experience that can be applied in everyday life.

There is an opinion that this type of dance is more popular among boys. Could he be interesting to girls?

Certainly! Our studio has the only breakdancing group in Nizhny Novgorod only for girls. They are already organizing their teams, going to events in other cities and already taking prizes! In addition, in break dancing there is such a concept as “bgirl” (“breaking girl” - from English - a girl dancing a break) and girls do not need to strive to imitate guys, they develop their own style. Believe me, even in “breakdancing” you can express femininity.

It is no secret that “break dancing” contains elements of acrobatics. Are the stunts performed dangerous for children?

It is very important to send your child to a competent trainer who will teach correctly and in compliance with safety precautions. Under such conditions, there is nothing dangerous in acrobatic elements. Also, do not forget that children are more flexible than adults, and many tricks are easier for them than you might imagine. We do not give difficult elements to those students who do not yet have sufficient physical fitness.

Do I need special clothing for breakdancing?

The most suitable uniform is a sporty one that does not restrict movement. Also, for training, it is necessary to purchase protection for the knees and wrists (knee pads, wristbands) since many stands, called “friezes,” place stress on the wrist. It is recommended to always take a hat to class, (for racks and twists where the head is used) a sweatshirt (also for elements where you can hit the floor, in order to soften the contact of the body with the floor). Well, and most importantly - high-quality shoes - comfortable sneakers or sneakers with good, non-slip soles!

There are many competitions on “breakdancing” – “battles”. How do you prepare your students to perform? Do you have any professional secrets?

Yes, we have a whole system for preparing students for performances. We conduct many psychological conversations with students, where we tell them what is valued during the battle, what will lead to victory and what will lead to loss, and we also explain the strategy of behavior during the battle and after it. I often tell my students that being fixated on winning is a lot of stress and tension, and usually the winner is the one who is not mentally stressed, which means he moves confidently and dances to the music - this is the key to success.

What advice can you give to parents who want to send their child to dance studio in the direction of “break dancing”? What should they be prepared for?

I would advise parents to listen to their child. When a child has a desire, he achieves success, but if a child only fulfills the will of his parents, then it will be a burden for him, and there are no results here. there is talk. Parents should be prepared for the fact that if their child “gets sick” of breakdancing, he will use every opportunity at home, on vacation to practice elements, dance in different places, everywhere and everywhere, and this is a wonderful desire that does not need to be suppressed.

Breakdancing is based on “three pillars”, which are improvisation, originality, and flamboyance. And also entertainment, amazing plasticity and complex acrobatic stunts.

As a dance offshoot of hip-hop culture, breakdancing covers not just one, but many styles. The dance is complex, requiring the performer to have excellent coordination, physical endurance, a flexible body and a developed sense of rhythm. But, along with demonstrating skill, breakdancing is a great way to throw out your own emotions and energy. There are a lot of opportunities for this, especially during improvisation, transitions from plastic elements to acrobatic ones, with rotations on the head, circles and jumps on the hands.

History of origin

Breakdancing begins with a legend. Legends about people from the New York slums who, in a showdown, decided to change firearms in the language of dance, and demonstrated their intentions to the enemy using body language.

Because legends are not born on empty space, and are based on real facts, we can safely say that breakdancing developed as a street dance, and only then, with the passage of time, moved into the category of performing art. By the way, the dancers themselves rarely use the term “breakdancing”; Performers use the name “breaking” or “b-boying”. “Breakdancing” is an artificial term invented by the media in order to distinguish between the different areas included in the concept of “breaking”.

The development of breakdancing included both improving the dance itself and enriching it with elements of other styles. For example, the breaking movements and rotation on the ground are borrowed from the Good Foot style. Puerto Ricans introduced complex acrobatics to dance. Breakdancing contains elements of kung fu, rhythm, “donated” by immigrants from Africa, and so on.

In the development of breakdancing, battles played a huge role - competitions between breakers, the goal of which was to surpass the enemy in the sophistication of tricks and the complexity of dance combinations. Gradually, entire teams of breakers emerged, who formed their own styles and developed original movements.

Now breakdancing is recognized all over the world. This is a popular dance style, with many different breakdancing schools. Festivals and championships are organized on a regular basis.

Styles

Breakdancing is conventionally divided into upper and lower. But this division is very conditional character, since the dance contains elements of both levels.
We can say that upper breakdancing is based on plasticity and improvisation, while lower breaking is based on physical training and aptitude for acrobatic stunts.
Upper breakdancing includes many directions, but the main ones can be called:

• Animation - imitation of intermittent movements of animated dolls.
• Waving - the body moves like sea waves.
• King tut - in this dance the limbs move at right angles.
• Slowmo - the style is reminiscent of slow motion video playback.

Basic styles of low breakdancing

• Fly (flare/delasal) - moving legs in a circle while simultaneously changing hands.
• Rotations on the head (headspin, drill)
• Rotations on the back, shoulder blades (backspin, windmill).

The style variety of breakdancing is great; a dancer who masters several styles has a significant advantage when performing in a battle.

What are the features of breakdancing?

Breakdancing is a fast dance; The musical accompaniment is characterized by the presence of strong drums. Main musical genres for breakdancing:

• Soul;
• Funk.

There are many videos that teach the basics of breakdancing. However, training is more effective at school, under the supervision of an experienced trainer.

The influence of breakdancing on fashion

In addition to its undeniable contribution to world art, breakdancing had a significant influence on fashion, especially youth fashion. Dance performers perform in comfortable sports shoes, loose pants, T-shirts and tops. Caps are used for rotation on the head and simply for decoration. The breakers' clothing style is readily adopted by young people around the world.

Origin of the term "Breakdancing" was never a term used by its performers themselves. They preferred to call themselves “B-boys” and “B-girls”. The word itself gained popularity in the 80s when it became public knowledge. David Toop describes breakdancing as an adaptation of Break, a dance that was popular before Freak's demise but has risen again thanks to the likes of the Nigga Twins, Spy and the Zulu Kings. However, one of the founders of hip-hop, Dj Kool Herc, claims that the word breaking comes from the slang word break, meaning something crazy, which is what the dancers actually did.

Story It is widely believed that breakdancing in its current form originates from a method of mediation to clarify relations between rival gangs at the turn of the 70s and 80s. . However, this opinion is the result of media speculation during the dance's popularity in the 80s. Even if dance was a tool of mediation, effective mediation was neither the goal nor the outcome of the “battles”; it often happened that such battles, on the contrary, caused a new wave of violence.
The winners in the performances were those who could perform as many new and difficult movements as possible that their opponents could not repeat.
Thanks to the rise in popularity of funk legend James Brown and rapid growth With the number of breakdancing crews (such as the Rock Steady Crew), breakdancing has evolved from a competition between gangs into a pop culture phenomenon. Thanks to the media, breakdancing became known to the general public. After a while, not a single party, disco or talent show was complete without a performance by breakdancers.

Types of breaks Breakdancing is divided into upper and lower: the upper represents a huge variety of styles (Electric Boogie, Robot, Locking, King-Tut, Pops, etc.).
The top break is very spectacular show with frequently changing movements to the beats of the music.
The low break is an even more spectacular performance: the most exciting and at the same time difficult type of low break is PowerMoves. Powermoves - under this name many elements are combined: Drop, Flare, Float, Freeze, Headspin, Backspin, Suicide, Swipe, Windmill, etc.. Breakdancing is one of the four components of hip-hop along with rap, DJing and graffiti.

B-boying rules - No helmet
- Never take off your shoes
- Never breakdance unless the music is playing hip-hop.

Warm-up: procedure As in any activity, a warm-up is required, but not just any one, but one that can avoid and protect you from injury. You can’t overload yourself with just one warm-up. It takes at most 10-15 minutes to complete it. Everything is done in a standard position - feet shoulder-width apart.

Warm-up procedure:
A) Head Circular movements clockwise and counterclockwise + tilts to the right, left, forward, backward, diagonally) Standard position.
b) Brushes (the most necessary thing) Clench into fists and make movements clockwise and counterclockwise, warm up your palms. The hands should not be cold due to possible stretching of the tendons, Special attention you should pay attention to your wrists (they are not strong yet and therefore any careless movement will affect them - 100% stretching), clasp your hands, bend them up and down. You yourself should feel that your hands are warmed up. Standard position.
V) Shoulder girdle Place your hands on your shoulders - make 10 rotations forward and backward. Standard position. Now swing your arms back and forth. Standard position. Now raise your arms to shoulder level (arms parallel to the body) 1.2 - move them back 3.4 - straighten them and move them back (remember the elbow signal if you want to hit someone).
G) Tilts Standard position. Hands on the belt. We bend to the right and left, forward, backward. Now the same thing only your hands are no longer on your belt, but follow your bends, that is, we reach with our hands the floor, left leg, right leg - warming up the lower back. Standard position. Hands on the belt. The legs do not move - the body turns to the greatest possible angle from initial position left and right. Standard position. The final step is circular movements of the pelvis clockwise and counterclockwise. Stretch the muscles properly (You should feel a little pain - this is a consequence of the fact that the muscles are currently being stretched, this is good)
d) Exercises Spread your legs wider. Lean forward and reach the floor with both hands (as far as possible, try to place both palms on the floor without any tension) Feet together. Tilt your head towards your knees (also as far as you can - it never works right away, your knees will bend a little - this movement cannot be performed ideally), later try to fix this position for 5-10 seconds. Sit on the floor. Feet together. Make the above movements only from this position - it works out differently for everyone. The Lotus Pose warms up the muscles very well. Stand up. Very good. The warm-up is almost finished. Stand up straight. Feet together. Make swinging movements alternately with your left and right legs forward, taking one or two steps forward. Also make swinging movements to the right and left from a standing position. Squat down. Extend your right leg to the right. Slowly move your center of gravity towards it, moving parallel to the floor. Then move to your left leg.
e) Feet Relax your legs, shake them. The final stage is the feet. Support - any wall. Place your hands on it. Take your legs back. Shift from foot to foot (slowly and then a little faster, but not quite). Be like inside feet and on the outside. Inhale - exhale. The warm-up is over.

Battle - dance competition Battle (from English “Battle”) is a dance competition (not to be confused with “torture”) between b-boys (b-girls). Battles have been held since time immemorial and it is from them that one can determine the state of the dance at the moment. 2 teams participate in the battle.
There is a battle for certain time. Goal: show more and better good chips. One dancer from each team alternately comes out (sometimes several at once) and shows his unique (or repeatable) style. The same dancer should not repeat the same movements.

World class teams Rock Steady Crew
Highly professional, one of a kind and inimitable, sometimes unpredictable, legendary team “Rock Steady Crew”. Its founder is a certain Jo-Jo. He, and all the other characters who were at the origins of the creation of this dance project, can be safely classified as unsurpassed. Now "R.S.C." not easy dance group, consisting of several dancers, is an entire empire taking root throughout the world.
Not everyone can become a member, but there is still a small chance. The first composition of the “Rock Steady Crew” was registered in the early seventies in New York, and its second generation included seven dissimilar monsters of dance culture: Crazy Legs, Prince Ken Swift, Baby Love Buck 4, Kuriaki and Doze. Crazy Legs and Prince Ken Swift are still official members of the R.S.C. Buck 4 and Kuriaki unfortunately passed away a few years ago for unknown reasons. The last member of the Doze team most devotes his time to the art of graffiti.
Today, the official members of the Rock Steady Crew include: Crazy Legs, Prince Ken Swift, Mr.Wiggles, Masami and Orko.

CE KID from SECOND 2 NON
Second 2 none is a top English b-boy team. Founded in 1985, S2N is considered one of the oldest teams in the world. Its members include Nick Palmen, Asa Harding, Darrel Harding, Adam Pensaw and John Isaacs. Winners of the UK Championship '96, '97 they toured not only throughout England, but throughout Europe, appearing in numerous clubs, jams and festivals. They also have appearances in many popular television programs. Their style is unlike any other, it is 100% b-boying - fast, hard power moves with all sorts of style combinations. All team members have their own style and they also develop in different dance directions. As innovators of many original moves in the S2N style, they improved the critical situation of b-boying, as they had a huge influence on other dancers around the world. Record label S2N operates successfully in given time and releases underground breakbeat, to which one could successfully break dance. The team also has DJs who play not only old school, but also new school hip hop, electro, breakbeat, soul, funk & b-boy trax.

Flying Steps
A very famous team from Germany that shot several videos and took 1st place at BOTY2000. Well-known representative hers is BENY, listed in the Guinness Book of Records for a large number of revolutions on the head (HeadSpin). The founders of Russian BreakDancing, the guys from DaBoogie, worked with this team when they worked in Germany.

World stage At this stage of its development, breakdancing is widespread throughout the world. In many countries, break schools are being created where anyone can learn to dance. But how well he does it depends only on himself. An integral part of this dance is, of course, improvisation. It is clear that immediately making heavy elements (Drop, Flare, Float, Freeze, Headspin, Backspin, Suicide, Swipe, Windmill) will be very difficult for a beginner. It takes months or even years of training.

Music
Music is the most important thing for breakdancing. The original genres that popularized the dance form were jazz, soul, funk, electro (short for electro funk), disco and R&B. Rap had a huge influence on break culture, whose cult figures, such as Afrika Bambaata, remain the most frequently mixed in so-called compositions. old school - "old school". A special feature of breakdance music is frequent DJ mixes; one composition can feature the work of several performers. Tempo - from 110 to 135 beats per minute. Upper break dancers chose purely electronic compositions, the most popular being the German musical quartet "Kraftwerk". DJ Kool Herc, famous musician and the producer, who worked in such directions as hip-hop, funk, etc., created another direction for breaking, later called breakbeat.
But still, the direction of music for this dance is not limited only to those listed above. You can dance to any genre of music (often these are remixes of different songs). Genres such as European electronica and even opera compositions will also progress at world battles.

Fashion
For a breaker, fashion is an aspect of defining one's personality. Dancers in the 80s typically wore Adidas, Puma, or Fila boots. Some breakdancing teams performed in matching outfits with hats, shirts and boots to show that they were one. B-boys also wore nylon suits, which were comfortable and fashionable. Thanks to them, the breaker could easily slide on any surface for better execution of some tricks.
B-boys of our time don’t dress like that anymore, but every breaker still dresses fashionably and brightly. Due to the fact that breakdancing spread from city centers to the outskirts, it became difficult to say “how to dress fashionably?” There are so many styles of clothing. Each B-boy chooses what suits him best. Today there are dancers and teams who even dress in gothic and punk styles. It's hard to say whether this is correct. Many claim that “their rebellion against the dance system is based on a misunderstanding of the fact that true essence breaking remains with those who retain traditional ideas about b-boys and b-boying.” But even such breakers can be a b-boy and an example in dance for others.

World masters

Storm
Storm is a well-known German breakdancer. He has been dancing since 1983. Previously he performed in the team Battle Squad: Storm, Speady (Storm’s brother), Swift. Along with the bottoms, the tops also dance: electric boogie, pop locking, etc.

PRINCE KEN SWIFT
This guy's real name is Kenny Gabbert. Currently an official member of the Rock Steady Crew. More than sixteen years in hip-hop culture, he took part directly in the first international tournament called New York City Rap. He starred in such films as “Wild Style”, “Style Wars”, “Beet Street” and “Flashdance”. He also took part in many television shows, including CBS. In close collaboration with the GhettOriginal Productions project, he worked as a dancer in such places as Central Park Summer Stage, Lincoln Center, Boston Ballet, etc. Traveled almost all over America. He demonstrated his skills in other countries, including Canada, Austria and France. In 1991 he received the Bessie Award for best choreography. For all my creative activity I came up with a bunch of different dance tricks and named them myself. Among them are elements such as air babies, flowing downstream, etc. For all his services to the hip-hop dance culture, this man was nicknamed “the epitome of a b-boy,” which translated means “the standard of a real dancer.”

Mr. Wiggles
Mr. The Wiggles are also part of the famous Rock Steady Crew. He started B-Boying back in 1976, when Breakdancing was just emerging and was popular in narrow circles. It was then that he became interested in it and slowly, with the rest of the crowd, studied the initial movements, picked out foot work, tried to come up with something new, which later helped him get into cult group R.S.C. In 1977, he became interested in rap and even composed his own lyrics. And in 1979 Mr. Wiggles began to draw on fences, walls and similar objects. He really liked it and began to do it more professionally and continues to do so to this day.

Easy Roc
The merits associated with such a name as Easy Roc can be listed endlessly. His entry into HipHop began in 1983, when he was b-boying and graffitiing with the boys in his neighborhood. In 1986, Easy Roc became interested in freestyle cycling as a hobby, after which he became one of the sponsors of the G.T.Bicycles team. He later received full patronage, allowing him full control of the team, including the right to participate in national competitions, various shows and shows, and including appearances at Knotts Berry Farm and Disneyland. In addition to his passion for motorcycling, Easy Roc continued to practice breakdancing.
In 1991, he met with the Rock Steady Crew and became a member of this team. During this time, his dancing style earned him a reputation as one of the best B-Boys on the West Coast of America. His style moves, power moves and acrobatic tricks showed his destructive power in front of his opponents in battles and various kinds of competitions. Easy Roc took on the responsibility of Rock Steady's representative for educational work, which included: teaching youth the history of Hip-Hop, teaching the rules of responsibility for one's actions using the methodology, philosophy and b-boy style of the RSC. He even once spoke out about the group Streetstep.
Easy Roc performed a lot with his team - RSC. These include performances across the United States, including the Family Values ​​Tour “98” (with such stars as Ice Cube, Limp Bizkit, Korn) and World of Mouth Tour "2000" (with Jurassic 5, Dilated Peoples, Beat Junkies). He has also been featured heavily in numerous videos and TV projects such as The Guinness Prime Time Show and Regis & Kathy Lee and on MTV Music Awards together with Madonna (around 98). He has been the subject of numerous articles and publications in magazines such as Bikini, Blaze, The Source, Rap Pages, Vibe, Stress Magazine and The URB. He was one of those who discovered annual event"B-Boy Summit" In 1999, Easy Roc entered the Guinness Book of World Records as the person who has spun on his head the longest (HeadSpin without arms).
Easy Roc recently completed work in a film with actor/director Ben Stiller, where he performed a complex dance stunt for actor Owen Wilson. Easy constantly draws, tries himself in writing, fashion and interior design. In addition to all his tolants, he also plays the Didgeridu (Australian wind instrument) in music group AbOriginals. In the future, Easy Roc plans to coordinate a number of national professional breaking competitions and increase its popularity to the wider public.

History of Break in Russia
In Russia, dance developed noticeably more slowly than in other countries. In general, people heard about it mainly in the Baltics, St. Petersburg and Moscow, but with the release of films on VHS Break Dance 1, Break Dance 2, many self-taught people got the opportunity to “film” the movements and tricks of the film’s characters. The first break parties in Moscow took place in 1985 at the Moloko cafe. The first noticeable splash with the exit Soviet films“Dancing on the Roof”, “Courier”, where Moscow breakers starred in episodes. The first courses in Moscow were conducted at the Pravda Palace of Culture under the guidance of the famous circus director V. Gneushev, from where the first more or less famous dancers and groups of those years. The first break festival “Papuga-86” in the united space of the USSR was held in Palanga in 1986. The following year, 1987, there was a parade of festivals in different cities and republics, mainly in the Baltic states: Vilnius, Vitebsk, Chernogolovka, Riga, Tallinn and, of course, again in Palanga.
Breakers' performance on Vorobyovy Gory In 2000, there was a second serious boom in breaking in Russia - such teams as “Jam Style”, “Da Boogie Crew” became known (who shot the video “You wanted a party” and released their music album) followed by B-People, the break began to appear even in music videos(in particular Dolphin). In the famous program of that time “Up to 16 and older...” - Yes, the boogies conducted their breaking lessons, which hundreds of children studied in Russia in many cities. Later, B-People began to hold their own festival selecting best teams in Russia. Everyone also recognized the team from Germany “Flying Steps”, which took 1st place in BOTY2000, then the performers Music Instructor and later Boomfunk became popular in Russia. This was a big breakthrough in breaking in Russia - they practiced everywhere - in every small town there were sections where B-Boys studied in a small hall.
Now the level of Breakers in Russia is quite high. The most famous teams are “Almost” (Moscow), “Predators” (Rostov), ​​Top9 (St. Petersburg team from the “Reakt” team and free St. Petersburg B-Boys).