A society without color differentiation of pants is doomed. In a society where there is no color differentiation of pants, there is no point

Color differentiation of pants

In the film “Kin-dza-dza! "The following classification of pants was used:

Pants color	Privilege	Who has the right to wear	Who wears it in the film	Note
Blue pants	Personal pool (Mr. PZh), own security. It is possible that there are other privileges.	The ruler of the planet Plyuk (possibly also some high officials), as well as persons with a very large amount of CC (according to the scenario - 3 grams)	Mr. PZh, as well as VIPs in the crowd in the “Spitting Championship” scene.
Raspberry pants	Patsaks and Chatlans are obliged to squat in front of the owner of the pants (patsaks - twice, and Chatlanins - once). In addition, the owners of crimson pants have immunity status (ethylops are prohibited from beating them at night).	Rich residents of Plyuk who own a large number of CCs	The mother of Mr. PZh, as well as the leader of the smugglers, who deceived the earthlings into stealing a box of matches.
Yellow pants	In front of the owner of the pants, the boys must squat and say “Ku” not once, but twice.	Rich residents of Plyuk who have a CC	Dwarf
Lilac pants	Privileges are unknown. The status of the pants is lower than the crimson ones. It is also likely that they are lower than the yellow ones.	Rich residents of Plyuk	Girlfriend of the leader of the rich smugglers	The leader's girlfriend probably did not have her own CC and therefore could not wear yellow pants
Green pants	Privileges are unknown. The status of the pants is lower than the lilac ones.	Rich residents of Plyuk	A rich one-armed smuggler, Ecilop in civilian clothes	The one-armed smuggler, judging by his behavior, has less power in the gang than the leader's girlfriend, dressed in lilac pants. In the book “The Toasted One Drinks to the Bottom,” Georgy Danelia reports that “green pants are for riffraff.”

In addition to the listed varieties of colored pants, the characters in the film also wear pants of some other colors, but whether these pants are a symbol of status and whether they give any privileges to their owners is unknown.

Pants color	Who wears it in the film
White pants	Chatlanin Uef, the ecilian judge (who sent Uef and Bi to the court), the muzzled ecilian, Mr. PZh’s personal patsok. Mr. PZh himself also likes to appear in white pants in holograms, demonstrating his love for the people.
Orange pants	The mustachioed Ecilop pilot, the dissident Chatlanin Kyrr (the author of the phrase “the boys sat on the heads of the Chatlans”), the cowardly Ecilop pilot (“I immediately pressed the mouth guard”), the boy Bi.
Black trousers	The leader of the smugglers (before he got rich), the Etsikh guard, the fat Chatlanin on the train, some pluckers at the Ferris wheel.
Gray pants	Tsang (woman on a cart), a patsak watchman with a coil on his head, some plyukane at the Ferris wheel.

Links

Sokolov B. G. Color differentiation of pants (system analysis) // Anecdote as a cultural phenomenon. Materials of the round table on November 16, 2002. St. Petersburg: St. Petersburg Philosophical Society, 2002. P.109-116.

Color differentiation of pants

In the film “Kin-dza-dza! "The following classification of pants was used:

Pants color	Privilege	Who has the right to wear	Who wears it in the film	Note
Blue pants	Personal pool (Mr. PZh), own security. It is possible that there are other privileges.	Ruler of the planet Plyuk (possibly also some high officials)	Mr. PZh, as well as VIPs in the crowd in the “Spitting Championship” scene.
Raspberry pants	Patsaks and Chatlans are obliged to squat in front of the owner of the pants (patsaks - twice, and Chatlanins - once). In addition, the owners of crimson pants have immunity status (ethylops are prohibited from beating them at night).	Rich residents of Plyuk who own a large number of CCs	Mister PJ's mother, as well as the leader of the smugglers who stole the box of matches
Yellow pants	In front of the owner of the pants, the boys must squat and say “Ku” not once, but twice.	Rich residents of Plyuk who have a CC	Dwarf
Lilac pants	Privileges are unknown. The status of the pants is lower than the crimson ones. It is also likely that they are lower than the yellow ones.	Rich residents of Plyuk	Girlfriend of the leader of the rich smugglers	The leader's girlfriend probably did not have her own CC and therefore could not wear yellow pants
Green pants	Privileges are unknown. The status of the pants is lower than the lilac ones.	Rich residents of Plyuk	A rich one-armed smuggler, a secret agent.	The one-armed smuggler, judging by his behavior, has less power in the gang than the leader's girlfriend, dressed in lilac pants. In the book “The Toasted One Drinks to the Bottom,” Georgy Danelia reports that “green pants are for riffraff.”

Pants color	Who wears it in the film
White pants	Chatlanin Uef, the ecilian judge (who sent Uef and Bi to the court), the muzzled ecilian, Mr. PZh’s personal patsok. Mr. PZh himself also likes to appear in white pants in holograms, demonstrating his love for the people.
Orange pants	The mustachioed Ecilop pilot, the dissident Chatlanin Kyrr (the author of the phrase “the boys sat on the heads of the Chatlans”), the cowardly Ecilop pilot (“I immediately pressed the mouth guard”), the boy Bi.
Black trousers	The leader of the smugglers (before he got rich), the Etsikh guard, the fat Chatlanin on the train, some pluckers at the Ferris wheel.
Gray pants	Tsang (woman on a cart), a patsak watchman with a coil on his head, some plyukane at the Ferris wheel.

Quotes from the movie “Kin-dza-dza!”

- "Yes simple game. I give you half a chat, you give me three matches on Earth. Never mind, son." - “Thank you, I don’t want to.” - “Okay, you give me one match, I’ll give you three chatlas, yellow pants and this kind of head start. Let's!" - “No...” - “Blue pants...” - “Mr. Wef, I will not do it under any circumstances.”
“Savages! Listen, I love you, I will teach you. If I have a little CC, I have the right to wear yellow pants. And the guy in front of me must squat not once, but twice. If I have a lot of CC, I have the right to wear crimson pants, and the guy in front of me must squat twice and do chatlanin ku. And Ecilop has no right to beat me at night! Never!"
- “I have this proposal, dear. You give us the match now, and then we’ll bring you yellow pants, okay?” - “Thank you, I already have it, maybe Violinist needs it? Violinist! Here the aliens are farting with their pants... Do you need the yellow ones?”
“Me to a planet where they don’t know who should curtsy in front of whom? Nonsense!"
“Such a proposal. We find Fiddler, fly to the local government... We say who we are, where we are from... They give us a gravitsappa, and we organize mutually beneficial trade - you give us yellow pants, and we give you as much CC as you want.”
“Yellow pants - two times ku!”
"Hey! Patsak! Anyway, you’ll kick off your hooves now. Tell the truth at least once in your life. Why didn’t you move with that goat when you could? What did you want? Raspberry pants? Swimming pool PJ? Tell what?"
“When society has no color differentiation of pants, there is no purpose! And when there is no goal..."
“How do you roll a pepelats out of the garage without a gravitsappa?”
“How do you on Earth determine who should squat in front of whom how many times?” - “Well, it’s just by eye” - “Savages!”
“Without color differentiation of pants, society is without purpose.”

Similar systems

Links

Sokolov B. G. Color differentiation of pants (system analysis) // Anecdote as a cultural phenomenon. Materials of the round table on November 16, 2002. St. Petersburg: St. Petersburg Philosophical Society, 2002. P.109-116.

p·o·r Kin-Dza-Dza!
Works and film adaptations	“Galaxy Kin-dza-dza” (story) · “Kin-dza-dza” (film) · “Kin-dza-dza-dza” (cartoon)
Characters	Uncle Vova · Violinist · Bi · Uef · Abradox
Character Groups	Patsaki · Chatlan · Eciloppa
Devices

The color of the pants is a good metaphor for visible attributes, symbols that power needs.

When a society has no color differentiation of pants, then there is no purpose! And when there is no goal, there is no future!

Color differentiation of pants

In the film “Kin-dza-dza! "The following classification of pants was used:

Pants color	Privilege	Who has the right to wear	Who wears it in the film
Blue pants	Personal pool (Mr. PZh), own security. It is possible that there are other privileges.	Plyuk's highest elite: the ruler of the planet (possibly also some high-ranking officials) and persons with a very large amount of CC (according to the film script - 3 grams)	Mr. PZh, as well as VIPs in the crowd in the “Spitting Championship” scene. IN animated film“Koo! Kin-dza-dza » Mr. PJ doesn’t wear blue pants.
Raspberry pants	Patsaks and Chatlans are obliged to squat in front of the owner of the pants (patsaks - twice, and Chatlanins - once). In addition, the owners of crimson pants have immunity status (ethylops are prohibited from beating them at night).	Wealthy residents of Plyuk who own a large amount of CC (according to the scenario - 2 grams)	The mother of Mr. PZh, as well as the leader of the smugglers, who deceived the earthlings into stealing a box of matches.
Yellow pants	In front of the owner of the pants, the boys must squat and say “Ku” not once, but twice.	Wealthy residents of Plyuk with 1 gram of CC	Dwarf

In addition to the listed varieties of colored pants, the characters in the film also wear pants of some other colors, however, whether these pants are a symbol of status and whether they give any privileges to their owners is unknown.

Pants color	Who wears it in the film
White pants	Chatlanin Uef, the ecilian judge (who sent Uef and Bi to the court), the muzzled ecilian, Mr. PZh’s personal patsok. Mr. PZh himself also likes to appear in white pants in holograms, demonstrating his love for the people.
Orange pants	The mustachioed Ecilop pilot, the dissident Chatlanin Kyrr (the author of the phrase “the boys sat on the heads of the Chatlans”), the cowardly Ecilop pilot (“I immediately pressed the mouth guard”), the boy Bi.
Black trousers	The leader of the smugglers (before he got rich), the Etsikh guard, the fat Chatlanin on the train, some pluckers at the Ferris wheel.
Gray pants	Tsang (woman on a cart), a watchman with a coil on his head, some plyukane at the Ferris wheel, Uncle Vova, Violinist.
Lilac pants	Girlfriend of the leader of the rich smugglers
Green pants	A rich one-armed smuggler, an Ecilop in civilian clothes. In the book “The Toasted One Drinks to the Bottom,” Georgy Danelia reports that “green pants are for riffraff.”

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Notes

An excerpt characterizing the color differentiation of pants

Prince Andrei, having left the front line, rode along the front. Our chain and the enemy’s stood on the left and right flanks far from each other, but in the middle, in the place where the envoys passed in the morning, the chains came together so close that they could see each other’s faces and talk to each other. In addition to the soldiers occupying the chain in this place, on both sides there were many curious people who, laughing, looked at the strange and alien enemies.
From early morning, despite the ban on approaching the chain, the commanders could not fight off the curious. The soldiers standing in a chain, like people showing something rare, no longer looked at the French, but made their observations of those coming and, bored, waited for their change. Prince Andrei stopped to look at the French.
“Look, look,” one soldier said to his comrade, pointing to the Russian musketeer soldier, who with the officer approached the chain and spoke often and passionately to the French grenadier. - Look, he babbles so cleverly! The guard can't keep up with him. How about you, Sidorov!
- Wait, listen. Look, clever! - answered Sidorov, who was considered a master of speaking French.
The soldier to whom those laughing were pointing was Dolokhov. Prince Andrei recognized him and listened to his conversation. Dolokhov, together with his company commander, came into the chain from the left flank on which their regiment stood.
- Well, more, more! - the company commander instigated, bending forward and trying not to utter a single word that was incomprehensible to him. - Please, more often. What he?
Dolokhov did not answer the company commander; he was involved in a heated argument with a French grenadier. They talked, as they should have, about the campaign. The Frenchman argued, confusing the Austrians with the Russians, that the Russians had surrendered and fled from Ulm itself; Dolokhov argued that the Russians did not surrender, but beat the French.
“Here they tell you to drive you away, and we will drive you away,” said Dolokhov.
“Just try not to be taken away with all your Cossacks,” said the French grenadier.
The French spectators and listeners laughed.
“You will be forced to dance, as you danced under Suvorov (on vous fera danser [you will be forced to dance]), said Dolokhov.
– Qu"est ce qu"il chante? [What is he singing there?] - said one Frenchman.
– De l "histoire ancienne, [ Ancient history,] - said the other, guessing that it was about previous wars. – L"Empereur va lui faire voir a votre Souvara, comme aux autres... [The Emperor will show your Suvara, like others...]
“Bonaparte...” Dolokhov began, but the Frenchman interrupted him.
- No Bonaparte. There is an emperor! Sacre nom... [Damn it...] - he shouted angrily.
- Damn your emperor!
And Dolokhov swore in Russian, rudely, like a soldier, and, raising his gun, walked away.
“Let’s go, Ivan Lukich,” he said to the company commander.
“That’s how it is in French,” the soldiers in the chain spoke. - How about you, Sidorov!
Sidorov winked and, turning to the French, began to babble often, often unclear words:
“Kari, mala, tafa, safi, muter, caska,” he babbled, trying to give expressive intonations to his voice.
- Go Go go! ha ha, ha, ha! Wow! Wow! - there was a roar of such healthy and cheerful laughter among the soldiers, which involuntarily communicated through the chain to the French, that after this it seemed necessary to unload the guns, detonate the charges and everyone should quickly go home.
But the guns remained loaded, the loopholes in the houses and fortifications looked forward just as menacingly, and just as before, the guns turned towards each other, removed from the limbers, remained.

Having traveled around the entire line of troops from the right to the left flank, Prince Andrei climbed to the battery from which, according to the headquarters officer, the entire field was visible. Here he dismounted from his horse and stopped at the outermost of the four cannons that had been removed from the limbers. In front of the guns walked the sentry artilleryman, who was stretched out in front of the officer, but at a sign made to him, he resumed his uniform, boring walk. Behind the guns there were limbers, and further back there was a hitching post and artillery fires. To the left, not far from the outermost gun, there was a new wicker hut, from which animated officer voices could be heard.
Indeed, from the battery there was a view of almost the entire location of the Russian troops and most of the enemy. Directly opposite the battery, on the horizon of the opposite hillock, the village of Shengraben was visible; to the left and to the right could be discerned in three places, among the smoke of their fires, masses of French troops, which, obviously, most of was in the village itself and behind the mountain. To the left of the village, in the smoke, it seemed like something like a battery, but with the naked eye it was impossible to get a good look. Our right flank was located on a rather steep hill, which dominated the French position. Our infantry was positioned along it, and the dragoons were visible at the very edge. In the center, where the Tushin battery was located, from which Prince Andrei viewed the position, there was the most gentle and straight descent and ascent to the stream that separated us from Shengraben. To the left, our troops adjoined the forest, where the fires of our infantry, chopping wood, were smoking. The French line was wider than ours, and it was clear that the French could easily get around us on both sides. Behind our position there was a steep and deep ravine, along which it was difficult for artillery and cavalry to retreat. Prince Andrei, leaning on the cannon and taking out his wallet, drew for himself a plan for the disposition of the troops. He wrote notes in pencil in two places, intending to communicate them to Bagration. He intended, firstly, to concentrate all the artillery in the center and, secondly, to transfer the cavalry back to the other side of the ravine. Prince Andrei, constantly being with the commander-in-chief, monitoring the movements of the masses and general orders and constantly studying historical descriptions battles, and in this upcoming matter involuntarily thought about the future course of military operations only in general outline. He imagined only the following kind of major accidents: “If the enemy launches an attack on the right flank,” he said to himself, “the Kiev Grenadier and Podolsk Jaeger will have to hold their position until the reserves of the center approach them. In this case, the dragoons can hit the flank and overthrow them. In the event of an attack on the center, we place a central battery on this hill and, under its cover, pull together the left flank and retreat to the ravine in echelons,” he reasoned with himself...

April 10th, 2011 , 01:42 pm

Guess the movie with one quote)))

VIOLINIST: Comrade, there is a man saying that he is an alien, something needs to be done.
UNCLE VOVA: Call at 03.
VIOLINIST: I'll call, but he's almost barefoot.

UNCLE VOVA: What do you see? A?
VIOLINIST: Sand...
UNCLE VOVA: So, this crap worked... Was that goat with the holes still there? Calm, just calm... There is sun, there is sand, there is gravity. Where are we? We are on Earth.

VIOLINIST: No, a stranger. Professor Rogozin. He gave us a chef’s concert, and then they forgot to put the violin on the plane.
UNCLE VOVA: Banquet?
VIOLINIST: No, lunch...

UNCLE VOVA: Hello! We are our tourists, we are behind the group. Give us a lift to the city, and then we’ll somehow be on our own... Translate.
VIOLINIST: Du yu spik english?
UEF: Kuu?

UNCLE VOVA: Not a single letter, not a single “made in”...

VIOLINIST: Vladimir Nikolaevich, maybe we still...
UNCLE VOVA: Yes, typical Martians.

BI: Lyusenka, dear, infection, this pasta gave you away.
UNCLE VOVA: Yes. This means we know Russian. Why was it necessary to hide?
BI: And we don’t hide it. It is very difficult to penetrate a language when you think in two languages at once.
UEF: And this kid always speaks in languages, the continuation of which he does not know. Why are you staring, maimuna verishvilo?
VIOLINIST: They also know Georgian...
UNCLE VOVA: What did he say?
VIOLINIST: The monkey is the son of a donkey.

BI: Vladimir Nikolaevich! You said that if we take you, you will give everything. And you stole a match from us yourself! A patsak doesn’t deceive a patsak, it’s ugly, dear...

UNCLE VOVA: Don't flinch! Show your gravitsap. Branded item - let's take it.
UEF: Patsak! What kind of smugglers will they take from me here in front of witnesses, when for him he gets a life sentence with nails? Do you have brains or kyu in your head?

UEF: Stop! Stop, I say! Who are you? I ask, who are you?
UNCLE VOVA: Alien foreman.
UEF: No. You're a kid. And who are you?
VIOLINIST: I'm Georgian.
UEF: No, you’re a kid too. You are a boy, you are a boy and he is a boy. And I am a Chatlanian, and they are Chatlanians! So put on your tsak and sit in your pepelats, okay?

BI: Vladimir Nikolaevich, you have a wife at home, a son with two degrees, the rent for the cooperative apartment has not been paid, and here you are fooling around. It will end badly, dear.

VIOLINIST: Excuse me, but are Chatlans and Patsaks a nationality?
UEF: No.
VIOLINIST: Biological factor?
UEF: No.
VIOLINIST: Faces from other planets?
UEF: No.
VIOLINIST: How are they different from each other?
UEF: Are you color blind, Violinist? green color Can’t tell the difference from orange? Tourist…

UEF: Yes, a simple game. I give you half a chatla, you give me three matches on the ground. Here, spit here.
VIOLINIST: Thank you, I don't want to.
UEF: Well, okay, you give me one match, I’ll give you three chatlas, yellow pants and this kind of head start. Let's!
VIOLINIST: No...
UEF: Blue pants...
VIOLINIST: Mr. Uef, I will not do it under any circumstances.
UEF: Back word? So why are you fooling me then, maimuna verisho!
VIOLINIST: Mister Uef! I am a representative of a civilized planet, and I demand that you watch your vocabulary! In!

UEF: Violinist, instead of always thinking that you are the first Georgian cosmonaut, and what should you Nobel Prize If they give it to you, return the spoon you stole from the poor artists.
VIOLINIST: I didn’t think anything like that... I wanted to take it to the Institute of Non-Ferrous Metals, maybe something new...
BI: Heaven! Heaven has never seen such a shameful kid like you, Violinist. I grieve very deeply.

BI: Well, here on Earth, how do you determine who should sit down in front of whom for how long?
UNCLE VOVA: Well, it's by eye.
UEF: Savages!

UEF: I have a proposal, dear. You give us the match now, and then we’ll bring you yellow pants, okay?
UNCLE VOVA: Thank you, I already have it, maybe Violinist needs it? Violinist! Here the aliens are farting with their pants... Yellow ones. Do you need them?
BI: But there is no Violinist, dear...
UNCLE VOVA: Why not?
UEF: I ejected him.
BI: Don’t worry, Vladimir Nikolaevich, we have another catapult. New. This one is still ruined.
UNCLE VOVA: I don’t understand...

UNCLE VOVA: Are you sleeping?
VIOLINIST: No.
UNCLE VOVA: Don't be discouraged, Violinist. If there is a gravitsap on this Plyuk, we’ll get it. That’s not what they got...

VIOLINIST: Yes, I sneezed on your acelop!
UNCLE VOVA: Calm down, Violinist, don’t irritate the lady...

VIOLINIST: It’s because you say what you don’t think, and you think what you don’t think, that’s why you’re sitting in cages. And in general, this whole bitter cataclysm that I am observing here, and Vladimir Nikolaevich too...

UNCLE VOVA: Well? Is everything intact?
VIOLINIST: I stole the cologne.
UNCLE VOVA: Woman...

GALINA BORISOVNA: You are an adult, Gedevan Aleksandrovich. You studied for one semester and disappeared for years! They showed up! With some pebble, with some fragment of Caucasian ceramics and a bell from a donka! And you are applying for... Well, and besides, if you are able to play music, then why didn’t you take part in our amateur course activities? Excuse me, Violinist, but this is elementary!

BI: Checkmate! And he said “second category”.
UEF: He's a braggart!
VIOLINIST: It's not a fair game, you're winning at the expense of my brains.
UEF: If you had any brains, you would be studying at MGIMO now, and not here spoiling everyone’s mood.

UEF: Uncle Vova, you need to turn the tsap, tsap.
UNCLE VOVA: Here! Do it yourself!
UEF: I’m not allowed, I’m a Chatlanian.
UNCLE VOVA: Get out of here! How to advise, so everyone chatlan, how to work, so...

BI: Uff, have you ever seen such a little guy be such a mercantile kyu?
UEF: Never. I said - there is no need for a violinist, this is the result.

VIOLINIST: If there was a sea here, why are there no shells?
UEF: Do you still have seas on Earth?
VIOLINIST: And there are seas, and there are rivers, and decent people Yes, Mr. Wef.
UEF: Savages, I want to cry.

UNCLE VOVA: It’s a pity, the authorities can’t see me now. The salary would be increased.
VIOLINIST: Quiet, Uncle Vova, they are looking at us...
UNCLE VOVA: Ku!

UEF: This is not an airship, you idiot! This is Mr. PJ's last breath.
VIOLINIST: Nonsense! How could one person breathe so much air before dying? Absurd.
BI: Fear the sky! PJ is alive! And I'm happy!
UEF: And I’m even happier.

UNCLE VOVA: Astronauts! Which one is this?
UEF: There, a rusty nut, dear.
UNCLE VOVA: Everything here is rusty!
UEF: And this one is the rustiest.

VIOLINIST: “...Earthling, hello! I am sure you will fly to this planet someday. You are greeted by Vladimir Nikolaevich Mashkov, a builder from Moscow, and Gedevan Aleksidze from Batumi, who were the first to set foot on these vile sands on the outskirts of the universe..."

VIOLINIST: Ah! Who needs all this?! Tsaki-taraki, all this rubbish! And we…
UNCLE VOVA: Where did you get this? A?
VIOLINIST: On the shelf in the planetarium there was...
UNCLE VOVA: Violinist! You are my kleptomaniac! You whistled for the gravitsap!..

ETSELOP: Guys! Why not muzzled? Turn around! Mr. PZh’s order is for all the boys to put on muzzles... And rejoice. So, well, this is for me, and this is for you... And this is for you. Why aren't you happy?

UEF: And no one has lived here for a long time. The Plukans trangluced us while we were on tour.
VIOLINIST: For what?
UEF: Because we didn’t have time to do them.
VIOLINIST: What are you getting them for?
UEF: So that they don’t loom over your head.
VIOLINIST: And everyone died?
UEF: Of course.

UEF: They will crawl on all fours, and we don’t care about them.
VIOLINIST: Why?
UEF: It's a pleasure to receive!
VIOLINIST: What's the fun in that?
UEF: Still young...

UEF: Gedevan-niko, shvilo, you tell me. I can, I belong. My mother is Georgian. Was.
VIOLINIST: Sadaul.
UEF: Alkhauri.
VIOLINIST: He says my mother is a local Georgian. Was.

UNCLE VOVA: Well, how much you can talk about the same thing. Let's fly. If we fly...
UEF: Because of you, I will sit in a pot forever. Are you too lazy to open your mouth again?
UNCLE VOVA: Brothers! Dear, good, my dear ones, either fly away, or at least close the door. I can’t see you anymore, and I’m so sick.

DECONTE: It doesn't matter. Please, wear breathing apparatus.
VIOLINIST: Why? You have good air.
DECONTE: That's why.

VIOLINIST: Girl, are you the smartest here? Did someone tell you this, or did you decide for yourself?

UNCLE VOVA: Let's do it this way: one to Earth, and the other to the past.
VIOLINIST: Vladimir Nikolaevich, I won’t let you go to Plyuk alone.
UNCLE VOVA: Listen, uncle, press for time.

UNCLE VOVA: Then it won’t happen. We fly only to Earth.
BI: Forever?
UNCLE VOVA: Forever.
UEF: Me to a planet where they don’t know who should curtsy in front of whom? Nonsense. Give it a gravitsap and do whatever you want.
VIOLINIST: Uncle Uef, Uncle B, you will be greeted there like that...
BI: No, Genatsvale! When a society has no color differentiation of pants, then there is no goal, and when there is no goal...

VIOLINIST: Comrade...
UNCLE VOVA: Eh?
VIOLINIST: How to get to the old Arbat?
UNCLE VOVA: That way, to the right.
VIOLINIST: Thank you.
UNCLE VOVA: Ku!
VIOLINIST: Ku!
UNCLE VOVA: Violinist?
VIOLINIST: Uncle Vova?

Brief CHATLAN-PATSAK DICTIONARY:

KC - match
TsAK - nose bell
ETSIKH - box for prisoners
ETSILOPUS - representative of the authorities
PEPELATS - interstellar ship
GRAVITSAPPA - part from the Pepelats engine
KYU is a socially acceptable curse word.
KU - all other words

Some facts about the film:

The film was shot on DS color film (width 35 mm, length 3693.4 m). Although initially high-quality Kodak film was allocated for the film, director G. Danelia and the film’s cameraman P. Lebeshev decided that the image should be harsh - without halftones and good shadow development. In this regard, all the Kodak film was given to another film crew, and the film “Kin-dza-dza!” filmed on lower quality Soviet DS (daylight) film.

The song “Mom, Mom, what are we going to do” sounds at the beginning and end of the film from the TV in Uncle Vova’s apartment, which is showing a scene from feature film"Kotovsky" 1942. In this scene, the White Guard officers during civil war sit in a restaurant in busy Odessa and watch an incendiary performance of a singer performing pop verses about a cheerful and wild life Odessans (“Odessa woman - that’s what she is, / Odessa woman - ardent, lively! / Odessa woman dances and sings, / Gives kisses / To those who live cheerfully!”). As a chorus to these verses, the male choir several times performs an excerpt from a folk song of street children (“Mom, mom, what are we going to do, / When the winter cold comes? / You don’t have a warm handkerchief, / I don’t have a winter coat!”) . According to the credits, the composer of the film “Kotovsky” was Sergei Prokofiev. During the film, Uncle Vova plays another, simpler melody on the violin, presumably taken from “Lullaby” by composer I. Philip (published in the “School of Piano Playing” edited by A. Nikolaev).

The song “on the river, on the river, on that bank,” which Uef sings when he is taken away in an iron box on Plyuk, and also when he is sent to the greenhouse on Alpha, is heard in most of G. Danelia’s films, where E. Leonov starred , starting with "Thirty Three"

A few years after the film was released, film composer Gia Kancheli, at the request of famous violinist Gidon Kremer, wrote a humorous play for symphony orchestra based on the music “Kin-dza-dza” and “Tears fell.” It was first performed in Germany under the title “Eine kleine Danelida” (Little Daneliada). The unusual thing about this piece is that according to the music, the orchestra members must sing the word “ku” several times during the performance. Later, a ballet was staged to this music in Vienna, where “ku” was sung by a female choir.

At one of Kin-dza-dza’s film premieres abroad, American directors approached Georgy Danelia:
Americans - Great movie etc. ...what special effects! It’s very expensive here, but could Soviet specialists do special effects for us?
G. Danelia - Special effects? Where did you see them there?
Americans - Well, the flying pepelats!
G. Danelia - Pepelats? These are not effects, we borrowed it from the military.

- No, genatsvale! When a society does not have a color differentiation of pants, then there is no goal, and when there is no goal... - Well, here on Earth, how do you determine who should sit down in front of whom for how long? - Well, it’s just by eye... - Savages!

Listen, I love you, I will teach you. If I have a little CC, I have the right to wear yellow pants. And the guy in front of me must squat not once, but twice. If I have a lot of kts, I have the right to wear crimson pants, and the boy in front of me must squat twice and do chatlanin ku. And the etsilop has no right to beat me at night, ever! ("Kin-Dza-Dza") If you think that the color differentiation of pants, in fact direct meaning, does not matter in your life, then you are seriously mistaken. But I fell in love with you, I will teach you to determine what kind of guy is standing in front of you!
First you need to remember the following:
Red color symbolizes aggression, anger, rage and at the same time sexual dissatisfaction (or sexual arousal)
Yellow— intellectual efficiency;
Green- selfishness, selfishness, as well as a tendency to pursue selfish goals;
Blue expresses coldness in relationships with others;
Blue- a tendency towards emotional attachment, as well as romanticism and daydreaming;
Purple or lilac- on the contrary, low productivity of the intellect and, at the same time, daydreaming and easy suggestibility.
Brown- craving for comfort, as well as an increased love of entertainment; Pink- dissatisfaction with the attitude of others towards oneself, sentimentality, craving for tenderness (you can take a new look at glamorous blondes);
Grey- emotional passivity or calm self-confidence; Black color. Expresses authoritarianism, conviction, forceful pressure, the desire to suppress, and also to stand out;
White also indicates a desire to attract attention (as a rule, “people in white” easily make contacts, but just as easily break off relationships at the slightest feeling of discomfort);
Cool colors indicate the introversion of the one who prefers them, and color combinations- about appropriate combinations of mental qualities.
All kinds of cells, stripes, large patterns on clothes speak of a person’s neurasthenic, infantile nature.
Brilliant, bright jewelry, various things, “bells and whistles” are characteristic of a hysterical personality type (one of the main characteristics of which is confidence in high social significance, in the special purpose and value of one’s own personality. Such people tend to play a one-man show all their lives).
By the way, such things and bells and whistles include mustaches and beards on men - a clear sign of the presence of a hysterical trait in their character. The presence of bright, awkward jewelry on a woman, just like the presence of an abundance of rivets on a man’s jacket, indicate that in their emotional sphere a hysterical radical is also hidden (or not hidden at all) (this is typical, for example, for people of public professions - actors , singers, and also at a young age).

Getting closer to the color differentiation of the pants!
Each part of the human body in turn symbolizes a certain sphere.
The head is intellectual, the torso to the hips is emotional, the hips and legs to the ankles are sexual, and the feet are a general aspiration, a life goal.
In this order, you can scan a person and make up a quick, preliminary, psychological picture. Let's try.

Creative prime example
Let's choose some group photo to practice on cats, let's say our stars (of course, conducting psychological testing of stars based on clothes is a thankless task - after all, they are in character, but this means that they won't be offended either, we'll discuss the images ). For example, this is a popular photo in Ukraine (for those who don’t know, this is Ukrainian stars variety shows together with candidate tom in pr Residents Yulia Timoshenko):
On it (from left to right): Nastya Kamenskikh, Fozi (TNMK group), Potap, Someone unknown to me, Vocalist of the group Tik, Ani Lorak, Bassoon (TNMK group), Natasha Mogilevskaya, Yulya Vladimirovna, Ruslana, Alexander Ponamarev, Irina Bilyk, Tina Karol, and the vocalist of the band Mad Heads XL (hereinafter MHXL).
The head is the head of everything..
Let's start with the main thing, or head, actually with the heads, which, as we agreed, symbolize the intellectual sphere. For some reason on this photo It turned out that there was nothing special to analyze. No extra bright makeup, no earrings and frilly hairstyles - everything is decorous and not interesting. Well, most male representatives have a beard and/or mustache (the MHXL vocalist has some kind of island of hair under his lip, I couldn’t identify it - but it’s also worth it). A beard and mustache, as already mentioned, are a sign of some hysterical personality trait and are quite often found among representatives of the arts (as well as among leaders and tyrants), which is not surprising. There are also two hats to choose from - one black, the other white. By doing this, we put a tick in the box for the desire to stand out in the intellectual sphere in a manner that corresponds to the color. From female half Only Tina stands out with her gray-blue-blue shadows (sorry, not good at color ranges women's cosmetics). Let's assume that this is a sign of self-confidence and some coldness of mind.
Emotions
Let's move on to the emotional sphere - we analyze the color scheme of the torso to the hips. Here, gentlemen, artists show themselves much better, the profession obliges us - it’s already more interesting for us. Everyone is wearing white capes in accordance with the promotion's design. They also quite well express its psychological component - “the desire to attract attention (as a rule, “men in white” easily enter into contacts, but just as easily break off relationships at the slightest feeling of discomfort."
Emotional immaturity was demonstrated by Fozzy and the representative of MHXL (this one generally gave jazz, besides, he also has a red T-shirt under a checkered vest, a reference to the head) - checks, stripes, large drawings. Red, which symbolizes aggression and sexual dissatisfaction, is present in the ensemble of Ani Lorak and Ruslana. In general, do not judge young ladies strictly, but you can evaluate the emotional sphere. Irina Bilyk seems to have hysterical bells and whistles in the emotional sphere (in the form big head premiers) and Tina Karol (I don’t even know how to describe THIS). Reread main characteristic this personal radical and evaluate the degree of influence on the emotional sphere of our artists. Low intellectual productivity and, at the same time, daydreaming and easy suggestibility in the emotional sphere were demonstrated by Nastya Kamenskikh, the owner of a purple blouse, also with frills (also bells and whistles). Mogilevskaya is all in gray - she’s probably confident in herself. Julia is in white, but also with ruffles (apparently, after all, our prime minister’s heart is not made of stone, it is capable of emotions).
Look below
Legs: will tell you a lot. The thighs and legs to the ankles are the sexual sphere, and the feet are the general aspiration, life goal. Kamenskaya, Bilyk and Ponamarev in sexual sphere They feel like a leader, strive to dominate and are not afraid to emphasize this. Everyone’s shoes are also black, and Bilyk’s also have an accent - apparently they like to lead not only in bed.

The representative of MHXL in the sexual sphere also showed originality - is he really a fan of perversions? At the very least, the colors of pants and shoes indicate a desire to stand out. Characteristic of artists, only if this manifestation were done with taste... Red shows its mood in this area in our two ladies - Lorak and Ruslana. A special life orientation on this issue can be noted in the latter, taking into account shoes.
The gentleman from the Tik group in sexual matters, apparently, is ready to indulge himself in a variety of pleasures - brown pants. Judging by the well-groomed appearance and slim figure, it is clear that pleasures take precedence not only in the sexual sphere. This is also confirmed by brown shoes, with yellow elements that indicate intellectual efficiency. It seems that the uncle is helped in obtaining pleasure by his intellect, all the power of which is directed in this direction. In general, the main hedonist of the party has been discovered. By the way, brown shoes were also found on Mrs. Mogilevskaya, which doesn’t even really fit in with the rest of the ensemble in gray tones. Apparently Natasha is confident in herself, and all her aspirations are in one way or another connected with material well-being and entertainment (brown in the zone of life aspirations). The prime minister's blue jeans are probably an understandable sign of a cold relationship with others in the sexual sphere. Apparently you have to sublimate it into work, and the position obliges you to control yourself. (But we already know that she does not have a heart of stone!)
Summary
Of course, such a comic testing of stars does not pretend to be any kind of revelation, but using this example, I think you can understand how to evaluate a person by his color preferences. We all almost always choose colors according to our current state, otherwise we will feel quite uncomfortable. How do you choose the color of the thing you are buying or going to wear in the morning? Think about it.

Such a rapid test is just an operational and preliminary psychological test, but it can tell you a lot and give useful tips.
The method does not work if a person is used to changing masks - the same artists, they can feel comfortable in different images And color solutions. But even here the influence of color will be observed.
This also does not work for people who do not take care of themselves. For example, yellow torn socks on the feet of a homeless person do not at all indicate his desire for intellectual efficiency.