Why does the novel end with the death of the main character? What is the meaning of Oblomov’s life? Oblomov: life story

Live in ancient world requires skill and endurance. Everything must be obtained through hard and exhausting labor. The day begins with preparing tools for hunting. It is necessary to sharpen arrows, hatchets and daggers well. Prepare bowls for mascara. As soon as it begins to get light, you need to move into the forest. The woman will accompany me and begin preparations for collecting roots and berries. Brew tea from the collection of leaves.

In the forest there is danger at every turn, so you need to behave carefully and with utmost care. You can hunt wild boar, foxes, hares, and partridges. Hares and foxes will also provide fur, which provides warmth in winter. When hunting you need good speed, quick reaction and dexterity. To the wild beast you cannot show that you are afraid of him or are not sure that you will defeat him.

When the prey is caught, it is necessary to go home so that the woman cooks the meat over the fire. You can, of course, eat meat raw, but fried it is more tasty and appetizing. After this, you need to take care of the skin and prepare it for drying. A good skin will keep you warm in winter.

It’s not every day that you manage to catch prey, so having meat in your diet is a real holiday. Sometimes you have to eat roots and various berries from the bushes.

My woman is taking care of the children at this time. She teaches them to paint on rocks. He feeds them milk and sings songs to them. I try to protect my family from the raids of other tribes, so I always have a weapon at the ready that will help me, protect my home, my trophies and my family.

A mandatory action is to go to the stream in order to get fresh drinking water, without which we cannot exist. We collect all the ladles so that there is enough for all family members.

At night, we need to keep the fire burning, which will not allow wild animals to get into our home. For a fire you need to collect branches from trees.

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Goncharov’s novel “Oblomov” is a landmark work of literature of the 19th century, touching on both acute social and many philosophical problems while remaining relevant and interesting to the modern reader. Ideological meaning The novel "Oblomov" is based on the opposition of an active, new social and personal principle with an outdated, passive and degrading one. In the work, the author reveals these principles on several existential levels, therefore, to fully understand the meaning of the work it is necessary detailed consideration each of them.

Social meaning of the novel

In the novel “Oblomov,” Goncharov first introduced the concept of “Oblomovism” as a generalized name for outdated patriarchal-landlord foundations, personal degradation, and the vital stagnation of an entire social layer of Russian philistinism, unwilling to accept new social trends and norms. The author examined this phenomenon using the example of the main character of the novel, Oblomov, whose childhood was spent in distant Oblomovka, where everyone lived quietly, lazily, having little interest in anything and caring almost nothing. The hero's native village becomes the embodiment of the ideals of Russian old-time society - a kind of hedonistic idyll, a “preserved paradise” where there is no need to study, work or develop.

Portraying Oblomov as a “superfluous man,” Goncharov, in contrast to Griboyedov and Pushkin, whose characters of this type ahead of society, introduces into the narrative a hero who lags behind society, living in the distant past. The active, active, educated environment oppresses Oblomov - the ideals of Stolz with his work for the sake of work are alien to him, even his beloved Olga is ahead of Ilya Ilyich, approaching everything from a practical side. Stolts, Olga, Tarantyev, Mukhoyarov, and other acquaintances of Oblomov are representatives of a new, “urban” personality type. They are more practitioners than theorists, they do not dream, but do, create new things - some by working honestly, others by deception.

Goncharov condemns “Oblomovism” with its gravitation towards the past, laziness, apathy and complete spiritual withering away of the individual, when a person essentially becomes a “plant” lying on the sofa around the clock. However, Goncharov also portrays the images of modern, new people as ambiguous - they do not contain peace of mind and the inner poetry that Oblomov had (remember that Stolz only found this calm while relaxing with a friend, and already married Olga is sad about something distant and is afraid to dream, making excuses to her husband).

At the end of the work, Goncharov does not make a definite conclusion about who is right - the practitioner Stolz or the dreamer Oblomov. However, the reader understands that it was precisely because of “Oblomovism,” as a phenomenon that is sharply negative and has long since become obsolete, that Ilya Ilyich “disappeared.” That is why social meaning Goncharov’s novel “Oblomov” is the need for constant development and movement - both in the continuous construction and creation of the surrounding world, and in working on the development of one’s own personality.

The meaning of the title of the work

The meaning of the title of the novel “Oblomov” is closely related to the main theme of the work - it was named after the surname of the main character Ilya Ilyich Oblomov, and is also associated with the social phenomenon “Oblomovism” described in the novel. The etymology of the name is interpreted differently by researchers. Thus, the most common version is that the word “Oblomov” comes from the words “Oblomok”, “break off”, “break”, denoting the state of mental and social breakdown of the landowner nobility, when it found itself in a borderline state between the desire to preserve old traditions and foundations and the need to change according to the requirements of the era, from a creative person to a practical person.

In addition, there is a version about the connection of the title with the Old Slavonic root “oblo” - “round”, which corresponds to the description of the hero - his “rounded” appearance and his quiet, calm character “without sharp corners”. However, regardless of the interpretation of the title of the work, it points to the central storyline of the novel - the life of Ilya Ilyich Oblomov.

The meaning of Oblomovka in the novel

From the plot of the novel “Oblomov,” the reader from the very beginning learns many facts about Oblomovka, about what a wonderful place it is, how easy and good it was for the hero and how important it is for Oblomov to return there. However, throughout the entire narrative, events never take us to the village, which makes it truly mythical, fabulous place. Picturesque nature, gentle hills, a calm river, a hut on the edge of a ravine, which the visitor needs to ask to stand “with his back to the forest, and his front to it” in order to enter - even in the newspapers there was never a mention of Oblomovka. The inhabitants of Oblomovka did not care about any passions - they were completely cut off from the world, they spent their lives in boredom and tranquility, based on constant rituals.

Oblomov's childhood was spent in love, his parents constantly spoiled Ilya, indulging all his desires. However, Oblomov was particularly impressed by the stories of his nanny, who read to him about mythical heroes and fabulous heroes, closely linking in the hero’s memory his native village with folklore. For Ilya Ilyich, Oblomovka is a distant dream, an ideal comparable, perhaps, to the beautiful ladies of medieval knights who glorified wives who were sometimes never seen. In addition, the village is also a way to escape from reality, a kind of half-imagined place where the hero can forget about reality and be himself - lazy, apathetic, completely calm and renounced from the world around him.

The meaning of Oblomov's life in the novel

Oblomov’s whole life is connected only with that distant, quiet and harmonious Oblomovka, however, the mythical estate exists only in the memories and dreams of the hero - pictures from the past never come to him in a cheerful state, home village appears before him as a kind of distant vision, in its own way unattainable, like any mythical city. Ilya Ilyich is in every possible way opposed to the real perception of his native Oblomovka - he still does not plan the future estate, he delays for a long time in responding to the headman’s letter, and in a dream he does not seem to notice the disrepair of the house - a crooked gate, a sagging roof, a shaky porch, a neglected garden. And he really doesn’t want to go there - Oblomov is afraid that when he sees the dilapidated, ruined Oblomovka, which has nothing in common with his dreams and memories, he will lose his last illusions, which he clings to with all his might and for which he lives.

The only thing that brings complete happiness to Oblomov is dreams and illusions. He is afraid real life, is afraid of marriage, which he has dreamed of many times, is afraid of breaking himself and becoming someone else. Wrapping himself in an old robe and continuing to lie on the bed, he “preserves” himself in a state of “Oblomovism” - in general, the robe in the work is, as it were, part of what mythical world, returning the hero to a state of laziness and extinction.

The meaning of the hero's life in Oblomov's novel comes down to gradual dying - both moral and mental, and physical, for the sake of maintaining his own illusions. The hero does not want to say goodbye to the past so much that he is ready to sacrifice a full life, the opportunity to feel every moment and recognize every feeling for the sake of mythical ideals and dreams.

Conclusion

In the novel “Oblomov,” Goncharov depicted the tragic story of the decline of a person for whom the illusory past became more important than the multifaceted and beautiful present - friendship, love, social well-being. The meaning of the work indicates that it is important not to stand still, indulging oneself in illusions, but to always strive forward, expanding the boundaries of one’s own “comfort zone.”

Work test

The work of Ivan Aleksandrovich Goncharov “Oblomov” was written many years ago, but the problems raised in it remain relevant today. Main character The novel has always aroused great interest among the reader. What is the meaning of Oblomov’s life, who is he and was he really lazy?

The absurdity of the life of the main character of the work

From the very beginning of the work, Ilya Ilyich appears before the reader in a completely absurd situation. He spends every day in his room. Devoid of any impressions. Nothing new happens in his life, there is nothing that would fill it with any meaning. One day is like another. Absolutely uninterested in and uninterested in anything, this person, one might say, resembles a plant.

Ilya Ilyich's only activity is lying comfortably and serenely on the sofa. Since childhood, he has been accustomed to being constantly taken care of. He never thought about how to ensure his own existence. I always lived with everything ready. There was no such incident that would disturb his serene state. Life is simply convenient for him.

Inaction does not make a person happy

And this constant lying on the sofa is not caused by some incurable disease or psychological disorder. No! The terrible thing is that this is the natural state of the main character of the novel. The meaning of Oblomov’s life lies in the soft upholstery of the sofa and a comfortable Persian robe. It is common for every person to think about a goal from time to time. own existence. The time comes, and many, looking back, begin to reason: “What useful have I done, why am I even living?”

Of course, not everyone is given the opportunity to move mountains or accomplish any heroic deed, but do own life Any person can have an interesting and full of impressions. Inaction has never made anyone happy. Perhaps only up to a certain point. But this has nothing to do with Ilya Ilyich. Oblomov, whose life story is described in novel of the same name Ivan Aleksandrovich Goncharov, is not burdened by his inaction. Everything suits him.

Main character's home

The character of Ilya Ilyich can be judged from some of the lines in which the author describes the room where Oblomov lived. Of course, the decoration of the room did not look poor. It was luxuriously furnished. And yet there was neither coziness nor comfort in it. The paintings that hung on the walls of the room were framed with drawings of cobwebs. Mirrors, designed to allow one to see one's reflection in them, could be used instead of writing paper.

The whole room was covered in dust and dirt. Somewhere there was a randomly thrown thing that would remain there until it was needed again. On the table there are uncleaned dishes, crumbs and leftovers from yesterday's meal. All this does not evoke a feeling of comfort. But Ilya Ilyich does not notice this. Cobwebs, dust, dirt and uncleaned dishes are natural companions of his daily reclining on the sofa.

Dreaminess in the character of Ilya, or Like in the village

Often Ilya Ilyich reproaches his own servant, whose name is Zakhar, for sloppiness. But he seemed to adapt to the owner’s character, and perhaps he himself was not far from him from the very beginning; he reacts quite calmly to the untidiness of the home. According to his reasoning, there is no point in cleaning the room from dust, since it still accumulates there again. So what is the meaning of Oblomov’s life? A man who can’t even get his own servant to clean up the mess. He cannot even control his own life, and the existence of those around him is completely beyond his control.

Of course, sometimes he dreams of doing something for his village. He is trying to come up with some plans, again - lying on the sofa, in order to reorganize village life. But this person is already so divorced from reality that all the dreams he has built remain just that. The plans are such that their implementation is almost impossible. They all have some kind of monstrous scope that has nothing to do with reality. But the meaning of life in the work "Oblomov" is not revealed only in the description of one character.

A hero opposite to Oblomov

There is another hero in the work, who is trying to awaken Ilya Ilyich from his lazy state. Andrey Stolts is a man filled with boiling energy and liveliness of mind. Whatever Andrey undertakes, he succeeds in everything, and he enjoys everything. He doesn’t even think about why he does this or that thing. According to the character himself, he works for the sake of work.

What is the difference between the meaning of life of Oblomov and Stolz? Andrey never lies idle, like Ilya Ilyich. He is always busy with something, he has a huge social circle with interesting people. Stolz never sits in one place. He is constantly on the move, meeting new places and people. But nevertheless, he does not forget about Ilya Ilyich.

Andrey's influence on the main character

Oblomov's monologue about the meaning of life, his judgments about it, are completely opposite to the opinion of Stolz, who becomes the only one who was able to lift Ilya from the soft sofa. Moreover, Andrei even tried to return his comrade to active life. To do this, he resorts to some trick. Introduces him to Olga Ilyinskaya. Realizing that pleasant communication with beautiful woman, perhaps, will quickly awaken in Ilya Ilyich a taste for a life more varied than existence in his room.

How does Oblomov change under the influence of Stolz? His life story is now connected with the beautiful Olga. They even awaken in it tender feelings to this woman. He is trying to change, to adapt to the world in which Ilyinskaya and Stolz live. But lying on the sofa for a long time does not pass without a trace. The meaning of Oblomov’s life, associated with his uncomfortable room, is very deeply rooted in him. Some time passes, and he begins to feel burdened by his relationship with Olga. And, of course, their breakup became inevitable.

The meaning of Oblomov's life and death

Ilya Ilyich’s only dream is the desire to find peace. He doesn't need ebullient energy Everyday life. The world in which he is closed, with its small space, seems much more pleasant and comfortable to him. And the life that his friend Stolz leads does not attract him. It requires fuss and movement, and this is unusual for Oblomov’s character. Finally, all of Andrei’s ebullient energy, which constantly collides with Ilya’s indifference, has dried up.

Ilya Ilyich finds his solace in the house of a widow, whose last name is Pshenitsyna. Having married her, Oblomov completely stopped worrying about life and gradually fell into moral hibernation. Now he is again dressed in his favorite robe. He's lying on the sofa again. Oblomov leads him to a slow decline. IN last time Andrei visits his friend under the watchful eye of Pshenitsyna. He sees how his friend has sunk and does last try to get him out of the pool. But there is no point in this.

Positive traits in the character of the main character

Revealing the meaning of Oblomov’s life and death, it is necessary to mention that Ilya Ilyich is still not negative hero in this work. There are quite bright ones in his image positive features. He is an infinitely hospitable and cordial host. Despite constantly lying on the sofa, Ilya Ilyich is very educated person, he appreciates art.

In his relationship with Olga, he does not show rudeness or intolerance, he is gallant and courteous. He is very rich, but destroyed by excessive care since childhood. At first you might think that Ilya Ilyich is infinitely happy, but this is just an illusion. A dream that replaced the real state.

Oblomov, who turned into a tragedy, seems to be happy with his situation. And yet he understands the futility of his existence. Moments of awareness of his own inaction come to him. After all, Ilya Stoltz forbade Olga to come to him, he did not want her to see the process of his decomposition. An educated person cannot fail to understand how empty and monotonous his life is. Only laziness prevents you from changing it and making it bright and varied.

1. What things have become a symbol of “Oblomovism”?

The symbols of “Oblomovism” were a robe, slippers, and a sofa.

2. What turned Oblomov into an apathetic couch potato?

Laziness, fear of movement and life, inability to carry out practical activities, and the replacement of life with vague daydreaming turned Oblomov from a man into an appendage of a dressing gown and a sofa.

3. What is the function of Oblomov’s sleep in the novel by I.A. Goncharov "Oblomov"?

The chapter “Oblomov’s Dream” paints an idyll of a patriarchal serf village, in which only such an Oblomov could grow up. The Oblomovites are shown as sleeping heroes, and Oblomovka is shown as a sleepy kingdom. The dream shows the conditions of Russian life that gave rise to “Oblomovism.”

4. Can Oblomov be called a “superfluous person”?

ON THE. Dobrolyubov noted in the article “What is Oblomovism?” that the features of Oblomovism were to some extent characteristic of both Onegin and Pechorin, that is, “superfluous people.” But " extra people" of previous literature were surrounded by a certain romantic aura, it seemed strong people, distorted by reality. Oblomov is also “superfluous,” but “reduced from a beautiful pedestal to a soft sofa.” A.I. Herzen said that the Onegins and Pechorins relate to Oblomov like fathers to their children.

5. What is the peculiarity of the composition of the novel by I.A. Goncharov "Oblomov"?

Composition of the novel by I.A. Goncharov “Oblomov” is characterized by the presence of double storyline- Oblomov’s novel and Stolz’s novel. Unity is achieved with the help of the image of Olga Ilyinskaya, which connects both lines. The novel is built on the contrast of images: Oblomov - Stolz, Olga - Pshenitsyna, Zakhar - Anisya. The entire first part of the novel is an extensive exposition, introducing the hero already in adulthood.

6. What role does I.A. play in the novel? Goncharov's "Oblomov" epilogue?

The epilogue tells about Oblomov's death, which made it possible to trace the hero's entire life from birth to the end.

7. Why does the morally pure, honest Oblomov die morally?

The habit of receiving everything from life without putting any effort into it developed apathy and inertia in Oblomov, making him a slave to his own laziness. Ultimately, the feudal system and the home education it generated are to blame for this.

8. As in the novel by I.A. Goncharov’s “Oblomov” shows the complex relationship between slavery and nobility?

Serfdom corrupts not only masters, but also slaves. An example of this is the fate of Zakhar. He is as lazy as Oblomov. During the life of the master, he is content with his position. After Oblomov's death, Zakhar has nowhere to go - he becomes a beggar.

9. What is “Oblomovism”?

"Oblomovshchina" - social phenomenon, consisting of laziness, apathy, inertia, contempt for work and an all-consuming desire for peace.

10. Why was Olga Ilyinskaya’s attempt to revive Oblomov unsuccessful?

Having fallen in love with Oblomov, Olga tries to re-educate him and break his laziness. But his apathy deprives her of faith in the future Oblomov. Oblomov's laziness was higher and stronger than love.

Stolz is unlikely to be positive hero. Although, at first glance, this is a new, progressive person, active and active, there is something of a machine in him, always dispassionate, rational. He is a schematic, unnatural person.

12. Describe Stolz from the novel by I.A. Goncharov "Ob-lomov".

Stolz is the antipode of Oblomov. He is an active, active person, a bourgeois businessman. He is enterprising and always strives for something. The outlook on life is characterized by the words: “Work is the image, content, element and purpose of life, at least mine.” But Stolz is not capable of experiencing strong feelings, he exudes the calculation of every step. The image of Stolz is artistically more schematic and declarative than the image of Oblomov.

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