Horrible children's drawings. Daughter draws creepy pictures

Behind the simple plots of children's drawings lies much more than might seem to adults at first glance. We tried to analyze several such drawings.

"BORDER GUARDS"

Judging by happy faces and the caps of the border guards are askew - they are demobilized. They run slowly, because, judging by the trail, they are chasing a one-legged intruder state border. The intruder threw a grenade at them, as can be seen from the bush flying in the sky (see top right corner.). The fate of the intruder has already been predetermined by the artist: the border guards have tame, angry bears on leashes.
A detail of the drawing not disclosed by experts (a fragment of the image of the left hand of the right border guard) gives the picture a certain incompleteness, which is why the picture takes on a philosophical connotation.

"THREE PIGLETS"

Let's start with the fact that all the characters depicted by the artist live in the “yellow house”. The windows are barred - if you look closely, you will see that one of the windows is blocked by a door. There were blood stains and bullet holes on the wall next to the door. There is a feeling of hopelessness in the picture. This is especially clearly expressed by the road going vertically upward to the saint (upper right corner, pay attention to the halo). But note that the saint is also standing near the same house, which emphasizes the cyclical nature of existence, the impossibility of changing our lives.
On the left (in the bushes) is a ghostly shade of hope, which reveals the maturity of an accomplished artist.

"GIRLS IN THE FOREST"

Let's start with the fact that the action takes place somewhere in the north (the trees are shorter than human height). What immediately catches your eye is how these girls look. It’s obvious that they didn’t go into the forest to pick mushrooms, since they don’t have baskets, but they’re wearing full makeup. It’s dirty in the forest, judging by the big girl’s black tarpaulin boots.
As it appears, short lady has a broad outlook: after all, if you look at her eyes, it becomes clear that her viewing angle is a full 360 degrees. In addition, she is also the brain center, judging by the size of her head. The big girl knows where to go, the little girl resists her, with this the artist emphasizes the inconsistency inner world person.
The raised branches of the Christmas trees, past which the painted girls had already passed, give a special piquancy to the picture.

"PLANE"

The first thing that catches your eye is the Euros flying down. However, the fall of the European currency is not the worst thing. The absence of pilots in the cockpit is alarming. Perhaps they were scared off by the unusual design of the aircraft - with wings located above and below different shapes. Or the color black seemed ominous to them. Although, most likely, they did not like the lack of instruments in the cockpit. Empty and in the huge portholes...
Perhaps people are sleeping, or maybe they have simply disappeared, because judging by the color of the Sun, the film takes place several million years later. The sun will turn red and oval, and giant toads will live on Earth and drink tea (the leftmost toad in the picture).
This is how our artist sees the future, we wish him good luck.

"GRANDFATHER MAZAI AND THE HARES"

In the distant future, after a global cataclysm, humanity will come to the idea of ​​​​creating a single religion that would include elements of all world religions.
It is obvious that the gods must be hares in order to have long ears and hear the prayers of all sinners. Three hares are a symbol of the trinity of God. But look at the faces. You will not see torment, torment, as in the canonical images of Jesus Christ; instead, the happy, well-fed, smiling faces of hares sitting in Buddha poses catch your eye. Two African hares - black brothers of the central hare, symbolize racial tolerance. Indeed, according to statistics, in the future there will be one Caucasian for every two black inhabitants of the planet.

"CAT HOUSE"

Keeping animals in apartments is inhumane, absurd, and cruel. This is what the author tells us from the canvas. Whatever the size of the mansion (in in this case a cowshed is drawn) - the cat fills it with himself and is there as if in a cage. The artist sharply and accurately expressed the cruelty of people towards animals with one symbol (see. a little boy in a yellow cap with a club instead of a hand, beats an unfortunate animal.)

A ghostly dream of salvation is the cat’s only desire. However, if the house is sucked in like a quagmire, then, having escaped the circle of household chores, it finds itself in a loop (see the fragment between the house and the cat: the loop is on fire).
The fire of passion consumes brave heart animal (the rightmost fragment of the fire is a heart, a knight is depicted right above the roof of the house). The artist empathized with the plot so much that, leaving his corporate logo in the picture (next to the word “FIRE”), he crossed it out in rage.
The painting can be attributed to the Cubist movement in painting. We wish the author further success.

"GOLDEN SHOE"

We will not be ironic about the appearance of the two characters depicted in the picture. The girl’s lack of nose and neck, incorrect proportions - all this is not something worth paying attention to. After all, the main thing in people is not their appearance, but their rich inner world!
However, the artist wanted to show something else. Notice that the guy consists of wires on which pieces of matter are stretched. The girl is also made of papier-mâché.
What did the artist mean by this? Love is an illusion puppet show! That's what love is!
A guy on his knees asks his beloved for her hand and heart. The eyes narrowed in sweet languor, the lips curled in desire for a kiss. He doesn't need love at all...
The girl, on the contrary, doesn’t give a damn, she is ironic (crooked grin), moreover, cold calculation can be seen from her squinted right eye. She probably even hit the guy (see the red spot under the eye).
No matter what the “lovers” say, they will never hear each other, because they simply don’t have ears! (see in the picture).
But still they continue this game.
Game of LOVE!

"FRIENDSHIP"

"DRUGS"

It’s immediately obvious that it’s hard for the guy to live without drugs. The left eye has dissolved, the lips have simply disappeared... although why does he need lips? The guy is an extreme sports enthusiast and stabs himself in the forehead. The idiom “sprinkling ashes on your head” is fully realized in this film.
No matter what everyone says about drug addicts, this one is very rich, at least judging by the number of gold teeth, he has enough to buy drugs.
The world presented to us in this picture is a field for playing preference, which symbolizes excitement.
Over the years of his life, this character has lost everything: ears, lips... torso. But, in fact, the artist wanted to show his internal state: “tearing off the head.”
So, summary: “Live fast, die young!” And if you turn the picture upside down, it’s easy to see that this is a Valentine’s card with a heart in the very center.

"SPARROW"

The picture shows a victim of a genetic experiment by scientists: a sausage bird. To prevent her from rolling away, she was implanted with two tripods, standing on which she is exposed to harsh radiation from an X-ray lamp, the rays of which pierce right through the poor animal. Probably, according to the author’s idea, it is this radiation that causes the growth of sausage in captivity. For convenience, the bird is created in such a way that the adult is hung by the tail immediately after being brought to the store.
In addition, this picture is a biting political satire: we see the end of the beak of the second head of the bird, turned to the west. And indeed, the two-headed eagle, the symbol of our state, is nothing more than a premature sausage bird.

"MY FAMILY"

Judging by the picture, all members of this family are women, from which we can conclude that this is a family of Amazons. Firstly, they have all painted their lips since childhood, and secondly, half of them wear male names. Apparently, with this painting the artist is fighting against the regimes of countries in which “such” families are prohibited, despite the fact that, judging by the descriptions, these people are the flower of the nation. After all, a woman who works as an electronics engineer is worthy of more than respect.

The whole horror of the situation is expressed in the fact that the whole family is already standing against the wall with their hands behind their backs. Moreover, someone had already laid flowers at their feet. Sister Seryozha can count to 100 - apparently, it is at this number that the shots will ring out. But brave Amazons face death with a smile. They know that others will take their place, that their noble work will be continued and that in the future the entire planet will be populated by women.

"APPLE GIRL"

It may seem that this is the hero of a horror film. Don't be scared, this is an ordinary apple girl. As you know, there are two types of women - Elena the Beautiful and Vasilisa the Wise. It’s immediately obvious that you can’t call this girl Elena. But she has a rich inner world!
The apple represents two things: Newton's Mind and Freud's Repressed Desires (forbidden fruit). And indeed, with such an appearance, this girl can only become a great scientist.
But that's only half the story. As you know, the apple doesn’t fall far from the tree - on the right is the girl’s mother, who doesn’t want to let go of her brilliant girl and therefore keeps her on a leash, which symbolizes the connection between generations and strong family bonds in such families.

"IN THE ANIMAL WORLD"

This, of course, is hard to believe - but the picture depicts a turtle, and judging by its legs and sporty hairstyle, it is a running turtle.
Have you ever seen a sign that says, “Animal Rest”? No? And do you know why? Yes, because you have never seen reading and talking animals. In fact, this is all an allegory! People are animals. This is what the artist tells us from the canvas.
It becomes clear that the turtle is just a mask. This man is only pretending to be a turtle, although even a blind man can see that he is the wolf that he considers himself to be. However, the artist sharply emphasized brown, how main character is actually.

The background of the picture is also wonderfully thought out - the closet with the sign “Rest for Animals” is really the very “closet” in which people can take off their animal masks and be themselves. Apparently, this is precisely why the turtle man came to this hospital, and all is not lost for him.
This fact is evidenced by the voice on the side, which most likely is inner voice turtles. "Who am I? Why am I? Why me?" - all people ask themselves these questions and, in search of an answer, reach the most hidden corners of their consciousness.
Alas, such questions distinguish us from animals, but not from beasts.

"THE SCARLET FLOWER"

No matter how much you write on the signs “Don’t get in, he’ll kill you!” - There will always be fools who get in and who will be killed. Apparently, this time the loving hare turned out to be the fool. He climbed the mountain for edelweiss, the flower of all lovers, to eat it.
But did the hare die? After all, it’s immediately clear that the hare is a theatergoer. Firstly, he is wearing a bow tie, and secondly, he depicts his death very theatrically. Stanislavsky, looking at this picture, would definitely exclaim “I believe!”
And the flower believed! The whole tragedy of the situation lies in the fact that the hare is pretending, and the trusting flower is reaching out to help. This is what the artist wanted to show.
After all, behind all this props lies a marriage. Defenseless male flowers can frighten with their lightning - but they will never harm those they love; and women, although they love flowers, are real hares, theatrical and black in their cunning.

Repost, taken here http://my.tele2.ee/plast/kids_pictures/detpics.htm

Many psychologists argue that children's drawings are not just an opportunity to express Creative skills, but also to reveal the state of mind.

The internal state of the baby is most accurately conveyed by drawings at the age of 3.5 to 5 years.

How to decipher what children's drawings mean? How can this form of diagnosis be used?

To begin with, invite your child to draw a family, without giving him any instructions on how, who and in what order to draw.

Do not interfere with the process in any way, just observe and draw conclusions.

Psychologists say that if a child draws himself first, then this good sign. It means that in his small world the baby is the central figure.

It’s bad if the child doesn’t draw anyone else next to him. This indicates loneliness. The baby does not feel like a full-fledged member of the family. He lacks your attention.

After himself or first, the child usually draws the one whom he considers to be the main one in the family. It could be father, mother. Next, sisters, brothers, grandparents, aunts and uncles are depicted... Pets usually complete the picture.

If a child draws family members in a different order, it means he evaluates their role differently. The one who appears earlier in the picture has greater authority than the one who appears later. Or, there may also be an option that this person simply devotes more time to the baby.

If a child receives little attention from his family, he will be the first to draw his four-legged friend.

The absence of any family members in the picture should also be an important signal. This means that the baby is simply trying to oust a person from his life whom he does not like, causes fear, whose behavior he does not understand or does not approve of.

What do children's drawings mean when looking at the size of the images?

All children want to grow up and become an adult as quickly as possible. Therefore, they very often draw themselves either the same size as other people, or a little smaller. Well, if a child draws himself as small, it means he is not independent enough, adults suppress his initiative and individuality.

It’s good when the picture shows family members holding hands. This means that the baby considers your family to be friendly, he feels the support of each member. It's not very good if everyone stands apart from each other. This may indicate that your family lacks support and mutual understanding.

If a baby trusts his parents, he draws himself close to them. The same applies to other members of the family. Well, if everyone is drawn together, and someone is alone on the side, this means that the child or one of the family members has a conflict with him.

Strikethroughs, pressures and strokes in the picture indicate anxiety and concern. Need to pay Special attention to the elements that are highlighted in this way.

Painted flowers can be a sign of a child’s psychological comfort, air balloons, butterflies, sun, rainbow.

What do the colors in the picture say?

If red color predominates, this means that the child is active and energetic, if orange color is hyperactive. Blue yellow, green colors indicate that the baby is calm and balanced. Purple, pastel, light pink colors indicate that the baby is shy and timid. The predominance of gray and black shades should not be ignored. This is a bad sign. It means that the baby is lonely, sad, scared, bad. There is an urgent need to find and eliminate the causes of this condition.

I would especially like to dwell on the evil drawings.


Sometimes parents simply ooh and ahh when they see various monsters and bogeymen in their children’s work. And what can we say about various types weapons?

Some psychologists argue that any weapon in a baby’s drawing is a sign of aggression. Well, scars, wounds, injuries and blood indicate that something is wrong with the baby mentally.

If a boy often draws strong and courageous characters, it means that the cult of strength is very important to him. It also shows that he doubts his own abilities.

Should parents be concerned if their child draws angry pictures?

Of course, sad, aggressive, angry drawings should be alarming. But it may be that before the drawing process the child simply watched a cartoon, a movie, or played a game that resulted in a certain plot. Then it is important to find out how the child reacts to such a scene, does he enjoy it?

You must learn to distinguish whether a drawing conveys the desire to be a participant in some adventure and feel like a hero, or whether it brings pleasure from the opportunity to destroy something and harm something.

If adults want to see rainbows, sunshine in children's drawings, blue sky and flowers, then we must monitor from what sources the baby receives information and studies the world. After all, he perceives and processes it in his own way. And one of the ways to express the results of receiving information and the state of its processing is a child’s drawing.

Try to fill your child’s life with positive, bright, bright impressions, then they will only depict beautiful moments.

In general, my husband and I are very pleased with her development and success. (Not counting the fact that we just love her very much :-))

Eat younger brother(5.5 years old), her relationship with him is the best and “real”: they sometimes fight and can even hit each other (rarely), but in relations with the outside world they instantly unite, even often stick together in conflicts with their parents.

On this moment We are upset by the unpleasant theatricality, some unnaturalness of her behavior. The impression is as if the daughter is trying to play a certain role, usually unnaturally joyfully excited. (Moreover, the “actress” fakes and overacts terribly!). This behavior more often appears in communication with girlfriends, but also at home, in the family circle, it often “scratches” us.

And these nudes are completely incomprehensible to us tied up women, which she has been drawing for several years now! Either they appear in large quantities, or they completely disappear from her work for several weeks or months. In addition to ropes, sometimes there are gags, some instruments of torture, and evil-looking torturers (men). Sometimes I find dolls tied hand and foot. When trying (carefully and unobtrusively) to find out what was drawn here, several years ago she muttered without much emotion something like: “The villain caught the princess and forced her to marry him,” and recently my (very cautious) interest She was embarrassed, she removed the sheets from the table with the words: “This is mine, mine, don’t look...”

Here it should be noted that my daughter draws well and drawing has always been a very effective (and favorite) “therapy” for her.

She knows perfectly well how and where children are born since she was 4 years old, when they were preparing for the birth of her brother, it did not cause any unpleasant reactions. A year ago, her friend’s older sister started menstruating, the girls’ mother talked to me and we agreed to educate our 9-year-olds on this topic. Here, too, things went well: there were questions, concerns, disgust, but everything was discussed, we talked about everything. Around the same time, I saw her drawing of a couple making love, with an emphasis on the genitals. This drawing didn’t bother me at all, everything was clear and natural there: both were hugging and no one was torturing anyone. I bought her a very cute children's book with sensitivity and explanations about sex, she showed little interest (doesn't really like to read at all :-(). I managed to talk to her about this topic when she asked "What is rape?". After our During the conversation, my daughter finally read that book.

But scary drawings they haven’t gone anywhere - sometimes there are more of them, sometimes there are fewer, but they are there. What to think about? These drawings really confuse and frighten me: there is a lot of sadistic eroticism there, and over the years there has been more eroticism and torture has become more sophisticated. True, the frequency of appearance of such drawings is gradually decreasing.

What should we do about this and should we do something? Should I really go back to a six-month course of visits to a psychologist?

You don't have to lie! For German women, Hitler pushed the concept of the three Ks to the people - “Kinder, Küche, Kirche”, which translates as “Children, kitchen, church”.

Catholic clergy and Nazi officials Joseph Goebbels (right) and Wilhelm Frick (left).

According to former U.S. Army intelligence officer William Gowen's testimony in San Francisco federal court, Vatican officials shielded Nazi war criminals and collaborators from arrest and trial. They also helped conceal and legalize property taken from Nazi victims, including Jews. This is how assistance was provided to Klaus Barbie (the Lyon butcher), Adolf Eichmann, Dr. Mengele and Franz Stengel, the head of the Treblinka death camp.

In Italy, with the rise of local fascism to power Catholic Church received even more power and influence than before (Lateran Treaty, concluded in February 1929). Along with significant government subsidies, she negotiated for herself far-reaching rights of intervention and control in the field of education and family life. Since 1929, insulting the Pope has become a criminal offense.
In a fascist state, religion is considered one of the most profound manifestations of the spirit, therefore it is not only revered, but enjoys the protection and patronage of Benito Mussolini. The doctrine of fascism. 1932
The close connection between the fascist regime and the church was characteristic of Romania, Hungary and Spain. The Valley of the Fallen monument, built by order of Generalissimo Franco, combines both religious and fascist symbols. In any case, religious thought and religious life in a fascist state is strictly censored and controlled state system due to its totalitarian nature.

By the way, now in Russia they have also introduced an article for insulting the feelings of believers.

Orthodoxy was seen by the National Socialists as important tool fighting against their political opponents and increasing their authority in countries with predominantly Orthodox religion (USSR, Romania, Bulgaria, Greece). In turn, the militant anti-Bolshevism of the fascists was positively received by a number of Orthodox hierarchs of the White emigrant environment.
During the 1920s and 30s, the National Socialists took a number of measures to bring them closer to Orthodoxy in Germany. The Reich Ministry of Religious Cults supported the German diocese of the Russian Church Abroad (ROCOR), which was in opposition to the Moscow Patriarchate, and granted it the state status of a public law corporation, which was available only to Lutherans and Catholics. In 1938, the Nazis financed the construction of a new cathedral of the Resurrection of Christ ROCOR on the Hohenzollerndamm, as well as major renovations on the 19th Orthodox churches. At the same time, the churches of another Russian Orthodox jurisdiction of the Western European Exarchate of Russian parishes were confiscated and transferred to the ROCOR.
First Hierarch of the ROCOR, Metropolitan Anastassy (Gribanovsky) in thank you letter wrote to Minister Hans Kerl: At a time when the Orthodox Church in our Motherland is subjected to unprecedented persecution, we are especially touched by the attention of the German government and yours personally, awakening in us a feeling of deep gratitude to the German people and their glorious leader Adolf Hitler and prompting us to heartfelt prayer for his and the German people's health, well-being and Divine Help in all their affairs. At the same time, in the relations of the Nazis with Orthodox Church There were also frictions: for example, in 1938, the Germans demanded that the Synod of the ROCOR recall the Berlin Archbishop Tikhon (Lyashchenko) on charges of sympathy for Jews.
After the outbreak of World War II and the occupation of Poland, the German authorities transferred church property previously taken by the Polish authorities to the Polish Orthodox Church, and also supported the opening of an Orthodox theological institute in Breslau.

The leadership of the ROCOR wanted to use the outbreak of war with the USSR to revive church life in Russia. Beginning on June 26, 1941, Metropolitan Anastassy repeatedly contacted Berlin with proposals to create his own church administration in the occupied territory of the USSR, but did not find support from the German leadership due to the opposition of the Ministry of Eastern Territories, headed by Alfred Rosenberg. The German invasion of the USSR was welcomed by the Parisian hierarch of the ROCOR, Metropolitan Seraphim (Lukyanov): May the Almighty bless the great Leader of the German people, who raised the sword against the enemies of God himself. May the Masonic star, sickle and hammer disappear from the face of the earth.

The position of the German authorities in the occupied territories of the USSR combined mutually exclusive approaches. On the one hand, Reich Minister Alfred Rosenberg sought to revive religious groups, including Orthodoxy, in German-controlled territories, through the creation of autonomous and unaccountable church structures, excluding the possibility of the emergence of a single powerful church organization. Hitler expressed his opinion as follows:
We must avoid having one church supply the religious needs of large areas, and each village must be made into an independent sect. If some people want to practice black magic we should not do anything to stop them. our policy on wide open spaces should be to encourage any and every form of disunity and schism
On the other hand, the Nazi leadership and Wehrmacht generals in the occupied territories preferred the existence of a single Orthodox Church, at least in each of the regions (Baltic states, Ukraine). Moreover, at a meeting at the Reich Ministry of Eastern Lands on June 20, 1942, it was decided that it would be beneficial for the occupation authorities to unite all Orthodox Christians around the Moscow Exarch with the aim of evicting them after the war to the Reich Commissariat Moscow.
In the occupied territories, on the initiative of the population and often with the support of the German command, thousands of parish and monastic communities returned to church services, Soviet time went underground. Temples that were once closed for the first time long years were restored and overflowing with worshipers. At one time, there were more functioning churches in the occupied territories than in the rest of the world. Soviet Russia, which greatly contributed to the change in attitude Soviet power to the Russian Church, which from being persecuted in the middle of the war had turned into one being reborn.
At the same time, in the Baltics there was an expansion of the territory of the Russian Orthodox Church and the strengthening of the power of Metropolitan Sergius (Voskresensky). Attempts by the hierarchs of Latvia and Estonia to create autonomous churches were suppressed by the Nazi leadership. The occupation authorities allowed Metropolitan Sergius to maintain his canonical connection with the Patriarchate, which consisted in raising the name of the Locum Tenens at divine services.
In Belarus, the German authorities relied on the creation of a national Belarusian autocephalous church, relying here on Belarusian nationalists who came here from the Czech Republic and Poland. Despite this, in March 1942, Archbishop Panteleimon (Rozhnovsky) was elected Metropolitan of Minsk and Belarus, who was able to maintain the canonical subordination of most of the Belarusian Orthodox to Moscow. After the liberation of Belarus Soviet troops Belarusian bishops, led by Panteleimon, left for Germany, where they joined the ROCOR.
As for Ukraine, here the National Socialists maneuvered around the confrontation between several Orthodox churches, alternately supporting them. During German occupation 5,400 churches and 36 monasteries were opened on the territory of Ukraine, and pastoral courses were organized.
The Orthodox Church led active work in the occupied territories of the RSFSR. In the Smolensk region alone, 60 churches were opened, in Bryansk and Belgorod at least 300, Kursk 332, Oryol 108, Voronezh 116. The Pskov mission showed significant activity.
In just three years of occupation, more than 40% of the pre-revolutionary number of churches was restored. IN Soviet literature they talk about 10 thousand temples. In addition, about 60 monasteries were recreated: 45 in Ukraine, 6 in Belarus and 8-9 in the RSFSR.
Pskovskaya Orthodox mission

Pskov-Riga newspaper For the Motherland with the title of the article: On behalf of the Russian Orthodox Church: Lord, grant Adolf Hitler strength for final victory. In the photo is Sergius (Voskresensky).

The Pskov Orthodox mission operated during the Great Patriotic War in the occupied by German troops territories of the North-Western dioceses of Russia: St. Petersburg, Pskov and Novgorod, as well as the Baltic states. The initiator of the creation of the Mission was Metropolitan Sergius (Voskresensky) of Vilna and Lithuania. Under the conditions of the German occupation, he managed to maintain the canonical unity of the Baltic dioceses with the Russian Orthodox Church. The core of the Pskov mission was made up of Russian priests from the Riga and Narva dioceses. On August 18, 1941, the first 14 missionary priests arrived in this city, among whom were both graduates of the Orthodox Theological Institute in Paris and leaders of the Russian Christian Union. During services in the newly opened churches, Metropolitan Alexy (Simansky) of Leningrad was remembered, in whose diocese the missionaries served, emphasizing that the mission was part of the Russian Church.
A significant church event of that time was the transfer of the Tikhvin Icon to the Church Mother of God. The icon was rescued from the burning church in Tikhvin with the participation of German soldiers and handed over to the Church by the Germans.

Metropolitan Sergius (Voskresensky) and the monks of the Pskov-Pechersk Monastery (ROC) with German officers. 1941

Why do children need evil drawings? © Shutterstock

As you know, children often draw things that are not at all what we would like to see. Parents ooh and ahh, and sometimes are simply horrified by the children's evil drawings. Monsters, guns, lasers, battles - everything our cute kids don’t draw.

Psychologists say: any weapon in a child’s drawing, even an ordinary stick, is a sign of aggression. Drawn wounds, scars, injuries indicate that your child is in a neurotic state, that something is wrong mentally.

If a boy constantly draws male characters, strong and pumped up, which means that the cult of strength is very important to him. As a rule, this is typical for a teenager. Such a drawing of a "feather" small child speaks of his doubts in his abilities.

Should you be afraid if your child constantly draws evil pictures?

To this question website psychologist and chief developer answers unique game"mozartika" Polina Russavskaya.

Of course, when you see angry, aggressive, sad drawings of a child, you should be wary and think about it.

But you need to be able to distinguish a topic that simply captivates a child after watching cartoons, TV series, computer games and reading books, and results in a picture of the battle of some super-knights with super-weapons, from gravity to aggressive scenes. It is especially important to find out whether the child enjoys such scenes.

We must try to distinguish what the drawing conveys - the desire to be involved in adventures and feel like a victorious hero or the subconscious pleasure of the opportunity to destroy and control life and death.

How to avoid angry children's drawings?

Those adults who want to see sunshine and rainbows in their children's drawings must carefully and responsibly monitor all sources from which the child receives information about the world, both real and fantastic.

And one of the ways of this processing and at the same time the result of this processing is children's drawings. At each age they have their own dominant moments.

If you really want a rainbow to appear in your little one’s drawings, you don’t need to specifically give him pictures from which you can draw a rainbow.

There is no need to show how to draw it or how to paint a house in a picture “like a rainbow.”

It is necessary - which is much more difficult - to try to fill the child’s life with such bright and positive impressions that he would want to draw a rainbow or paint a painted house “like a rainbow.”

But remember, even the most cheerful child cannot always draw rainbows and sunshine. After all, at least sometimes he experiences something or solves some problems, and this is certainly reflected in his drawings.

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