Famus's education is grief from the mind. Help!!!! essay on the topic "the image of Famusov from the comedies woe from wit"
The comedy by A.S. Griboyedov “Woe from Wit” can boast of its unique images. One of central images The work is the image of Famusov.
Pavel Afanasyevich Famusov is an elderly man who buried his wife, the mother of his daughter, Sophia, whom he raises with the help of governesses, but loves endlessly. He lives in Moscow and, despite his age, Pavel is quite energetic and serves as a manager at state enterprise, where he arranged for almost all of his relatives to work. He regularly gives them awards and ranks; almost the entire enterprise is occupied exclusively by Famusov’s relatives.
Pavel Afanasyevich took Chatsky into his care when his parents died. It is important to him what they say about him, he is dependent on other people’s opinions, and likes to spread rumors. Famusov is hypocritical, often fussing, witty and resourceful, loves to flatter people, evaluates people by rank (honor of rank). He doesn’t notice anything around him, likes to put himself above everyone else, always defends his point of view, which is why he talks a lot, often interrupts everyone, often gets angry, likes to swear at his servants with or without reason. The author also notes Paul’s loud voice.
Famusov considers education an unnecessary waste of time. He also considers himself hospitable and attaches importance to visiting. It can often be seen on everyone important events cities, at balls, christenings and so on. Pavel Afanasyevich believes that Chatsky cannot marry his daughter Sophia because he has no money, and his father demanded an exclusively rich groom, despite his wealth financial situation, he was not averse to becoming related to the young Colonel Skalozub. Plus, according to Famusov, one could only expect troubles and disruption of order from Chatsky. Pavel and Chatsky were opposites of each other; during an argument, each defends their point of view, they do not hear each other.
In the person of Famusov, Griboyedov expresses a typical Russian nobleman, and in the person of his retinue and friends - a typical Russian society. Everyone is having fun, but underneath this lies selfish goals: to find a profitable match, make new acquaintances, find patronage. All of Famusov’s guests and himself are united by the search for personal gain and hypocrisy. In such a society, sincerity is considered bad manners or madness, where everyone is trying to impress each other. good impression, forgetting about your inner world.
Essay about Famusov
From the work “Woe from Wit” we learn about the situation that reigned in Russia at that time, describing in detail people and their thoughts and experiences.
The author introduces us to many colorful characters who draw the reader into the story. From the old generation we meet Famusov, a man of advanced years who has his own position in society and values it very much. He is a person who always thinks about what others think about him, a person who is a conservative, rejecting everything new and innovative. Being a conservative by nature, this man tries to reject science and enlightenment, blaming his daughter for reading, supposedly it corrupts the young mind of a girl, but in the work we see that Famusov is by no means a saint, because he often flirts with his maid Lisa.
From all of the above, we see that Famusov is a person closed in his cocoon of stability, not wanting anything new, and even being afraid of the new, because he is worried that this new thing can take him away old life, to which he is so accustomed and does not want to lose. In part, Famusov can be understood; he is a person of a different generation, and everything that is the norm for the new generation is savagery and complete tactlessness for him. This has always been the case and will always be so, so condemning him for this would be very stupid. Griboyedov shows us this image to show that struggle between the old and the new and innovative. It is the reluctance of the old world to fade into the background, due to its reluctance to lose power.
It is also clear through Famusov that the author made him the personification of conservatism, unwilling to let anything new into this world that could lead to change, since Famusov himself is afraid of change, fearing to lose his old life, which he loved so much and to which he was so accustomed.
In the nineteenth century, many events took place in Russia, which we can learn about from the works of Russian classics. Many of them described various events that in one way or another influenced the state of our homeland, and definitely influenced the people of that time.
Many works by an author like Griboyedov can be called works that provoke people to change, and possibly resistance. Therefore, his works were often subject to censorship, and his works were often not allowed to be published. One of these works was his provocative comedy “Woe from Wit.”
Option 3
Comedy A.S. Griboyedov’s “Woe from Wit” raises many acute social issues that aggravated after the Russian army’s foreign campaigns. All characters of this work represent representatives Russian society that period. IN to a greater extent the author focuses on nobles and high-ranking personalities. Everyone, with the exception of Chatsky, plays the role of negative heroes. Pavel Afanasyevich Famusov stands apart among them. What is the image of this character?
Famusov is a landowner, leader of the so-called “ Famusovsky Society”, distinguished by conservative views on life. Pavel Afanasyevich is quite old man, as evidenced by his prominent gray hair. Despite his advanced age, he is very active and cheerful. Famusov occupies a high position in society, working as a manager in a state-owned house. Almost all of his work colleagues are relatives who got their jobs through nepotism. Famusov was married, but his wife died. From the marriage, the widower has a daughter, Sofia, whom he raises independently, trying to instill in her his own customs.
Pavel Afanasyevich's attitude to life expresses the opinion of all noble circles of that time. Famusov despises education and enlightenment, because it can harm his well-being. He strongly disapproves of teaching his daughter, who studies science and art with the help of professional teachers from European countries. Famusov himself is an uneducated person who prefers to lead a luxurious lifestyle.
Despite a large number of work responsibilities, he devotes a lot of time to entertainment, especially going to restaurants. You can almost always meet guests in Pavel Afanasyevich’s house. Famusov is thoroughly preparing for their arrival. He values his reputation and tries to impress people he knows, fearing condemnation or criticism from society. Nevertheless, his attitude towards the interlocutor depends on the person’s official position. Thanks to his ability to flatter, this character quickly climbed the career ladder.
In the image of Famusov, Griboyedov wanted to demonstrate all the vices and shortcomings conservative society nobles Pavel Afanasyevich personifies negative qualities human soul, which is manifested in his attitude towards various issues and his approach to solving problems. The author calls on people like Famusov to change and become representatives of the advanced stratum of the then nobility, which was in the minority and could not radically change outdated values.
Sample 4
Griboyedov's work "Woe from Wit" shows the main problems in society of the 19th century and the problem that remains eternal, the conflict of generations. The author divides two generations into the “past century” and the “present century.” Each century has its own representative, who reflects the whole essence of that time.
One of the main characters, Pavel Afanasyevich Famusov, dates back to the last century. Occupies a place of honor in Moscow, a nobleman. Famusov is a manager in a state house. Famusov is not alone; he has a family consisting only of a daughter. Daughter Sofia at the age of seventeen. Famusov is raising her alone, his wife is not there, she died.
Famusov has a negative attitude towards any changes in life. He is driven by fear and the unknown. Will it be good after the changes or should I not touch anything and leave it in its place? It is precisely these thoughts of Famusov that the author conveys to us.
From the first lines of the work, the image of the main character is clearly visible. Do not forget that Famusov is presented as a whole generation belonging to the last century.
Changes in life are not the only thing that Pavel Afanasyevich denies. He is also against enlightenment. He considers it evil. He calls his daughter dissolute when he sees Sophia with Molchalin. She justifies this promiscuity by the fact that Sophia reads a lot of books. It is from them that all the harm and all the troubles come. Famusov himself behaves like a monk and considers himself an example for his daughter. Although everyone who is not blind sees the opposite, Famusov does not lead his life like a monk. Shortly before the conversation with his daughter, Pavel Afanasyevich was flirting with the maid Lisa.
Famusov is very dependent. Namely, we depend on public opinion, what matters to him is what they think about him and what they say. He worries that people will talk badly about him in society. Pavel Afanasyevich always thinks what impression he will make on others. It's true what they say, "don't judge a book by its cover." But Famusov does everything exactly the opposite. He cares appearance, and not those qualities and virtues that are inside a person and, in fact, what he consists of.
Some people are ashamed to curry favor and humiliate themselves in front of people, but Famusov thinks completely differently. He considers this the norm. In the first place in his life is rank and fortune.
Character traits are clearly visible in communication with other people. In communicating with everyone, he only seeks benefit. People who cannot give anything to Famusov are completely useless individuals.
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When Griboyedov finished work on his famous work, it was expected that the play would soon be staged in the theater and published. But the censorship at that time strictly monitored all innovations and trends in literature, so the play was subject to serious scrutiny. It must be said that Griboedov quite boldly highlighted many of the problems of his time, and Special attention paid attention to the contradiction that has matured between supporters of old and new views. In essence, the interests of “the present century” and “the past century” collided.
Just in this article we will talk about the characterization of Famusov in the comedy "Woe from Wit" - the main supporter of the passing century. So, one of the key characters is Pavel Afanasyevich Famusov.
How Famusov looked at issues of education and upbringing
Who was Famusov? To better understand Famusov’s characterization, let us remember that he had a fairly influential position, serving as a manager in a state-owned house. His seventeen year old daughter Sophia, Chatsky’s beloved, subsequently became the source of rumors about the protagonist’s madness. Famusov is afraid to change his way of life, he is conservative. The unity of the comedy’s place lies in the fact that all events take place within one day right at Famusov’s house.
Why is Famusov’s characterization in the comedy “Woe from Wit” so important when we talk about education and upbringing? It’s very simple: the opinion of this man contains the opinion of all the nobles of that era. This is what the author intended. When Famusov found Molchalin with his daughter, he immediately expressed his opinion about education and upbringing, and the reader sees this dialogue almost from the very beginning of the action.
Famusov opposes any innovations, he denies enlightenment and does not recognize the action of the mind, because all this can harm his own position. What does he think about Sophia’s dissolute behavior? The father refers to the fact that she is passionate about books: “here are the fruits,” he says. However, in his opinion, reading is not to blame for everything. Education in general influences the emergence of this kind of thinking. Children are taught by foreigners, they are taught art - such teaching is harmful to the nobles. What is the use of education if family life will do without these things.
Considering Famusov’s characterization from the comedy “Woe from Wit,” it is interesting to note that he sets himself up as an example for his daughter, and no education is needed. According to him, his behavior is “monastic,” that is, he is morally pure. However, these words are full of slyness, because Famusov himself had just flirted with Lisa and pestered her. This is the maid in their house.
Famusov and public opinion
Famusov and his supporters are very afraid notoriety, public opinion. And it doesn’t matter what kind of person he really is, the main thing is what others think about him. Proof of this is provided by some characters who are, so to speak, “off stage”. Take, for example, Maxim Petrovich, Famusov’s uncle. He deeply admires him, and especially his ability to “help himself” so that no one would have any complaints. And this skill brings wonderful results, because Maxim Petrovich became a rich and respected man.
Famusov’s characterization is well revealed if you look at how he treats people. He respects not everyone, but those who mean something in society, because you can get benefits from such a person. And poor people are trash in his eyes, insignificance. Let us remember Skalozub - he has been a colonel for a long time, but even though Skalozub is very stupid, he has a “golden bag” with him, and strives for the rank of general. Such a person evokes Famusov’s admiration.
Of course, having examined Famusov’s characterization in the comedy “Woe from Wit,” it becomes obvious that Griboedov had a specific goal to show the outdated views of aristocratic society. And not just to show, but also to explain that holding these views is stupid and short-sighted. Famusov's role is very important in this. But after reading the comedy, it becomes clear that change is inevitable.
On our blog you will find many articles that discuss not only the characteristics of key characters in world works, but also provide analyzes literary works writers from all countries. This article described the characterization of Famusov from the comedy “Woe from Wit” by Griboyedov. You may also be interested in
A.S. It is no coincidence that Griboyedov chooses Famusov’s last name. In Latin, "fama" sounds like "rumor", and "famos" means "famous" in Latin. Knowing this, every reader understands from the first lines of the work that we're talking about about an important person occupying a high position in society. A titled landowner, a rich gentleman, related to the eminent nobleman Maxim Petrovich, Pavel Afanasyevich Famusov moves among important, respectable Moscow people and major officials, often receiving them in his house.
Famusov is a person for whom the judgments of rumor and society are more important own opinion. At the end of the play, Famusov is in no hurry to support his daughter, disappointed in love. Pavel Afanasyevich is most concerned about the opinion of Princess Marya Aleksevna about the events in his own house.
The image of Famusov is quite realistic and eloquent. Pavel Afanasyevich appears to the reader as a caring strict father, and an important official, and a master who sacredly honors centuries-old traditions. He is gentle, witty, always welcomes his guests, and patronizes his relatives and friends. Like any person, he can be quick-tempered and grouchy. Nothing human is alien to him, neither virtues nor vices.
He in every possible way curries favor with those who are higher in rank than him, flatters those on whom he is dependent. How ridiculous and funny Famusov looks, showing excessive attention at home to the stupid martinet Skalozub, who has picked up awards and distinctions with the help of flattery! In a completely different tone, Pavel Afanasyevich addresses the servants, calling them donkeys and does not stand on ceremony with the choice of words and expressions. Communicating with Molchalin, he does not let him forget for a minute that he sheltered him in his house, benefiting him with his service. Famusov constantly addresses Molchalin on a first-name basis, demonstrating the condescending and patronizing tone of a boss-benefactor. Considering Chatsky’s high-born origin, Famusov communicates with him as equals. Pavel Afanasyevich communicates with his daughter Sophia like any loving father, sometimes he scolds her, sometimes he caresses her, sometimes he teaches a lesson to an inexperienced girl.
Famusov's speech is a vivid expression of his unique nature. Pavel Afanasyevich communicates with others like a typical Moscow gentleman. He often uses words characteristic of the common people: there is no urine, to die, really, they are cold, otdushnikhek, to beat the thumbs, by chance. Such native Russian speech of Pavel Afanasyevich indicates that he is a Russian gentleman and knows the traditions of his people well. In his speech, Famusov sometimes uses words of foreign origin, calling Chatsky a carbonari. Telling Chatsky about the royal reception, he uses foreign word kurtag, meaning reception day in royal court. Despite being relatively rich lexicon, Famusov does not use scientific terms, which indicates its limitations. There are no words in his vocabulary that convey deep soul feelings, since Pavel Afanasyevich, by and large, is a layman who is not very concerned about everyday problems. He is content with what he has and is devoid of high aspirations and motives. His limitations are especially evident when his guests talk about the dangers of teaching and books. Famusov supports them and offers to burn all the books, from which, in his opinion, all the evil comes. Famusov is deeply confident that serfdom unshakable and the only correct one. He admires the old times and the old orders, fiercely rejecting everything new and incomprehensible.
IN famous work"Woe from Wit" A.S. Griboedov vividly and realistically showed Famusov as a typical representative of the Russian nobility early XIX century and a fierce defender of the reactionary autocratic system, personifying the inert and backward Russia of that period.
, analysis and full text) Famusov himself. This is an image important official, a widower with an adult daughter, Sophia. Famusov is a faithful supporter of all those foundations on which the Moscow society that era. He builds his career on servility and sycophancy. His uncle Maxim Petrovich, arrogant with his inferiors, servile at court, seems to him to be an ideal. Some Kuzma Petrovich, who cleverly managed to get into the chamberlains himself and lead his son in, is the subject of his admiration and worship.
Woe from the mind. Maly Theater performance, 1977
Famusov sees the meaning of service in receiving awards and a high salary, but he treats work with cynical disdain: he signs business papers without reading, and also jokes: “What’s my business, what’s not my business, my custom is this: it’s signed and off your shoulders." He employs almost only relatives as his officials - he himself openly admits:
When I have employees, strangers are very rare, -
More and more sisters, sisters-in-law, kids!
...........................................
How will you imagine
To the little cross, or the town -
Well, how can you not please your loved one?
This whole bunch of relatives was idle and only received warm jobs and awards. Famusov himself admits this, saying that of his officials, only Molchalin was “businesslike,” and he was “not his own.” Famusov treats the service negligently, but with great attention he follows all those events of Moscow life (goddaughters, funerals, dinners), in which he considers it his duty and a serious, important “business” to participate in.
And in relation to his daughter, he tries to behave “like everyone else”: when his wife died, he managed to “hire” a “second mother” for his daughter in m-me Rosier, that is, he gave Sophia into someone else’s, hired hands. This stopped his worries about the girl, and he calmed down. “Everyone” in Moscow did this. Then “shelves of teachers began to come to Sophia, more in number, cheaper in price.” Both fathers and children treated these teachers with equal disdain - Famusov calls his daughter’s teachers “vagabonds.”
When Sophia's education ended, she entered the world as a real "Moscow young lady", whose main advantage was the ability to "dress herself up with taffeta, marigold and haze", the ability to act mannered and sing fashionable romances - in a word, in that external "good manners" behind which sometimes hid unseemly feelings and thoughts. But the parents were ready to put up with this: “sin is not a problem, rumor is not good!” - they said in this society. Famusov himself, who was known to “everyone” for his “monastic behavior,” was not averse to courting a serf girl on occasion (the scene with Lisa).
All the “father’s” responsibilities ended, in Famusov’s eyes, with finding for his daughter a husband with “stars and ranks,” or a nobleman, even “poor” in mental development, but with 1000–2000 souls.
Submitting to the traditions by which his society lived, Famusov considers it beneficial for himself to preserve the order of life established here, carefree and well-fed - that’s why all sorts of innovations: education, liberal ideas - everything that threatened to criticize the existing order infuriated him and gave birth to him hatred. Being smarter than all his friends, he clearly sees that the greatest danger to “old Moscow” comes precisely from education. That's why he says directly:
Learning is the plague, learning is the reason,
What is now, more than ever,
There are crazy people, affairs, and opinions!
That is why Famusov is the main instigator in the persecution that “old Moscow” began with Chatsky because he wanted to serve “the cause, not individuals,” that he was “glad to serve,” but did not want to “be served,” because that the authorities of Moscow for him, Chatsky, seemed not to be authorities, but to people deserving of contempt. For all this “freethinking,” Famusov is ready to accuse him of revolutionary plans and ban him from entering the capitals. He calms down only by recognizing Chatsky as crazy.
/ / / The image of Famusov in Griboyedov’s comedy “Woe from Wit”
A bold work for its era, the comedy by Alexander Sergeevich Griboyedov went through a difficult path before it became known to a wide circle of readers. At first, the censorship did not allow it to go into print or onto the stage.
Acute problems that have matured in society, and in the first place - a split among the nobility - formed the basis.
Griboyedov reflected in his work the main contradiction of the 19th century - the conflict between old ways and new views. On the defense of ideas " last century" stands one of the main characters, Pavel Afanasyevich Famusov.
This is not just an ordinary nobleman, he occupies a high position in Moscow and has influence. Famusov’s position is a manager in a state-owned house. His family is a seventeen-year-old daughter, whom he is raising alone, since his wife died.
Famusov is opposed to changes; it would be even more correct to say that he is simply afraid of them, because it is not clear how they will turn out and affect the structure and nice life, which is currently available.
The image of Famusov is not complicated and is easily drawn from the very first appearances of the comedy “Woe from Wit”. It should be emphasized that important point that the opinion of this hero is a generalized view of all the nobles of that time.
As for education, Pavel Afanasyevich is categorically against enlightenment. This is evil for him. He attributes his daughter’s promiscuity (the father finds Sophia alone with Molchalin) to the influence of the books that the girl constantly reads. They cause all the troubles; it’s better to follow the example of your father, who behaves like a monk. Although we, the readers, see very well that this is not so. A few minutes before the conversation with his daughter, Famusov openly flirts with the maid.
Pavel Afanasyevich is very dependent on public opinion, he worries that society will talk badly about him. Famusov is worried about the impression he makes. He cares about the picture, the external gloss, and not the internal human qualities and dignity. But this is not surprising. Such approaches and views are characteristic of everything noble class Moscow at that time.
Pavel Afanasyevich does not condemn, but, on the contrary, supports the ability to curry favor, and does not see anything shameful in this. For him, rank and fortune come first, the rest are secondary things that play an insignificant role. - an opponent of such views - calls this state of affairs in society - humility and constant fear of not losing status and of what the environment will say.
It is easy to imagine the character of the main character - Pyotr Afanasyevich Famusov - through his attitude towards other people. He respects and takes into account the opinions of those who have at least some weight in society. In communicating with others, he proceeds only from profit. And if she doesn’t exist, then such a person is not needed at all. Personality completely loses its meaning.
Famusov – typical representative the nobility of that time, when the conflict between old beliefs and new trends is still just maturing, when the “past” still has power, but is slowly losing its position and will inevitably sink into oblivion.
