How to draw a hand that holds a pencil. Drawing hands

How to draw hands with a pencil?

Hands are a personal and unique part of the body. They can often tell a story about a person's life through their shape and size. Long years people study their lines and structure, trying to read the future from the lines. Today we will learn draw hands with a simple pencil by using step by step lesson. Let's pay Special attention their construction and application of shadows so that the drawing comes out as realistic as possible.

Tools and materials:

  1. White sheet of paper;
  2. Eraser;
  3. Hard simple pencil;
  4. Two soft simple pencils.

Stages of work:

Photo 1. The picture will show two hands. One lies on top of the other. Let's start with the hand that will be on top. To build we use hard pencil. Let's denote simple lines first hand shape:

Photo 2. Place the second hand on the bottom left. She will be turned sideways. We are in no hurry to draw the fingers. Let’s just outline the wrist and hand:

Photo 3. On the left hand we will draw the fingers and folds on the bends. We don’t put pressure on the pencil in a stylish way; the pressure should be weak at the first stage. Otherwise, later the contours will not stand out naturally. The fingers are spaced slightly unevenly so that they peek out from behind each other. The small finger has the most folds because it is the most bent:

Photo 4. Now let's move on to the right hand. She lies on the top left. Add fingers and two parallel lines at the level of the bones, at the level of the bends. Thanks to this, it will be easier to navigate when building:

Photo 6. We continue to shade gradually adding more volume. Let's outline the outline a little and work on the right hand. The little finger and ring finger are on the curve, so we add more shadow to them than to the others:



Photo 7. Add folds and contour to the bends. Let's draw the details of the upper arm, and at the same time create volume on the lower arm:

Photo 8. Let's add more shadow, but try not to over-dark it. The strokes are applied gradually. This trick helps make hands look realistic:

Photo 9. Let's add more contrast. We continue adding shadow:

Photo 10. Let's refine the outline again, it will highlight the foreground. We leave the remaining places untouched.

Apart from the face, hands are the main transmitter of people's emotions. Human hands are flexible, so they can convey emotional condition better than many other body parts. If you have a desire to learn how to draw brushes correctly and naturally, then this lesson will teach you how to draw a human hand step by step. The lesson will go from simple elements to complex ones. To be able to depict people's hands, their portraits, figures correctly and realistically, knowledge of how to correctly depict a hand is required. And in order to learn this, you need to know some rules and practice a lot.

Proportions

To be able to draw hands correctly, you first need to know the proportions and apply this knowledge in your work. It's not as difficult as it might seem. By learning a few rules, you can improve your drawing skills. The drawn hands will look natural, giving away emotions. To draw a brush correctly, you need to know a little anatomy, or more precisely, the structure of the hands.

General Similarities

Fun fact - the hands are similar to a scapula, consisting of the metacarpus and fingers. The length of the fingers coincides with the length of the metacarpus. This ratio must be remembered and be sure to be able to apply it in practice. You can start your drawing with a schematic symbol. Draw the diagram in the form of a hand and divide it into two identical parts.

The length of the hand can be depicted in different ways, since people have both long and short fingers; both square and oblong in shape.

Fingers

The fingers are long and flexible due to the joints. The bones of the metacarpus are longer and larger, and the finger joints are attached to them. Each subsequent phalanx is built more finely. The proportions of the phalanges in the image should be 2/3 the length of the previous one.

In the image, the first phalanx is marked in red, the second in red, and the third in yellow.

The four fingers (thumb excluded) consist of four joints. The thumb is placed to the side in relation to the remaining fingers. The length of the finger, as a rule, reaches the first phalanx of the next finger. The length of the little finger reaches the length of the last phalanx of the previous finger.

Directions

If you observe different people, you will notice an additional feature that must be used when drawing. If you draw a line over your fingers, you will end up with a semicircle. The apex of this semicircle is the middle finger.

It is also worth paying attention to the inner and outer sides of the palms. If you draw a comparison line at your fingertips, you will get an arc that starts at index finger, and ends at the little finger.

In the image below, all marks are highlighted in red. You can start the image with a diagram in the form of a mitten. Gradually you need to mark the necessary directions. Over time you can add additional details, turning the diagram into a drawing.

The protrusions on the inside have one direction, namely, they go down from the index finger to the little finger.

Fist

A little additional information about how to draw brushes correctly and naturally. For example, the image should show a clenched fist. Equally bent fingers should also form a semicircle.

Look at the smallest hand in the image. In the diagram you can see that the width of each subsequent phalanx narrows. It is worth taking this into account and remembering to apply it in your work.

In the clenched fist, under the little finger on the outside, there is a fold, which is emphasized by the green line in the image above. By adding this fold to the drawing, you can more accurately convey the image of a hand squeezing something.

Important Additional Details

The figure below shows an image of a skeleton hand. At the junction, the joints are thicker. You need to know this in order to be able to convey the image more realistically. This particularly applies to thin or elderly people. At the bend, the finger should always be slightly thicker than along the length of the flank.

Notice how the curved brush is shown in profile. The instructions above show in red how the first phalanx is attached to the metacarpus. Green The membranes that are located between are designated; they are usually considered the beginning of the first phalanx.

If you pay attention to the hand in profile, you will notice that the outer side is flat, only the knuckles protrude. The inner one, on the contrary, is soft, the protrusions are evenly distributed.

Step by step drawing of a hand

Before you start drawing, decide on the location of the wrist and forearm. To practice, it is advisable to start with your hand. Try redrawing it.

1. First you need to lightly outline the outline of the brush. Then you need to select the form thumb without adding details. Lines should depict the position of the remaining fingers.
2. First draw the index finger, then indicate the shape of the rest.
3. Now you can add details: knuckles, pads, nails, etc.
4. By applying strokes, the drawing can be made three-dimensional.
5. If desired, you can add colors and shadows under the brush.

Drawing with brushes constantly requires improvement and development. Due to the fact that the hands are quite flexible, positions and angles can be completely different.

Angles

If the brush is in a difficult angle (unusual location), it is much more difficult to depict it. There are ways to help get rid of possible errors.

The most popular and effective option for creating a brush in its original position is to mark the lines of each finger separately.

There are times when using lines alone is not enough. A solution to the problem may be additional shapes, such as a cylinder or parallelepiped. By using auxiliary items phalanges can be designated.

If you decide to create an original hand position, then first you should test this position on yourself. Place your hand and place your fingers as they should be in the drawing. If the brush looks natural, you can paint on it. The hand and fingers are interconnected, so it is worth considering that by changing the position of the fingers, you may have to completely change the position of the hands.

For example, you can try to bend your little finger while trying to keep your hand straight. Is there a result? Hardly. There are a lot of similar examples, so before you start drawing, you need to think carefully and draw up a preliminary image in your head.

Not everyone can paint like great artists. But you can learn to draw if you put in the effort.

His hands can tell a lot about a person. It is very difficult to depict them on paper. But the problem of how to draw a hand can be solved with work and diligence.

Anatomy to help

A complex system is the human body. The hands alone consist of several dozen elements. And in order to draw them correctly, you need to know the structure of the hands. Conventionally, hands can be divided into three main parts: wrist, metacarpus and fingers.

  • The wrist is the part closest to the forearm. It is responsible for the movement of the hand, but all its elements work as a single whole.
  • Pastern - itself wide part brushes - palm.
  • The fingers are mobile due to the phalanges. Four fingers (index, middle, ring and little fingers) have 3 phalanges, but the thumb consists of only two phalanges.

Knowledge of the basics of anatomy will allow you to correctly draw the hands step by step so that they turn out to be “talking”.

It will be easier to draw if, while sketching a sketch, you decide what the subject of the image looks like - something simple, even primitive. Do you agree that the human hand is similar to a shovel not only in appearance, but also in functionality? You can start a sketch with this - draw a contour similar to a shovel: the wrist is the handle of the shovel, and the contour of the palm with fingers is its canvas. It’s difficult to immediately decide how to draw a hand with a pencil step by step, which is why it’s worth starting with a basic sketch.

The main thing is proportions

To draw any object or detail correctly and beautifully, you must maintain proportions - ratio different parts together. This rule also applies to the image of a person.

So, how to draw a hand? We start by determining the correct proportions. The ratio of the length of the metacarpus and fingers is on average 1:1. Naturally, this ratio different people will vary a little, because some people have long fingers and some don’t. But on average the proportions will be equal.

Depending on the length of the fingers, the outline of the palm will be either more elongated or square. Thin lines(even before drawing the hand) draw the outline of the hand according to the proportions. The thumb does not fit into the overall silhouette; it is always somewhat apart from the other four “brothers”.

Drawing fingers

The fingers are mobile and flexible due to their articular structure, each of three or two phalanges, if we're talking about about the thumb, attached to each other using joints and tendons. The bones of the phalanges, located one after the other, become shorter and thinner, so the fingers gradually become thinner.

Ideally, each phalanx is 2/3 the length of the previous one. These proportions are called the golden ratio - it is perceived by the eye as the most perfect.

Again, when drawing details, it is necessary to make allowances for individual characteristics - not every person has hands harmonious proportions. It should also be remembered that the fingers are not the same in length: the most long finger- middle, index and approximately the same and shorter than the middle finger, the smallest are the little finger and thumb. Although the big one is rather the thickest. Its length corresponds to the length of the little finger.

Lines are the basis of authenticity

Before drawing a human hand, analyze again what parts the hand consists of. Remember that the contours of the palm and fingers, taking on specific shapes in the drawing, become more and more rounded. For example, the line connecting the fingers and palm is shaped like an arc, as is the outline of the hand itself - different lengths of the fingers allow you to create a semicircle when drawing fingers pressed together. The thumb is slightly turned in relation to the rest of the palm; its contour will not be straight, but somewhat rounded.

Small details matter

We have sketched out the outline of the palm, then we begin to work on the details. So, how to draw a hand authentically? This is impossible without drawing small parts- folds, thickenings, fold lines, the contour of the nail plate on each finger. These seemingly insignificant touches will make the drawing more realistic.

Let's start with the fold lines on the fingers. As already mentioned, the wrist, palm and fingers consist of many elements. They allow the fingers to perform the functionality for which they are given to a person. How to draw a hand so that it looks as natural as possible? By drawing all the nuances. In places where the bones are connected by joints, there will definitely be folds on both the inside and outside of the palm. If the hand is drawn with inside, it is also necessary to draw the so-called “life lines” - fairly deep grooves in the places where the joints of the palm work.

Each finger at the end is protected by a nail - a hard plate that must be drawn for a realistic image. The nail plate is another one essential element in solving the problem of how to draw a hand. Nails may have different shapes- from elongated almond-shaped to almost square.

Fingers indicate a person's age. Children's fingers are rounded, with uniform thinning along the entire length. How older man becomes, the more clearly the traces of time appear on the hands. For example, in older people, the thickness of the fingers will be uneven - the joints become increasingly swollen with age, which is affected by many years of work and illness. Also, joints are very visible in thin people.

How to draw a hand in different positions?

Hands not only gradually participate in the conversation, but also often serve as a “language” themselves, for example, when communicating in sign language. Palms and fingers will clearly tell what a person is thinking about this moment time, what his mood is, what he does. How to draw a hand so that it truthfully reveals all the secrets?

When depicting the human body, it is always necessary to rely on the basics of anatomy. Hands are no exception. The size of the fist, for example, is determined by the length of the fingers. And the rule of the golden ratio will be important in any position of the fingers, even clenched into a fist. When drawing an open palm, you need to pay special attention to drawing the lines of the metacarpus and slightly bent fingers.

How to draw a hand from the side? In this case, it will be important to draw the viewer’s attention to the fact that back side the palm and fingers will be drawn with almost straight lines, but from the inside, both the fingers and the palm itself have pads, which must be drawn with rounded, smooth lines.

Step-by-step drawing of human hands, with a systematic transition from a sketch to drawing small details, however, like any other object, will allow you to get a realistic drawing.

Many will agree that drawing a person's face is not an easy task. However, among some artists there is an opinion that drawing a hand is even more difficult. What is more difficult to draw - a face or hands - I cannot say. Probably for some people. But what can be stated quite definitely is that drawing hands and fingers correctly is really difficult. But this is possible if you understand the basics of plastic anatomy and know the proportions. To do this, I have prepared a series of drawings with visual diagrams. They will help you understand key points, which you need to learn to pay attention to when drawing hands.

1. Brush size

The size of the hands is approximately equal to the face (not the head). If you measure from the wrist to the tip of the middle finger, then this segment will be equal to the distance from the chin to the top of the forehead. This is the size of an adult's hand. The younger the person, the smaller the hand will be relative to his face. In small children, the palms are equal to the distance from the chin to the eyebrows.

2. Skeleton and muscles

The shape of the fingers and the entire hand depends on the shape of the bones and muscles. You can see this by looking at the anatomical drawings of the hands below.

3. Middle of the hand

During the drawing process, it is important to compare distances and check proportions. good Starting point this will have a line corresponding to the middle of the brush. Having outlined it, it will be much easier to avoid mistakes in the future. Therefore, at the very beginning of the drawing, you should not immediately draw fingers and details. It's better to outline general outline brushes, similar to a mitten. Then determine the middle. And then you can proceed to the details.

4. Middle of fingers

To ensure that the fingers in the drawing do not turn out crooked, you need to correctly determine the length of each phalanx that makes up the fingers: proximal, middle and distal. The following will help with this schematic drawing, in which the middle of the fingers is easily visible. Having determined the middle of each finger, further comparison of proportions will be much easier.

5. Thumb length

The thumb will end at 2/3 of the proximal phalanx of the index finger.

6. Length of index finger and ring finger

The length of the index finger is equal to the length of the ring finger. However, this ratio may vary slightly among different people.

7. Little finger length

The tip of the little finger is at the level of the joint between the distal and middle phalanges ring finger. By comparing the length of the little finger to this level, it is easy to check your drawing for errors.

8. Nail length

The length of the nail of each finger is 1/2 the length of the distal phalanx of the corresponding finger.

9. Location of the metacarpophalangeal joint of the thumb

When a person looks at the hand, he simply sees some bumps and depressions. But the artist who studies plastic anatomy, behind each such “tubercle” he sees joints, ligaments, bones, muscles... On our hands (more precisely, hands) there are three key joints, “tubercles”, which are important for determining the size and further marking of the pattern. If you identify these three points at the beginning, then further drawing will be much easier, since you can start from these points. Therefore, to draw the thumb, it is better to start with its metacarpophalangeal joint (2nd point). And to determine its location, you need to remember that it is located approximately halfway between the metacarpophalangeal joint of the middle finger (1st point) and the head of the ulna (3rd point).

10. The hand fits into the circle

The hand fits easily into the circle. Therefore, you can draw hands using a circle as an auxiliary line.

11. Concave brush shape

On the inner, palmar side, the hand has a concave shape, repeating the shape of a ball. The hand is not flat.

12. Fingers slightly curved towards the center

The fingers have a subtle bend. They are curved towards the middle of the hand. Fingers are not absolutely straight.

13. The bends of the fingers on the palm and outer sides of the hand are at different levels

The phalangeal joints of the fingers form folds of skin. These folds on the palmar and outer sides of the hand are located at different levels.

14. The shape is based on geometric shapes

From the above figure you can see that by dividing the hand into geometric shapes, it will be easier to understand its shape.

15. Model of the hand, corresponding to the basic anatomical features

To learn how to draw hands, you need to be able to see the main shape among many little things. Be able to see the nature of the form. To do this, you can imagine the hand in the form of volumetric geometric shapes. Just as in the drawing of the head, artists use a model called “chipping,” so in the drawing of the hand, you can use the given diagram. Such a conditionally schematic image corresponds to the main anatomical features. It will help novice artists understand the concept, and therefore draw hands more confidently.

Summarizing the above, we can add that beginners should accustom themselves to pay attention to the proportions indicated in this article. If you constantly compare values, compare sizes, then the drawing will be easier and will become much more competent.

Although the proportions of the hands may differ depending on individual characteristics human, these differences are unprincipled and insignificant (for example, the length of the index and ring finger may vary). Therefore, the proportions and features outlined in this article generally

When drawing a person, special attention should be paid to both the face and hands. Firstly, besides the head, the arms are the most exposed areas of the body. Secondly, they are also expressive and mobile. Along with this, due to the complexity of the connecting joints, convex and flat parts of the hand, the hands can be, and usually are, the most difficult part when studying the structure human body.

The first mistake when drawing is having too small hands. And here the ability to draw a head comes to the rescue. If you know how to correctly build the proportions of the head, then you can assume that you already have the correct proportions for drawing a hand. If you put your hand to your face, the tip of your middle finger will be at the hairline, and the hand will end at chin level. Here's yours main way measuring brush parameters.

I hope you now understand the importance of knowing how to draw the human body. If you can draw a human body, you can draw anything for two reasons: 1) you now know enough about the three-dimensional shape of the human body; and 2) if you place this body in a room with various items, you can easily determine the dimensions of these objects in relation to the body. And you will also already know that all these objects have their own volume and shape.


Let's return to the topic - Building a hand.
The hand has two volumetric convexities: one is at the base of the thumb (B), the second is the palm (the remaining part of the hand) (A). Double rows of finger bones, or carpal bones, are connected to the hand, creating a single unit. The wrist does not exist separately, and it is not attached to the hand with a ball-and-socket joint, like in wooden dolls. The movement of the hand starts from the wrist. It tapers slightly at the junction with the forearm. The wrist can also be considered a universal connector because it moves in all directions - up and down, side to side, and can rotate.


The center of the palm is slightly lower than the rest of the hand. For example, if you place your arm straight on a table, palm down, you will notice that your wrist does not touch the surface of the table. You will notice that the wrist rises where it connects to the hand.

The area of ​​the thumb is significantly larger than the area at the base of the little finger. The hand is wider at the base of the fingers than at the junction with the wrist: however, closer to the wrist it is higher. Now pay attention to your hand: your palm is longer than yours reverse side. The thumb is attached to the palm by an independent and highly mobile ball-and-socket joint, which allows it to actively move independently of the rest of the hand. The palm consists of elastic and soft areas - pillows. The surface of the fingers and the entire palm are covered with many pads. The tips of the fingers are pointed, the middle finger - the longest - is the most high point brushes The pads on the fingertips are pointed so that they are directed towards the middle - towards the middle finger. If you measure the length of your thumb from the top side, it will be equal to the length of your middle finger. The thumb is more powerful than the rest. The components of the fingers are more square in shape than it might seem at first glance; on the last square is the nail, almost triangular in shape, with bulges on both sides, forming the place where the nail grows. You will better remember the structure of your hand if you study the structure of the skeleton of the hand, after which problems with drawing your hand will never arise again.


Knowledge of the structure of joints, their movement and limitations in movement is very important. The first joint of the thumb and the first two joints of the remaining fingers are hinged. They can only move up and down, but not sideways or rotationally. When you spread your fingers, the topmost knuckles of each finger bend back. The lower knuckles of the fingers will bend forward, while the upper knuckles or fingertips cannot be bent even at right angles. Note that the top two hinge joints can only bend at 90 degrees. The lower joints of the fingers, like those on the wrist, are ball joints. There are a ton of hand positions and structures for you to learn. Even when you are drawing, you can use your free hand as a model. Place a mirror in front of you and this will give you more opportunities to study the positions of your free hand.


1. The first step when drawing a hand in motion is the position of the fingers and hand. Draw the hand in motion and determine the approximate position of the hand.

2. Then highlight the volumetric areas - divide the brush into parts, this will help you determine where the convex and where the flat areas are.

4. Add shadows at the end.


Remember this lesson, buy an anatomy textbook and study it. You could study the structure of a hand forever, and you might never be able to draw a hand in the same position twice. Every time you practice drawing a hand, you learn something new. Remember, your hands are just as important as your face. And they require the same attention and close study.

I hope you find this tutorial helpful.
Happy work!