The meaning of the story is the red flower garshin. Story B

On the symbolic meaning of the red flower in story of the same name Garshin has written a lot. The red flower in the story is the embodiment of evil, but we must not forget that the flower embodies evil only in the imagination of an unfortunate madman. The hero calls the flower Ahriman, (Ahriman is the personification of the forces of evil, the deity of darkness and the underworld, often identified in Christianity with Satan) who has taken on a “modest and innocent appearance.” A feat is a heroic, selfless act. The madman accomplished a feat. He overcame evil at the cost of his life, and gave his all to others. Garshin expressed his admiration for the beauty of “self-sacrifice and heroism” and the romance of heroism. “Red Flower” is Garsha’s hymn to the “madness of the brave.” This is where his deepest philosophical meaning. In Garshin, the drama of action is replaced by the drama of thought, revolving in the vicious circle of “damned questions”, the drama of experiences, which are the main material for Garshin. It is necessary to note the deep realism of Garshin’s manner. His work is characterized by precision of observation and definite expression of thought. He has few metaphors and comparisons; instead, he uses simple designations of objects and facts. A short, polished phrase, without subordinate clauses in descriptions. Wide coverage social phenomena Garshin did not succeed. He could not depict the big outside world, but the narrow “his own.” And this determined all the features of his artistic style. All his work is permeated with deep pessimism. The significance of Garshin is that he knew how to acutely feel and artistically embody social evil.

51. Hardy's work. "Tess of the D'Urbervilles"

Hardy is the last of the Victorian era. Hardy published his first two novels, Desperate Remedies and Under the Green Tree, or the Mellstock Chorus, anonymously. In 1874, the novel Far from the Madding Crowd was published, which made Hardy famous writer. In total, Hardy published twenty-five titles - novels, collections of stories and poems. He dedicated most of his novels and stories to peasants. Describing the tragic fate of his heroes, Hardy exposes the social basis of psychological conflicts and opposes deadening moral standards victorian era. But turning to the contradictions of reality, Hardy sees no way to resolve them. Reality suppresses the writer, which determines the general tragic tone of his works. The strongest side of Hardy's work is the analysis of tragic conflicts and descriptions of English life. In the field of language, he continues the traditions of the English classics and belongs entirely to 19th century. In Tess of the D'Urbervilles, an honest woman, having committed a crime for her happiness, dies on the scaffold. Hardy's heroine is endowed with a rare charm; her image especially touches the reader. In the joys and sufferings of the female soul, fiery and selfless, but easily vulnerable, defenseless against brute force. Both his enthusiasm, clouded by sadness, and the bitterness and indignation that overwhelmed him were expressed. Many English novelists, Hardy's predecessors, wrote about the fall of woman, making bitter observations that awakened the conscience and stirred thought. However, none of them connected so many glaring questions with this topic, did not touch a sore spot so sharply, did not express such a harsh reproach to society. He deliberately called Tess a “pure woman” and declared that he was telling only the truth. Tess is a tragic character. However, neither passion nor strong-willed aspiration, breaking down obstacles and confronting conflicting interests, controls her. Mental purity– a captivating and harmless quality – this is its pathos. She is ready to suffer, endures all the hardships of fate without complaint, does the hardest work, and endures ridicule. Tess of the Urbervilles is a classic novel of tragedy and loss. Love and crime are intricately intertwined in the fate of young Tess, a poor heiress of an ancient family, doomed to the role of a kept woman - and ready to change this fate at the cost of her own life.

V. Garshin’s story “The Red Flower” tells the story of a heroic struggle - the struggle of the protagonist against universal evil. The embodiment of this evil for the madman was a bright red flower - the poppy flower.
It would seem, how can this beautiful plant remind of something terrible and evil? But the thoughts of a madman cannot be explained logically. In addition, the author emphasizes that evil is often beautiful on the outside, but this makes its essence more terrible.
So, the hero, who ended up in a madhouse, decided that the poppy bushes growing in the hospital garden contained all the world’s evil: this flower “absorbed all the innocently shed blood (that’s why it was so red), all the tears, all the bile of humanity. It was a mysterious, terrible creature, the opposite of God, Ahriman, who took on a modest and innocent appearance.” And the hero decided that he needed to destroy this plant at all costs, otherwise, otherwise the whole world would perish.
This man decided to sacrifice his life for the lives of others. For several days he hid poppy flowers on his chest so that the poisonous fumes would only affect him and not those around him. As a result, the hero dies - from exhaustion, physical and moral, which, of course, were a consequence of his mental illness.
But, it seems to me, this tragic story the author wants to say that the world is beautiful for those madmen who are able to give their lives for the good of others. Thanks to them, fundamental changes are made, thanks to them, global catastrophes are prevented. Of course, such people are not always right in everything, but without them life on earth is impossible.

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Other writings:

  1. Red Flower Most famous story Garshina. While not strictly autobiographical, it nevertheless absorbed personal experience a writer who suffered from manic-depressive psychosis and suffered an acute form of the disease in 1880. A new patient is brought to the provincial psychiatric hospital. He is violent, and the doctor Read More......
  2. Flower In this poem, the hero, a calm, focused person, sits with a book in his hand and between its pages there is a bookmark - a dried flower. The hero's discovery made me think deeply and immerse myself in thought. He was interested not only in the dried flower itself, but also in how many people Read More......
  3. One of the main directions of A. S. Pushkin’s creativity is philosophical lyrics. The poet is concerned with eternal human questions: about good and evil, about the moment and infinity, about meaning human life. He is interested not only in his own feelings and experiences, but also inner world Read More......
  4. Platonov's story “ Unknown flower” poses an important question to readers - what can each of us do to make sure there are fewer voices around asking for help? The content of this work forces us to reflect on the problem posed. Main character story - a small flower that grew up Read More ......
  5. I consider lily of the valley a miracle of nature. Each individual flower is a masterpiece that can be admired and admired. Perfectly shaped yellowish-white bells on a thin green stem rising among fairly wide, elongated leaves. It seems that touch them and they will ring thinly, gently, announcing Read More......
  6. A. S. Pushkin has amazing poem- "Flower". It is small - consists of several stanzas. The plot of the poem is simple: lyrical hero found in old book a flower dried and forgotten by someone. And these petals that had lost their colors raised a whole Read More ......
  7. Flower The poem “Flower” was written by Vasily Andreevich Zhukovsky in 1811. The sight of a withered flower, which the author calls the momentary beauty of the fields, lonely and devoid of its former charm, gives rise to reflections in his heart about his life. After all, like the hand of autumn, cruelly depriving a flower of its beauty, Read More......
  8. The story was written based on newspaper reports and the memories of eyewitnesses about Russian-Japanese war. L. Andreev showed the “madness and horror” of any war through the irrational image of the Red Laughter, created by the morbid fantasy of the main character, who is constantly in mental tension. Pay attention to the verbs, Read More......
What does a red flower mean to the hero of the story? (based on the story “Red Flower” by V. Garshin)

Lesson objectives:

  1. Using the example of studying the story “Red Flower”, reveal the concept of “image-symbol”.
  2. To develop the ability to analyze a text and understand its ideological and thematic meaning.
  3. Contribute to the formation of a personal position, education moral qualities: compassion, humanity.

1. introduction teachers. Working with an epigraph.

We read V. Garshin’s story “The Red Branch”. At the last lesson we found out that he made a great impression on everyone and left no one indifferent. Today in class we will continue to discuss what we read, try to comprehend the ideological and thematic content and answer a number of questions.

The first question is hidden in the epigraph. Let's read it.

The Man in the Red Flower
more world evil, which
challenges though the price
his victories are life.

IN AND. Porudominsky

"Red flower"

Try to formulate a question. (What is world evil?)

Problematic question (written on the board):

Analyzing the story, you will also have to prove what kind of work it is - social, ridiculing strange impulses people, or philosophical, making us once again think about the complexity of life.

In addition, today in class we will introduce a new literary concept. And of course, everyone will draw their own conclusion from what they read.

We settled on the fact that you all have sympathy for the hero. Even the author, because... He very expressively, in detail, to the point of horror, describes both the mental and physical state of the patient.

2. Conversation on issues. Work with text.

What actions indicate that the hero is a sick person, and what indicates that he is consistent in his actions?
- Describe the image of the doctor. How does his description compare with the patient's description?
- What adjectives does the author use to describe him?
- Why does the hero think that the doctor is doing evil?
-Who else does the patient oppose himself to? What sets him apart from other patients and from the doctor?
- With what feeling does the author describe the doctor? Explain the reason for the hostility.
- What is the problem that the patient is trying to solve? What is the hero thinking about? (Unlike other patients, he has a thought!)
- Find a description of the colors. How do you imagine the flowers with which the hero fights?
- How do they seem to him?

So, red poppies became a symbol of evil for the hero of the story.

Let's work with the concept of “symbol”. (Checking homework: students talk about the origin of the word “symbol”)

What symbols do you know? (road signs, bread and salt - a symbol of hospitality, a book, a globe - a symbol of knowledge, a dove - a symbol of peace).
- Conclude why the hero sacrifices his life?
- Remember, the hero of which work of foreign literature also fought against evil, and he was also considered crazy? (“Don Quixote” by M. Cervantes)

Is the idea of ​​saving the world nonsense? And everyone who is ready to sacrifice themselves for the well-being of others is crazy? Is this a problem for one person or for the whole society?

Determine the theme of the story. (Theme of resisting evil).
- And comparing it with A.S. Pushkin’s poem “Anchar” will help us determine the idea of ​​the work.
- What does Anchar symbolize? Anchar is the tree of death, poison, the embodiment of evil.

Examination individual assignment: the student reads by heart the poem “Anchar” by A.S. Pushkin, gives a brief literary commentary.

3. Conclusion on the lesson.

So, evil has always existed: in ancient times (remember the myths Ancient Greece), both in the time of Pushkin and in our time.

Conclude what idea the author wanted to convey to us? (evil must be resisted, evil must be fought)

And if you remember the time in which Vsevolod Garshin lived, then it probably becomes clear what prompted him to write this story. We talked about the reign Alexandra III, about his transformations, which were called “counter-reforms,” and that their successful implementation was due to the absence in Russian society of forces capable of creating opposition to government policies. Garshin was worried about the inaction, the lack of resistance. He talks about this in his story, which is why the following words were spoken about him:

You lived your life sadly.
The sick conscience of the century
She made you her herald...

Now answer the questions written on the board. What is the relevance of this story?
- What are its problems – philosophical or social?

4. Homework.

Homework. Give a detailed answer to the question: “Why did evil appear to the patient in the form of a red flower and why does the hero not regret his life in the fight against evil?”

Garshin Porudominsky Vladimir Ilyich

"RED FLOWER"

"RED FLOWER"

A thunderstorm was beating over the city. Bright, swift lightning crossed out the black sky. It seemed to the man that sharp arrows of lightning were flying straight into the old two-story house.

The house groaned under the blows of the wind. The glass was humming. The man was standing at the window. Lightning flashed already very close - in the garden; they rustled in the thick foliage of old maples. The peals of thunder merged into a continuous roar.

The man couldn't stand it anymore. He felt: another moment - and lightning would pierce the house. People lived in the house, the man loved them. He was obliged to save them.

He opened the window. Wind and rain rushed into the room. It immediately became cold. The man tore his shirt. He put a long stick out the window. The end of the stick was pressed tightly to his bare chest. Lightning was supposed to strike him, burn his heart. At the cost of his life, a man wanted to save people from death...

The patient picked a flower. “All the evil of the world gathered into this bright red flower... It was necessary to pick it and kill it. But this is not enough - it was necessary to prevent him from pouring out all his evil into the world when he died. That's why he hid it on his chest. He hoped that by morning the flower would lose all its strength. His evil will pass into his chest, his soul, and there he will be defeated or victorious - then he himself will perish, die, but he will die as an honest fighter and as the first fighter of humanity, because until now no one has dared to fight all the evil of the world at once ... "

The man who exposed his heart to lightning was Garshin. The man who sacrificed his heart to kill all the world's evil was a nameless He- the hero of Garshin’s “Red Flower”.

Everyone has it great writer there is a work without which it is unthinkable. Garshin is unthinkable without “Red Flower”.

Garshin reported about the work on “The Red Flower”: “something fantastic comes out, although in fact it is strictly real...” Against the background of a strictly real description madhouse (the story “dates back to the time of my stay at Saburova’s dacha,” Garshin admitted) a bright, exciting topic- the fruit of Garshin's fantasy.

But it is no coincidence that “Red Flower” became one of the favorite works of his contemporaries. They read in it not only a “psychiatric study”, like Dr. Sikkorsky, and a “pathological study” that is not far from objectivity, like other critics; contemporaries saw in the story “something in which one must look for allegory, lining, something large, commonplace, which does not fit into the framework of one or another special science” (Mikhailovsky).

Looking for allegories does not mean carefully removing the masks from the characters and declaring: “Under the guise of such and such, such and such was hiding,” “With this scene the author wanted to say this and that”... Looking for allegories means, without dismembering or distorting the work, to hear there is “the music of time” in it, to feel the ideas and environment in which it was born, to see the general behind the particular. This is exactly how Vladimir Ilyich Lenin read, heard, and felt Chekhov’s “Ward No. 6”: “I had such a feeling, as if I were locked in Ward No. 6.”

In the name of His Imperial Majesty, Sovereign Emperor Peter the Great, I announce an audit of this madhouse!

The story opens with these words. They contain the character of the hero and the program of his activities.

Not at Garshin’s whim, but due to the logic of his hero’s thinking, the stone walls of the hospital lose their meaning: they no longer separate a handful of madmen from the outside world. For Garsha’s hero, the whole world fits within the walls of a madhouse (“the hospital was inhabited by people of all times and all countries”). The world needed to be revised. This means, by the way (let’s look at Dahl’s dictionary!), “to consider, by law, the order and legality of affairs.” There was no order in the world; there was lawlessness all around. The time has come to act. “All of them, his comrades in the hospital, gathered here to carry out a task that vaguely seemed to him like a gigantic enterprise aimed at eliminating evil on earth.”

Like all of Garshin’s heroes, the hero of “The Red Flower” understood that the world was poorly organized. Burning questions have been raised - they need to be resolved. Unlike many of Garshin’s heroes, the hero of “The Red Flower” took on this. The path he chose was struggle. Selfless struggle: victory or death.

Garshin struggled. Thoughts about injustice, violence, and lies tormented the soul of the wounded Ivanov and the “coward,” Ryabinin and Nadezhda Nikolaevna. Their weapon is denial. They do not accept, deny evil and thereby affirm good. The hero of “The Red Flower” directly fights evil.

The madman from “The Red Flower” is richer than Garshin’s other heroes. He not only felt and understood how not to live. He crossed the line. He learned how to live. One must live as an honest fighter.

The evil is enormous. A red flower, like anchar, is capable of infusing everything around with its poison. Someone must give himself to the fight, die, destroying evil. An honest fighter would have no future if it weren't for him last fighter. He's the last one. And if he dies, does it matter? He is already looking into tomorrow. It is beautiful - the tomorrow of humanity. “Soon, soon the iron bars will fall apart, all these imprisoned ones will come out of here and rush to all the ends of the earth, and the whole world will tremble, throw off its old shell and appear in a new, wonderful beauty.” It was worth fighting and dying for. And let there be no more last fighter - this is his tomorrow too!

The feeling of the future, the thought of universal happiness - this is what distinguishes the hero of “The Red Flower” from the proud palm tree. Palma did everything she could, but it was not enough. Palma broke the bars of her prison, but outside the walls of the greenhouse there was a cold wind and wet snow fell. Palma won, but did not see victory.

The madman made the great sacrifice when “everything is ready,” when the world is ready for renewal, when the hour of an incredibly difficult and cruel, but last struggle. Dying, he did not utter the sorrowful “Just that?” He died proud and happy. After him there remained a world already renewed by the feat. His feat. His victory will not be blown away by cold winds, nor will light rain and snow wash away. The hero of “The Red Flower” is richer than Garshin’s other heroes. He not only knew how to live. He knew how to die.

A decade and a half later, the brave Falcon died just as anxiously and calmly: “I lived a glorious life!.. I know happiness!.. I fought bravely!..” Maxim Gorky sang a song to the madness of the brave.

In a poor lot, unknown,

Working tirelessly for a century,

You performed an honest feat,

And to your gloomy, cramped shelter

You came down with the indestructible

Passionate faith in the ideal!

Pleshcheev was applauded for a long time. The gray-bearded poet waved his hand to the audience and, satisfied, left the stage.

Following the old man Pleshcheev, the very young Merezhkovsky appeared on stage and in several beautiful poems explained to everyone that he was alien to people and had little faith in earthly virtue, that life was boring and, in general, there was no point. They clapped for him too.

Garshin went out onto the stage, sat down at the table, and opened the book.

- "Red flower".

The audience responded with an ovation. Garshin raised his head and slowly looked around the raging hall. It's quiet. He started reading.

In the heavily silent timelessness, words rolled out in explosions.

- ...If not today, then tomorrow we will measure our strength. And if I die, does it matter...

Sitting in the hall were people from the recent seventies who had seen a lot. Before their eyes, a selflessly selfless tribe of heroes was born and died. Now a majestic requiem for these heroes sounded. A beautiful wreath was laid on the graves of those who were tortured and executed - it was now forbidden to lay wreaths on these graves.

-...Soon, soon the iron bars will fall apart... and the whole world will shake...

The young people were sitting in the hall. They thought not about the past - about the future. Tomorrow was already calling them.

-...How much strength do I need, how much strength!..

The young people needed a lot of strength. They still had to grapple with evil in the name of the beauty of the renewed world.

-...There will be a final struggle...

And who knows, maybe here in the hall there were those who actually had the chance to participate in the last, decisive battle.

...Twenty years after the appearance of “The Red Flower,” Leonid Andreev wrote the story “Thought.” “Superman” Kerzhentsev, an egoist and a murderer, is trying to understand whether he is mad or not. And the further we read Kerzhentsev’s confession, the more his indifference, hostility, contempt, hatred for people is revealed to us, the clearer the answer to the question - yes, he’s crazy! Only a madman could come up with the idea of ​​destroying humanity and creating his own ugly world, “in which everything obeys only whim and chance.”

Garshin is strictly real. He immediately says that the hero of “The Red Flower” is mad. But the Garsha madman is obsessed with love for people. For their happiness he gives his life. His dream is a renewed world filled with harmony. And we forget about the madness of an honest fighter. He is our friend and like-minded person.

From the book by Valentin Gaft: ...I am gradually learning... author Groysman Yakov Iosifovich

From the book The Breadbasket of Compassion author Smirnov Alexey Konstantinovich

The Flower of Evil Ambulance calls from one substation, calling a specialized cardiac team. Complete ass, a penetrating wound to the chest, and more than one, shock, murder, and in general the matter is so rubbish that we don’t have enough resources to figure it out ourselves. Siren! To the gun! Shuffling of the sleepy

From the book I, Yesenin Sergei... author Yesenin Sergey Alexandrovich

A unique flower (At the tomb of Sergei Yesenin) His soul lived, suffering. Suffering, she passed into eternity... This is what I wrote in my diary when I learned about the death of Sergei Yesenin - and I remembered: standing in front of me was a modest, blond boy - so timid that he was afraid to even sit down

From the book Where the Earth Ended with Heaven: A Biography. Poetry. Memories author Gumilev Nikolay Stepanovich

Lilac flower Evening quiet spells, The sadness of blue darkness, I see not faces, but dresses, Or maybe only flowers. The grey-green is so pleasing, Alive and impetuous all over, And perhaps, fortunately, in love with someone else... not here. But it’s stuffy for me... I’m enchanted; Need a carpet

From the book...I gradually learn... author Gaft Valentin Iosifovich

FLOWER Grow, flower, gain fresh strength, Until some day they cut you off in the morning, don’t try to survive. I was cut off and sold for

From the book The Last Autumn [Poems, letters, memoirs of contemporaries] author Rubtsov Nikolay Mikhailovich

Scarlet Flower My Parents' House I was often deprived of sleep. - Where is he again? Have you seen him? The mother is already sick. - In the thickets of our garden I hid as best I could. There I secretly grew my scarlet flower. This little flower is how I loved and hid it! Caressed him, - here's Mama Will

From the book Great Women of World History author Korovina Elena Anatolyevna

Flower and cornfield Flowers! Withered flowers! Just as swamp water splashes you, so from a shelterless height it splashes cold water on us. And you? Still proud? Or from the festive hall On wings in past years Is your soul tired of flying? And really, having fallen out of love, you really don’t worry about how

From the book Alone on the Bridge: Poems. Memories. Letters author Andersen Larissa Nikolaevna

Flower Woman Clara gasped. She no longer recognized anyone: neither the maid who had served her for many years when she came to Arkhangelskoye near Moscow, nor the doctor, to whom she usually brought cigars from Europe as a sign of respect. The dying Frau Zetkin muttered something

From the book Banker in the 20th century. Memoirs of the author

FLOWER We will not have any happiness. There is no happiness anywhere. Maybe people only remember this long-gone light. Everything, changing, is the same... Everything, disappearing, comes again... With every dawn - Happiness, perhaps? With every meeting - you, Love? And each

From the book Red Lanterns author Gaft Valentin Iosifovich

P.-El. Flower of Hawaii Mysterious and beautiful flower Hawaii is a paloma. Legend says that it blooms once every seven years. And then, in honor of this flower, the islanders organize wonderful festivities. Among the tropical bright nature of Hawaii, dark-skinned girls dance, almost

From the book Biography of George Ivanovich Gurdjieff by Aleksakhin V

SMALL FLOWER After the dissertation has been completed and doctor degree received, it's time to think about a career. I didn't have a clear idea of ​​what I wanted to do, but I knew that I wasn't too interested in going to our family office, where I was already

From the book Our Happy Damn Life author Korotaeva Alexandra

Flower Grow, flower, gain fresh strength, Until some day they cut you off in the morning, don’t try to survive. I was cut off and sold for

From the book The Ball Left in the Sky. Autobiographical prose. Poetry author Matveeva Novella Nikolaevna

The flower of self-remembering Gilgamesh goes on a journey and with with great difficulty takes out this “flower of eternity.” But he fails to use the magic of the flower: while he was bathing, the flower was dragged away by a snake, which immediately shed its skin and became younger, gaining new life. Gilgamesh

From the book Memory of a Dream [Poems and translations] author Puchkova Elena Olegovna

Flower Once in Sweden, Nanka and I, walking through the forest, stopped at a wooden post with the inscription: “At this place, at the beginning of the nineteenth century, the robber-murderer from Vargårda was executed.” Nadya told me the story of this execution. In the neighboring town of Alingsos they carried out the death

From the author's book

Flower of Evil There could no longer be any doubt: it was Tartaragrandaflorius!.. Several cracks appeared on the ground... One of them was rushing straight towards me... “Union of the Real” I dreamed of once in my childhood (Fearing - for years - publicity!) The flower that reached roots

From the author's book

Flower In the layers of rock they found a fossilized Flower that had lain for a million centuries! Having boldly thrown off the layers of thousands of years, the way he was, that’s how he appeared again. The tilt of the head is gracefully flexible, the pattern of fragile petals is distinct, the network of openwork thin veins is alive, and it seems that it still smells

“The Society of Sleepless Gentlemen,” as Garshin ironically called the interlocutors he depicted, was easily associated in the reader’s mind with the most diverse and sometimes even very humane trends in various intellectual circles, whose participants proposed the final and, from their point of view, the only the right ways reorganization of life. In some cases, the activities of these circles were easily stopped by the authorities, and then their members could say that they suffered for their beliefs.

In more complex cases, it turned out that the proposed theories simplified the real complexity of life, as was the case with the populists, who created a clearly idealized image of the people. The real man did not fit into any framework invented for him, destroying such harmonious and logical theories. For those who completely transferred the content of this allegory to modern reality, it became another basis for reproaching Garshin for pessimism.

One of best stories Garshin's "Red Flower" can be seen as the writer's response to this reproach. The hero of the story believes that “the iron bars will soon fall apart, all these imprisoned people will come out of here and rush to all the ends of the earth, and the whole world will tremble, throw off its old shell and appear in a new, wonderful beauty.” This is what distinguishes him from the heroes of the allegory “That Which Wasn’t”, who were unable to say anything worthwhile about the “future life”.

The inhabitants of the greenhouse and the insects and animals philosophizing in the meadow live in a limited, closed world, while the hero of “The Red Flower” feels his connection with the world and space. Even the stars sympathize with him and send their “ endless rays", "penetrating to his very heart." The heroes of previously written allegories perceived the world too narrowly, only within the framework of their experience.

The hero of “The Red Flower” sees “the balance of the whole world”, in which opposite principles are neutralized. At the same time, he is not alien to both a kind of practicality and a sober realistic view of the world.

Unlike the palm tree, he is not alone and considers the patients around him to be his comrades: “All of them, his comrades in the hospital, gathered here to carry out a task that vaguely seemed to him to be a gigantic enterprise aimed at eliminating evil on earth.”

Emphasizing this, Garshin introduces a significant detail: the patients wear caps with a red cross, which were purchased after they had already been to war. The patient attached “a special, mysterious meaning” to this red cross.

The color red generally constantly surrounds the hero. The walls and vaults of the bathroom where he was initially taken were painted “dark red.” oil paint" They dressed him in a robe made of “paper material with wide red stripes.”

When a patient is given a spot - an operation that he takes as torture and mockery - he rips it off the back of the head along with the skin, leaving a bare red abrasion. The color red becomes for him a symbol of evil and innocently shed blood. On the contrary, the red cross embodies heroic self-sacrifice.

And yet, despite all the heroism, lofty ideals and self-sacrifice, the hero of the story is crazy. One of the main questions of the story is what is the main point of his madness?

The hero feels like a great thinker who has learned the secrets of the world, and most of his monologues begin with the word “I”: “I have actually achieved what has been developed by philosophy. I experience with myself the great ideas that space and time are fictions. I live in all ages. I live without space, everywhere or nowhere, as you wish...” He contrasts himself with the rest of the crowd: “I noticed that there are several more of the same here.

But for the rest of the crowd this situation is terrible.” He feels like the chosen one and is sure that only he and no one else can save the world: “I would send you, but only I can do this.” “He saw himself in some kind of magical, enchanted circle, which had collected all the power of the earth, and,” Garshin emphasizes, “in a proud frenzy, he considered himself the center of this circle.”

So great person and must do only great things. He is “the first fighter of humanity”; after all, “until now no one has dared to fight all the evil of the world at once.” At the same time, the evil of the world for him was concentrated in one thing, concrete and material.

In fact, evil is complex and diverse, it is scattered in the world, its forms are numerous, and even the most heroic man is not capable of immediately and forever destroying it. This is the main point of his insanity.

But for Garshin, a person should always have faith that evil can be defeated; fighting it, even if good results do not come instantly, is the only means that can bring happiness to a person. If Attalea princeps dies, having experienced great disappointment, and the philosophizing interlocutors from the allegory “That which was not” die without noticing their death, then the hero of “The Red Flower” dies happy, and this happiness is deserved by him.

The hero of the story “The Red Flower,” in order to bring happiness to people, had to destroy the red poppy and absorb its poison. In real life, struggle is always a struggle between man and man. What is permissible and what is unacceptable, humane and inhumane in this struggle, can the greatest and noblest goal be achieved by unsuitable means - such is the very general form main theme latest works Garshina.

The story “Nadezhda Nikolaevna” (1885) - the writer’s largest work - continues the theme of the story “The Incident”. His heroine - a fallen but proud woman - meets a talented, noble, kind artist.

The theme of lying to oneself is also heard here, but it does not occupy central place. She is connected in the story with the image of Bessonov. This is a person who thinks rationally, who does not doubt anything, who has firmly and unequivocally resolved all issues once and for all. Having met Nadezhda Nikolaevna, he comes to the idea that such women never rise, and behaves in accordance with it.

Having soberly assessed his friend Lopatin, Bessonov tells him that he will never be able to draw Charlotte Corday, who killed Marat. “You have to have it in your blood,” he says. - You have to be a descendant of those people who survived Marat, and Charlotte Corday, and all this time. And you? The gentlest Russian intellectual, sluggish, weak! You have to be capable of such an act yourself. And you? Can you, when necessary, throw down your brush and, to put it in a high style, take up a dagger?

Bessonov firmly knows why he lives, and knows that happiness only lies in work. He is a human strong will and believes that he can always control his feelings. Exact characteristics Lopatin’s friend Gelfreich gives Bessonov: “This man has all the boxes and compartments in his head; he will nominate one, take out a ticket, read what is written there, and act like that.” These qualities are emphasized by the portrait of Bessonov - he has a “quadrangular skull”.

But Bessonov’s sober and rationalistic thoughts are constantly refuted by life. Nadezhda Nikolaevna turns out to be capable of revival, but Bessonov himself cannot cope with his feelings. He abandons his work, in which he always saw the only meaning and happiness. “The gentlest Russian intellectual” turns out to be able to “raise the dagger” and kills Bessonov.

This is how the story argues with the “mathematics” of rationalistic thinking. This debate takes on additional depth thanks to the introduction into the story of subjects taken from folklore and history and serving as the basis for paintings by two artists - Lopatin and Gelfreich.

Lopatin wants to portray Charlotte Corday as a “fanatic of goodness” who commits a “feat-crime.” According to the artist’s plan, this image should combine “determination and melancholy, pride and fear, love and hatred,” that is, it presupposes that combination of the incompatible, which Bessonov would decisively reject. And the most main difficulty lies in the contradictory position of the heroine of the picture: for the sake of goodness and justice, she must kill a person.

The artist Gelfreich faces the same problem, only he takes subjects from more ancient history. He decides to portray Ilya Muromets, who all his life thought that he believed in Christ and fulfilled his commandments, but at the same time killed a great many “Pechenegs, and Tatars, and robbers.”

Gelfreich wants to portray Ilya Muromets reading the Gospel precisely in the place where it says that, having received a blow, one must put oneself under another. The composition of the story is structured in such a way that both plots coincide with the plot of the story: in the finale, Lopatin kills Bessonov, who shoots Nadezhda Nikolaevna. So three different stories united by one problem: is good, based on murder, acceptable, and is it necessary to respond to evil with evil?

The story gives three possible answers. The first answer is the one that, according to Gelfreich, is given by Ilya Muromets: “It’s good if they hit me, but what if they offend a woman, or touch a child, or a filthy person comes and begins to rob and kill your, Lord, servants? Do not touch? Leave it to rob and kill? No, Lord, I can’t listen to you! I will sit on a horse, take a spear in my hands and go to fight your name, for I do not understand your wisdom, but you gave me a voice in my soul, and I listen to it, not you!..”

The second answer is given by the hero of the story. After he is completely acquitted by the court, taking into account all the circumstances of the murder, he says to himself that “there are no written laws for the human conscience, there is no doctrine of insanity, and I am punished for my crime.” Usually this answer is compared with the teachings of Tolstoy, who indeed had a strong influence on Garshin.

But such a formulation of the question, perhaps even in to a greater extent close to Dostoevsky, who, always opposing death penalty, even for murder, still considered it unacceptable for a person who killed another to be told in court that he was innocent. Acquitted, but guilty. This, according to Dostoevsky, is an answer that agrees with the demands of human conscience. The hero of Garshin’s story also comes to this answer.

If Ilya Muromets rejects the gospel truth, obeying the demands of conscience, then Lopatin rejects the “secular”, state solution to the issue. These are the two extreme poles of solving the problem.

Garshin himself is closest to Gelfreich’s opinion. He believes that this is one of the most important questions of humanity, to which there is no clear answer yet.

Gelfreich says to Lopatin: “Are you saying that the question has already been raised? Right! But this is not enough. You need to ask it every day, every hour, every moment. It is necessary that he does not give people peace.” This is the third answer.

The story “Nadezhda Nikolaevna” begins with the dying Lopatin trying to explain why he writes his notes, which form the content of this work. Lopatin asks the question: what interest might his notes be for readers? Their topic, he believes, cannot be of interest to people “accustomed to dealing with, if not world, then social issues,” especially since they were written by a young man who “did not make history and did not see how it is made.”

Indeed, the image of the traditional " love triangle"does not lend itself to staging historical and social problems. But for Garshin there is no distinction between private, personal and public issues. In a love story you can see the history of humanity, and the fate of the world depends on how each person solves the problems of good and evil.

History of Russian literature: in 4 volumes / Edited by N.I. Prutskov and others - L., 1980-1983.