What does it mean to get a kind of insanity? Conclusion: Lefty is an intelligent, religious person

Analysis of Tyutchev's poem "Not what you think, nature..."

One of the most remarkable phenomena of Russian poetry is the poems of F.I. Tyutchev about the captivating Russian nature. For none of the Russian poets, except perhaps his younger contemporary Fet, was nature such a constant source of impressions and thoughts as for Tyutchev.
He was a subtle master of poetic landscapes. But in his poems, glorifying pictures and natural phenomena, there is no soulless admiration. Nature evokes in the poet reflections on the mysteries of the universe, on eternal questions human existence. She rarely appears as just a background; in Tyutchev’s poems she is inspired, thinks, feels, says:
Not what you think, nature:
Not a cast, not a soulless face -
She has a soul, she has freedom,
It has love, it has language...
The poem “Not what you think, nature” is written in the form of an appeal. It does not have a title, which makes it more deep meaning. The poet speaks out against those who underestimate nature, speaks of human deafness, the hardening of the soul due to man’s distance from nature.
They don't see or hear
They live in this world as if in the dark...
In the lines of the poem one can see a poet of a special kind: philosophical. This means that he had not only the gift of a landscape painter, but also his own philosophy of nature. Everything in nature seems to Tyutchev alive, complete deep meaning, everything speaks to him “in a language understandable to the heart.”
The poem begins with the word “not” in order to better protect the reader from misunderstandings of nature. The poet sought to understand and capture “soul”, the life of nature in all its manifestations; in the poem we see the images from which nature was composed for Tyutchev himself.
The poem is written in iambic tetrameter, and the cross rhyme method is in harmony with the alternation of female and male rhymes. The assonance on “and”, “a”, and “o” gives the poem a sublime tone, the abundance of sonorant consonants (alliteration) makes it more melodic and musical. It sounds more solemn thanks to the use outdated words(“face”, “womb”, “tree”) and stress (“pasted”) A special semantic load is created with the help of anaphora:
You see the leaf and color on the tree:
Or did the gardener glue them?
Or the fetus is ripening in the womb
The play of external, alien forces?..
The author uses such expressive artistic media, as personification (“The suns do not breathe,” “the thunderstorm did not meet in a friendly conversation”), metaphor (“spring did not bloom,” “the night was silent”), comparison (“they live in this world as if in the dark”). All this gives color and expressiveness to speech, contributes to the fullest disclosure artistic image. In the poem there are typical for Tyutchev's poetry complex sentences, they are often placed at the end exclamation marks, which gives artistic speech the desired author's intonation.
In the poem “It’s not what you think, nature” we see sharpenings. These lines were once removed by censorship and subsequently lost.
And yet the poem has not lost its meaning, the main idea - the relationship between man and nature. Throughout the entire work, the author conveys the idea that “deaf” people do not know how to feel, and, therefore, do not know how to live. And if for them it is faceless, then for Tyutchev nature is “the voice of the mother herself.” Through her images he expresses his innermost thoughts, feelings, doubts, and painful questions.

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Not what you think, nature:
Not a cast, not a soulless face -
She has a soul, she has freedom,
It has love, it has language...
_________________

You see the leaf and color on the tree:
Or did the gardener glue them?
Or the fetus is ripening in the womb
The play of external, alien forces?..
_________________

They don't see or hear
They live in this world as if in the dark,
For them, even the suns, you know, do not breathe,
And there is no life in the sea waves.

The rays did not descend into their souls,
Spring did not bloom in their chests,
The forests didn't speak in front of them
And the night in the stars was silent!

And in unearthly tongues,
Wavering rivers and forests,
I didn’t consult with them at night
There is a thunderstorm in a friendly conversation!

It's not their fault: understand, if possible,
Organa life of the deaf and dumb!
Soul him, ah! won't alarm
And the voice of the mother herself!..

Analysis of the poem “Not what you think, nature” by Tyutchev

The poem “Not what you think, nature...” (1836) is considered one of the central poems in Tyutchev’s entire work. It was unusual for the poet to make any statements or accusations. He generally refrained from expressing his opinions, preferring to describe the beauty of nature. IN this work the poet deviates from his rule. He speaks out in defense of the object of his admiration - nature. Tyutchev believes that his contemporaries forgot about the significance of the world around them, seduced by the teachings of crude materialists. The poet’s accusation was quite bold, directed against the strict ministers of the church, who consider nature only an “addition” to the highest creation - man. Unfortunately, the author's arguments remained unknown, since the second and fourth stanzas were cut out by censorship and could not be restored in the future.

Tyutchev firmly declares the independent and independent essence of nature, which occupies an equal position with man (“it has a soul, ... freedom, ... love”). All natural phenomena and objects arose not as a result of someone else's will or desire, but through one's own craving for life.

A person must realize that everything around him has not only physical, but also spiritual properties. Tyutchev considers people who do not understand this to be blind and deaf. Considering nature as their workshop, they themselves become like soulless automata. All the richness of the surrounding world, its beauty and uniqueness are closed to them. They are not capable of expressing high feelings. Fenced with an impenetrable wall from natural world, such people never feel inspired. Their inner world poor and limited.

At the end of the poem, Tyutchev throws the most terrible accusation towards his opponents. Disrespect for nature makes such people so insensitive that even the “mother’s voice” cannot stir their souls. This statement clearly reveals the author's own position. Tyutchev has repeatedly stated that he considers nature to be the natural mother of man. He often used this image in his works.

The work “Not what you think, nature...” proves that Tyutchev could not only peacefully sing of the beauty of the landscape, but also, if necessary, stand up in its defense. To some extent, the poet can be considered one of the predecessors modern movement ecologists.

Analysis of Tyutchev's poem "Not what you think, nature..."

Tyutchev is characterized by the idea of the universal animation of nature, the identity of the phenomena of the external world and states human soul. This idea largely determined not only philosophical content, but also artistic features Tyutchev's lyrics.

“Nature is not what you think...” written no later than 1836 in Munich. Tyutchev shone in one of the famous centers European culture as in scientist and literary world Munich, and in court, diplomatic and secular circles. There is a widespread belief in literature that Schelling had a strong influence on the formation of the poet's philosophical worldview. Tyutchev was deeply imbued with the “poetic” sides philosophical system German thinker and managed to find a highly artistic expression for them.

In 1836, Tyutchev sent a handwritten collection of his poems to St. Petersburg. They got to Zhukovsky and Pushkin, the poets appreciated the poems.

In Tyutchev's lyrics, the “poeticization” of nature is brought to the highest point of its expression. A striking example is the poem “Not That,” in which the author speaks in the words that are customary to speak about a person: Not what you think, nature: Not a cast, not a soulless face - She has a soul, she has freedom, She has love , it has a tongue...

The polemical fervor of this poem raises a natural question: who are these “you”, whom the poet, addressing the reader, then calls in the third person - “they”? As is known, in the first printed text, censorship excluded two stanzas - the second and fourth, unacceptable from the orthodox church point of view. Pushkin, for his part, insisted that the discarded stanzas be marked with dots, since the absence of these stanzas violated the compositional integrity of the poem. The dots clearly indicated that this was the work of the censor, not the editor. Later, N.V. Sushkov asked Tyutchev to remember the missing stanzas in the poem, but the poet could not restore them in his memory.

And yet the poem has not lost its meaning, the main idea - the relationship between man and nature. Throughout the work, the author conveys the idea that “deaf” people do not know how to feel, and, therefore, do not know how to live. And if for them it is faceless, then for Tyutchev nature is “the voice of the mother herself.” Through her images he expresses his innermost thoughts, feelings, doubts, and painful questions.

Tyutchev opposes supporters of “vulgar mechanistic ideas about nature as a naked mechanism, a soulless machine”: They do not see and do not hear, They live in this world as if in the dark, For them even the suns do not breathe And there is no life in the sea waves.

The rays did not descend into their souls, Spring did not bloom in their chests, The forests did not speak in their presence, And the night in the stars was silent! And with tongues not of this earth, Stirring the rivers and forests, In the night the thunderstorm did not consult with them In a friendly conversation! The poem is written in the form of an address, it does not have a title, which betrays a deeper meaning. The work begins with the word “not” in order to better protect the reader from an incorrect understanding of nature.

The poem “Nature is not what you think...” is a real natural-philosophical confession of Tyutchev’s faith. The polemical tone is combined in this poem with a sense of great humanity. The author ends it with words that contain the least condemnation of those who think differently: It’s not their fault: understand, if you can, Organa’s life is deaf and dumb! Alas, the soul in him will not be disturbed by the voice of his mother herself! The poem is written in iambic tetrameter, and the cross rhyme method is in harmony with the alternation of female and male rhymes. The assonance on “and”, “a”, and “o” gives the poem a sublime tone, the abundance of sonorant consonants (alliteration) makes it more melodic and musical. It sounds more solemn due to the use of outdated words (“face”, “womb”, “tree”) and stress (“glued”). A special semantic load is created with the help of anaphora: You see a leaf and a color on a tree: Or the gardener glued them ? Or is the fruit ripening in the womb through the play of external, alien forces?..

The author uses such expressive artistic means as personification (“The suns do not breathe,” “the thunderstorm did not meet in a friendly conversation”), metaphors (“spring did not bloom,” “the night was silent”), similes (“they live in this world as in the dark"). All this adds color and expressiveness to speech and contributes to the fullest disclosure of the artistic image. In the poem there are complex sentences typical of Tyutchev's poetry, often at the end of them exclamation marks are placed, which gives the artistic speech the necessary author's intonation.

One of the most remarkable phenomena of Russian poetry is the poems of F.I. Tyutchev about the captivating Russian nature. He was a subtle master of poetic landscapes.

Bibliography

To prepare this work, materials were used from the site http://www.coolsoch.ru/

Image. In the poem there are complex sentences typical of Tyutchev's poetry, often at the end of them exclamation marks are placed, which gives the artistic speech the necessary author's intonation. In the poem “It’s not what you think, nature” we see sharpenings. These lines were once removed by censorship and subsequently lost. And yet the poem has not lost its meaning, most importantly

His stanza. It is possible to point out only one case (my italics – I. S.) when a poem, apparently more than half written, was abandoned by the poet and “rewritten” in a different size and with a changed stanza. These are the famous poems “From the life that was raging here..." The only case! What is the reason for the size change? Iambic tetrameter, in which the original edition was written - ...

If for Tyutchev the day can be calm and violently rebellious, and the night can be both a clash of terrible, extremely chaotic structures and the personification of a purely peaceful peace? In our opinion, chaos and space in Tyutchev’s lyrics and worldview should be perceived as something so supernatural, something so archetypal that it is “beyond good and evil.” And therefore both chaos and space are incarnated...

Enchantment: But the east will only turn red - the disastrous end of the enchantment... The night chaos “moves,” “swarms,” “breathes,” but that movement is not of life, but of death. According to the poet’s ideas, “moving” does not mean that he is living. Tyutchev's Night is two-faced. The theme of night in the poetry of F.I. Tyutchev is expressed in a unique way. Tyutchev’s perception of the night and universal chaos is dual. Tyutchev rarely gives any one...

Not what you think, nature:

Not a cast, not a soulless face -

She has a soul, she has freedom,

It has love, it has language...

…………………………………………………..

You see the leaf and color on the tree:

Or did the gardener glue them?

Or the fetus is ripening in the womb

The play of external, alien forces?..

…………………………………………………..

They don't see or hear

They live in this world as if in the dark,

For them, even the suns, you know, do not breathe,

And there is no life in the sea waves.

The rays did not descend into their souls,

Spring did not bloom in their chests,

The forests didn’t speak in front of them,

And the night in the stars was silent!

And in unearthly tongues,

Wavering rivers and forests,

I didn’t consult with them at night

There is a thunderstorm in a friendly conversation!

It's not their fault: understand, if possible,

Organa life of the deaf and dumb!

(1836) Stanzas 2 and 4 were banned by censorship. Pushkin insisted that they be replaced with periods, since the absence of these stanzas violated the compositional integrity of the article. In 1851, while preparing the texts of Tyutchev’s poems for publication, N.V. Sushkov asked the author to remember the missing stanzas, but the poet could not restore them in his memory or did not want to print them. In a number of publications, the article was printed entirely according to the list of Tyutchev’s poems, made according to the article by N. A. Nekrasov “Russian minor poets” (P. 1850, No. 1), where Nekrasov’s amendment to the article was made. 31: “Alas, the souls in it will not disturb” vm. “Oh, it won’t disturb his soul.” This amendment was not noticed by Tyutchev when he looked through the ST list. Meanwhile, it came into conflict with the tone and meaning of the article, which is an invective and has a derogatory ending for opponents. “Alas” vm. “ah” muffled her angry intonation in the final phrase, highest point which, as is typical for the melody of Tyutchev’s exclamation, is in the center of the phrase. Art is programmatic for all of Tyutchev’s natural-philosophical lyrics. It is based on the romantic idea of the spirituality of matter, living for its own internal reasons, which is characteristic of Schelling’s philosophy of identity. IN in a broad sense Art is directed against traditional church ideas about nature and mechanistic views on it, which dominated in the era of rationalism of the 17th - 18th centuries. The unacceptability of pantheistic views from the orthodox church position explains the reason for the qualification. bills At the same time, certain expressions (“cast”, “face”, “external, alien forces”, etc.) indicate that the polemical addressee of the article is the objective-idealistic teaching of Hegel with its fundamental separation of nature from spirit. Such isolation acquired even sharper expression among the Young Hegelians of the right, theistic wing. Apparently, the article was written in 1833 - 1834. during the controversy between Schelling and the followers of Hegel. It started in connection with the release of the book French philosopher V. Cousin's "Philosophical Fragments" (Paris, 1833), the preface to which was written by Schelling. This preface was his first literary appearance after twenty years of silence. H. Rothe suggested that the impetus for the creation of the article could have been Tyutchev’s reading of Heine Heine’s books “ Romantic school"(1833) and "On the History of Religion and Philosophy in Germany" (1834), which also contain critical attacks against the late Hegelian interpretation of nature. See Rothe H. “Nicht was ihr meint, ist die Natur”: Tjutcev und das “Junge Deutschland” // “Studien zu Literatur und Aufklärung in Osteuropa”. Giessen, 1978. S. 319-335.

“Not what you think, nature...” Fyodor Tyutchev

Not what you think, nature:
Not a cast, not a soulless face -

. . . . . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . .

You see the leaf and color on the tree:
Or did the gardener glue them?
Or the fetus is ripening in the womb
The play of external, alien forces?..

. . . . . . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . .

They don't see or hear
They live in this world as if in the dark,
For them, even the suns, you know, do not breathe,
And there is no life in the sea waves.

The rays did not descend into their souls,
Spring did not bloom in their chests,
The forests didn't speak in front of them
And the night in the stars was silent!

And in unearthly tongues,
Wavering rivers and forests,
I didn’t consult with them at night
There is a thunderstorm in a friendly conversation!

It's not their fault: understand, if possible,
Organa life of the deaf and dumb!
Soul him, ah! won't alarm
And the voice of the mother herself!..

Analysis of Tyutchev’s poem “Not what you think, nature...”

The poem “Not what you think, nature...” was written by Tyutchev in best traditions Russian civil accusatory poetry of the eighteenth century. But Fyodor Ivanovich’s angry speeches are addressed not to rulers and judges, but to people who do not want to understand nature, who consider it a “soulless face,” a “cast.” Tyutchev’s own attitude to nature can be briefly described in two lines:
She has a soul, she has freedom,
It has love, it has language...
A reflection of this thought in one form or another is found in many of the poet’s poems related to landscape lyrics.

During the first edition of “Not what you think, nature...”, censorship removed the second and fourth stanzas from the original. It is believed that they were unacceptable from an orthodox church point of view. Subsequently, playwright, poet and journalist Nikolai Sushkov asked Fyodor Ivanovich to restore the missing lines. Unfortunately, this turned out to be impossible. Tyutchev did not remember the stanzas seized by censorship.

According to literary scholars, “It’s not what you think, nature...” is Fyodor Ivanovich’s original creative reaction to Batyushkov’s work “There is pleasure in the wildness of forests...”. In it, the poet confesses his love to nature, calling her mother and saying that she is dearer to the heart than anything else. Echoes of Batyushkov’s poem appear more than once in the works of Fyodor Ivanovich. It is enough to remember at least “There is a melodiousness in the sea waves...” and “No, my passion for you...”. By the way, it was not only Tyutchev who addressed “There is pleasure in the wildness of forests...”. Pushkin also responded to the work through the Chairman’s anthem from “A Feast in the Time of Plague.”

“It’s not what you think, nature...” is an attack against two groups of people at once. The idea of the sovereignty of nature dominates the poem. This contradicts the views of vulgar materialists. As is known, in their opinion, man has the right to invade nature, to subjugate it to his will. The sovereignty of nature is also denied by clergy. According to accepted dogmas, it is considered only a “cast” of God’s will.

Tyutchev is a universally recognized singer of nature. His landscape lyrics rightfully belong to the masterpieces of world poetry of the nineteenth century. “Not what you think, nature...” is a programmatic work. It was in it that Tyutchev most clearly and extensively expressed his views on nature.