A detailed plan of the path of spiritual quest of Pierre Bezukhov. The spiritual quest of Pierre Bezukhov in the novel “War and Peace”

Larisa Dmitrievna Ogudalova is the main character of the play. She is young and beautiful, but poor, so they do not give her a dowry. The position of a homeless woman is humiliating, and L. especially feels this - she is an intelligent and proud girl.

L. loves Paratov. But she loves not for his personal qualities, but for the dream of a different life that he is able to give her. With Paratov, L.’s consciousness entered into the idea of ​​a light and poetic world, which is inaccessible to her and which she knows only from her favorite poems and romances.

Marrying Karandyshev, L. feels humiliated, unfairly sentenced to an insignificant life that a petty official can give her. Moreover, she cannot forgive the failures of Karandyshev, who is trying to compare with Paratov: “Who are you equal to! Is such blindness possible! Alone with the groom, L. constantly suggests that he does not love him, and that he will follow Paratov to the ends of the world. In the girl’s soul there is a struggle between the desire to come to terms with the fate of the wife of a poor official and the longing for the bright and beautiful life. L. is trying to decide her own fate. She goes with Paratov on a boat ride. This trip opens L.'s eyes to her true position- a beautiful thing that men dispute among themselves: “They are right, I am a thing, not a person. I’m now convinced of that...” In the finale of the play, L. dies at the hands of Karandyshev. Before her death, the heroine thanks him for helping her leave scary world, where nothing sacred exists and a person is an object of purchase and sale: “I was looking for love and did not find it. They looked at me and look at me as if I was funny. No one has ever tried to look into my soul, I haven’t seen sympathy from anyone... there’s nothing to look for.” According to Ostrovsky, L.’s dream is illusory, she is chasing a ghost in the person of Paratov. L.'s attempt to get love and happiness with one reckless act is an escape from his destiny. Therefore, the tragic disappointment of the heroine is inevitable.

LARISA OGUDALOVA - the heroine of A.N. Ostrovsky’s drama “Dowry” (1878). The image of L. completes the series of “dowryless women” in Ostrovsky’s dramaturgy. Unlike Marya Andreevna (“The Poor Bride”), Nadya (“The Pupil”), Aksyusha (“Forest”), Nastya (“There Wasn’t a Penny and Suddenly Altyn”) L. is a delicate and nervous nature, endowed with a special mental fragility. L.'s soul exists, as it were, “above everyday life” - above the vanity of commerce, everyday passions and the struggle of vanities. L. always “beckons” somewhere: to the village, to the forest, beyond the Volga - to “any quiet corner", which seems to her "paradise". L.'s life path is a path of spiritual loneliness and tragic breakdown. Everyone admires her, they lust after her, but no one tries to “look into her soul,” she doesn’t hear “warm, heartfelt words" L. is forced to live in an environment that resembles either a “bazaar” or “ gypsy camp" And only in singing romances can she express her feelings. At home, “in times of terrible, mortal melancholy, they force you to be nice, smile, and force suitors.” Karandyshev, in whose love L. believed and agreed to the marriage, out of petty pride, did not spare her pride. Paratov, whom L. passionately loved and for whose sake she almost ran away from the aisle, was lured and abandoned. Her childhood friend Vasya Vozhevatov played her a toss with the big businessman Knurov. L.’s decision to “look for gold” and become “an expensive, very expensive thing” puts her on the brink of collapse. Karandyshev’s fatal shot turns out to be a “good deed” for her, salvation from final moral death. Without “complaining” or “taking offense” to anyone, L. dies with words of love and forgiveness. The image of L. with his poetry and lyrical reflection was a major artistic discovery of Ostrovsky, which preceded the appearance of Chekhov's heroines. The first performer of the role of L. was G.N. Fedotova (1878). Other performers include M.N.Ermolova (1878), M.G.Savina (1878), V.F.Komissarzhevskaya (1896), M.I.Babanova (1940), K.F.Roek (1948) .

Composition

Ostrovsky wrote the drama “Dowry” in 1879, that is, in the last, third period of his work. Before this, the playwright had already created the plays “The Thunderstorm” and “Warm Heart”. These three dramatic works by Ostrovsky are united by a single theme. Katerina in The Thunderstorm, Parasha in Warm Heart, Larisa in Dowry - they all belong to the same type of woman, women with a rebellious soul. But, despite the fact that all the girls worry about love, each of them has their own drama in life.

“The Dowry” differs from the other two works in that in it the main character is faced with the cruel world of bourgeois relations, and is not opposed to the “dark kingdom”, as in “The Thunderstorm”. main topic plays are the drama of the human personality in an inhuman society. And this dramatic personality in the work is Larisa Ogudalova.

Larisa Dmitrievna is a well-mannered and kind girl. Hence her good attitude to people, her respect for her mother. We feel sorry for the main character when we see her mother. She seeks profit in everything, wants to find the daughter of a rich groom. To do this, her mother teaches Larisa tricks that she must apply in life. The elder Ogudalova is a more down-to-earth and practical person than the younger one. It's a misunderstanding between mother and daughter striking difference their characters are striking. Of course, this only makes it harder for Larisa. Not only has she once already been disappointed in love, found herself abandoned, but now she must humiliate herself by searching for rich suitors. Thus, Larisa's life in home not painted in bright hues, it is marred by misunderstanding and constant humiliation. The girl’s mother says: “We are poor people, we have to humiliate ourselves all our lives. It’s better to humiliate yourself from a young age, so that later you can live like a human being.”

Larisa’s most important drama is her emotional, heartfelt experiences. The girl had already experienced disappointment in love and betrayal when Sergei Sergeevich Paratov visited her for two months, “beat off all the suitors,” and then disappeared to an unknown location.

Larisa has no choice but to marry petty Karandyshev, a profitable groom who will save her from humiliation. Future husband, according to the girl, is not at all like Paratov, whom she truly loves and cannot forget. Larisa sees all the insignificance of Karandyshev, she is even ashamed of his “arrogance”, because he is nothing to everyone around him. From all troubles and shame, the girl seeks salvation in the village, in nature. She constantly tells her mother that she wants to escape to the village, where she can finally rest her soul. Larisa finds temporary peace in singing, when the sounds take her away from her problems. In her musical and sensitive soul, gypsy songs and Russian romances, poems by Lermontov and Baratynsky sound. Inner world Larisa is rich, unlike the Knurovs and Vozhevatovs. The girl's poetic nature flies over the world on the wings of music. No wonder her name is translated from Greek language means "seagull"...

When Paratov returns, Larisa thinks that he is alien to that world of cold and calculating businessmen. Having idealized the image of her lover, the girl considers him a “lord” and is ready to follow him to the ends of the earth. With all her heart and soul she throws herself into the pool of love, gives herself to Paratov, not suspecting that he is unworthy of her. His spiritual world much more primitive, more calculating and proud than Larisa’s soul. In order to have fun spending the rest of his “single days,” Sergei Sergeevich invites a girl to the Volga. Larisa, seeing his determination, believed in love, believed him and went towards imaginary happiness. However, Knurov and Vozhevatov know Paratov better. They guessed that “it was not without deception that he again lured her with words,” they knew that Sergei Sergeevich would never exchange a dowry for a millionaire.

The scene of Paratov’s conversation with Larisa after a trip along the Volga is full of drama. The girl was expecting a marriage proposal, otherwise what were these wonderful words, the time spent with her? But Paratov not only did not live up to her hopes, but also cruelly insulted Larisa by announcing that he was already engaged. Isn't this drama? What could be worse? Trust a person, give part of your soul, and receive in return stupid game, empty words, and, in the end, cruel betrayal. Larisa turned out to be a toy, entertainment for Paratov. What should a girl expect next from life? Even marriage to Karandyshev cannot save her now. Although Karandyshev still saves her: by shooting, he performs a “good deed.” Before her death, Larisa sees the collapse of her illusions, reality is revealed to her: “They are right, I am a thing, not a person.” Dying, she thanks Karandyshev for giving her the opportunity to leave the world in which she was trampled high ideal and where she feels like a “thing”, an object of purchase and sale: “I was looking for love and did not find it. They looked at me and still look at me like I was funny.”

Drama main character is that her spiritual world cannot exist in a society of money and primitiveness, in which the interests of men and women are limited to a six-figure dowry. Material here replaces kindness, sincerity and even love. Love always comes in second or even third place after money and position in society. Larisa could not adapt, could not fall in love with Karandyshev’s rubles and experience disappointment in what she had created perfect image Paratova. This seems absurd: good does not conquer evil, love does not become higher than dowry, as usually happens on the pages of most books. Ostrovsky, by writing “The Dowry,” ensured that the reader or viewer thought and realized the problem of the relationship between feelings and calculation. If all of us choose the latter, then love will disappear from the world. Is material well-being worth it? I think not.

Although the play “The Dowry” was created more than one hundred and twenty years ago, it is still interesting to read or watch on stage. And in our time you can meet calculating Paratovs and down-to-earth Pencils. I think that Ostrovsky can be thanked for the fact that after repeated productions of the play “Dowry” there are fewer and fewer such people, and there are more and more women with the soul of Larisa Ogudalova, and natures like her find their happiness in this world.

Other works on this work

Ostrovsky wrote works about women who do not have easy life. And this play is one of them. The author immediately shows unhappy love and what it can lead to.

The main character finds herself in a life that shows all the cruelty of society. The author wants to show that people forget that they are them. And Larisa is an example of such a life. They don't even think about the feelings of others. I think only about profit and entertainment. The main character has pleasant qualities, but soon they will harm her. She kind girl, and has good upbringing. It is shown when Larisa treats everyone well enough and with respect. I think her mother is treating her unfairly. A mother's main goal in life is to get what she wants through her lies. Also, when I was looking for a groom for my daughter, I had the task of finding a rich man. She didn’t think at all about Larisa’s happiness. Believing that if she has money, she will have a good life. Mother and daughter are quite different, and this is immediately noticeable. The main character was disappointed in love, and not much time passed. But they are already telling her to look for a groom, because time is running and it doesn’t matter whether she loves him.

Larisa is in severe pain, and no one understands her. In her house there is nothing but misunderstanding. The main character seems to be alone in this world. I think that her last straw was when Paratov arrived. It was quite cruel when I courted him for two whole months and then simply abandoned him.

What remains for the main character is to marry Karandyshev. She was quite unhappy with him, and her meaning in life had completely disappeared. Her fiancé is the type of person who has arrogance, but is also a nobody in this life. Others laugh at him, but he doesn’t see it, and thinks that he is becoming one of them. Larisa's last salvation is the village. She still wants to go there, to feel peace. There is also the singing of birds, which greatly calms the girl and gives her new strength.

The main character thinks that Paratov is not bad person. Yes, and for her he is ideal. But no matter how painful it is to admit, he is just as cruel as their entire society. She is even ready to return to him and go anywhere with him. Paratov is not worthy of the main character, although she doesn’t even understand it. Inspired by her love, she forgets about everything. And again she trusts him, which leads to the initial mistake.

Essay about Larisa

In a world where they don’t love and everyone is selfish, sympathetic and sensitive Larisa initially feels uncomfortable. You can clearly see how at the very beginning, sitting on the shore, she admires the Volga, deeply lost in her thoughts. Cheap passions, the struggle of ambitions, petty lusts are raging around her. The heroine is completely alone with her thoughts and dreams. With great reluctance, as if having come to her senses, she returns to the world where people surround her. Larisa is a romantic girl by nature with a subtle psychological sense and painful sensitivity. All of her traits force one to empathize wild life in my father's house. When Paratov left, and she disgraced herself at one of the evenings because of a swindler who proposed her hand and heart in front of all the guests, then she simply, in a fit of despair, decided to get engaged to Karandyshev. She is thinking of leaving this life, but something unknown does not allow her to afterworld, keeps her in life.

Larisa lacks the integrity and courageous character of Katerina from “The Thunderstorm” and the determination of Parasha. She imagines herself as a thing. And as soon as she realizes this, she pronounces the unpleasant word out loud. Larisa begins to treat herself apathetically, she is indifferent to people. With a shameless challenge, with an expression of despair and a devastated soul, she declares that she will be Knurov’s kept woman, because any object must have its owner.

With special mercy, she accepts her death, concluded in Karandyshev’s shot. The girl considers this a blessing. She accepts death with gratitude and dies amid noisy gypsy singing, sending her farewell kiss to her family. In all her actions - both in death next to the fun of the gypsies, and in the words where speech sounds filled with forgiveness and feelings - there is a certain blasphemy. This dramatic scene reeks of complete indifference, where Larisa is completely disillusioned with life. It is hard to condemn the heroine for her soul, in which sheer disappointment languished, and for that, an open, shameless speech for such a girl, delivered before her death. It is sad to realize that such a sweet girl could not find her love and died without ever experiencing female happiness.

Option 3

In the work of A.N. Ostrovsky's heroine was faced with prudence and the material need of the world, which supplanted true love. The drama of the human personality in a calculating society is openly expressed here. Larisa Dmitrievna became a victim of this world.

She is a sweet girl and treats her mother and the people around her well. Her mother is a practical person, looking for a rich and profitable groom for her daughter. But Larisa Dmitrievna worries heartily, because in her heart lives true love and devotion to a loved one. She has already become disappointed in him when he suddenly disappears after meeting her. The girl has a sensitive and vulnerable nature; she cannot forget her lover. The mother forces the girl to marry Karandyshev, believing that he is a profitable groom for her daughter. But Larisa is disgusted by him; the essence of the groom is arrogance and insignificance. From her worries, the girl seeks salvation in the village. She consoles herself with songs; various music sounds in her soul: from gypsy songs to Russian romances.

When her beloved appears, Larisa is ready to forgive him a lot. But she does not fully know her lover, not understanding that his essence differs from hers: primitiveness, prudence and self-love.

Paratov wants to have fun spending the rest of his “single days”; for this he invites Larisa Dmitrievna to take a ride with him along the Volga River, where he later admits that he is not ready to marry her. The scene of two people talking after a trip is full of drama and disappointment. The girl is horrified to learn that her lover is already engaged and was using her as an entertainment item. How to live further? Larisa doesn't know. Giving all of yourself, soul and body, without receiving anything in return is sad. The girl's soul is torn to pieces. She doesn’t want to marry another person, and this option won’t save her. Her only option is to die. Karandyshev saves her by shooting his would-be bride. The dying girl thanks him for helping her leave this insignificant world in which her love and illusions disappeared. Larisa feels like a selling point, where prudence prevails.

In conclusion, I would like to note that dramatic episode is that Larisa’s inner content is purer than that of other people. Material need has replaced literally everything in the world: love, kindness, sincerity. Larisa realized that love comes after money and position in society and could not live in it. IN dramatic play Ostrovsky sharpened this problem, ensured that the reader understood the relationship between feelings and calculations. If many choose money and calculation, then devotion and the main feeling - love - will disappear forever!

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A.N. Ostrovsky created an amazing gallery of Russian characters. The main characters were representatives of the merchant class - from the "Domostroevsky" tyrants to real businessmen. The playwright’s female characters were no less bright and expressive. Some of them resembled the heroines of I.S. Turgenev: they were just as brave and decisive, had warm hearts and never gave up their feelings. Below is an analysis of Ostrovsky's "Dowry", where the main character is a bright personality, different from the people who surrounded her.

History of creation

The analysis of Ostrovsky's "Dowry" should begin with the history of its writing. In the 1870s, Alexander Nikolaevich was an honorary judge in one district. Participation in trials and familiarity with various cases gave him a new opportunity to search for topics for his works.

Researchers of his life and work suggest that he took the plot for this play from his judicial practice. It was a case that caused a lot of noise in the county - murder local resident his young wife. Ostrovsky began writing the play in 1874, but work progressed slowly. And only in 1878 the play was completed.

Characters and their brief descriptions

The next point in the analysis of Ostrovsky's "Dowry" is a small characteristic characters plays.

Larisa Ogudalova is the main character. A beautiful and impressionable noblewoman. Despite her sensitive nature, she is a proud girl. Its main drawback is poverty. Therefore, her mother tries to find her a rich groom. Larisa is in love with Paratov, but he leaves her. Then, out of despair, she decides to marry Karandyshev.

Sergei Paratov is a nobleman who is over 30 years old. An unprincipled, cold and calculating person. Everything is measured in money. Going to marry rich girl, but does not tell Larisa about this.

Yuliy Kapitonich Karandyshev is a minor official who has little money. Vain, his main goal is to win the respect of others and impress them. Larisa is jealous of Paratov.

Vasily Vozhevatov is a young rich merchant. I have known the main character since childhood. cunning man without any moral principles.

Mokiy Parmenych Knurov is an elderly merchant, the richest man in the city. He likes young Ogudalova, but he is a married man. Therefore, Knurov wants her to become his kept woman. Selfish, only his own interests are important to him.

Kharita Ignatievna Ogudalova is Larisa’s mother, a widow. Cunningly, she tries to give her daughter away in marriage so that they don’t need anything. Therefore, he believes that any means are suitable for this.

Robinson is an actor, mediocrity, drunkard. Paratov's friend.

One of the points of analysis of Ostrovsky's "Dowry" is short description plot of the play. The action takes place in the Volga region town of Bryakhimov. In the first act, the reader learns from a conversation between Knurov and Vozhevatov that Sergei Paratov, a rich gentleman who loves to appear spectacularly in society, is returning to the city.

He left Bryakhimov so quickly that he did not say goodbye to Larisa Ogudalova, who was in love with him. She was in despair over his departure. Knurov and Vozhevatov say that she is beautiful, smart and performs romances incomparably. Only her suitors avoid her because she is without a dowry.

Realizing this, her mother constantly keeps the doors of the house open, in the hope that a rich groom will woo Larisa. The girl decides to marry a minor official, Yuri Kapitonich Karandyshev. During the walk, the merchants inform them about Paratov's arrival. Karandyshev invites them to a dinner party in honor of his bride. Yuliy Kapitonich creates a scandal with his bride because of Paratov.

Meanwhile, Paratov himself, in a conversation with the merchants, says that he was going to marry the daughter of the owner of the gold mines. And Larisa is no longer interested in him, but the news about her marriage makes him think.

Larisa quarrels with her fiancé because she wants to go to the village with him as soon as possible. Karandyshev, despite the lack of funds, is going to give a dinner party. Ogudalova has an explanation with Paratov. He accuses her of cheating and asks if she loves him. The girl agrees.

Paratov decided to humiliate Larisa’s fiance in front of the guests. He gets him drunk at dinner, and then persuades the girl to go on a boat trip with him. After spending the night with her, he tells her that he has a fiancee. The girl understands that she is disgraced. She agrees to become Knurov’s kept woman, who won her in a dispute with Vozhevatov. But Yuri Karandyshev shot Larisa out of jealousy. The girl thanks him and says that she is not offended by anyone.

Image of Larisa Ogudalova

In the analysis of Ostrovsky's "Dowry", one should also consider the image of the main character. Larisa appeared before the reader as a beautiful, educated noblewoman, but without a dowry. And, finding herself in a society where the main criterion is money, she was faced with the fact that no one took her feelings seriously.

Possessing an ardent soul and a warm heart, she falls in love with the treacherous Paratov. But because of his feelings, he cannot see his real character. Larisa feels lonely - no one even tries to understand her, everyone uses her like a thing. But despite her delicate nature, the girl has a proud disposition. And just like all heroes, she is afraid of poverty. Therefore, she feels even more contempt for her fiancé.

In the analysis of Ostrovsky's "Dowry", it should be noted that Larisa does not have great fortitude. She does not decide to commit suicide or start living the way she wants. She accepts the fact that she is a thing and refuses to fight any further. Therefore, the groom’s shot brought her peace of mind; the girl was glad that all her suffering was over and she had found peace.

Image of Yuri Karandyshev

In the analysis of the play "Dowry" by Ostrovsky, one can also consider the image of the heroine's groom. Yuliy Kapitonich is shown to the reader as small man for whom it is important to earn the recognition of others. For him, a thing has value if rich people have it.

This is a proud person who lives for show and only causes contempt from others because of his pathetic attempts to be like them. Karandyshev, most likely, did not love Larisa: he understood that all men would envy him, because she was the dream of many. And he hoped to get what he wanted so much public acceptance after their wedding. Therefore, Yuliy Kapitonich could not come to terms with the fact that she left him.

Comparison with Katerina

A comparative analysis of Ostrovsky's "The Thunderstorm" and "Dowry" helps to find not only similarities, but also differences between the works. Both heroines - bright personalities, and their chosen ones are weak and weak-willed people. Katerina and Larisa have warm hearts and fall madly in love with men who correspond to their imaginary ideal.

Both heroines feel lonely in society, and internal conflict is heating up more and more. And here the differences appear. Larisa didn't have that inner strength, which Katerina had. Kabanova could not come to terms with life in a society where tyranny and despotism reigned. She rushed into the Volga. Larisa, realizing that she is a thing for everyone, cannot decide to take such a step. And the girl doesn’t even think about fighting - she simply decides to live now like everyone else. Perhaps this is why the viewer immediately liked the heroine Katerina Kabanova.

Stage productions

In the analysis of Ostrovsky's drama "Dowry", it can be noted that, contrary to expectations, the production failed. The viewer found the story about a provincial girl who was deceived by a fan boring. Critics also didn't like actor play: She was too melodramatic for them. And only in 1896 the play was staged again. And even then the audience was able to accept and appreciate it.

An analysis of Ostrovsky's work "Dowry" allows us to show what a serious psychological subtext the play has. How detailed the characters are. And, despite the sentimental scenes, the play belongs to the genre of realism. And her characters joined the gallery of Russian characters masterfully described by A.N. Ostrovsky.

I continue the tradition of my essays about literary characters and today I will present to you my vision of the image of Larisa Ogudalova from “The Dowry” by Alexander Ostrovsky, I think many people know this work from the movie “Cruel Romance”.

If we say briefly about Larisa’s life, then only this: “Larissa’s life path is the path of spiritual loneliness and tragic breakdown.” Indeed, this girl is a subtle, sincere, pure, ingenuous nature who happened to be born in the wrong place and at the wrong time. If she were born into high-born and wealthy noble family, perhaps her talents would be appreciated, and in society they would look at her as worthy person, and not like on beautiful toy, which will not “go anywhere” today or tomorrow.

If Larisa had been more experienced in life, she would have followed her mother’s advice: “We are poor people, we have to humiliate ourselves all our lives. It’s better to humiliate yourself from a young age, so that later you can live like a human being... And pretend and lie! Happiness will not follow you if you yourself you run from him." However, Larisa is who she is, in her soul there is no place for corruption, self-interest and pretense, every day, receiving “necessary guests at home” she is forced to endure this obscenity, and quietly dream of solitude in the village.

Perhaps her fate would have turned out differently if she life path I didn’t meet Paratov, a man without honor and dignity, a waster of life. If Larisa had lived, guided by her mind and not her heart, perhaps she would have seen his true essence in Paratov, but for the ingenuous Larisa, “Sergei Sergeich is the ideal man.” The image of Paratov becomes a culmination in life tragedy Larisa. Having first turned Larisa's head, having beaten off all the prospective suitors from the Ogudalovs' house, Paratov suddenly leaves and Larisa, in desperation, decides to marry any person who will take her away from the city she hates and the painful maternal home.

Karandyshev becomes such a person for Larisa - a small man with a bureaucratic, bourgeois soul, alien to nobility and honor. Karandyshev speaks of love for Larisa, but for him, as well as for Paratov, she is just a beautiful thing for self-affirmation. Karandyshev condemns Paratov, but in his heart he dreams of being the same “brilliant master”, in order to be the first person in society and enjoy the favor of the best ladies. If Paratov is best characterized by his words: “What is a pity,” I don’t know. ... if I find a profit, I’ll sell everything, whatever,” then Karandyshev opens up to the reader according to the words of his toast “to Larisa, in whom the most important thing to him is that she “knows how to sort people out” and therefore chose him.”

For Paratov, it is a matter of principle to regain Larisa’s favor. He knows that he is marrying a rich bride, but why not have some fun at the end, especially if she beautiful girl looks at him like better man on the ground. Paratov is deeply indifferent further fate Larisa, his pleasures and entertainment are primary for him.

Let's omit the scene in the Ogudalovs' house, where Paratov gets Karandyshev drunk, publicly humiliating him and thereby ingratiating his pride and showing superiority. For me, it is much more interesting to write about the scene at “Swallow”, when Paratov revealed to Larisa that he was engaged, but she was dishonored in the eyes of society, and does not know how to live now.

Vozhevatov, as a friend of her childhood, being a wealthy man, could have helped her, could have warned her that Paratov was engaged, but he prefers not to interfere and his indifference contributes to Larisa’s downfall. Vozhevatov prefers to play her toss with the merchant Knurov, who has long wanted to get Larisa as his kept mistress. It is sad that a person comes into this world alone, and he has to rely only on himself in this life, while those who are called relatives or friends go through life in parallel, but precisely in such key points life is revealed true essence such kinship or friendship. Therefore, Larisa’s path is the path of spiritual loneliness, she has no one to rely on, no one wants to understand her.

Karandyshev's shot becomes a deliverance for Larisa. Unfortunately, sometimes death is better than a joyless life full of torment, shame and disgrace. Such bright people, like Larisa, are like angels on earth, and they are not fit to live among moral filth, meanness and betrayal, which are found in abundance among people. Living bright life, such people quickly burn out like candles, thereby illuminating our path and giving us an example of spirituality and purity.