The hero is the narrator Matryonin Dvor. A.I. Solzhenitsyn “Matryonin’s Dvor”

In the story, the story of Ignatich is in many ways reminiscent of the fate of Solzhenitsyn himself. The hero's middle name is similar to the author's Isaevich. Main character endured the hardships of war, imprisonment and exile. Having gained freedom, he strives to go to the provincial wilderness, where it would not be offensive to live and die. He dreams of a place not disfigured by civilization, looking for peace and quiet.

In this search, he gets a job as a mathematics teacher in the village of Torfoprodukt. Having learned the name of the village, he recalls Turgenev, who sang the great and mighty Russian language, which helps to endure everything that was happening in his homeland. But how he likes the purring talk of Matryona, with whom he gets a job as a guest in neighboring village Talnovo. He is satisfied with the simple way of life of his mistress.

He is unpretentious in everyday life, he is used to eating, as at the front, twice a day, meager food, cooked in the oven from “unpeeled potatoes” or “cardboard” soup. He sleeps on a sack stuffed with straw, covered with a padded jacket that shares his hardships. He shares his home with other inhabitants of the hut: mice and cockroaches. Their rustling at night behind the wallpaper reminds him of the mysterious sound of the ocean surf. After his experience, Ignatich appreciates something else: Matryona’s solitude and unobtrusive presence, simple care, her interesting, sometimes even amazing in its tragedy or everyday injustice, stories in which he feels the essence of the present, folk, almost epic. And he rejoices in the absence of radio bawling about people's achievements. He is not pleased with the intrusion of strangers into his life. That is why the night visit of people in greatcoats is frightening. Ignatich understands that this promises trouble.

Communicating with Matryona, he never ceases to be amazed at her patience, similar to Christian humility, her ability not to harbor evil, and her ability to rejoice. Moreover, work brought her the greatest joy. He understands that she amazing person, although the villagers considered her a fool: she didn’t set up housekeeping and didn’t take money for her work. But only after tragic death Matryona comes to him with an awareness of the righteousness of her life, because she had fewer sins than her wobbly cat, who even crushed mice. And she blames herself for reproaching Matryona for her soiled padded jacket.

What Ignatich talks about is in tune with the work of many writers. The very name Matryona, her ruined life, hard work, and selflessness are reminiscent of the fate of Nekrasov’s heroines. The episodes with the horse and her behavior during the fire are especially eloquent.

The narrator's powers of observation suggest that he has another purpose, although in the story he is simply a teacher. He is a researcher of the “interior” of Russia. And the nightly vigils and activities that Matryona tried not to interfere with suggest that he is also a writer. This seclusion is reminiscent of Pushkin’s images: peace, solitude, a dilapidated hut and an old woman.

Essay on the topic Storyteller Ignatich

Ignatich, in Solzhenitsyn’s work “Matrenin’s Dvor”, is an autobiographical character. The story of his life can be gleaned from various pieces of text. He is a guest of Matryona, who is the main character of the story. The man is lonely, and although the work does not indicate his age, from his own quotes one can understand that he had a rather eventful life.

The main character ends up with him because he wanted to get lost in his homeland, hiding from everyone in some wilderness. Once upon a time, even if it was indicated only in hints, the hero served at the front. From those times, he retained the habit of eating twice a day and his fear of people in uniform coming to late time. For ten years the hero was exiled to sunny, deserted and hot Kazakhstan. After the front man for a long time was in prison. However, the narrator never stated the reason.

The narrator Ignatich, Matryona calls him Ignatich, is quite satisfied with the life and living conditions of the main character. When searching it is enough quiet place he arrived in Torfoprodukt, where a nice lady showed him the way to a quiet village called Talnovo. It was there that Ignatich decided to settle.

He was a mathematics teacher, and therefore received enough to rent a good apartment, but this was not so easy. Finally, he settled on the outskirts in the house of a sweet and quiet old woman. Matryona did not disturb her tenant in the evenings and did not pester him with questions. The man liked this, and led to the fact that the main characters became good friends. Matryona became a family member for the narrator, and when she passed away, he felt it quite acutely.

Ignatich had to move in with her sister-in-law. But he did not stop remembering Matryona. How I tried to take a photo of her, but her face changed. Only after the old woman passed away did the narrator realize how important she was for the village.

This man is a calm, conscientious and sincere person. Ignatich does not like to lie and takes his work responsibly. Loving silence, he himself dropped the phrase that he would like to live in a village away from railway, and constantly listen to this peace and quiet.

Option 3

To depict the influence of totalitarianism on ordinary person, the writer wrote the story “Matrenin’s Dvor”. The main character of the creation is the narrator Ignatich. The author does not give a complete description to the narrator. By paying attention to the details in the story, you can guess that the narrator endured a lot. He participated in the war, experienced torture and life in the camp. Ignatich ate only 2 times a day, even after the end of the war. He could not tolerate nightly visits from people in military clothing. The narrator decided to hide in Russia and accidentally ended up in Matryona’s house. Ignatich was looking for spiritual harmony and peace. He wanted to completely distance himself from the society that had distorted his destiny. He began to avoid the railroad and refused to listen to the radio or read news related to the government.

At Matryona's the narrator finds what he was looking for long years. He acquired people who were kindred to his soul. The hero gained calm and told Matryona about his life spent in prison. They were related tragic fate and moral relations. Like Matryona, Ignatich perceived food as a means of subsistence. He constantly experienced a feeling of loneliness as a heroine.

The narrator also found a general similarity in the manner of conversation and speech. The woman’s speech was filled with old folk words and dialect vocabulary. Matryona was a simple Russian peasant woman. The narrator used folk words using vernacular and dialect.

The hero gives Full description Matryona. Ignatich could notice the generosity, kindness, diligence and spiritual nobility of people. The narrator himself possessed such character traits. The hero described his relatives and their behavior at Matryona’s funeral. He senses their self-interest, hypocrisy and lies. At the end of the story, Ignatich experiences a strange feeling of guilt for not being able to comprehend spiritual world Matryona. He began to feel guilty only after her death. And I couldn’t appreciate the heroine. Watching the hero, readers can understand the whole essence of the national character inherent in Ignatich. His life is no different from the fate of a person in the 20th century.

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She is not characterized by the desire to embellish. After all, wealth and things spoil the soul first of all. The author endowed the heroine with Orthodox faith in God. In the most difficult moments of her life, she turns to God, but for this she does not necessarily pray. “Perhaps she prayed, but not ostentatiously, embarrassed by me or afraid of oppressing me. Love and care for her neighbor, her “good mood” - all this attracted the author, helping to heal life’s wounds. The narrator's image is autobiographical. The camp past appears in all his actions. He is a teacher by profession as well as an author. He loves peace and solitude, and does not allow other people to interfere in his life. He is content with little. The narrator especially values maternal care, concentrated in the image of the heroine. The heroine managed to raise Kira. This is almost the only person who sincerely sobs over her coffin. All the other people close to her never understood her. They used her, mocked her, treated her roughly. In a word, they did not behave righteously. Against their background, Matryona's righteousness especially stood out. The doctor who came to see her caused more pain and inconvenience than he helped. Matryona's visits to the hospital brought her more trouble than they gave her any positive result. They only tormented her and undermined her health.

The author describes Matryona's hut in detail. “Besides Matryona and me, the other people who lived in the hut were: a cat, mice and cockroaches.” It is the mice and cockroaches running under the wallpaper that create the special atmosphere of life in the hut. The image of the hut is one of the main images of the story. It is closely related to the image of the heroine. Parallels can be drawn between the two images of Matryona and the hut. Already in the name they are merged together. Throughout the story, the author shows the life of these two images. The heroine's hut and the things in it cannot be called objects. They are all alive. The hut is filled with special air, light and atmosphere. Matryona, despite all her energy, was gradually struck down by a “black illness”, about which the doctors could not say anything.

When describing, the narrator tries to get into “interior Russia”. The author uses real Russian words that have not been used for a long time. When describing the hut he uses forgotten words, as “bridges”, “upper room”. Researchers note that approximately 40% of the vocabulary used by the author is borrowed from Dahl's dictionary. The special value of this work lies in its deep and colorful depiction of the Russian character.

The value of the story lies in its very realistic and reliable presentation of events. The life and death of Matryona Zakharova are shown as they really were. The title of the story has several meanings. The title of the story shows the reader that its pages will talk about Matryona’s life, her house and yard. “Matrenin’s Dvor” defines the space for the action of the story. After a long search, the hero finds a courtyard in which he wants to settle. But this does not mean that the story will take place in Matryona’s courtyard.

Just as Matryona’s illness slowly affected her, so the wormhole destroyed the hut from the inside. These two creatures, the house and Matryona, die from old age, and possibly from damage. The upper room “has been under a curse since the hands of Thaddeus set out to break it.” At the very beginning of the story, the author shows the integrity of the image of the hut, and then its gradual destruction. The heroine’s life is inextricably linked with the “life” of the hut. If she dies, then the hut will “perish.” If the hut is destroyed, Matryona will die. That is why she does not agree to break down the hut for a long time, and when she finally makes up her mind, more and more troubles fall upon her, foreshadowing an inevitable catastrophe. Matryona's languid cat runs away from home before the impending disaster. Matryona “was terrified to start breaking the roof under which she had lived for five years: for Matryona this was the end of her entire life.” The author associates the image of the young heroine with the image of a newly felled hut. “This old gray rotting house suddenly, through the faded green skin of the wallpaper, under which mice were running, appeared young, not yet darkened, planed logs and a cheerful resinous smell.” Matryona is completely different from her fellow villagers. Her life position does not coincide with the position of people living nearby. During the era of collectivization, she managed to preserve the true Russian soul. Here the conflict between Matryona and the village manifests itself. She was responsive and always helped everyone with everything. “I didn’t struggle to buy things. I didn’t bother with outfits. Behind clothes, embellishing

A.I. Solzhenitsyn is a witness to many tragic events that the country experienced in the 20th century. As a writer, he is primarily concerned with the fate of Russia and its people, long-suffering, long-suffering, strong in spirit, cheerful.

Trying to portray character traits era of totalitarianism and its influence on the fate of the ordinary person, Solzhenitsyn creates a very interesting image narrator in the story "Matrenin's Dvor". The author does not describe his fate in detail, but from many details we guess that this man has already endured a lot: he went through the war, learned from bitter experience what a camp was, he survived all the difficulties that came with the war and the camp connected. The narrator talks about his delay of “ten years,” he is wearing a camp padded jacket, he has the habit of eating twice a day, “like at the front,” he is hostile to the night arrivals of people in greatcoats and “even an electrician for a decent construction” they wouldn’t have taken him.

It is no coincidence that Matryona ends up with him. The narrator strives to “get lost and get lost in the very interior of Russia,” he is tormented by fate, looking for harmony and peace, peace of mind. He strives to move away from the railway, he does not want to listen to the radio, he does not want to know about everything that the state lives by, which has distorted his fate.

Having got to Matryona, the narrator finds exactly what he was looking for. The atmosphere of her life, way of life and character are akin to his soul. He finds peace and reveals to the heroine that “he spent many years in prison.” They are united by the tragedy of their destinies, their attitude to life, moral guidelines. Ignatyich, for example, like Matryona, was accustomed to “finding the meaning of everyday existence not in food.” He, like her, is lonely. “I returned at random - just to Russia. At no point was anyone waiting for me or calling for me,” he says about himself.

Speech brings the narrator and heroine together. Matryona’s book is full of colloquial and outdated words, many of which were invented by herself, dialect vocabulary. The author emphasizes the national character of Matryona. The narrator's language is also very close vernacular, it contains both vernacular and dialecticisms, it even adopts a lot from Matryona.

We see the heroine herself as the narrator introduces her to us. He knows how to see her kindness, selflessness, hard work, spiritual generosity, which means that he himself is not alien to these qualities. He bitterly describes the behavior of Matryona’s relatives at the heroine’s funeral. He perfectly sees their selfishness, hypocrisy, lies and condemns them.

At the end of the work, the narrator experiences a certain feeling of guilt for not fully understanding Matrena, her spiritual essence, and not appreciating her worth during her lifetime. Watching the narrator, we understand that in front of us too folk character. His fate is a typical fate of a person of that time.

A.I. Solzhenitsyn's story "Matryonin's Dvor" touches on such topics as the moral and spiritual life of the people, the struggle for survival, the contradiction between the individual and society, the relationship between government and man. "Matryonin's Dvor" is written entirely about a simple Russian woman. Despite many unrelated events, Matryona is the main actor. The plot of the story develops around her.

Solzhenitsyn's focus, simple village woman– Matryona Vasilievna, who lives in poverty and has worked all her life on a state farm. Matryona got married even before the revolution and from the very first day began to take care of household chores. Our heroine is a lonely woman who lost her husband at the front and buried six children. Matryona lived alone in a huge house. "Everything was built long ago and soundly, for big family, and now there lived a lonely woman of about sixty." Central theme in this work there is a theme of home and hearth.

Matryona, despite all the hardships Everyday life, has not lost the ability to respond to someone else’s misfortune with soul and heart. She is the keeper of the hearth, but this is her only mission, which acquires scale and philosophical depth. Matryona is still not ideal, Soviet ideology penetrates into life, into the heroine’s house (signs of this ideology are a poster on the wall and an ever-incessant radio).

We meet a woman who has experienced a lot in life and was not even awarded a well-deserved pension: “There were a lot of injustices with Matryona: she was sick, but was not considered disabled; she worked for a quarter of a century on a collective farm, but because she was not at a factory, she was not supposed to she got a pension for herself, but she could have sought it for her husband, that is, for the loss of a breadwinner.” Such injustice reigned at that time in all corners of Russia. A person who does good for his country with his own hands is not valued in the state; he is trampled into the dirt. Matryona for all her working life deserved five such pensions. But they don’t give her a pension, because on the collective farm she received chopsticks, not money. And to achieve a pension for your husband, you need to spend a lot of time and effort. She collected papers for a very long time, spent time, but all in vain. Matryona was left without a pension. This absurdity of laws is more likely to drive a person into the grave than to provide for him financial situation.

main character has no livestock other than a goat: “All its bellies were one dirty white goat.” She ate mostly just potatoes: “She walked around and cooked in three cast irons: one cast iron for me, one for herself, one for the goat. She chose the smallest potatoes from the underground for the goat, small ones for herself, and small ones for me.” egg". A good life is not visible when people are sucked into the swamp of poverty. Life is very unfair to Matryona. The bureaucratic apparatus, which does not work for people, together with the state is not at all interested in how people like Matryona live. The slogan “Everything is for people” has been crossed out ". Wealth no longer belongs to the people, the people are serfs of the state. And, in my opinion, these are the problems that Solzhenitsyn touches on in his story.

The image of Matryona Vasilievna is the embodiment of the best features of a Russian peasant woman. She has a difficult tragic fate. Her “children did not stand: each one died before they were three months old and without any illness.” Everyone in the village decided that there was damage in it. Matryona does not know happiness in her personal life, but she is not all for herself, but for people. For ten years, working for free, the woman raised Kira as her own, instead of her children. Helping her in everything, refusing to help anyone, she is morally much higher than her selfish relatives. Life is not easy, “thick with worries,” - Solzhenitsyn does not hide this in any detail.

I believe that Matryona is a victim of events and circumstances. Moral purity, unselfishness, hard work - traits that attract us to the image of a simple Russian woman who has lost everything in her life and has not become bitter. IN old age, sick, she treats her mental and physical ailments. Work constitutes happiness, the goal for which she lives. And yet, if you look closely at Matryona’s lifestyle, you can see that Matryona is a slave of labor, and not a mistress. That is why her fellow villagers, and most of all her relatives, shamelessly exploited her, while she meekly bore her heavy cross. Matryona, according to the author's plan, is the ideal of a Russian woman, the fundamental principle of all existence. “All of us,” Solzhenitsyn concludes his story about Matryona’s life, “lived next to her and did not understand that she was the very righteous man without whom, according to the proverb, the village would not stand. Not the city. Not our whole land.”

She is not characterized by the desire to embellish. After all, wealth and things spoil the soul first of all. The author endowed the heroine with Orthodox faith in God. In the most difficult moments of her life, she turns to God, but for this she does not necessarily pray. “Perhaps she prayed, but not ostentatiously, embarrassed by me or afraid of oppressing me. Love and care for her neighbor, her “good mood” - all this attracted the author, helping to heal life’s wounds. The narrator's image is autobiographical. The camp past appears in all his actions. He is a teacher by profession as well as an author. He loves peace and solitude, and does not allow other people to interfere in his life. He is content with little. The narrator especially values maternal care, concentrated in the image of the heroine. The heroine managed to raise Kira. This is almost the only person who sincerely sobs over her coffin. All the other people close to her never understood her. They used her, mocked her, treated her roughly. In a word, they did not behave righteously. Against their background, Matryona's righteousness especially stood out. The doctor who came to see her caused more pain and inconvenience than he helped. Matryona’s visits to the hospital brought her more trouble than any positive results. They only tormented her and undermined her health.

When describing, the narrator tries to get into “interior Russia.” The author uses real Russian words that have not been used for a long time. When describing the hut, he uses forgotten words like “bridges”, “upper room”. Researchers note that approximately 40% of the vocabulary used by the author is borrowed from Dahl's dictionary. The special value of this work lies in its deep and colorful depiction of the Russian character.

Just as Matryona’s illness slowly affected her, so the wormhole destroyed the hut from the inside. These two creatures, the house and Matryona, die from old age, and possibly from damage. The upper room “has been under a curse since the hands of Thaddeus set out to break it.” At the very beginning of the story, the author shows the integrity of the image of the hut, and then its gradual destruction. The heroine’s life is inextricably linked with the “life” of the hut. If she dies, then the hut will “perish.” If the hut is destroyed, Matryona will die. That is why she does not agree to break down the hut for a long time, and when she finally makes up her mind, more and more troubles fall upon her, foreshadowing an inevitable catastrophe. Matryona's languid cat runs away from home before the impending disaster. Matryona “was terrified to start breaking the roof under which she had lived for five years... for Matryona this was the end of her entire life.” The author associates the image of the young heroine with the image of a newly felled hut. “This old gray rotting house suddenly, through the faded green skin of the wallpaper, under which mice were running, appeared young, not yet darkened, planed logs and a cheerful resinous smell.” Matryona is completely different from her fellow villagers. Her position in life does not coincide with the position of the people living nearby. During the era of collectivization, she managed to preserve the true Russian soul. Here the conflict between Matryona and the village manifests itself. She was responsive and always helped everyone with everything. “I didn’t struggle to buy things. I didn’t bother with outfits. Behind clothes that embellish freaks and villains.”