Description of the painting: the feat of a young Kiev resident. Alexander Ivanov “The Feat of a Young Kievite”: description of the painting and the history of its creation

March 1, 2016

Many of us are familiar with the monumental paintings of the Russian artist A. Ivanov. But among his works there are paintings that are little known to the general public. One of them is “Feat young Kiev resident" The description of the painting will be discussed in this article.

What is shown on the canvas?

In the painting, the artist, in a classical antique manner, reveals to the audience the image of a young warrior. The young man is half naked, his body barely covered by a red cloak. He holds a bridle in his hand.

Next to the main character artistic canvas a hot and bloody battle is depicted: the bodies of killed soldiers lie on the ground, it is clear that a battle is going on in the distance.

The painting “The Feat of a Young Kiev Resident” can tell viewers a lot. The description of the painting tells us that the artist depicts some kind of important point in the story of this young man.

What is this moment? Let's look at it in more detail.

The plot of the work

The author depicts an event that took place in Russian history. Chronicles tell us that in 968 the Russian city of Kyiv was subjected to a terrible siege by the Pechenegs. There was no one to defend his hometown, because Prince Svyatoslav was on a military campaign at that time.

The people of Kiev would have died if not for the brave act of one of the young men. He knew the Pecheneg language, so, taking the bridle in his hands, he boldly walked through the Pecheneg camp to the river. When they called out to him, asking where he was going, the young man replied that he was going in search of his runaway horse.

With the help of such a trick, the young man got to the river, and from there he was able to go to the prince’s squad and call for help. With the help of his act, Kyiv was saved.

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“The feat of a young Kievite”: description of the painting and its genre

This painting is now kept in the Russian Museum. Viewers always pay attention to it, because it is made in the characteristic manner of romanticism.

It should be noted that this is sufficient early work artist. It was written in 1810.

Then young A. Ivanov put a lot of strength and romantic delight into his work. “The Feat of a Young Kievite” is an example of his early creative quests.

The meaning of the work lies in the artist’s characteristic conviction that a person, if he is courageous and confident in the success of his enterprise, can overcome a lot.

This picture is about love for your people and love for your Motherland, so it always remains relevant. A timid young man turns into a real warrior who was able to accomplish a feat and save his fellow tribesmen.

The work “The Feat of a Young Kiev Resident” can tell us a lot; the description of the painting testifies to its artistic value.

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Many of us are familiar with the monumental paintings of the Russian artist A. Ivanov. But among his works there are paintings that are little known to the general public. One of them is “The Feat of a Young Kievite.” The description of the painting will be discussed in this article.

What is shown on the canvas?

In the painting, the artist, in a classical antique manner, reveals to the audience the image of a young warrior. The young man is half naked, his body barely covered by a red cloak. He holds a bridle in his hand.

Next to the main character of the artistic canvas, a hot and bloody battle is depicted: the bodies of killed soldiers lie on the ground, it is clear that a battle is going on in the distance.

The painting “The Feat of a Young Kiev Resident” can tell viewers a lot. tells us that the artist is depicting some important moment in the history of this young man.

What is this moment? Let's look at it in more detail.

The plot of the work

The author depicts an event that took place in Russian history. Chronicles tell us that in 968 the Russian city of Kyiv was subjected to a terrible siege by the Pechenegs. There was no one to defend his hometown, because Prince Svyatoslav was on a military campaign at that time.

The people of Kiev would have died if not for the brave act of one of the young men. He knew the Pecheneg language, so, taking the bridle in his hands, he boldly walked through the Pecheneg camp to the river. When they called out to him, asking where he was going, the young man replied that he was going in search of his runaway horse.

With the help of such a trick, the young man got to the river, and from there he was able to go to the prince’s squad and call for help. With the help of his act, Kyiv was saved.

“The feat of a young Kievite”: description of the painting and its genre

This painting is now kept in the Russian Museum. Viewers always pay attention to it, because it is made in the characteristic manner of romanticism.

It should be noted that this is a fairly early work by the artist. It was written in 1810.

Then young A. Ivanov put a lot of strength and romantic delight into his work. “The Feat of a Young Kievite” is an example of his early creative quests.

The meaning of the work lies in the artist’s characteristic conviction that a person, if he is courageous and confident in the success of his enterprise, can overcome a lot.

This picture is about love for your people and love for your Motherland, so it always remains relevant. A timid young man turns into a real warrior who was able to accomplish a feat and save his fellow tribesmen.

The work “The Feat of a Young Kiev Resident” can tell us a lot; the description of the painting testifies to its artistic value.

Description of the painting: the feat of a young Kiev resident

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The painting by artist Andrei Ivanovich Ivanov was created during the rise of the patriotic movement in Russian society. The date of painting is 1810. The society has matured readiness for historical subjects on national theme, one’s own past with its heroic pages is of particular interest. As the basis for the plot, the artist took an episode from Nestor’s chronicle, which tells about the siege of Kyiv by the Pechenegs in 968 and about a cunning young man who managed to get through the enemy horde and call for help. A thousand years later, it is difficult to establish the truth of the existence of such a hero, but this chronicle young man inspired not only Ivanov to create a monumental canvas, but also other poets and writers. The painting is made in the manner of classicism. In the center of the composition is the figure of a naked young man. The artist uses the technique of highlighting the main character with light in order to contrast the hero dark forces Pechenegs. The body of a young man is depicted in tradition ancient heroes: classic proportions, developed muscles, characteristic head turn. The young man runs barefoot towards the Dnieper, clutching a bridle in his hands. According to legend, he knows the Pecheneg language and, making his way through the army, looks for his lost horse. His goal is to cross the Dnieper and call the allied army for help. We see a young Kievite in motion, he has already reached the river, fleeing from an enemy arrow. At his feet is a dying Pecheneg, clutching the broken end of an arrow in his death throes. The enemy's face is depicted in an exaggerated manner: a wide, high-cheekboned face, dark skin, unkempt beard. In contrast to him is the face of a Kiev resident: fine features, smooth clean skin, high forehead. The artist has ennobled the appearance of a young man performing an important mission. His body is naked for a reason; this technique fulfills an important artistic task: it makes the hero defenseless and vulnerable against the background of the formidable weapons and armor of his enemies, thereby evoking empathy in the viewer for the unarmed hero. The artist conveys to us the idea that a real hero cannot be stopped, there are no obstacles for him when he must fulfill his duty towards hometown. Walls are visible in the background ancient Kyiv, in which the inhabitants exhausted by the siege remained. On the right is an enemy shooter aiming at a young man; his previous arrow hit the Pecheneg. A real symbol of the dark, hostile and unbridled element is the black horse, against which our hero is depicted. Symbolic scarlet scarf, covering the young man, testifies to the sacrifices that will be made to the god of war. The scarf fits the figure of the Kiev resident in waves, emphasizing the feeling of the swiftness of his run. He needs to hurry, soon it will be dawn and the Pechenegs will see him on the water surface of the river. The artist managed to convey the tension and dynamism of the moment and at the same time create in the audience a feeling of pride in the glorious pages of history.

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The painting by artist Andrei Ivanovich Ivanov was created during the rise of the patriotic movement in Russian society. The date of painting is 1810. Society has become ready for historical stories on a national theme; its own past with its heroic pages is of particular interest. As the basis for the plot, the artist took an episode from Nestor’s chronicle, which tells about the siege of Kyiv by the Pechenegs in 968 and about a cunning young man who managed to get through the enemy horde and call for help. A thousand years later, it is difficult to establish the truth of the existence of such a hero, but this chronicle young man inspired not only Ivanov to create a monumental canvas, but also other poets and writers. The painting is made in the manner of classicism. In the center of the composition is the figure of a naked young man. The artist uses the technique of highlighting the main character with light in order to contrast the hero with the dark forces of the Pechenegs. The young man’s body is depicted in the traditions of ancient heroes: classical proportions, developed muscles, a characteristic turn of the head. The young man runs barefoot towards the Dnieper, clutching a bridle in his hands. According to legend, he knows the Pecheneg language and, making his way through the army, looks for his lost horse. His goal is to cross the Dnieper and call the allied army for help. We see a young Kievite in motion, he has already reached the river, fleeing from an enemy arrow. At his feet is a dying Pecheneg, clutching the broken end of an arrow in his death throes. The enemy's face is depicted in an exaggerated manner: a wide, high-cheekboned face, dark skin, and an unkempt beard. In contrast to him is the face of a Kiev resident: delicate features, smooth, clean skin, high forehead. The artist has ennobled the appearance of a young man performing an important mission. His body is naked for a reason; this technique fulfills an important artistic task: it makes the hero defenseless and vulnerable against the background of the formidable weapons and armor of his enemies, thereby evoking empathy in the viewer for the unarmed hero. The artist conveys to us the idea that a real hero cannot be stopped, there are no obstacles for him when he must fulfill his duty towards his hometown. In the background you can see the walls of ancient Kyiv, where residents exhausted by the siege remained. On the right is an enemy shooter aiming at a young man; his previous arrow hit the Pecheneg. A real symbol of the dark, hostile and unbridled element is the black horse, against which our hero is depicted. The symbolic scarlet scarf covering the young man testifies to the sacrifices that will be made to the god of war. The scarf fits the figure of the Kiev resident in waves, emphasizing the feeling of the swiftness of his run. He needs to hurry, soon it will be dawn and the Pechenegs will see him on the water surface of the river.

The painting by artist Andrei Ivanovich Ivanov was created during the rise of the patriotic movement in Russian society. The date of painting is 1810. Society has become ready for historical stories on a national theme; its own past with its heroic pages is of particular interest. As the basis for the plot, the artist took an episode from Nestor’s chronicle, which tells about the siege of Kyiv by the Pechenegs in 968 and about a cunning young man who managed to get through the enemy horde and call for help. A thousand years later, it is difficult to establish the truth of the existence of such a hero, but this chronicle young man inspired not only Ivanov to create a monumental canvas, but also other poets and writers.

The painting is made in the manner of classicism. In the center of the composition is the figure of a naked young man. The artist uses the technique of highlighting the main character with light in order to contrast the hero with the dark forces of the Pechenegs. The young man’s body is depicted in the traditions of ancient heroes: classical proportions, developed muscles, a characteristic turn of the head. The young man runs barefoot towards the Dnieper, clutching a bridle in his hands. According to legend, he knows the Pecheneg language and, making his way through the army, looks for his lost horse. His goal is to cross the Dnieper and call the allied army for help.

We see a young Kievite in motion, he has already reached the river, fleeing from an enemy arrow. At his feet is a dying Pecheneg, clutching the broken end of an arrow in his death throes. The enemy's face is depicted in an exaggerated manner: wide, high-cheekboned face, dark skin, unkempt beard. In contrast to him is the face of a Kiev resident: delicate features, smooth, clean skin, high forehead. The artist has ennobled the appearance of a young man performing an important mission. His body is naked for a reason; this technique fulfills an important artistic task: it makes the hero defenseless and vulnerable against the background of the formidable weapons and armor of his enemies, thereby evoking empathy in the viewer for the unarmed hero. The artist conveys to us the idea that a real hero cannot be stopped, there are no obstacles for him when he must fulfill his duty towards his hometown.

In the background you can see the walls of ancient Kyiv, where residents exhausted by the siege remained. On the right is an enemy shooter aiming at a young man; his previous arrow hit the Pecheneg. A real symbol of the dark, hostile and unbridled element is the black horse, against which our hero is depicted. The symbolic scarlet scarf covering the young man testifies to the sacrifices that will be made to the god of war. The scarf fits the figure of the Kiev resident in waves, emphasizing the feeling of the swiftness of his run. He needs to hurry, soon it will be dawn and the Pechenegs will see him on the water surface of the river.

The artist managed to convey the tension and dynamism of the moment and at the same time create in the audience a feeling of pride in the glorious pages of history.

It is perhaps difficult to argue with the fact that art is largely generated by history - after all, it gives creators stories that are difficult to come up with, even with an extremely rich imagination.

In the Russian pictorial tradition, a special place is occupied by the direction historical painting– paintings depicting certain scenes, familiar from chronicles, diaries, legends, etc. Recognized master historical painting became an artist who lived in the 19th century, Andrei Ivanov. Unfortunately, nothing is known about his origin, so it is difficult to say who exactly instilled in the young Genius a love of fine art.

When creating canvases, A. Ivanov was guided primarily by his own patriotic convictions, keen sense civic duty. His worldview was reflected in the subjects of his paintings, for example, in one of the most famous: “The feat of a young Kievite during the siege of Kyiv by the Pechenegs in 968.” As in other works, the classicist artist adhered to the norms and principles of academicism, which is reflected in general style canvas, in many ways close to antique samples.

The plot of the canvas “Feat...” was borrowed by the painter from the chronicle. According to it, an unnamed Kiev resident living in a city besieged by the Pechenegs in 968 became a volunteer and decided to bring a Russian squad to the aid of Kyiv. To do this, he, who knew the language of the invaders, went out of the city gates, holding a bridle in his hands.

The hero pretended to be looking for his runaway horse, and none of the enemies paid attention to him. Having reached the bank of the Dnieper, the young man threw off his clothes and rushed into the water. He managed to swim across the river and brought Russian army to help the people of Kiev. Unfortunately, no more detailed information about this event has been preserved, but the artist loved the legend so much that he created a monumental canvas, complex in its composition and carrying a great semantic load and emotional message.

Undoubtedly, the center of the composition is the figure of a young Kiev resident. Andrei Ivanov portrays a beautiful blond youth, whose nakedness is only slightly covered by a scarlet dress embroidered with gold, which he threw over his shoulder. The figure is captured in motion: muscles tense from running are clearly visible; the light reflects off the polished body of a handsome young man.

The hero's pose looks realistic and lively: he is running, he is almost at the goal. He stands with only one foot on the ground, and the other is set back - he did not have time to lower it after the next step. The hand is raised back to help the Kievite maintain his balance; The young man’s head is turned towards the city, and his gaze is fixed on the enemies: are they really pursuing him? In his hands the nameless hero holds a bridle, which helped him deceive the Pechenegs.

It’s interesting how beautiful the artist portrays the Kiev resident. His body and face are painted only using light tones, while exclusively gloomy ones are chosen for the background of the painting: shades of gray, brown, swamp green.

It seems as if the painter took the figure of some Olympian as a model - the young man is so beautiful in his nakedness. Interestingly, some art historians believe that color scheme the painting is determined by its intention: bright hues, with which the figure of the Kiev resident is painted, are contrasted with dark tones corresponding to the abomination and cruelty of the evil invaders.

In addition, there is a theory that the young man’s nakedness is explained by his defenselessness and purity in the midst of this chaos, where weapons and steel armor reign. The image of the Kievite is deliberately ennobled by the author: he endows the hero with subtle and graceful facial features and external beauty, to emphasize the significance of his feat, his boundless love for the Motherland, for which yesterday’s boy is ready to sacrifice his own life.

The picture depicts the Pecheneg invaders “inhabiting” the background in a completely different way. They are also depicted in motion, but they are all on horseback. This detail emphasizes the barbaric nature of the conquerors, seeking to get everything through the labor of others. The Pechenegs are well armed; They seem to realize that the young man wants to call for help and try to shoot at him, but the arrow hits their own ally.

This is a man depicted almost like a caricature: he has a deliberately exaggerated expression of pain on his face; his pose does not look beautiful. Pecheneg Ivanov writes in dark colors, revealing his base nature. The artist even depicts enemy horses as bay or black, emphasizing their viciousness and foreignness to this land.

The sky that opens up on the canvas deserves special attention. It is pitch black, covered with swirling dark clouds. However, over the head of the young Kiev resident, the clouds suddenly dissipate, letting in a little light. This compositional detail emphasizes the city’s hope for salvation thanks to the self-sacrifice of the young hero.

In general, the picture is imbued with patriotic pathos. The artist strives to convey an inspiring mood to the viewers of this picture, to evoke in them an emotional uplift, consisting of a feeling of pride in their own country, in its nameless heroes.