Hunting war and peace brief. Excerpts from the novel "War and Peace"

called war and peace. Tolstoy’s views on war. (3 sentences approximately)

2) the main part (the main image of the war of 1812, the thoughts of the heroes, war and nature, the participation in the war of the main characters (Rostov, Bezukhov, Bolkonsky), the role of commanders in the war, how the army behaves.

3) conclusion, conclusion.

Please help, I just read it a long time ago, but now I didn’t have time to read it. PLEASE HELP

2.Which member of the Rostov family in the novel “War and Peace” wanted to give carts for the wounded?
3.What does the author compare the evening in Anna Pavlovna Scherer’s salon in the novel “War and Peace” to?
4.Who is part of the family of Prince Vasily Kuragin in the novel “War and Peace”?
5. Having returned home from captivity, Prince Andrei comes to the idea that “happiness is only the absence of these two evils.” Which ones exactly?

tried to despise her; but now he felt so sorry for her that there was no room for reproach in his soul. - He is here now, tell him... so that he just... forgives me. - She stopped and began to breathe even more often, but did not cry. “Yes... I’ll tell him,” Pierre said, “but...” He didn’t know what to say. Natasha, apparently, was frightened by the thought that could come to Pierre. “No, I know it’s over,” she said hastily. - No, this can never happen. I am tormented only by the evil that I did to him. Just tell him that I ask him to forgive, forgive, forgive me for everything... - She shook all over and sat down on a chair. A never-before-experienced feeling of pity filled Pierre’s soul. “Let’s say no more, my friend,” said Pierre. His meek, gentle, sincere voice suddenly seemed so strange to Natasha. He took and kissed her hand. “Stop it, stop it, your whole life is ahead of you,” he told her. - For me? No! “Everything is lost for me,” she said with shame and self-humiliation. - Everything is lost? - he repeated. - If I were not me, but the most beautiful, smartest and best person in the world and if I were free, I would be on my knees right now asking for your hand and love. For the first time after many days, Natasha cried with tears of gratitude and tenderness and, looking at Pierre, left the room. next questions: 1) how does Pierre Bezukhov feel about Natasha Rostova? 2) why would Bezukhov marry her? 2) what feelings are reflected in this fragment? please give me complete answers, I really need it...

Speaking about the very concept of “episode”, first of all it should be noted that this is one or another completed and independent part literary work, which depicts a completed event or an important moment in the fate of a character.

The novel "War and Peace" is characterized by episodicity or, in other words, theatricality. Due to this, the author achieves the completeness of the entire picture of the heroes’ lives, their worldview, mental and state of mind, is created big picture reality.

The hunting episode in Otradnoye occupies a special place in the novel, since it shows in detail and accurately the morals of the nobles of the nineteenth century. L.N. Tolstoy depicts the gathering and the hunt itself in every detail. Fans of this entertainment, according to the author, are always overcome by “an irresistible hunting feeling in which a person forgets all previous intentions, like a man in love with the presence of his mistress.”

Preparations for the hunt were always thorough and serious. L.N. Tolstoy names the exact number of dogs that were accompanied by twenty mounted hunters. On the road, a distant relative, a poor neighbor of the Rostovs, was met. Immediately the hounds “were united into one pack, and uncle and Nikolai rode side by side.” Each of the characters has their own approach to this fun. Count Ilya Andreevich was not a hunter by heart, but he knows the hunting laws very well.

Tolstoy paints the entire panorama of the hunting action not from the side, but through the eyes of the participants in this fun: “The Count, forgetting to wipe the smile from his face, looked ahead of him into the distance along the lintel and, without sniffing, held a snuffbox in his hand. Following the barking of the dogs, a voice was heard through Danila’s bass horn; the pack joined the first three dogs, and the voices of the hounds could be heard roaring loudly, with that special howling that serves as a sign of the rutting of a wolf...” The reader becomes an involuntary participant in these events.

Nikolai Rostov, who is very passionate about chasing the wolf, is shown from a new side in this episode. Before us appears a person who subtly and sensitively perceives everything that happens. He expects the wolf to run in his direction; the hero’s state is close to despair. Nikolai prayed to God “for the wolf to come out to him; he prayed with that passionate and conscientious feeling with which people pray in moments of great excitement, depending on an insignificant reason.”

In this capacity, Rostov is similar to small child, it is important for him that one of the dogs grabs the wolf in front of his uncle. “Only once in my life would I hunt down a seasoned wolf, I don’t want to do it again!” - he thinks.

The appearance of the wolf was completely unexpected for Rostov. Now the young man sees nothing around him, he is obsessed only with his desire: “Nikolai did not suppress his cry, did not feel that he was jumping, did not see any dogs, nor a place ... he saw only a wolf.”

The hero is afraid that the wolf will be hunted by his uncle and his hunters. Now these were his only rivals. When the dog Karai grabbed the victim by the throat, it was the happiest moment for Nikolai in his entire life. Rostov screamed in despair when Karai, with bristling fur, crawled out of the ravine. Each of the hunters tried to kill the wolf, but only Danila, who turned out to be the most courageous, managed to do this.

“With happy, exhausted faces, a living seasoned wolf was loaded onto a scurrying and snorting horse” - the hunt ended successfully, and all its participants went to the general gathering place. The hunters came with their prey and stories, everyone came up to look at the wolf, who looked with big glass eyes at this whole crowd, dogs, people surrounding him.

The hunt entices the heroes to varying degrees. If the old count is not at all interested in hunting, then his son Nikolai Rostov is simply obsessed with it. The excitement of a young man is similar to the excitement of a child who really wants to get something, and if this fails, then he is ready to cry and scream. Nikolai considers it his duty to drive away the seasoned wolf.

Tolstoy gives a picture of hunting in four chapters. The author depicts every character, every event with amazing accuracy. Here special role details play, this alone does not interfere with the dynamics of the plot. Tolstoy depicts the manners and amusements that attract nobles. From this episode we learn how people lived at that time, what they were interested in and “amused themselves with.” We also see the heroes of the novel in a new setting: not in salons, social receptions or on the battlefield, but in nature, engaged in a common cause.

/ / / Analysis of the episode “Hunting in Otradnoye” in Tolstoy’s novel “War and Peace”

The novel "War and Peace" contains a lot of episodes where the reader gets acquainted with certain life situations, which the main characters found themselves in. With the help of such individual episodes, the author of the novel, Lev Nikolaevich Tolstoy, was able to fully express and convey the intended scenario, starting with the beginning and ending with the denouement - the completion of the scene.

The hunting episode in Otradnoye is interesting and extremely fascinating. It is in this scene that L. Tolstoy describes the true morals of the nobles, who could not imagine their lives without hunting. And when they were completely immersed in this process, they forgot about all previous intentions.

Preparing for the hunt took a lot of time. This was a serious stage. The author always specifies the number of hounds that accompanied the hunters. Each of the characters approaches this activity completely differently. For example, Count Ilya Andreevich was not particularly keen on the process of catching live bait, however, he perfectly mastered all the laws of hunting.

Another interesting fact is that the description of the hunting process occurs not on behalf of the author, but on behalf of the participants themselves. The events that take place, the barking and chasing of dogs, are described so realistically that the reader seems to become another participant in the hunt.

Leo Tolstoy characterizes from a different perspective. He really wants to catch the wolf. This hope of meeting a seasoned predator was like the desire of a small child. The hero turns to God with a prayer and asks to send a gray beast on his path. And suddenly, his forgiveness was heard. There is a wolf ahead... Nikolai, not seeing anyone around him, quickly rushed in pursuit. For one moment he forgot that he was riding a horse, that dogs were rushing next to him. Rostov competed with his uncle and other riders. He was afraid that one of them would defeat the wolf first. But luck turned to Nikolai. His dog Karai grabbed the predator by the throat. Only Danila dared to kill the wolf.

Exhausted, but happy hunters loaded the still living wolf onto a snorting horse and went to the general gathering place. So, the hunters boasted about their catch. Old Prince watched the events that took place without interest, but Nikolai was simply obsessed with the hunting process.

In this episode the author conveys a lot important details, which fill the hunting scene, fully characterize every moment. The reader observes those amusements that were close to the nobles. They were unusually keen on driving fast, chasing wild beast and received incredible pleasure if they won.

Speaking about the very concept of “episode”, first of all it should be noted that this is one or another completed and independent part of a literary work, which depicts a completed event or an important moment in the fate of a character.

The novel "War and Peace" is characterized by episodicity or, in other words, theatricality. Due to this, the author achieves the completeness of the entire picture of the characters’ lives, their worldview, mental and emotional state, and creates a broad picture of reality.

The hunting episode in Otradnoye occupies a special place in the novel, since it shows in detail and accurately the morals of the nobles of the nineteenth century. L.N. Tolstoy depicts the gathering and the hunt itself in every detail. Fans of this entertainment, according to the author, are always overcome by “an irresistible hunting feeling in which a person forgets all previous intentions, like a man in love with the presence of his mistress.”

Preparations for the hunt were always thorough and serious. L.N. Tolstoy names the exact number of dogs that were accompanied by twenty mounted hunters. On the road, a distant relative, a poor neighbor of the Rostovs, was met. Immediately the hounds “were united into one pack, and uncle and Nikolai rode side by side.” Each of the characters has their own approach to this fun. Count Ilya Andreevich was not a hunter by heart, but he knows the hunting laws very well.

Tolstoy paints the entire panorama of the hunting action not from the side, but through the eyes of the participants in this fun: “The Count, forgetting to wipe the smile from his face, looked ahead of him into the distance along the lintel and, without sniffing, held a snuffbox in his hand. Following the barking of the dogs, a voice was heard through Danila’s bass horn; the pack joined the first three dogs, and the voices of the hounds could be heard roaring loudly, with that special howling that serves as a sign of the rutting of a wolf...” The reader becomes an involuntary participant in these events.

Nikolai Rostov, who is very passionate about chasing the wolf, is shown from a new side in this episode. Before us appears a person who subtly and sensitively perceives everything that happens. He expects the wolf to run in his direction; the hero’s state is close to despair. Nikolai prayed to God “for the wolf to come out to him; he prayed with that passionate and conscientious feeling with which people pray in moments of great excitement, depending on an insignificant reason.”

In this capacity, Rostov is like a small child; it is important for him that one of the dogs grabs the wolf in front of his uncle. “Only once in my life would I hunt down a seasoned wolf, I don’t want to do it again!” - he thinks.

The appearance of the wolf was completely unexpected for Rostov. Now the young man sees nothing around him, he is obsessed only with his desire: “Nikolai did not suppress his cry, did not feel that he was jumping, did not see any dogs, nor a place ... he saw only a wolf.”

The hero is afraid that the wolf will be hunted by his uncle and his hunters. Now these were his only rivals. When the dog Karai grabbed the victim by the throat, it was the happiest moment for Nikolai in his entire life. Rostov screamed in despair when Karai, with bristling fur, crawled out of the ravine. Each of the hunters tried to kill the wolf, but only Danila, who turned out to be the most courageous, managed to do this.

“With happy, exhausted faces, a living seasoned wolf was loaded onto a scurrying and snorting horse” - the hunt ended successfully, and all its participants went to the general gathering place. The hunters came with their prey and stories, everyone came up to look at the wolf, who looked with big glass eyes at this whole crowd, dogs, people surrounding him.

The hunt entices the heroes to varying degrees. If the old count is not at all interested in hunting, then his son Nikolai Rostov is simply obsessed with it. The excitement of a young man is similar to the excitement of a child who really wants to get something, and if this fails, then he is ready to cry and scream. Nikolai considers it his duty to drive away the seasoned wolf.

Tolstoy gives a picture of hunting in four chapters. The author depicts every character, every event with amazing accuracy. Details play a special role here; this alone does not interfere with the dynamics of the plot. Tolstoy depicts the manners and amusements that attract nobles. From this episode we learn how people lived at that time, what they were interested in and “amused themselves with.” We also see the heroes of the novel in a new setting: not in salons, social receptions or on the battlefield, but in nature, engaged in a common cause.

Lesson 4 Episode as a path to the artistic whole of L.N. Tolstoy’s novel “War and Peace” Topic: Episode as a path to the artistic whole of L.N. Tolstoy’s novel “War and Peace” (analysis of the hunting scene as an introduction to art world works) L.N. Tolstoy War and Peace

“People's Thought” - the idea of ​​the novel the idea of ​​the novel 1) The world of an individual, closed and inexplicable in its own way; 2) The world of the family (“family thought”); 3) The world of a separate class (nobility, peasantry); 4) Peace of the Nation; 5) Peace for all people living on earth; 6) The natural world in her independent development. SPHERES OF EXISTENCE:

The problems of the novel Questions of life and death of truth and lies, joy and suffering of the individual and society, freedom and the need for happiness and misfortune, war and peace. Life, according to Tolstoy, is neither good nor bad. ANTITHESIS How are the problems of the novel reflected in the hunting scene?

“War is not a courtesy, but the most disgusting thing in life, and we must understand this and not play at war. We must take this terrible necessity strictly and seriously. That's all there is to it: throw away the lies, and war is war, not a toy. Otherwise, war is the favorite pastime of idle and frivolous people.” Prince Andrei Bolkonsky about the senseless war of 1805 What did Prince Bolkonsky mean when he compared the war with “the fun of idle and frivolous people”?

Structure of the episode “hunting” Description of the morning – part 4, chapter 3 Conversation between Nikolai Rostov and Danila Natasha announces to her brother her decision to go hunting The Rostovs’ hunt in the field – part 4, chapter 4 The old count is hunting. Meeting with my uncle. Nikolai waiting for the beast – part 4, chapter 5 Rostov’s prayer. Baiting the beast. Nikolai's meeting with his neighbor Ilagin

Way of expression author's position positions 2 Landscape. (Man and Nature) Internal monologue (Rostov’s prayer). Characteristics of the hero using artistic detail. The behavior of heroes during the hunt. Straight author's description hero. Artistic and expressive means (personification; comparison; allegory; irony, etc.), allowing one to penetrate ideological plan novel. Speech characteristics heroes. “...in Tolstoy, every word carries the utmost semantic load. He has a simple, powerful, sometimes internal music, the arrangement of words in a phrase, punctuation, sound design - everything is put at the service of thought.” V.P. Kataev Writer's style

Petya Rostov System of images in episode 3 Danilo Danilovchiy, peasant of the Rostovs Landowner Ilagin - neighbor of the Rostovs Uncle Mikhail Nikanorych Old Count Ilya Andreevich Rostov Nikolai Rostov - young master Natasha Rostova According to Tolstoy, a person’s closeness to nature very often turns out to be a positive criterion for personality.

Which artistic media does the author use to better understand Danila’s character? “Despite the fact that Danilo was small in stature, seeing him in the room produced an impression similar to when you see a horse or a bear on the floor between the furniture and the conditions of human life. Danilo himself felt this and, as usual, stood at the very door, trying to speak more quietly, not to move, so as not to somehow damage the master’s chambers, and trying to quickly express everything and go out into the open space, from under the ceiling into the sky.”

“...from around the corner came...hunter Danilo, with his hair cropped in Ukrainian style, a gray-haired, wrinkled hunter, with a bent arapnik with that expression of independence in his hand and with that expression of independence and contempt for everything in the world that only hunters have. » only among hunters." How do you understand the phrase “with that expression of independence and contempt for everything in the world that only hunters have”? What is Danila's role in the hunting scene? Why is he so “independent”? Danilo - hunter

Danilo and Nikolai Rostov “He took off his Circassian hat in front of the master and looked at him contemptuously. This contempt was not offensive to the master: Nikolai knew that this Danilo, who despised everything and stood above all else, was still his man and hunter.” Why does the author build the relationship between the master and the serf this way? What is Leo Tolstoy’s plan here?

“Labyrinth of couplings” is what Tolstoy calls his novel. 1805 1809 1812 There is a “hunt” The French are chasing Nikolai Rostov (Battle of Shengraben – vol. 1, part 2, ch. 19) Nikolai Rostov with his squadron attacks the French, takes the officer prisoner. (Vol. 3, part 1, ch. 15) Nikolai Rostov hunts a wolf on his estate (vol. 2, part 4, ch. 3-6)

Hunting is “fun” for people of the privileged class (with the use of weapons) War is “fun” for politicians and people in power (their weapons are an entire army) What unites the concepts: war and hunting? war and hunting? Destroy (take a life) Destroy (take a life) Result: trophies of war, the skin of a killed animal.

Danilo and the old count “F...!” he (Danilo) shouted, threatening the count with a raised arapnik. -About...the wolf!..hunters! - And as if not deigning the embarrassed, frightened count with further conversation, he, with all the anger he had prepared for the count, hit the sunken wet sides of the brown gelding and rushed after the hounds. The count, as if punished, stood, looking around and trying with a smile to make Semyon regret his situation.” “- F...! - he (Danilo) shouted, threatening the count with his raised arapnik. -About...the wolf!..hunters! - And as if not deigning the embarrassed, frightened count with further conversation, he, with all the anger he had prepared for the count, hit the sunken wet sides of the brown gelding and rushed after the hounds. The count, as if punished, stood, looking around and trying with a smile to make Semyon regret his situation.” How does hunting change the usual relationships of people, their hierarchy?

“She (Natasha) expressed with this squeal everything that other hunters also expressed with their one-time conversation. And this squeal was so strange that she herself should have been ashamed of this wild squeal and everyone should have been surprised by it if it had been at another time.” What words does the author use to emphasize Natasha Rostova’s “unity” with the people?

Visiting her uncle after the hunt “...Anisya Fedorovna...teared through laughter, looking at this thin, graceful, so alien to her, well-bred countess in silk and velvet, who knew how to understand everything that was in Anisya and in Anisya’s father , and in the aunt, and in the mother, and in every Russian person.” Description of the wolf “Suddenly the whole physiognomy of the wolf changed; he shuddered when he saw something he had probably never seen before human eyes, directed at him, and, slightly turning his head towards the hunter, stopped - back or forward? “Eh! anyway, forward!..” - it is clear that he said to himself and set off forward, no longer looking back, with a soft, rare, free, but decisive leap.” Why did the author need to describe in such detail the habits and “thoughts” of the animal being hunted?

Scene of a wolf being baited by dogs “The old dog, with his tufts dangling on his thighs, thanks to the stop that had taken place, cutting off the wolf’s path, was already five steps away from him. As if sensing danger, the wolf glanced sideways at Karai, hiding the log (tail) even further between his legs, and increased his gallop. But then Nikolai only saw that something had happened to Karai - he instantly found himself on the wolf and together with him fell head over heels into the pool that was in front of them. That minute... when Nikolai saw this, was the happiest moment his life..." (vol. 2, part 4, chapter 5) Why is the scene of the dog fighting the wolf important to the author? What associations arise when you read this episode?

The baiting of the wolf ends with Danila’s “victory” battle of Borodino 1812 The persecution of the hare ends with the “victory” of the dog Scolding The result of the “hunt” scene 1809 “... Danilo is already lying in the middle of the dogs, on the back of the wolf, trying to catch him by the ears. It was obvious to the hunters, the dogs, and the wolf that it was all over now.” “For a long time they looked at the red Swearing, who, with a dirt-stained, hunchbacked back, rattling a piece of iron, with the calm look of a winner, was trotting behind the legs of his uncle’s horse.” Relate the moments of “victory” in the “hunt” scene with the events of the novel. Who is the real winner of the “battles”? People Russian man