Test on the story unknown flower. Test: Unknown flower
Ordinary Japanese schoolboy (OYAS)- He most often wears glasses, large round or square ones. His appearance is the most standard: dark hair, dark eyes, even character, age - puberty.
An ordinary Japanese schoolchild can be in any genre - shounen, mysticism, harem or fantasy, and what is most offensive for unusual Japanese schoolchildren is that an ordinary Japanese schoolchild is most often the main character. He is forced to save the world, or fight off a crowd of girls pining for him (and what do they see in him?), He may be mega-strong, but he doesn’t look like one - glasses and an even, inexpressive character get in the way. HE blushes at the sight female breast and stutters when he needs to confess his love.
Kawaii/Kawaii- “darling”, “charming”, “pretty”, “nice”, “gracious”. IN Japanese"kawaii" can also refer to anything that looks small, sometimes having double meaning"adorable" and "small". The word can also be used to describe adults who exhibit childish or naive behavior.
Bishoujo- a term usually referring to young people beautiful girls, more often for high school students. In anime and manga, especially among Western otaku, the term may be used to refer to a stereotypical female character- a beautiful young girl, a plot with such characters, a certain style of depicting such characters.
Moe- kawaii characters that evoke not just affection, but attraction. The term "Moe" itself means adoration (sometimes in literally words), almost a fetishization of something or someone from anime-mangagames. The moe section includes some types, such as meganekko - girls with glasses, pettanko - characters who place a strong emphasis (or emphasis is placed from the side) on their flat chest, dojikko - clumsy girls, and in general there are countless names of types of appearance and behavior.
Bishounen- a word denoting ideally beautiful young man. Outside Japan, otaku is commonly used to refer to a stereotypical template male characters manga and anime, which is mainly used in shoujo genres, shonen-ai, or yaoe.
A character who falls under the definition of a bishounen is usually young, femininely handsome, and does not have pronounced muscles. Often dresses in conspicuously elegant and impractical clothes, has hair unusual color. The character of a bishounen can vary depending on the plot of the work.
The bishounen stereotype is very popular among girls, which is partly due to the emancipation and identification of a feminine man with a free and independent woman, and partly to the unique concept of beauty in Japanese culture.
Meganekko- A typical girl in anime, whose difference is that she wears glasses. The following development occurs quite often: if she switches to contact lenses, then one and all suddenly realize her beauty.
Megane-kun(Megane-kun) - boy with glasses.
Bakunyu(bakunyuu) - a design feature in which the heroine of an anime or manga is depicted with deliberately exaggerated (and often beyond the scope of real life) breast sizes. The richest in such artistic techniques erotic anime genres.
Made(maids, meido) - servant. One of the typical design options for anime heroines, designed to match the image of a “sexy servant”. This phenomenon Over time, it became so widespread in the anime industry that entire series began to appear entirely dedicated to the theme of maids (for example, He is My Master and Hanaukyo Maids Team), thereby making maido an almost full-fledged subgenre of anime and manga.
Chibi(Chibi) - a style depicting people in a smaller than normal appearance. An integral feature of the style is disproportion - enlarged head and eyes, shortened arms and legs, sometimes without hands and fingers. Drawing the emotions of such characters is also greatly simplified. Chibiks are very similar to children, as a result of which children are also simply called chibiks.
Kemonomimi(Kemonomimi) - literally "animal ears". A drawing style in which people have the ears (sometimes the tail, less often the paws, noses, etc.) of a certain animal. For example, Nekomimi is a girl (or guy) with cat ears, Kitsunemimi is with fox ears, etc.
Tsundere(Tsundere) - the word comes from tsuntsun, which means disgust, and deredere, which means love. Such characters initially appear as unpleasant, often narcissistic and selfish (have you ever seen the so-called “princesses”, ojou-sama, girls from rich families in anime) types, but throughout the plot they reveal a “bright” side in themselves? good side character, in most cases - under the influence of the object of love. They initially avoid this very object and make their disgust for it clear in every possible way, but sooner or later the disguise collapses. This is the classic definition of a tsundere. Non-classical tsunderes can be similar to ordinary people who do not stand out in any way, but who betray their type by suddenly losing their temper at the slightest incitement, or upon contact with the notorious object of love.
Maho-shojo- “sorceress girl”. Basic plot feature maho-shoujo is main character- a girl, or a young girl, who has some supernatural abilities that she uses to fight evil, protect the Earth, the weak and similar actions. Sometimes there are several girls with different abilities and usually working in the same team. Most characteristic representatives this subgenre of manga and anime "Sailor Moon" (the first series to have several such characters), "Cardcaptor Sakura", "Tokyo Mew Mew", "Magic Knight Rayearth", "Pretty Sammy" and "Futari wa Pretty Cure". The first anime series in the mahou shoujo genre was Mahou Tsukai Sally, released in 1966. Magical girls are also known as majokko or "witch girls" in Japan.
There is a similar subgenre of maho shonen (“magic boys”), which uses similar lines, with a changed gender focus, that is main character- a young man (an example would be "DNAngel"), but is much less often used as a main storyline.
The maho-shojo genre should also be distinguished from the maho kanojo (“sorceress girlfriend”) subgenre, where the main character is a boy or young man whose girl is discovered to have supernatural abilities.
Yandere(Yandere) - short for yanderu deredere, “yander” means, to be as precise as possible, “sick” (on the head). In general, “crazy deredere.” Let me ask you to immediately understand that she is not hysterical, but crazy! These are different things.
Actually, the essence of a yandere is excessive attachment to the object of love, reaching the point of fanaticism. So to speak, back side tsundere. Such characters in their usual state (in classical definition) are quite cute and indistinguishable from a deredere, but when they try to involve him in romance, they will begin to go crazy, pursue the object of love and be jealous of him/her for everything that moves. Well, and of course, try to please him/her in everything. In general, classic yanderes are paranoid sticklers. And don’t let Yami-sama try to cheat on them - in their classic definition, they will immediately reach out to sharp objects.
The non-classical definition of a yandere is a little (or a lot) crazy deredere. They may consider themselves non-humans and behave strangely, but it all revolves around the opposite sex. If a girl shy away from guys and doesn’t miss an opportunity to hit them in self-defense, then that’s also a yandere.
Tsunaho(Tsunaho), alternatively called Tsunbaka or more neutrally Tsundoji, is special kind tsundere, which can be briefly described as a “tsundere poser.” This type really tries to be bad, but due to his innate clumsiness and stupidity, he always confuses everything, drops things and generally behaves more than comically. It’s not good, of course, to laugh at other people’s problems, but there’s nothing you can do about it, really.
Tsuntere(Tsuntere) is a more overt type of tsundere. "Tereru", tereru means "shy". In other words, a tsundere, who (and sometimes who!) cannot be cold until the very end and no, no, will betray her feelings. This happens because the type has shyness sufficient to reveal a deredere side.
Tsundora(Tsundora) literally means “tundra”, which has snow and forest. This is a more withdrawn and negative type of character, as inhospitable as the tundra. It is very, very difficult to awaken the deredere side of this type.
Tsungire(Tsungire) - an even more dangerous type of tsundere, called by analogy with “kireru”, which means short circuit. It is dangerous because if you don’t bring it to the tsuntsun side, then it’s better for you. Because if you push it, he might break down and throw a tantrum. They should not be confused with the subsequent yandere type, because hysteria and madness are two different things. It is not difficult to open the deredere side of this type - you just need to calmly do it without unnecessary movements, and then the problems will go away by themselves. If you don't do this, hysteria is guaranteed. Sekai from School Days might fit the description, even though she's more of a yangire.
Tsuntsun(Tsuntsun) in this interpretation will mean an uncommunicative misanthrope who is not really going to become kind. Such characters are not often encountered, but, characteristically, all villains who have not gone over to the side of good (Lawful - Neutral - Chaotic Evil) fall under the definition with amazing accuracy.
Deredere(Deredere) will accordingly mean a kind and sweet character, a little modest and moderately optimistic. There are many of these, at least one bishoujo game will have one like this. And among guys there are a dime a dozen of them. You just have to be careful in the classification, or an unpleasant surprise awaits you in the form of a slow-motion type or the same tsundere.
Kudere(Kuudere), which is a shortened anglicism of cool deredere (cool meaning “cool”) is a not so old word meaning a cold-blooded and indifferent type. Have you ever seen characters sitting with a book in the corner, not communicating with anyone, or, on the contrary, inserting their weighty “fi” into everything that happens around them, and always to the point? This is what kuudere is. Often, smart people (although due to the characteristics of the type, there are also not very smart ones - but only because they suffer from chronic laziness) and the deredere side is revealed only if such a character likes you. Again, this type is not devoid of emotions, but he holds them tightly within himself and does not show them out. However, if these shackles are weakened, the kudere may burst into tears or laugh quite calmly. Kudere is often drawn with blue hair; this is a kind of stamp.
Dandere(Dandere) - abbreviated danmari deredere, which means “shy deredere”. Danmari itself means “silence,” but the reasons for Dandere silence are different from those of the Kuudere. Dandere is silent only because he is shy. Yes, this is a type of social phobe who withdraws into himself only because he is shy, but would like to be sociable. Usually, upon contact with a certain character, for the most part - with the object of love, they become quite ordinary dereder, but even in this case, stiffness and shyness will remain. But don’t think that you can’t make a dandere angry, no - if you do this, you might even regret it, since the accumulated emotions can come out wrong and with unpredictable consequences.
Yangire(Yangire) is built by analogy with tsungire. But here hysteria is superimposed on madness, and the result is a walking Armageddon. Senseless and merciless maniacs who can turn their minds absolutely on empty space. Such characters, like often yanderes, come with a dark past. But if you try really hard, you can endure communicating with this type, just playing in this case It’s not worth the candle, and it couldn’t be easier to shut this type down. It's better not to touch it at all.
In general, by the same analogy, one can observe the yanbaku, which will do everything wrong. But this is already a little non-canonical. However, who cares about the canons?
Genki(Genki) are optimistic and hyperactive characters. They tend to be the center of the party, make friends quickly, are extroverts, and are again divided into two branches. The first type of genki is a more or less smart type; we will simply call them “smart genki”, who, in addition to hyperactivity, manage to think at the speed of action. As for the second type, we will call them “baka-genki”, you have all seen them - these are crazy balls of energy that demolish everything. However, baka-genks do not always have to be truly idiots, some of them have a very good mind, but they are, to put it mildly, especially clever.
(Fairy tale)
Once upon a time there lived a little flower. Nobody knew that he was on earth. He grew up alone in a vacant lot; cows and goats did not go there, and children from the pioneer camp never played there. No grass grew in the vacant lot, but only old ones lay gray stones, and between them there was dry, dead clay. Only the wind was blowing through the wasteland; like a grandfather sower, the wind carried seeds and sowed them everywhere - both in the black damp earth and on a bare stone wasteland. In the good black earth, flowers and herbs were born from seeds, but in stone and clay, the seeds died.
And one day a seed fell from the wind, and it nestled in a hole between stone and clay. This seed languished for a long time, and then it became saturated with dew, disintegrated, released thin root hairs, stuck them into the stone and clay and began to grow.
This is how that little flower began to live in the world. There was nothing for him to eat in stone and clay; drops of rain that fell from the sky fell on the top of the earth and did not penetrate to its root, but the flower lived and lived and grew little by little higher. He raised the leaves against the wind, and the wind died down near the flower; specks of dust fell from the wind onto the clay, which the wind brought from the black, fat earth; and in those dust particles there was food for the flower, but the dust particles were dry. To moisten them, the flower guarded the dew all night and collected it drop by drop on its leaves. And when the leaves became heavy with dew, the flower lowered them, and the dew fell down; it moistened the black earthen dust that the wind brought and corroded the dead clay. During the day the flower was guarded by the wind, and at night by the dew. He worked day and night to live and not die. He grew his leaves large so that they could stop the wind and collect dew. However, it was difficult for the flower to feed only from dust particles that fell from the wind, and also to collect dew for them. But he needed life and overcame his pain from hunger and fatigue with patience. Only once a day did the flower rejoice: when the first ray of the morning sun touched its tired leaves. If the wind did not come to the wasteland for a long time, then the little flower became ill, and it no longer had enough strength to live and grow. The flower, however, did not want to live sadly; therefore, when he was completely sad, he dozed off. Still, he constantly tried to grow, even if his roots gnawed at bare stone and dry clay. At such a time, its leaves could not be nourished full force and become green: one vein was blue, another red, the third blue or gold. This happened because the flower lacked food, and its torment was indicated in the leaves. different colors. The flower itself, however, did not know this: after all, it was blind and did not see itself as it is. In mid-summer the flower opened its corolla at the top. Before that, it looked like grass, but now it has become a real flower. Its corolla was composed of the petals of a simple light color, clear and strong, like a star. And, like a star, it shone with a living, flickering fire, and it was visible even in dark night. And when the wind came to the wasteland, it always touched the flower and carried its smell with it. And then one morning the girl Dasha was walking past that vacant lot. She lived with her friends in a pioneer camp, and this morning she woke up and missed her mother. She wrote a letter to her mother and took the letter to the station so that it would arrive quickly. On the way, Dasha kissed the envelope with the letter and envied him that he would see his mother sooner than she did. At the edge of the wasteland, Dasha felt a fragrance. She looked around. There were no flowers nearby, only small grass grew along the path, and the wasteland was completely bare; but the wind came from the wasteland and brought from there a quiet smell, like the calling voice of a little unknown life. Dasha remembered one fairy tale, her mother told her a long time ago. The mother spoke about a flower that was still sad for its mother - a rose, but it could not cry, and only in the fragrance did its sadness pass. “Maybe this flower misses its mother there, like me,” Dasha thought. She went into the wasteland and saw that small flower near the stone. Dasha has never seen such a flower before - neither in the field, nor in the forest, nor in the book in the picture, nor in botanical garden, nowhere. She sat down on the ground near the flower and asked him: “Why are you like this?” “I don’t know,” answered the flower. - Why are you different from others? The flower again did not know what to say. But for the first time he heard a person’s voice so close, for the first time someone looked at him, and he did not want to offend Dasha with silence. “Because it’s difficult for me,” answered the flower. - What is your name? - Dasha asked. “Nobody calls me,” said the little flower, “I live alone.” Dasha looked around in the wasteland. - Here is a stone, here is clay! - she said. - How do you live alone, how did you grow from clay and not die, you little one? “I don’t know,” answered the flower. Dasha leaned towards him and kissed his glowing head. The next day, all the pioneers came to visit the little flower. Dasha led them, but long before reaching the vacant lot, she ordered everyone to take a breath and said: “Hear how good it smells.” That's how he breathes. The pioneers stood around the small flower for a long time and admired it like a hero. Then they walked around the entire wasteland, measured it in steps and counted how many wheelbarrows with manure and ash needed to be brought in to fertilize the dead clay. They wanted the land in the wasteland to become good. Then the little flower, unknown by name, will rest, and from its seeds beautiful children will grow and will not die, the best flowers shining with light, which are not found anywhere. The pioneers worked for four days, fertilizing the land in the wasteland. And after that they went traveling to other fields and forests and never came to the wasteland again. Only Dasha came one day to say goodbye to the little flower. Summer was already ending, the pioneers had to go home, and they left. And the next summer, Dasha again came to the same pioneer camp. Throughout the long winter, she remembered a small flower, unknown by name. And she immediately went to the vacant lot to check on him. Dasha saw that the wasteland was now different, it was now overgrown with herbs and flowers, and birds and butterflies were flying over it. The flowers gave off a fragrance, the same as that little working flower. However, last year's flower, which lived between the stone and clay, was no longer there. He must have died last fall. The new flowers were also good; they were only a little worse than that first flower. And Dasha felt sad that the old flower was no longer there. She walked back and suddenly stopped. Grew between two tight stones new flower- exactly the same as that old color, only a little better and even more beautiful. This flower grew from the middle of the crowded stones; he was lively and patient, like his father, and also stronger than father because he lived in stone. It seemed to Dasha that the flower was reaching out to her, that it was calling her to itself with the silent voice of its fragrance.
