Essay “The plot of the novel “Hero of Our Time.” Chronology of events in "A Hero of Our Time" (the plot of the novel)
Of course, one of the most prominent writers of the nineteenth century is Mikhail Lermontov. "A Hero of Our Time", the summary of which is distinguished by the discrepancy between the plot order of actions and the plot, is considered to be one of his most significant works. And there are reasons for this. The novel expresses the main thoughts that Lermontov feels towards the generation of his contemporaries. “A Hero of Our Time,” the summary of which is compositionally structured in such a way as to most fully reveal to us the character of the main character, gained integrity and completeness precisely thanks to this arrangement of parts of the work.
In the plot, that is, chronological, order, the stories should be arranged as follows: first “Taman”, then “Princess Mary”, followed by “Fatalist”, then “Bela”, followed by “Maksim Maksimych” and, finally, “ Preface to Pechorin's magazine. But the author chose to change the order of the story in order to make it easier for the reader to understand his thoughts. It was no coincidence that such a distorted order was chosen for of this work, because the genre psychological novel designed to show us the soul of the hero. Lermontov chose a suitable form for this. “A Hero of Our Time,” which has been analyzed more than once by many critics, is considered one of the most profound psychological novels even in our century.
In the chapter “Taman”, Grigory himself already acts as the narrator, who arrives in the city of the same name and demonstrates his penchant for adventure, tracking down the night routes of a blind boy living “on the Vater”. Because of this, the hero almost dies in a fight with a girl, the smuggler’s assistant.
The chapter "Princess Mary" illustrates Pechorin's passion for experimentation and analysis of his actions. Grigory, out of stubbornness, decides to win the heart of an intelligent girl named Mary in order to hurt the pride of his friend Grushnitsky. In the end, a duel took place between them, in which the latter dies. In this chapter we can most clearly observe the hero’s stubbornness and his tendency to think, which Lermontov endowed his character with. “A Hero of Our Time,” a brief summary of which will help us understand the reasons for the character’s actions, gradually reveals to us the world of his soul.
In the last story, “Fatalist,” the author expresses his hope that all is not lost for his generation: Pechorin captures the Cossack killer. This concludes the novel that Lermontov wrote, “A Hero of Our Time.” Summary given psychological work should clarify the thoughts that the author put into it.
Features of the novel's plot
Any literary work has its own system of events, which reveals not only the characters of the characters, but also the attitude of the author himself to the phenomena and events he depicts - that is, the plot. In the novel “A Hero of Our Time,” the plot is determined by the plan of the entire system of stories, and this plan is to “unfold” step by step the history of the “human soul,” “especially when it is a consequence of observations of a mature mind over itself.”
How exactly does the author construct the plot? Let us listen to the opinion of the Russian critic V. Belinsky: “Mr. Lermontov’s novel is imbued with unity of thought, and therefore... it cannot be read in a manner other than the order in which the author himself arranged it: otherwise you will read two excellent stories and several excellent short stories, but not a novel you will know. There is not a page, not a word, not a line that was thrown by chance; here everything comes out of one main idea and everything returns to it.” That is why the chronological series of events described in the novel broken - chronology not important for the implementation of the idea.
First, we learn about Pechorin in the story “Bela”, following the conversation of temporary fellow travelers, and then - the story told by Maxim Maksimych about a young Circassian woman and the role of the main character in her fate. We form the following idea about Pechorin by directly observing how Grigory behaves, how his character manifests itself externally - the narrator describes this in detail in the second chapter of the novel. And finally, from the journal written by the hero himself, we comprehend inner world Pechorin: his thoughts, feelings, aspirations.
With each subsequent story of “A Hero of Our Time,” our interest in the character of the main actor is increasing, because it is unlikely that Lermontov called a hero of the time a person with a vicious attitude towards people and a complete lack of attractive human qualities. Gradually you understand that it was in this order that the author placed the chapters of the work, and was able to consistently reveal the character of the hero in all its complexity, inconsistency and unpredictability. The plot of the novel “A Hero of Our Time” is subordinated to this idea.
The relationship between the plot and plot of “A Hero of Our Time”
Reading page by page, we can immediately notice: the temporal sequence of events in the novel differs from the order of the stories that Lermontov determined. “I’m going to the active detachment for official reasons,” Pechorin writes in his magazine in Taman, and chronologically it is this part that opens the story about the main character. It is followed by a story about Gregory’s stay on the waters and the morning after the duel, who received “an order from the highest authorities to go to fortress N.” Pechorin “happened” to leave “this boring fortress” and “live for two weeks in a Cossack village”; here he decides for himself the question of whether the fate of any person is predetermined. Continuing to serve in the fortress, Gregory kidnaps Bela. We trace Pechorin’s last movements by watching his meeting with the staff captain (“I’m going to Persia and beyond”) and reading the narrator’s preface to “Pechorin’s Journal” (“I recently learned that Pechorin died on his way back from Persia”).
Let's compare the chronological and authorial series of stories
In the plot, the stories are arranged in the following sequence: “Bela” - “Maxim Maximovich” - Preface to “Pechorin’s Journal” - “Taman” - Princess Mary - “Fatalist”.
The plot requires a temporal order: “Taman” - “Princess Mary” - “Fatalist” - “Bela” - “Maxim Maksimovich” - Preface to “Pechorin’s Journal”.
The plot and plot of the novel “A Hero of Our Time” thus do not coincide. Chronology, according to Lermontov, does not guide us towards understanding the character of the main character, and that is why it is not needed. And the construction of the plot not only makes it possible to understand the character of the main character, but at the same time encourages each reader to look into the depths of his own soul. We agree with A.N. Tolstoy: “Lermontov... in five stories connected by a single internal plot- by revealing the image of Pechorin, the hero of the time, the product of the era, reveals to us the perfection of real, wise... art. You read and feel: everything is here - no more and no less than that what is needed and how to say it."
Work test
Of course, one of the most prominent writers of the nineteenth century is Mikhail Lermontov. which is distinguished by the discrepancy between the plot order of actions and the plot, is considered to be one of his most significant works. And there are reasons for this.
The novel expresses the main thoughts that Lermontov feels towards the generation of his contemporaries. “A Hero of Our Time,” the summary of which is compositionally structured in such a way as to most fully reveal to us the character of the main character, gained integrity and completeness precisely thanks to this arrangement of parts of the work.
In the plot, that is, chronological, order, the stories should be arranged as follows: first “Taman”, then “Princess Mary”, followed by “Fatalist”, then “Bela”, followed by “Maksim Maksimych” and, finally, “ Preface to Pechorin's magazine. But the author chose to change the order of the story in order to make it easier for the reader to understand his thoughts. It was no coincidence that such a distorted order was chosen for this work, because the genre of psychological novel is intended to demonstrate to us the soul of the hero. Lermontov chose a suitable form for this. which has been repeatedly attempted by many critics, even in our century is considered one of the most profound psychological novels.
So, the narrative begins with the chapter “Bela”, in which the narrator, on the way to Tiflis, meets a fellow traveler, Maxim Maksimych, who told him the story of his joint service with Grigory Pechorin in the Chechen guard fortress. The center of his memories is the story of how Pechorin, a young ensign, had his eye on his daughter local prince and by cunning kidnapped her with the help of her own younger brother named Azamat. Having “tamed” the beauty and made her fall in love with him, the officer soon becomes tired of his relationship with her. Maxim Maksimych already then foresaw trouble. And in fact, Bela is kidnapped by Kazbich, who was left without a horse by Pechorin during the adventure, after which he kills the girl.
Next comes the chapter "Maxim Maksimych". The narrator witnesses a meeting between Grigory Pechorin and the staff captain, during which he writes young man. Maxim Maksimych, angry with Grigory for his coldness, gives it to the narrator travel notes Pechorin, which make up most novel.
In the chapter “Taman”, Grigory himself already acts as the narrator, who arrives in the city of the same name and demonstrates his penchant for adventure, tracking down the night routes of a blind boy living “on the Vater”. Because of this, the hero almost dies in a fight with a girl, the smuggler’s assistant.
The chapter "Princess Mary" illustrates Pechorin's passion for experimentation and analysis of his actions. Grigory, out of stubbornness, decides to win the heart of an intelligent girl named Mary in order to hurt the pride of his friend Grushnitsky. In the end, a duel took place between them, in which the latter dies. In this chapter we can most clearly observe the hero’s stubbornness and his tendency to think, which Lermontov endowed his character with. “A Hero of Our Time,” a brief summary of which will help us understand the reasons for the character’s actions, gradually reveals to us the world of his soul.
In the last story, “Fatalist,” the author expresses his hope that all is not lost for his generation: Pechorin captures the Cossack killer. This concludes the novel that Lermontov wrote, “A Hero of Our Time.” A brief summary of this psychological work should clarify the thoughts that the author put into it.
Features of the novel's plot
Any literary work has its own system of events, which reveals not only the characters of the characters, but also the attitude of the author himself to the phenomena and events he depicts - that is, the plot. In the novel “A Hero of Our Time,” the plot is determined by the plan of the entire system of stories, and this plan is to “unfold” step by step the history of the “human soul,” “especially when it is a consequence of observations of a mature mind over itself.”
How exactly does the author construct the plot? Let us listen to the opinion of the Russian critic V. Belinsky: “Mr. Lermontov’s novel is imbued with unity of thought, and therefore... it cannot be read in a manner other than the order in which the author himself arranged it: otherwise you will read two excellent stories and several excellent short stories, but not a novel you will know. There is not a page, not a word, not a line that was thrown by chance; here everything comes out of one main idea and everything returns to it.” That is why the chronological series of events described in the novel is disrupted - chronology is not important for the embodiment of the idea.
First, we learn about Pechorin in the story “Bela,” following the conversation of temporary fellow travelers, and then - the story told by Maxim Maksimych about a young Circassian woman and the role of the main character in her fate. We form the following idea about Pechorin by directly observing how Grigory behaves, how his character manifests itself externally - the narrator describes this in detail in the second chapter of the novel. And finally, from the journal written by the hero himself, we comprehend Pechorin’s inner world: his thoughts, feelings, aspirations.
With each subsequent story of “A Hero of Our Time,” our interest in the character of the main character increases, because it is unlikely that Lermontov called a hero of the time a person with a vicious attitude towards people and a complete lack of attractive human qualities. Gradually you understand that it was in this order that the author placed the chapters of the work, and was able to consistently reveal the character of the hero in all its complexity, inconsistency and unpredictability. The plot of the novel “A Hero of Our Time” is subordinated to this idea.
The relationship between the plot and plot of “A Hero of Our Time”
Reading page by page, we can immediately notice: the temporal sequence of events in the novel differs from the order of the stories that Lermontov determined. “I’m going to the active detachment for official reasons,” Pechorin writes in his magazine in Taman, and chronologically it is this part that opens the story about the main character. It is followed by a story about Gregory’s stay on the waters and the morning after the duel, who received “an order from the highest authorities to go to fortress N.” Pechorin “happened” to leave “this boring fortress” and “live for two weeks in a Cossack village”; here he decides for himself the question of whether the fate of any person is predetermined. Continuing to serve in the fortress, Gregory kidnaps Bela. We trace Pechorin’s last movements by watching his meeting with the staff captain (“I’m going to Persia and beyond”) and reading the narrator’s preface to “Pechorin’s Journal” (“I recently learned that Pechorin died on his way back from Persia”).
Let's compare the chronological and authorial series of stories
In the plot, the stories are arranged in the following sequence: “Bela” - “Maxim Maximovich” - Preface to “Pechorin’s Journal” - “Taman” - Princess Mary - “Fatalist”.
The plot requires a temporal order: “Taman” - “Princess Mary” - “Fatalist” - “Bela” - “Maxim Maksimovich” - Preface to “Pechorin’s Journal”.
The plot and plot of the novel “A Hero of Our Time” thus do not coincide. Chronology, according to Lermontov, does not guide us towards understanding the character of the main character, and that is why it is not needed. And the construction of the plot not only makes it possible to understand the character of the main character, but at the same time encourages each reader to look into the depths of his own soul. Let us agree with A.N. Tolstoy: “Lermontov... in five stories connected by a single internal plot - the disclosure of the image of Pechorin, the hero of the time, the product of the era, reveals to us the perfection of real, wise... art. You read and feel: everything is here - no more and no less than what is needed and how can be said.”
Work test
- Features of the novel's plot
Features of the novel's plot
Any literary work has its own system of events, which reveals not only the characters of the characters, but also the attitude of the author himself to the phenomena and events he depicts - that is, the plot. In the novel “A Hero of Our Time,” the plot is determined by the plan of the entire system of stories, and this plan is to “unfold” step by step the history of the “human soul,” “especially when it is a consequence of observations of a mature mind over itself.”
How exactly does the author construct the plot? Let us listen to the opinion of the Russian critic V. Belinsky: “Mr. Lermontov’s novel is imbued with unity of thought, and therefore... it cannot be read in a manner other than the order in which the author himself arranged it: otherwise you will read two excellent stories and several excellent short stories, but not a novel you will know. There is not a page, not a word, not a line that was thrown by chance; here everything comes out of one main idea and everything returns to it.” That is why the chronological series of events described in the novel is disrupted - chronology is not important for the embodiment of the idea.
First, we learn about Pechorin in the story “Bela,” following the conversation of temporary fellow travelers, and then - the story told by Maxim Maksimych about a young Circassian woman and the role of the main character in her fate. We form the following idea about Pechorin by directly observing how Grigory behaves, how his character manifests itself externally - the narrator describes this in detail in the second chapter of the novel. And finally, from the journal written by the hero himself, we comprehend Pechorin’s inner world: his thoughts, feelings, aspirations.
With each subsequent story of “A Hero of Our Time,” our interest in the character of the main character increases, because it is unlikely that Lermontov called a hero of the time a person with a vicious attitude towards people and a complete lack of attractive human qualities. Gradually you understand that it was in this order that the author placed the chapters of the work, and was able to consistently reveal the character of the hero in all its complexity, inconsistency and unpredictability. The plot of the novel “A Hero of Our Time” is subordinated to this idea.
The relationship between the plot and plot of “A Hero of Our Time”
Reading page by page, we can immediately notice: the temporal sequence of events in the novel differs from the order of the stories that Lermontov determined. “I’m going to the active detachment for official reasons,” Pechorin writes in his magazine in Taman, and chronologically it is this part that opens the story about the main character. It is followed by a story about Gregory’s stay on the waters and the morning after the duel, who received “an order from the highest authorities to go to fortress N.” Pechorin “happened” to leave “this boring fortress” and “live for two weeks in a Cossack village”; here he decides for himself the question of whether the fate of any person is predetermined.
Continuing to serve in the fortress, Gregory kidnaps Bela. We trace Pechorin’s last movements by watching his meeting with the staff captain (“I’m going to Persia and beyond”) and reading the narrator’s preface to “Pechorin’s Journal” (“I recently learned that Pechorin died on his way back from Persia”).
Let's compare the chronological and authorial series of stories
In the plot, the stories are arranged in the following sequence: “Bela” - “Maxim Maximovich” - Preface to “Pechorin’s Journal” - “Taman” - Princess Mary - “Fatalist”.
The plot requires a temporal order: “Taman” - “Princess Mary” - “Fatalist” - “Bela” - “Maxim Maksimovich” - Preface to “Pechorin’s Journal”.
The plot and plot of the novel “A Hero of Our Time” thus do not coincide. Chronology, according to Lermontov, does not guide us towards understanding the character of the main character, and that is why it is not needed. And the construction of the plot not only makes it possible to understand the character of the main character, but at the same time encourages each reader to look into the depths of his own soul. Let us agree with A.N. Tolstoy: “Lermontov... in five stories connected by a single internal plot - the disclosure of the image of Pechorin, the hero of the time, the product of the era, reveals to us the perfection of real, wise... art. You read and feel: everything is here - no more and no less than what is needed and how can be said.”
“A Hero of Our Time” plot and plot of the novel |
