Akhmatova Anna in the evening summary. Analysis of the poem in the evening by Akhmatova
The poem “In the Evening” (“Music rang in the garden...”, 1913) by its title connects the book “Evening” with “The Rosary”, where it was published in 1914 (the magazine publication did not have a title). Now the “alignment of forces” is different, more definite, but therefore no more prosperous. There the heroine was loved, but she was not constant and confident in her feeling, here she loves, but the feeling is already broken, because she does not meet a reciprocal feeling, at least one that would be commensurate with it. The poem is impressionistic, based entirely on the heroine’s impressions. The music in the garden is not necessarily sad, but in the perception of the heroine, who was expecting a feeling of happiness, as it turns out in the ending, which again returns musical theme(“And mournful violin voices / Sing behind the creeping smoke: / “Bless the heavens - / For the first time you are alone with your beloved.””), this music rang “with such inexpressible grief.” The impressions of the tense heroine collide with purely external manifestations of the passionately anticipated triumph. The restaurant serves a gourmet dinner with fresh oysters, the pungent smell of which is too noticeable and too noticeable. The “faithful friend” also attests to himself too pompously, and one of his light touches on the dress immediately becomes hyperbolic, multiplied, close-up these hands appear: “How unlike an embrace / The touch of these hands.” The exclamation structure in the letter is deprived exclamation point, and in the more neutral self-characterization of “friend” he was. The heroine’s experiences are deep, but hidden, not outwardly expressed. Comparison with cats, birds that are stroked, slender horsewomen that are admired without love develops the theme of the lack of real feelings in the “friend,” whose calmness and cheerfulness are absolute and sharply contrast with the state of the heroine. She, with her heightened attentiveness, even in his eyelashes sees shine (external value) and lightness: “Only laughter in his calm eyes / Under the light gold of eyelashes.” The heroine’s mood is not at all consonant with his mood, but with the imaginary mood of personified, humanized, endowed with “voices” and direct speech of “mournful violins”.
Exactly half of the text, two stanzas, is a description of a “friend”, compositionally framed (ring principle) by the theme of music, but the entire content of the poem conveys the state of a sensitive and deeply unhappy heroine, experiencing severe disappointment, the collapse of a dream, resentment for the person who still remains the most dear , beloved ( the last word works). The final quatrain of the crossed, most common, neutral rhyme differs from the first three, rhymed in a comprehensive manner (corresponding to the general compositional principle poems), this is a kind of liberation from the initial constraint, an unobtrusive, subtle “arrangement”. A clear understanding has arrived true position affairs, getting rid of illusions speaks of the strength of mind and spirit of a suffering woman.
“In the evening” Anna Akhmatova
Music rang in the garden
Such unspeakable grief.
Fresh and sharp smell of the sea
Oysters on ice on a platter.He told me: “I true friend!»
And he touched my dress...
How different from a hug
The touch of these hands.This is how they pet cats or birds,
This is how slender riders are looked at...
Only laughter in his calm eyes
Under the light gold of eyelashes.
Analysis of Akhmatova’s poem “In the Evening”
Anna Akhmatova is rightfully considered a “lady’s” poetess, who introduced completely new trends into Russian literature. For the first time in her works she touched upon the theme of the feelings and thoughts of an ordinary woman, showing that representatives of the fairer sex have a very sensitive and vulnerable soul. Previously, discussing such things publicly and, even more so, devoting poetry to it, was considered a sign of bad taste. However, Anna Akhmatova crossed the forbidden line and was rewarded for this by the fact that today her name is inscribed in Russian literature in golden letters. However, on initial stage creativity, the poetess had to show ingenuity in order to achieve at least a few positive feedback from critics.
Only many years later, Akhmatova revealed her secret, admitting that the image of a man wandering from poem to poem is fictitious. This is how she would like to see her lover, but Gumilyov did not meet such ideals. As a result, the poetess transferred the fictional character into her works, each time acting out dramatic scenes with his participation in her imagination and on paper. Even in Akhmatova’s close circle they began to say that she changed lovers like gloves, although the poetess experienced acute feeling loneliness and suffered from the fact that no one needed her love.
The poem “In the Evening,” which was published in 1913, was written in a similar vein. The poetess moved the scene of this work to the sea coast, where “the music in the garden rang with such inexpressible grief.” The heroine of the poem, with whom Akhmatova identified herself in most cases, had a fairly good reason for such dark associations. After all, the person she sincerely loves just said: “I am a true friend!” And, thereby, mercilessly crossed out her hopes for personal happiness.
The poetess notes bitterly: “How unlike an embrace the touch of these hands is!” In every gesture and movement she feels the absence of love, and this only increases her suffering. For this person, in whose eyes laughter sparkles “under the light golden eyelashes,” the heroine of the poem remains just a good friend, a casual companion at this celebration of life. However, she prefers to be content with little and thanks fate for everything. This evening, the heroine of the poem is “alone for the first time with her beloved,” who may not even know about her feelings, but this no longer matters.
It was not customary to speak out loud about the feelings of women, both young and old. And if this kind of thing happened, it was considered by everyone to be very vulgar and not beautiful. Anna Akhmatova talked about how a woman can feel in general, and it doesn’t matter what kind of family she is, whether she’s a representative of a noble family or the most common family, or whether she’s an ordinary peasant woman - it doesn’t matter, because all women are, to some extent, the same. Everyone wants to love and be loved. And it was this theme that the poetess revealed in her poem entitled “Evening”. It was also revealed very well and accessible. I wasn’t afraid to do this, even though I lived in a time when such things were out loud, not formally of course, but it was prohibited. But Anna Akhmatova - Strong woman, seemingly not subject to anyone. And therefore such prohibitions were nothing for her.
The poem was published in 1913. At first it stunned, but nevertheless crept into the souls of many people, and in most cases they were women. Since each of them, in their souls, cherished the hope that one day their rights, even such ones, would be increased in their accounts with men, at least in this way.
The work tells that the heroine confessed her feelings young man, to which he answered her that he was only her friend and nothing more. He had just destroyed her hopes for happiness, and this hurt unspeakably.
Described environment very unusual and beautiful. Sea. A shore that is flooded with sea water. It's cool because it's already evening. It would seem that everything was drooping, and even the wind spoke of the fact that someone’s heart, so loving and fragile, had just broken.
Anna Akhmatova is a person who can understand another very well, and has always understood. It’s not for nothing that critics dubbed her the “Lady’s” poetess, since she, it was she, who brought something genuinely new and interesting to that era. She was able to understand her readers, the common people, so well that her works became famous in their time.
Russian literature changed a little under her influence. At least her work called “Evening” is worth it, which she was able to win the hearts of many people. After all, this work touches on such a topic, and not even one, if we talk in detail, about which women, and indeed all people in general, never thought to speak out loud, much less write in their works. Previously, this could have been considered a very bad sign - a sign of bad taste.
Analysis 2
The work refers to love lyrics poetess and has the main theme of revealing the tragic essence of the relationship between a man and a woman through the use of the image of a lyrical heroine, on whose behalf the story is told.
The structural composition of a poem written poetic meter in the form of iambic tetrameter, make up sixteen lines, divided into four stanzas in the form of quatrains with the inclusion of paired and circular rhymes (ring principle) and the alternation of female and male rhymes, betraying the shrillness, sensuality, and painful confusion of the mental state of the lyrical heroine.
The storyline of the work tells about the feelings of a woman who confesses her love to a man who rejects her love and is ready only for friendship with a girl, while the poetess chooses the sea coast as the setting for the events on a twilight cool evening.
Artistic means of expression are presented in the form of sad epithets, parallelism of the spiritual with the physical, as well as direct speech, without overloading the poem with tropes and verbal figures, giving the work a stylistic acmeism, consisting of simplicity, simplicity and unpretentiousness.
The combination of sound and visual images reflect the melody of the inexpressible grief of the lyrical heroine, expressing her anxious state of mind, creating a common backdrop for the demonstration of real sensory emotional storms. At the same time, the lyrical heroine does not clearly express her own experiences, the poetic structure does not contain exclamation marks, since the poetess prefers to focus on personifications, endowing them with a humanized characteristic and vocal sound.
In the final quatrain of the poem, the author uses cross rhyme, which is presented in the form of a subtle, unobtrusive arrangement, focusing on the lyrical heroine’s lack of illusion regarding reciprocity in the feeling that gripped her, demonstrating a feeling of happiness from the mere presence of a loved one next to her and gratitude to fate for this her the opportunity for true pleasure.
The poem is a hymn to love as a high feeling that brings joy and happiness, despite irreciprocity and many years of mental suffering.
Analysis of the poem in the evening according to plan
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Reading the poem “In the Evening” by Anna Andreevna Akhmatova is like immersing yourself in a string sincere feelings and emotions, to touch this bright and comprehensive feeling of love and devotion. The poet's works are usually considered aimed at a female audience. Indeed, they show all the vulnerability and fragility of the soul of representatives of the fair half of humanity. But at that time such openness was considered bad manners. Despite everything, the work was still written in 1913. The text of Akhmatova’s poem “In the Evening” is one painful memory of the carelessly thrown “I am a faithful friend.” These words, which cross out all love dreams and aspirations, give only pain and disappointment. Despite the sadness that these friendly touches “not like hugs” bring, the woman sincerely rejoices at them and is ready to be content with little.
Akhmatova appears before us as a loving and vulnerable girl whose feelings are not mutual. However, she cannot abandon this painful relationship. And this feeling of melancholy happiness fills the poem special meaning. It was works like these that made the poetess one of the best in Russian literature, and her works are still taught in high school classes.
You can read the poem in its entirety online or download it on our website.
Music rang in the garden
Such unspeakable grief.
Fresh and sharp smell of the sea
Oysters on ice on a platter.
He told me: “I am a true friend!”
And he touched my dress.
So different from hugs
The touch of these hands.
This is how they pet cats or birds,
This is how slender riders are looked at...
Only laughter in his calm eyes
Under the light gold of eyelashes.
