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Despite the fact that the poem “Go away, my dear Rus'!” refers to early creativity Yesenina, it amazes original images native land, boundless love for it. Schoolchildren study it in 10th grade. We invite you to familiarize yourself with brief analysis“Go away, Rus', my dear!” according to plan.

Brief Analysis

History of creation- the poem was written in 1914, and published in 1916 in the collection “Radunitsa”.

Theme of the poem– Russian open spaces, sincere love for the motherland.

Composition– The analyzed verse is a complete monologue lyrical hero, in which descriptions are harmoniously intertwined folk life and vast beautiful spaces. It consists of five quatrains, each of which continues the previous one in meaning.

Genre- elegy.

Poetic size – tetrameter trochee, cross rhyme ABAB.

Metaphors – “blue sucks the eyes”, “poplars wither loudly”, “girlish laughter rings out”.

Epithets – "Dear Rus'", “low outskirts”, “meek Spas”, “merry dance”.

Comparisons – “like a visiting pilgrim, I look at your fields”, “... like earrings a girl’s laughter will ring.”

History of creation

The history of the creation of the analyzed poem is closely connected with the life circumstances of S. Yesenin. It came from the pen of the young poet in 1914, when he moved to Moscow. Tensed relations with his father, who believed that the work of a writer was not The best way to provide for oneself, the first serious love, the choice between study and service. All these experiences became the impetus for writing the poem.

When the poet began to yearn for a quiet life in the village, he turned to rural themes. IN early period This layer occupies a prominent place in his work.

Subject

In the analyzed poem, the poet reveals eternal theme love for the Motherland. In the context of it, the idea that native spaces are more valuable than paradise also develops. The work is written in the first person, which hints at his autobiographical basis, brings the reader as close as possible to the lyrical hero and author.

The lyrical hero enjoys the view that opens to his eyes in the villages. The first thing he notices is the images in vestments. This is not just an integral element of the Russian interior, but a detail that indicates the enormous importance of religion for the Russian people. The hero admires the endless expanses and enjoys their blueness.

Looking at the landscapes, a man feels the same solemnity and peace in his heart as when he was in church, so he compares himself to a pilgrim. In the third and fourth verses, the author depicts a meadow, green space, but here too he finds a place for a religious component. The lyrical hero smells the Savior, in which the aromas of apples and honey are mixed. It’s not for nothing that he calls Savior meek, hinting at people’s reverent attitude towards faith. In the depiction of nature Special attention turns to sounds: laughter and the roar of a merry dance. All this fills the heart with joy.

In the last stanza, the lyrical hero reaches the peak of his emotions. He confesses his love to his homeland, allowing himself to compare it to paradise.

Composition

The poem cannot be divided into parts according to its meaning, since all emotions and experiences are closely intertwined into a complete monologue of the lyrical hero. Only the last stanza stands out from the previous ones: the author moves away from landscape sketches and gives free rein to emotions. The formal organization is as simple as the semantic one. The poem consists of five quatrains.

Genre

The genre of the work is elegy, since it has no plot. The analyzed verse has a pronounced contemplative character and is filled landscape sketches. The poetic meter is trochaic tetrameter. S. Yesenin uses cross rhyme ABAB, male and female rhymes.

Means of expression

In the work, the poet uses means of expression. Using them he creates a panoramic picture native land, expresses the emotions that overwhelm the lyrical hero. Also language means help Yesenin to succinctly display the features of Russian culture.

Often found in the text metaphors: “the blue sucks the eyes”, “the poplars are withering loudly”, “a merry dance is humming behind the bark in the meadows”, “a girl’s laughter will ring out”. Reproduced paintings are complemented epithets- “meek Savior”, “merry dance”, “girlish laughter” and comparisons: “like a visiting pilgrim, I look at your fields,” “a girl’s laughter will sound like earrings.”

Trails, used in the text, are striking in their combination of simplicity and deep meaning. In a few words, a poet can tell what others devote entire paragraphs to. The experiences of the lyrical hero are emphasized using intonation, so the text contains dangling and exclamatory sentences. In the last stanza the poet uses alliteration, stringing together words with the consonant “r”, he confirms that his words are not an instant exclamation born of momentary emotions, but a deliberate decision.

Surely, you won’t even have time to fully read the question: “Which poet can be called a real singer of Russian nature?”, before the image of Sergei Yesenin will appear in your mind.

He was born in the village of Konstantinovo, Ryazan province. From his first years, the boy was surrounded by nature untouched by man. He admired her beauty; it was she who inspired creativity and inspired the then very young boy to create his first works.

Since then, the theme of nature has become main theme poetry of Sergei Alexandrovich Yesenin. Having moved to the capital, the poet yearned for his small Motherland, for its pristine beauty and silence. The poet always considered rural Russia his home and loved it with all his heart. He was not an absolute idealist: Yesenin, of course, saw that the village needed development, he did not hide his eyes from its pressing problems from broken roads to the continuous drunkenness of some residents. Being a speaker, the poet spoke about this. But he loved his homeland for what it was and was proud of its achievements. Yesenin had the opportunity to live and create in the West, but the poet’s heart could not beat somewhere far from Russia. Yesenin could only breathe Russian air.

One of the most famous poems, in which this author glorifies the Motherland, is “Go you, Rus', my dear...”, created in 1914. At this time, Yesenin had already lived in Moscow for two years and managed to become a fairly popular poet.

For all its shortcomings, Yesenin associates Russia with God’s temple, where the suffering soul finds peace. And huts for him are something other than “in the vestments of an image.” But the author notes that sad fact that with all this solemnity and openness, poverty, drunkenness and dirt are closely intertwined with their withered poplars near the outskirts.

Yesenin's homeland is true, it is contradictory and not entirely clear. But at the same time, the author is definitely sure that he would not exchange the smell of ripe apples, the perky laughter of a Russian girl, the aroma of honey and the sounds of church bells for any wealth in the world. After all, nowhere else except rural Russia will you find anything like this.

Despite understanding the severity of peasant life, the poet notes that ordinary people live real life, experience true emotions, know how to rejoice at a successful day, enjoy the beauty of nature, and appreciate the little that they have. Their lives are truthful and complete. Yesenin declares that the life of a villager is a hundred times better than his present one, if only because they have not forgotten how to honor the traditions of their ancestors, and their main asset is clean and endless fields and meadows, forests and rivers. According to Yesenin, if in his contemporary world there remains paradise on Earth, then it is hidden precisely in the village.

The poem is filled with figurative and expressive means. Already at the very beginning we meet personification: the poet addresses Rus' as a living person, he understands Russia as a certain living organism living according to its own special laws and rules.

Yesenin’s favorite technique, color painting, can also be found here. We read the lines and clearly see what is described: the sky is bright blue, the foliage is green, the images and tops of churches are golden. Metaphors such as “the poplars are withering” and epithets such as “low outskirts” are also actively used in the text. Without them, the picture would not be complete.

Yesenin is a singer of the Russian village. He loved her with all his heart, not only for the beauty created without human participation, but also for her simplicity and spirituality, which he had never encountered anywhere else.

/ / / Analysis of Sergei Yesenin’s poem “Go away, my dear Rus'...”

The fate of the great Russian poet Sergei Yesenin is quite ambiguous and mysterious. He had the opportunity to travel a lot and live far from his homeland. But he always hurried to where his home was, to where his soul would be filled with peace and harmony.

Being a true patriot, Yesenin never idealized his homeland - Russia. He, like no one else, knew about her shortcomings, troubles, and difficulties in life. common man. But, despite this, Yesenin sincerely loved Russia, such as it was, with its advantages and disadvantages. That is why the poet always strove to “go home” in order to find peace here.

The poem “Go you, Rus', my dear...” is one of best works Sergei Yesenin, in which he glorifies his homeland. It was written in 1914. By this time, Yesenin was already quite famous and lived in Moscow. The poet did not like the huge city. Yesenin tried to drown his melancholy in wine. The poet's thoughts increasingly took him back to the past, to the time when he was a simple peasant boy, when he was truly happy and free.

The poem “Go you, Rus', my dear...” becomes a memory of past life. In it, Yesenin tried to convey to us the emotions and feelings that he experienced while enjoying the beauty great Russia. In the poem, the poet assigns himself the role of a “wandering pilgrim” who only wants to pay tribute to his homeland. For Yesenin, the homeland is a temple that gives the weary traveler peace of mind and harmony, without taking anything in return.

Also, it is worth noting that in the poem “Go away, my dear Rus'...” Sergei Yesenin creates a rather ambiguous image of Russia. In the poem, wretchedness and beauty, dirt and purity, the divine and the earthly go side by side. But, despite this, the poet is not ready to exchange the apple-honey smell of the summer Savior and the ringing “girlish laughter” for anything. Yesenin knowing that peasant life full of all sorts of problems and difficulties, considers her more rational than him present life. Simple people have not lost touch with the past. They remember and sacredly protect the customs and traditions of their ancestors, their lives are filled with meaning. A simple person is truly rich, because he has the opportunity to enjoy the grandeur of nature, watch the leisurely flow of the river, the silence of the forest, and the singing of birds. Sergei Yesenin believed that if there is heaven on earth, then it is located right here - in a Russian village, unspoiled by man, in its pristine beauty.

Sergei Yesenin ends the poem “Go you, my dear Rus'...” with the lines:
I will say: “There is no need for heaven,
Give me my homeland"

In my opinion, these lines once again emphasize the poet’s boundless love for his homeland. Yesenin was ready to give up any human benefits just to have the opportunity to find himself again on native land, to feel part of this huge country and its powerful people.