Biography of Jefferson Airplane.

Along with "Grateful dead", " Jefferson Airplane"is regarded as the most successful group late 60's from San Francisco. The band was founded in August 1965 by Marty Baylin (Martin Jerel Bachvold, b. January 30, 1942, Cincinnati, USA; vocals, guitar). Other members of the original lineup were Paul Kantner (b. March 17, 1941, San Francisco, USA; guitar, vocals) and Jorma Kaukonen (b. December 23, 1940, Washington, USA; guitar, vocals). Bob Harvey and Jerry Peloquin gave way to Alexander Skip Spence (b. April 18, 1946, Windsor, Canada) and Signy Anderson (b. September 15, 1941, Seattle, USA). They, in turn, were replaced by Spencer Dryden (b. April 7, 1938, New York, USA; drums) and Jack Casady (b. April 13, 1944, Washington, USA). With this lineup, the group performed a mixture of folk and rock, later called West Coast Rock. Kantner, already famous person in local folk circles and Baylin, a former member of the Town Criers and co-owner of the Matrix club, soon became very popular locally, playing gigs organized by promoter Bill Graham.

They eventually became regulars at the Fillmore Auditorium and Carousel Ballroom, both near their communal home in Haight Ashbury. Soon after the release of the debut disc " Jefferson Airplane takes off", which had moderate success, Anderson left the team, replaced in October 1966 by Grace Slick (Grace Barnett Wing, b. October 30, 1939, Evanston, USA; vocals). Slick was already known with her former group "Great Society" and donated two songs from her repertoire to “Airplane” - “White Rabbit” and “Somebody To Love”. Both of these tracks were included in the group’s second album, “Surrealistic Pillow”, and both were included in American Top 10.

They have now achieved the classic status of the music of that era. The lyrics of "White Rabbit" combine the tale of Alice in Wonderland with LSD hallucinations. Reputation" Jefferson Airplane" was enhanced by a strong performance at the legendary Monterey Pop Festival in 1967. This national success was consolidated with the release of the discs "After Bathing At Baxters" and "Crown of Creation". The latter of them felt the different authorship of the songs and their different musical approach. Baylin's "If You Feel", Kaukonen's "Ice Cream Phoenix" and Slick's tragicomic "Lather" were different compositions from each other. The disc also contained friend David Crosby's song "Triad", which was not included on the Byrds album. The team supported busy schedule and in 1969 released the well-made live album "Bless Its Pointed Little Head". That same year" Jefferson Airplane"appeared at the famous Woodstock festival. Later group attended the infamous Altamont festival, where the Hell's Angels killed one spectator and attacked Baylin.

Slick and Kantner are now lovers and their hippie ideals and Political Views reflected on "Volunteers". The album turned out excellent, but it showed a noticeable decline in Baylin's role in the group. In addition, Dryden left the team, and side project Kaukonen and Casady's "Hot tuna" was taking up more and more of their time. In 1970, the ancient fiddler Papa John Creech (b. May 28, 1917, Beaver Falls, d. February 22, 1994) joined the group, who, however, managed to play in “Hot tuna”.

Kantner released the concept album "Blows Against The Empire" under the banner "Paul Kantner And The Jefferson Starship." "Starship" consisted of various members of Airplane plus Jerry Garcia, David Crosby, Graham Nash, and others. This majestic album was nominated for a Hugo Award. Slick, meanwhile, gave birth to a daughter, China, whose portrait graced the cover of Slick and Kantner's album "Sunfighter". After the release of the collection "The Worst Of Jefferson Airplane" and Baylin's departure, the band released the strangely packaged "Bark". Sold in a brown paper bag, the album offered some interesting points, especially Slick's "Never Argue With A German", performed in a "German-like language", as well as the composition of new drummer Joy Covington, "Thunk", sounding in the spirit of a cappella of the 50s. This disc also became the first release " Jefferson Airplane" on their own label "Grunt". The unsuccessful album "Long John Silver" was followed by an explosive live album "30 Seconds Over Winterland". It became the last album of the group under the banner " Jefferson Airplane", although a little later an interesting compilation appeared, consisting of early singles and studio outtakes, called "Early flight".

Casady and Kaukonen stuck with "Hot tuna", while Slick and Kantner released further solo albums. The band's name slowly evolved into "Jefferson Starship", but that's another story. Kantner, Baylin and Casady briefly reunited in the KBC band in 1986. Name " Jefferson Airplane" was revived in 1989, when Slick, Kaukonen, Casady, Baylin and Kantner released an album of the same name. In the early 90s, Kantner transformed "Hot tuna" into "Jefferson Starship", and Slick decided to quit the music business.

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History of the group

Formation of the group

Jefferson Airplane was formed in San Francisco in the summer of 1965, emerging in the wake of the folk music boom that was sweeping that city at the time. Although the band is considered to be from San Francisco, only Paul Kantner was actually from that city.

The band was founded by 23-year-old vocalist Marty Balin, who grew up in San Francisco and began a career as a pop artist, making several recordings under his own name. Balin, inspired by the success of bands such as The Byrds and Simon & Garfunkel, who, influenced by the music brought by the British Invasion, began to mix folk and rock music, decides to form a group that would play such "hybrid" music. With his friends, he buys a diner, which he converts into a club. The Matrix, and begins to look for musicians for his group.

In another club in San Francisco, Balin meets Paul Kantner, who plays folk music in different projects. They begin to look at musicians for their group and invite Signy Anderson as a co-vocalist, who performed in the group for a year and participated in the recording of the first album, leaving the group in October 1966 after the birth of her child.

Then Kantner invites blues guitarist Jorma Kaukonen, whom he met at the institute in 1962, to join the group. In addition, the original lineup of the group included drummer Jerry Peloquin and Bob Harvey.

The origin of the name is not exactly clear. Thus, "Jefferson Airplane" is also slang for a match, which is bent in half and used to hold a marijuana cigarette when it has been smoked too much to hold with your fingers. It is believed that the band's name came from this slang term, but band member Jorma Kaukonen claims that his friend Steve Talbot came up with the name as a mockery of blues names like "Blind Lemon" Jefferson.

Start of activity

The group gave their first performance under the name "Jefferson Airplane" at The Matrix club on August 13, 1965. This club was renovated and decorated by the band members, and subsequently their regular performances took place there. "The Matrix" was featured in the film Fear and Loathing in Las Vegas.

Influenced by such masters of the genre as The Beatles, The Byrds and The Lovin' Spoonful, the group moved away from folk music and began to focus more on electric sound.

After a few weeks, Peloquin left the group, partly due to his negative attitude towards the other members of the group using drugs. Instead, Skip Spence was brought into the group, and in October 1965, Harvey was replaced by Jack Cassidy, Kaukonen's old friend in Washington.

The skill of the group members grew, the quality of their performances rapidly improved, and soon they became popular in San Francisco, not without the help of positive reviews from the famous music critic Ralph Gleason, who after one of Jefferson Airplane's performances called them " best group at all". Positive reviews Gleason and the group's successful performances in October 1965 at Longshoremen's Hall in San Francisco helped the group sign a contract with RCA Victor, receiving an advance of $25,000, unheard of at the time.

The group's first single was Balin's song "It's No Secret", on back side which the song "Runnin' Round" was recorded The World”, which became the cause of the group’s first conflict with the label. After recording the first album Jefferson Airplane Takes Off In March 1966, Skip Spencer left the group and was replaced by Spencer Dryden.

The band's original manager, Matthew Katz, was fired in August, and Balin's roommate Bill Thompson took over as manager. It was he who convinced Gleason to watch the band perform at Longshoreman's Hall and then, thanks to Gleason, managed to agree on the group’s participation in the festival folk music at Berkeley and the Monterey Jazz Festival.

First album

The band's debut album, called Jefferson Airplane Takes Off, was released in September 1966. Although the band had not yet performed further than the San Francisco area or appeared on television, the album attracted attention across the country and sold well enough to be certified gold. Initially record company released only 15 thousand copies, but more than 10 thousand of them were sold in San Francisco alone, which prompted the label to make a second edition of the album, which, however, was modified. In particular, the song “Runnin' Round This World” was missing from the reissue, the words of which the authorities had complaints about; some lines were changed in the lyrics of the other two songs. Currently, the first edition of the album with original texts is rare and is valued by collectors at several thousand dollars per record.

Signy Anderson, who left the group in October 1966 (due to the birth of her daughter), was replaced by Grace Slick, who was well known to the Airplane members, as she often performed on the same stage with them as part of the group The Great Society(Jefferson Airplane support band).

The arrival of Grace Slick in the group turned out to be the most important factor in its commercial success: her powerful contralto harmonized well with Balin's vocals and ideally suited the group's music. Besides, her presence on stage (she used to be a model) was impressive in itself.

It was the early group of Grace Slick The Great Society recorded the first version of the future major hit Jefferson Airplane- the song “Somebody to Love” (in its original form the song was called “Someone to Love”). However, it took about 50 takes and arrangements to achieve the right sound. Slick joined Jefferson Airplane after the group bought out her contractual obligations to The Great Society for $750.

Commercial success

At the turn of 1966-67, three events occurred that influenced the growth of the group’s popularity. First, in December 1966, the group was featured in an article in Newsweek magazine. Secondly, instead of Thompson, Bill Graham becomes the group's manager. In addition, in January 67, the group takes part in the “prelude” to the Summer of Love - daily music festival Human Be-In.

The band's third album, After Bathing at Baxter's, was released on November 27, 1967, and eventually peaked at number 17 on the charts. The album cover was created by artist Ron Cobb ( Ron Cobb). It depicts a painting inspired by the work of Heath Robinson. aircraft(built around an idealized version of the Haight-Ashbury model home) floating above the chaos of American commercial culture.

Recording lasted more than four months, with virtually no participation from nominal producer Al Schmitt. new album showcased the band's growing fascination with psychedelic rock. If the previous record consisted entirely of songs of standard length, then the new one was dominated by long multi-part suites, and one track (“A Small Package of Value Will Come To You Shortly”) was an acoustic collage inspired by the avant-garde creations of Frank Zappa on the fourth side of his record Freak Out! On this album, Kantner and Slick became the main songwriters, along with the decline in the influence and participation of founder Marty Balin, who became increasingly disillusioned with "star trips" and the inflated ego caused by resounding success groups.

The album marked the end of a short period of chart success for the bands singles. While "White rabbit" and "Somebody to love" reached the US top 10, "The Ballad of You and Me and Pooneil" peaked at number 43, and "Watch Her Ride" reached number 61. None of the band's subsequent singles reached the top 40, and several failed to chart at all.

Despite this, Jefferson Airplane continues to enjoy considerable success as an album band. Between 1967 and 1972 they created 8 Top 20 albums in the US, with Surrealistic Pillow and Crown of Creation reaching the Top 10.

Compound

• Grace Slick - vocals, keyboards
• Paul Kantner - vocals, guitar
• Marty Balin - vocals, guitar
• Jorma Kaukonen - guitar, vocals
• Jack Casady - bass guitar
• Spencer Dryden - drums

Discography

Studio recordings

• Jefferson Airplane Takes Off (1966)
• Surrealistic Pillow (1967)
• After Bathing at Baxter's (1967)
• Crown of Creation (1968)
• Volunteers (1969)
• Bark (1971)
• Long John Silver (1972)
• Jefferson Airplane (1989)

Concert recordings

• (1967 live at the Monterey Pop Festival) (1995)
• Live at the Fillmore East(1968 live at the Fillmore East in New York) (1998)
• (1969)
• (1973)
• Sweeping Up The Spotlight: Live At The Fillmore East 1969 (2007)

Compilations

• The Worst Of Jefferson Airplane (1970)
• Early Flight(1974) (collection of singles and songs not included in the albums)
• Flight Log, 1966-1976(1977) (also includes songs by Jefferson Starship and Hot Tuna)
• Time Machine (1984)
• 2400 Fulton Street (1987)
• White Rabbit & Other Hits (1990)
• Jefferson Airplane Loves You (1991)
• The Best of Jefferson Airplane (1993)
• Jefferson Airplane Journey…Best Of (1996)
• Hits(1998) (also includes songs by Jefferson Starship and Starship)
• VH1 Behind the Music
• Love Songs(2000) (also includes songs by Jefferson Starship and Starship)
• The Roar of Jefferson Airplane (2001)
• The Essential Jefferson Airplane (2005)

Notes

Links

The name "Jefferson Airplane" is also slang for a match, which is bent in half and used to hold a marijuana cigarette when it is too smoked to be held by the fingers. It is believed that the band's name came from this slang term, but band member Jorma Kaukonen claims that his friend Steve Talbot came up with the name as a mockery of blues names like "Blind Lemon" Jefferson. Interesting facts include the fact that Jefferson Airplane's first performance took place at the Matrix club (San Francisco), which is shown in the movie Fear and Loathing in Las Vegas.
Several compositions were also used in the PC game Battlefield Vietnam.

It was founded in 1965. The original lineup consisted of Marty Baylin (January 30, 1942), Paul Kantner (March 17, 1941), Jorma Kaukonen (December 23, 1940), Bob Harvey and Jerry Peloquin (later replaced by Alexander Skip Spence (April 18, 1946) and Signy Anderson (Signy Toly Anderson, September 15, 1941), who were then succeeded by Spencer Dryden (April 7, 1938) and Jack Casady (April 13, 1944)). At first they played a mixture of folk and rock (later called West Coast Rock). Kantner and Baylin soon became very popular locally, playing concerts organized by promoter Bill Graham.
In the fall of 1966, the first album, “Jefferson airplane takes off,” was released. Soon Signy Anderson left the group and was replaced by a new vocalist - Grace Slick (Grace Barnett Wing, October 30, 1939), who was already known as part of the group "Great Society", from whose repertoire two songs were borrowed for the album "Surrealistic Pillow" " - "White Rabbit" and "Somebody to Love", which became hits. "Surrealistic Pillow" is still considered the most vivid embodiment of the famous Summer of Love of 1967, although it was released a little earlier than the events themselves - in February. The album reached third place on Billboard and proved that the groups West Coast stand firmly on their feet.
In 1969, Jefferson Airplane had a triumphant performance at Woodstock, after which their reputation as “psychedelic rebels” was established.
In 1970, the musicians decide to stop concert activities. Kaukkonen and Cassidy create Hot group Tuna. In 1974, Jefferson Airplane established their own record company, Grunt, and a year later they recorded their last studio album- "Long John Silver", Cassidy and Kaukkonen finally leave the lineup, Grace Slick releases her first solo album, the group changes its name to Jefferson Starship.
In 1978, Slick left the group. The late 70s and early 80s turned out to be more successful for the solo work of musicians than for the band itself as a whole. In 1984, there was an official announcement of the breakup, and in mid-1988 there was news that the group was resuming its activities under the name Jefferson Airplane. In 1989, a record of the same name was recorded. Since 1991, the group regularly gives concerts. This year the band toured with Paul Kantner (vocals, guitar), David Freiberg (vocals, bass, keyboards), Katie Richardscon (vocals), Slick Aguilar (guitar), Chris Smith (keyboards) and Donnie Baldwin (drums). .

The most famous compositions bands “White Rabbit” and “Somebody to Love”.

The group was revived several times under the name "Jefferson Starship" and then simply "Starship". The band was inducted into the Rock and Roll Hall of Fame in 1996.

History of the group

Formation of the group

Jefferson Airplane was formed in San Francisco in the summer of 1965, emerging in the wake of the folk music boom that was sweeping that city at the time. Although the band is considered a San Francisco band, only Paul Kantner was actually from the city.

The band was founded by 23-year-old vocalist Marty Balin, who grew up in San Francisco and began a career as a pop artist, making several recordings under his own name. Balin, inspired by the success of bands such as The Byrds and Simon & Garfunkel, who, influenced by the music brought by the British Invasion, began to mix folk and rock music, decides to create a group that would play such "hybrid" music. With his friends, he buys a diner, which he converts into a club. The Matrix, and begins to look for musicians for his group.

In another club in San Francisco, Balin meets Paul Kantner, who plays folk music in various projects. They begin to look at musicians for their group and invite Signy Anderson as a co-vocalist, who performed in the group for a year and participated in the recording of the first album, leaving the group in October 1966 after the birth of her child.

Then Kantner invites blues guitarist Jorma Kaukonen, whom he met at the institute in 1962, to join the group. In addition, the original lineup of the group included drummer Jerry Peloquin and Bob Harvey.

The origin of the name is not exactly clear. Thus, "Jefferson Airplane" is also slang for a match, which is bent in half and used to hold a marijuana cigarette when it has been smoked too much to hold with your fingers. It is believed that the band's name came from this slang term, but band member Jorma Kaukonen claims that his friend Steve Talbot came up with the name as a mockery of blues names like "Blind Lemon" Jefferson.

Start of activity

The group gave their first performance under the name "Jefferson Airplane" at The Matrix club on August 13, 1965. This club was renovated and decorated by the band members, and subsequently their regular performances took place there. "The Matrix" was featured in the film Fear and Loathing in Las Vegas.

Influenced by such masters of the genre as The Beatles, The Byrds and The Lovin' Spoonful, the group moved away from folk music and began to focus more on electric sound.

After a few weeks, Peloquin left the group, partly due to his negative attitude towards the other members of the group using drugs. Instead, Skip Spence was brought into the group, and in October 1965, Harvey was replaced by Jack Cassidy, Kaukonen's old friend in Washington.

The band members' skills grew, the quality of their performances rapidly improved, and they soon became popular in San Francisco, not without the help of positive reviews from the famous music critic Ralph Gleason, who after one of Jefferson Airplane's performances called them "the best band ever." Gleason's positive reviews and the band's successful performance in October 1965 at Longshoremen's Hall in San Francisco helped the band land a contract with RCA Victor, receiving a then-unheard-of advance of $25,000.

The group's first single was Balin's song "It's No Secret", on the reverse side of which the song "Runnin" Round The World" was recorded, which became the cause of the group's first conflict with the label. After recording the first album Jefferson Airplane Takes Off In March 1966, Skip Spence left the group and was replaced by Spencer Dryden.

The band's original manager, Matthew Katz, was fired in August, and Balin's roommate Bill Thompson took over as manager. It was he who convinced Gleason to watch the band perform at Longshoreman's Hall and then, thanks to Gleason, managed to negotiate the group's participation in the Berkeley Folk Music Festival and the Monterey Jazz Festival.

First album

The band's debut album, called Jefferson Airplane Takes Off, was released in September 1966. Although the band had not yet performed further than the San Francisco area or appeared on television, the album attracted attention across the country and sold well enough to be certified gold. The record company initially released only 15,000 copies, but more than 10,000 of them were sold in San Francisco alone, prompting the label to make a second edition of the album, which, however, was amended. In particular, the song “Runnin" Round This World” was missing from the reissue, the words of which the authorities had complaints about; some lines were changed in the lyrics of two other songs. Currently, the first edition of the album with original lyrics is rare and is valued by collectors at several thousand dollars per record.

Signy Anderson, who left the group in October 1966 (due to the birth of her daughter), was replaced by Grace Slick, who was well known to the Airplane members, as she often performed on the same stage with them as part of the group The Great Society(Jefferson Airplane support band).

The arrival of Grace Slick in the group turned out to be the most important factor in its commercial success: her powerful contralto harmonized well with Balin's vocals and ideally suited the group's music. Besides, her presence on stage (she used to be a model) was impressive in itself.

It was the early group of Grace Slick The Great Society recorded the first version of the future major hit Jefferson Airplane- the song “Somebody to Love” (in its original form the song was called “Someone to Love”). However, it took about 50 takes and arrangements to achieve the right sound. Slick joined Jefferson Airplane after the group bought out her contractual obligations to The Great Society for $750.

Commercial success

At the turn of 1966-67, three events occurred that influenced the growth of the group’s popularity. First, in December 1966, the group was featured in an article in Newsweek magazine. Secondly, instead of Thompson, Bill Graham becomes the group's manager. In addition, in January 67, the group takes part in the “prelude” to the Summer of Love - a 24-hour music festival Human Be-In.

Studio albums

• - Jefferson Airplane Takes Off
• - Jefferson Airplane

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Notes

Links

An excerpt describing Jefferson Airplane

To get married, the consent of the father was needed, and for this, the next day, Prince Andrei went to his father.
The father, with outward calm but inner anger, accepted his son’s message. He could not understand that anyone would want to change life, to introduce something new into it, when life was already ending for him. “If only they would let me live the way I want, and then we would do what we wanted,” the old man said to himself. With his son, however, he used the diplomacy that he used on important occasions. Taking a calm tone, he discussed the whole matter.
Firstly, the marriage was not brilliant in terms of kinship, wealth and nobility. Secondly, Prince Andrei was not in his first youth and was in poor health (the old man was especially careful about this), and she was very young. Thirdly, there was a son whom it was a pity to give to the girl. Fourthly, finally,” said the father, looking mockingly at his son, “I ask you, postpone the matter for a year, go abroad, get treatment, find, as you want, a German for Prince Nikolai, and then, if it’s love, passion, stubbornness, whatever you want, so great, then get married.
“And this is my last word, you know, my last...” the prince finished in a tone that showed that nothing would force him to change his decision.
Prince Andrei clearly saw that the old man hoped that his or his feelings future bride will not stand the test of the year, or that he himself, old prince, will die by this time, and decided to fulfill his father’s will: propose and postpone the wedding for a year.
Three weeks after his last evening with the Rostovs, Prince Andrei returned to St. Petersburg.

The next day after her explanation with her mother, Natasha waited the whole day for Bolkonsky, but he did not come. The next, third day the same thing happened. Pierre also did not come, and Natasha, not knowing that Prince Andrei had gone to his father, could not explain his absence.
Three weeks passed like this. Natasha did not want to go anywhere and, like a shadow, idle and sad, she walked from room to room, cried secretly from everyone in the evening and did not appear to her mother in the evenings. She was constantly blushing and irritated. It seemed to her that everyone knew about her disappointment, laughed and felt sorry for her. With all the strength of her inner grief, this vain grief intensified her misfortune.
One day she came to the countess, wanted to tell her something, and suddenly began to cry. Her tears were the tears of an offended child who himself does not know why he is being punished.
The Countess began to calm Natasha down. Natasha, who had been listening at first to her mother’s words, suddenly interrupted her:
- Stop it, mom, I don’t think, and I don’t want to think! So, I traveled and stopped, and stopped...
Her voice trembled, she almost cried, but she recovered and calmly continued: “And I don’t want to get married at all.” And I'm afraid of him; I have now completely, completely calmed down...
The next day after this conversation, Natasha put on that old dress, which she was especially famous for the cheerfulness it brought in the morning, and in the morning she began her old way of life, from which she had fallen behind after the ball. After drinking tea, she went to the hall, which she especially loved for its strong resonance, and began to sing her solfeges (singing exercises). Having finished the first lesson, she stopped in the middle of the hall and repeated one musical phrase, which she especially liked. She listened joyfully to the (as if unexpected for her) charm with which these shimmering sounds filled the entire emptiness of the hall and slowly froze, and she suddenly felt cheerful. “It’s good to think about it so much,” she said to herself and began to walk up and down the hall, not stepping in simple steps on the ringing parquet floor, but at every step, shifting from heel (she was wearing new, favorite shoes) to toe, and just as joyfully as she listened to the sounds of her voice, listening to this measured clatter of the heel and the creaking of the sock. Passing by the mirror, she looked into it. - "Here I am!" as if the expression on her face when she saw herself spoke. - “Well, that’s good. And I don’t need anyone.”
The footman wanted to enter to clean something in the hall, but she did not let him in, again closing the door behind him, and continued her walk. This morning she returned again to her favorite state of self-love and admiration for herself. - “What a charm this Natasha is!” she said again to herself in the words of some third, collective, male person. “She’s good, she has a voice, she’s young, and she doesn’t bother anyone, just leave her alone.” But no matter how much they left her alone, she could no longer be calm and she immediately felt it.
The entrance door opened in the hallway, and someone asked: “Are you at home?” and someone's steps were heard. Natasha looked in the mirror, but she did not see herself. She listened to sounds in the hall. When she saw herself, her face was pale. It was he. She knew this for sure, although she barely heard the sound of his voice from the closed doors.
Natasha, pale and frightened, ran into the living room.
- Mom, Bolkonsky has arrived! - she said. - Mom, this is terrible, this is unbearable! – I don’t want... to suffer! What should I do?…
Before the countess even had time to answer her, Prince Andrei entered the living room with an anxious and serious face. As soon as he saw Natasha, his face lit up. He kissed the hand of the Countess and Natasha and sat down near the sofa.
“We haven’t had the pleasure for a long time...” the countess began, but Prince Andrei interrupted her, answering her question and obviously in a hurry to say what he needed.
“I wasn’t with you all this time because I was with my father: I needed to talk to him about a very important matter.” “I just returned last night,” he said, looking at Natasha. “I need to talk to you, Countess,” he added after a moment of silence.
The Countess, sighing heavily, lowered her eyes.
“I am at your service,” she said.
Natasha knew that she had to leave, but she could not do it: something was squeezing her throat, and she was discourteously, directly, with open eyes looked at Prince Andrei.
"Now? This minute!... No, this can’t be!” she thought.
He looked at her again, and this look convinced her that she was not mistaken. “Yes, now, this very minute, her fate was being decided.”
“Come, Natasha, I’ll call you,” the countess said in a whisper.
Natasha looked at Prince Andrei and her mother with frightened, pleading eyes, and left.
“I came, Countess, to ask for your daughter’s hand in marriage,” said Prince Andrei. The countess's face flushed, but she said nothing.
“Your proposal...” the countess began sedately. “He was silent, looking into her eyes. – Your offer... (she was embarrassed) we are pleased, and... I accept your offer, I’m glad. And my husband... I hope... but it will depend on her...
“I’ll tell her when I have your consent... do you give it to me?” - said Prince Andrei.
“Yes,” said the countess and extended her hand to him and, with a mixed feeling of aloofness and tenderness, pressed her lips to his forehead as he leaned over her hand. She wanted to love him like a son; but she felt that he was a stranger and a terrible person for her. “I’m sure my husband will agree,” said the countess, “but your father...
- My father, to whom I communicated my plans, made it an indispensable condition for consent that the wedding should not be before a year. And this is what I wanted to tell you,” said Prince Andrei.
– It’s true that Natasha is still young, but for so long.
“It couldn’t be otherwise,” said Prince Andrei with a sigh.
“I will send it to you,” said the countess and left the room.
“Lord, have mercy on us,” she repeated, looking for her daughter. Sonya said that Natasha is in the bedroom. Natasha sat on her bed, pale, with dry eyes, looking at the icons and, quickly crossing herself, whispering something. Seeing her mother, she jumped up and rushed to her.
- What? Mom?... What?
- Go, go to him. “He asks for your hand,” the countess said coldly, as it seemed to Natasha... “Come... come,” the mother said with sadness and reproach after her running daughter, and sighed heavily.
Natasha did not remember how she entered the living room. Entering the door and seeing him, she stopped. “Has this stranger really become everything to me now?” she asked herself and instantly answered: “Yes, that’s it: he alone is now dearer to me than everything in the world.” Prince Andrei approached her, lowering his eyes.
“I loved you from the moment I saw you.” Can I hope?
He looked at her, and the serious passion in her expression struck him. Her face said: “Why ask? Why doubt something you can’t help but know? Why talk when you can’t express in words what you feel.”
She approached him and stopped. He took her hand and kissed it.
- Do you love me?
“Yes, yes,” Natasha said as if with annoyance, sighed loudly, and another time, more and more often, and began to sob.
- About what? What's wrong with you?
“Oh, I’m so happy,” she answered, smiled through her tears, leaned closer to him, thought for a second, as if asking herself if this was possible, and kissed him.
Prince Andrei held her hands, looked into her eyes, and did not find in his soul the same love for her. Something suddenly turned in his soul: there was no former poetic and mysterious charm of desire, but there was pity for her feminine and childish weakness, there was fear of her devotion and gullibility, a heavy and at the same time joyful consciousness of the duty that forever connected him with her. The real feeling, although it was not as light and poetic as the previous one, was more serious and stronger.
– Did maman tell you that this cannot be earlier than a year? - said Prince Andrei, continuing to look into her eyes. “Is it really me, that girl child (everyone said that about me) Natasha thought, is it really from this moment that I am the wife, equal to this stranger, dear, smart person, respected even by my father. Is that really true! Is it really true that now it’s no longer possible to joke with life, now I’m big, now I’m responsible for my every deed and word? Yes, what did he ask me?
“No,” she answered, but she did not understand what he was asking.
“Forgive me,” said Prince Andrei, “but you are so young, and I have already experienced so much of life.” I'm scared for you. You don't know yourself.
Natasha listened with concentrated attention, trying to understand the meaning of his words and did not understand.
“No matter how difficult this year will be for me, delaying my happiness,” continued Prince Andrei, “in this period you will believe in yourself.” I ask you to make my happiness in a year; but you are free: our engagement will remain a secret, and if you were convinced that you do not love me, or would love me ... - said Prince Andrei with an unnatural smile.
- Why are you saying this? – Natasha interrupted him. “You know that from the very day you first arrived in Otradnoye, I fell in love with you,” she said, firmly convinced that she was telling the truth.
– In a year you will recognize yourself...
– Whole year! – Natasha suddenly said, now only realizing that the wedding had been postponed for a year. - Why a year? Why a year?...” Prince Andrei began to explain to her the reasons for this delay. Natasha didn't listen to him.
- And it’s impossible otherwise? – she asked. Prince Andrei did not answer, but his face expressed the impossibility of changing this decision.
- It's horrible! No, this is terrible, terrible! – Natasha suddenly spoke and began to sob again. “I’ll die waiting a year: this is impossible, this is terrible.” “She looked into the face of her fiancé and saw on him an expression of compassion and bewilderment.
“No, no, I’ll do everything,” she said, suddenly stopping her tears, “I’m so happy!” – Father and mother entered the room and blessed the bride and groom.
From that day on, Prince Andrei began to go to the Rostovs as a groom.

There was no engagement and Bolkonsky’s engagement to Natasha was not announced to anyone; Prince Andrei insisted on this. He said that since he was the cause of the delay, he must bear the entire burden of it. He said that he was forever bound by his word, but that he did not want to bind Natasha and gave her complete freedom. If after six months she feels that she does not love him, she will be within her right if she refuses him. It goes without saying that neither the parents nor Natasha wanted to hear about it; but Prince Andrei insisted on his own. Prince Andrei visited the Rostovs every day, but did not treat Natasha like a groom: he told her you and kissed only her hand. Between Prince Andrei and Natasha after the day of the proposal, completely different close ones were established than before, simple relationships. It was as if they didn't know each other until now. Both he and she loved to remember how they looked at each other when they were still nothing; now both of them felt like completely different creatures: then feigned, now simple and sincere. At first, the family felt awkward in dealing with Prince Andrei; he seemed like a man from an alien world, and Natasha spent a long time accustoming her family to Prince Andrei and proudly assured everyone that he only seemed so special, and that he was the same as everyone else, and that she was not afraid of him and that no one should be afraid his. After several days, the family got used to him and, without hesitation, continued with him the same way of life in which he took part. He knew how to talk about the household with the Count, and about outfits with the Countess and Natasha, and about albums and canvas with Sonya. Sometimes the Rostov family, among themselves and under Prince Andrei, were surprised at how all this happened and how obvious the omens of this were: the arrival of Prince Andrei in Otradnoye, and their arrival in St. Petersburg, and the similarity between Natasha and Prince Andrei, which the nanny noticed on their first visit Prince Andrei, and the clash in 1805 between Andrei and Nikolai, and many other omens of what happened were noticed by those at home.

American band from San Francisco, United States, pioneers of psychedelic rock. It was founded in 1965.
The band's performance in August 1969 at the Woodstock festival was one of the most exciting moments in rock history. The group was revived several times under the names "" and then simply "". The band was inducted into the Rock and Roll Hall of Fame in 1996.

The name "Jefferson Airplane" is also slang for a match, which is bent in half and used to hold a marijuana cigarette when it has been smoked too much to hold with your fingers. It is believed that the band's name came from this slang term, but band member Jorma Kaukonen claims that his friend Steve Talbot came up with the name as a mockery of blues names like "Blind Lemon" Jefferson. Interesting facts include the fact that Jefferson Airplane's first performance took place at the Matrix club (San Francisco), which is shown in the film Fear and Loathing in Las Vegas.
Also, several compositions were used in the PC game Battlefield Vietnam.

Original composition:
Marty Balin (January 30, 1942)
Paul Kantner (March 17, 1941)
Jorma Kaukonen (December 23, 1940),
Bob Harvey and Jerry Peloquin (subsequently replaced by Alexander Skip Spence (April 18, 1946) and Signy Anderson (September 15, 1941), who were then replaced by Spencer Dryden (April 7, 1938) and Jack Casady (April 13, 1944) ).

At first they played a mixture of folk and rock (later called West Coast Rock). Kantner and Balin soon became very popular locally, playing concerts organized by promoter Bill Graham.
In the fall of 1966, the first album, “Jefferson airplane takes off,” was released. Soon Signy Anderson left the group, and was replaced by a new vocalist - Grace Slick (Grace Barnett Wing, October 30, 1939), who was already known as part of the group “Great society”, from whose repertoire two songs were borrowed for the album “Surrealistic Pillow” " - "White Rabbit" and "Somebody to Love", which became hits. “Surrealistic Pillow” is still considered the most striking embodiment of the famous “Summer of Love” of 1967, although it was released a little earlier than the events themselves - in February. The album peaked at number three on Billboard and proved that West Coast bands had their feet on the ground.
In 1969, Jefferson Airplane had a triumphant performance at Woodstock, after which their reputation as “psychedelic rebels” was established.
In 1970, the musicians decide to stop performing concerts. Kaukkonen and Cassidy form the band Hot Tuna.
In 1974, the group ceased to exist.
Subsequently, it resumes activities under other names.