Isaac Levitan quiet abode description. Description of the painting by Levitan “Quiet Abode

Painted in 1890, Levitan's painting " Quiet abode“was by no means intended to become a “portrait” of any specific area. For the first time I decided to write a similar picture originated with the artist in 1887. It was then on Levitan, strong impression produced a poetic spectacle of sunset, which illuminated the crosses of the Savinno-Storozhevsky Monastery, which is located near Zvenigorod, with a bright, scarlet light. When painting the picture based on the memoirs of Sofia Kuvshinnikova, Levitan took the monastery on the Volga near Yuryevets as the basis of the monastery. But this did not stop the artist from creating a picture distinguished by the spontaneity of feeling and reproducing “ living life». Alexander Benois, who was among the first spectators to whom the painting “Quiet Abode” was presented, later shared his memories: “it was as if the shutters had been removed from the windows, opening them wide, and a stream of fresh, fragrant air burst into the old exhibition hall.”

The painting first found a “great audience” at a traveling exhibition held in Moscow in 1891. After her, the name of Levitan was on the lips of all intelligent Moscow. Many people came to the exhibition several times in order to Once again admire a painting that speaks about something important that touches the heart of every viewer. Many thanked Levitan for the sweet peace of mind and blissful mood that arose when looking at this quiet corner, isolated from the entire outside world, all the fussy and hypocritical affairs that surround a person in life. Levitan's work, in particular those associated with the quiet monastery, did not pass by the work of Anton Pavlovich Chekhov. In his story “Three Years” he inserted an episode where the heroine, who visited art exhibition. She selflessly looks at her favorite painting, the description of which by Chekhov strongly resembles the canvas of “The Quiet Abode”: “in the main plan there is a river flowing across which there is a log bridge, on the other bank there is a path that leads and disappears in the dark grass. In the distance, the evening dawn is burning down on the horizon... And for some reason it feels like this. That this forest and clouds and field, she had already seen many, many times. She wanted to walk along the path to where the evening dawn shimmers, where the reflection of something eternal, unearthly is kept.” Levitan, as it were, opens the viewer’s eyes to how beautiful it is that he has seen many times without noticing his legs.

Levitan Isaac Ilyich is a famous Russian landscape painter. The church landscape plays a significant role in his work. One of the most famous works This genre is his work “Quiet Abode”.

This picture is simple and at the same time beautiful. Beautiful summer morning. The calm surface of the river silently reflects the beauty of nature. The weather is calm and windless. In a bright sky, where small clouds float by nowhere. Located across the river wooden bridge ik. On the other bank, among densely planted green tree trunks, one can see the domes of a church and the bell tower of a small monastery. There is a feeling of silence and tranquility in the whole picture. The author admired and enjoyed such a beautiful view. He so lovingly transferred the beauty he saw onto the canvas. This can be felt in the small path that leads to the bridge, and then continues to the monastery itself. In the color of the trees. They are such a dark green color, like the guards of the shrine are standing on all sides. Small white flowers can be seen very beautifully against the green background of grass. They shimmer like pearls in the morning sun. The whole landscape is somehow fabulous, not even real. These play of colors of white and gold temples, pink and blue sky, greenish-purple forest. It's incredible that they live in such a wonderful place. simple people. That they see such beauty every morning. If only I could get there for a minute...

The whole picture is filled with freshness, purity, and peace. Looking at the picture, as if opening a window, you feel the fragrant air of a summer morning. I just want to walk across that bridge, collect white flowers and take them to the holy church. Seeing the landscape in the picture lifts your spirits and gives you more vigor and strength. A quiet and wonderful corner of heaven on earth.

Isaac Levitan. Quiet abode.
1890. Oil on canvas. 87 x 108. Tretyakov Gallery, Moscow, Russia.

Levitan both in 1890 and later, finding himself in the West and speaking highly of European culture and the comforts of everyday life, he soon began to yearn for his beloved Russian nature. So, in the spring of 1894, he wrote to Apollinary Vasnetsov from Nice: “I can imagine how wonderful it is now in Rus' - the rivers have overflowed, everything is coming to life. No better country than Russia... Only in Russia can there be a real landscape painter.”

Once, under the influence of Kuvshinnikova, on the day of the Holy Trinity, Levitan, brought up in the traditions of Judaism, went with her for the first or second time to Orthodox church and there, hearing the words of the holiday prayer, he suddenly shed tears. The artist explained that this is not “Orthodox, but some kind of... world prayer”! This is how the landscape “Quiet Abode”, amazing in beauty and major sound, was painted, fraught with deep philosophical reasoning about life.

The monastery is partly hidden in a dense forest, illuminated by the rays of the evening sun. The domes of her church glow gently against the golden-blue sky, which is reflected in the clear water. An old wooden bridge, in some places destroyed and patched up, spans the river. A bright sandy path leads to it, and everything seems to invite you to go and plunge into the cleansing tranquility of the holy monastery. The mood of this picture leaves hope for the possibility of a person’s harmony with himself and his finding quiet happiness.

There is evidence that after the appearance of this painting at a traveling exhibition in 1891, Levitan’s name was “on the lips of all intelligent Moscow.” People came to the exhibition just to see once again a painting that spoke something very important to their hearts, and thanked the artist for the “blissful mood, sweet peace of mind, which was caused by this quiet corner of the Russian land, isolated from the whole world and all our hypocritical affairs.”

In the painting “Quiet Abode,” the stillness of the air and the peace of nature are captured in unusually subtle shades and color relationships. Realistic plasticity has reached perfection here. In this picture, Levitan's painting acquired an incomparable quality - accuracy of reproduction objective world, air environment, chiaroscuro, colors. The shadows from the trees are placed impeccably correctly. They are not approximate. The accuracy of the conveyed illumination, tone, pattern, and color gives Levitan’s painting a fullness of artistic expression.

It is no coincidence, as Alexander Benois recalled, that the first viewers of the picture “seemed as if the shutters had been removed from the windows, opened wide, and a stream of fresh, fragrant air poured into the old exhibition hall.” Nikolai Rubtsov dedicated the following poem to this painting:
In the eyes of log shacks
the reddish darkness looks out.
Over the bluebell meadow
the cathedral rings its bells.

The ringing is roundabout and roundabout,
at the windows, near the columns.
The bells are ringing,
and the ringing of a bell.

And every bell
ask the soul of any Russian!
rings like a bell, no louder,
the ringing of Levitan's Rus'!

Contemporaries left many confessions that Levitan helped them see native land. Alexander Benois recalled that “only with the advent of Levitan’s paintings” did he believe in beauty, and not in the “beauties” of Russian nature: “... it turned out that the cold vault of its sky is beautiful, its twilight is beautiful, the scarlet glow of the setting sun and the brown spring river, all the relationships of its special colors are beautiful"

“Levitan understood, like no one else, the gentle, transparent charm of Russian nature, its sad charm... His painting, which gives the impression of such simplicity and naturalness, is essentially unusually sophisticated. But this sophistication was not the fruit of some persistent effort, and there was no artificiality in it. His sophistication came naturally—it was just the way he was born. What “hells” of virtuosity did he reach in his latest things!.. Its outskirts, piers, monasteries at sunset, touching in mood, are written with amazing skill” (Golovin A.Ya.).

For the first time Levitan attracted attention to Traveling exhibition 1891. He had exhibited before, and even for several years, but then he did not differ from our other landscape painters, from their general, gray and sluggish mass. The appearance of the “Quiet Abode” produced, on the contrary, a surprising vivid impression. It seemed as if the shutters had been removed from the windows, as if they had been opened wide, and a stream of fresh, fragrant air poured into the stuffy exhibition hall, where there was such a disgusting smell from the excessive number of sheepskin coats and greased boots.

What could be simpler than this picture? Summer morning. The freezing, full river smoothly bends around a wooded headland. A thin bridge on poles is thrown across it. From behind the birches on the opposite bank, in the cold, pink rays, in a completely bright sky, the domes and bell tower of a small monastery glow. The motif is poetic, sweet, elegant, but, in essence, hackneyed. How many things were written before monasteries in the pink morning or evening light? Are there a lot of clear rivers and birch groves? However, it was clear that here Levitan said a new word, sang a new wonderful song, and this song about long-familiar things enchanted in such a new way that the things themselves seemed unprecedented, just discovered. They simply amazed me with their untouched, fresh poetry. And it immediately became clear that this was not an “accidentally successful sketch,” but a painting by a master, and that from now on this master should be one of the first among all.
Alexander Benois. Article about Levitan from the book “History of Russian Painting in the 19th Century”, 1901

Quiet abode

On this well-known and popular picture Russian nature is depicted in all its glory. With all its values, which are so dear to every Russian person.

This is a dense forest, a church, a river and a bridge across it. Admiring the picture, you seem to be transported into this piece of everything that is most important and necessary for a Russian person.

Looking at the landscape, the river and the rickety old bridge, you want to be there for a minute and walk across this bridge. Go to the other side of the river and run into the forest, breathe in the clean and clear air.

And while walking through the forest, go towards the church and go in to pray, thank God for all this beauty of nature, which characterizes the breadth of the Russian soul.

The picture so realistically and sincerely conveys all the beauty of the forest and the well-trodden path on the other side of the river. It’s as if people still use this bridge, go to the forest to pick mushrooms and berries.

In the foreground of the picture you can also see the path leading to the bridge. People came here, some just came to admire it. Who goes to the forest to pick mushrooms and berries and wash clothes?

Much is expressed in this picture, written in a beautiful Russian style. You can look at the picture for a long time and find all the new details that you had not considered before.

The endless sky above your head, looking at the tone of the colors, you can see that it is evening. In the pure beautiful silence around, all the serenity and tranquility of the human soul is preserved.

The domes of churches and the forest are reflected in the water; it’s so quiet around that there’s not even little breeze. The water is calm and clean, the forest envelops everything with its power and fascinates with its beauty.

Having carefully examined the picture, you understand why the author called it a quiet abode. And for each person this picture is perceived differently, everyone sees in it something close and dear to themselves.

Someone will see a piece of their homeland in it, someone will be reminded of parental home. Everyone who looks at it will find something dear and useful to their soul. Therefore, the picture has been very popular for many years and does not lose its relevance even now.

Essay description of the painting The Quiet Abode of Levitan

I. I. Levitan is one of the most famous Russian landscape painters, and his “Quiet Abode” is one of the most famous paintings with a church image. It was this that brought enormous fame to the artist at the exhibition of the Itinerants.

A beautiful and simple picture depicting a summer morning, a calm river with the reflection of small clouds, bright and clear skies. You can see an old, battered bridge that leads to the other side. A small path leads from the river into the thicket of trees. From behind a tall grove of mighty trees you can see the domes of a church and a small monastery, it seems that the bells are about to ring.

On this shore you can see snow-white flowers among the lush dark green grass, and you can feel all the freshness and purity of nature. Looking at this picture, I had a desire to pick up fresh fragrant flowers, cross the river with an old bridge and take the bouquet to the church.

The picture exudes silence, tranquility, peace, it is clear how the author appreciated nature, with what precision and love he created this masterpiece. Everything seems somehow fabulous, not at all real.

This paradise, by its very appearance, gives strength and vigor, somewhere in the depths of the soul you can hear the sounds of nature, the singing of birds and the rustling of leaves.

9th grade, 4th grade

• Essay based on Vasnetsov’s painting Ivan Tsarevich on the Gray Wolf (description) 4th grade

  Quite recently, I had the honor of familiarizing myself with Vasnetsov’s painting “Ivan the Tsarevich on gray wolf" Its author took as a basis one of my favorite fairy tales and depicted Ivan Tsarevich and Elena the Beautiful racing through the forest on a wolf.

Levitan, both in 1890 and later, finding himself in the West and speaking highly of European culture and everyday amenities, soon began to yearn for his beloved Russian nature. So, in the spring of 1894, he wrote to Apollinary Vasnetsov from Nice: “I can imagine how wonderful it is now in Rus' - the rivers have overflowed, everything is coming to life. There is no better country than Russia... Only in Russia can there be a real landscape painter.”

Once, under the influence of Kuvshinnikova, on the day of the Holy Trinity, Levitan, brought up in the traditions of Judaism, went with her for the first or second time to an Orthodox church and there, hearing the words of the holiday prayer, he suddenly burst into tears. The artist explained that this is not “Orthodox, but some kind of... world prayer”! This is how the landscape “Quiet Abode”, amazing in beauty and major sound, was painted, fraught with deep philosophical reasoning about life.

The monastery is partly hidden in a dense forest, illuminated by the rays of the evening sun. The domes of her church glow gently against the golden-blue sky, which is reflected in the clear water. An old wooden bridge, in some places destroyed and patched up, spans the river. A bright sandy path leads to it, and everything seems to invite you to go and plunge into the cleansing tranquility of the holy monastery. The mood of this picture leaves hope for the possibility of a person’s harmony with himself and his finding quiet happiness.

There is evidence that after the appearance of this painting at a traveling exhibition in 1891, Levitan’s name was “on the lips of all intelligent Moscow.” People came to the exhibition just to see once again a painting that spoke something very important to their hearts, and thanked the artist for the “blissful mood, sweet peace of mind that this quiet corner of the Russian land, isolated from the whole world and all hypocrites, evoked.” our affairs."

In the painting “Quiet Abode,” the stillness of the air and the peace of nature are captured in unusually subtle shades and color relationships. Realistic plasticity has reached perfection here. In this picture, Levitan's painting acquired an incomparable quality - the accuracy of reproducing the objective world, the air environment, chiaroscuro, and color. The shadows from the trees are placed impeccably correctly. They are not approximate. The accuracy of the conveyed illumination, tone, pattern, and color gives Levitan’s painting a fullness of artistic expression.

It is no coincidence, as Alexandre Benois recalled, that the first viewers of the picture “seemed as if the shutters had been removed from the windows, opened wide, and a stream of fresh, fragrant air poured into the old exhibition hall.” Nikolai Rubtsov dedicated the following poem to this painting:

Contemporaries left many confessions that Levitan helped them see their native land. Alexander Benois recalled that “only with the advent of Levitan’s paintings” did he believe in beauty, and not in the “beauties” of Russian nature: “... it turned out that the cold vault of its sky is beautiful, its twilight is beautiful, the scarlet glow of the setting sun and the brown spring river, all the relationships of its special colors are beautiful"

“Levitan understood, like no one else, the gentle, transparent beauty of Russian nature, its sad charm... His painting, which gives the impression of such simplicity and naturalness, is, in essence, unusually sophisticated. But this sophistication was not the fruit of some persistent efforts, and not there was no artifice in it. His sophistication arose by itself - it was just the way he was born. What “hells” of virtuosity he reached in his last works!.. His outskirts, piers, monasteries at sunset, touching in mood, written with amazing skill "(Golovin A.Ya.).

For the first time Levitan attracted attention at the Traveling Exhibition of 1891. He had exhibited before, and even for several years, but then he did not differ from our other landscape painters, from their general, gray and sluggish mass. The appearance of “The Quiet Abode” made, on the contrary, a surprisingly vivid impression. It seemed as if the shutters had been removed from the windows, as if they had been opened wide, and a stream of fresh, fragrant air poured into the stuffy exhibition hall, where there was such a disgusting smell from the excessive number of sheepskin coats and greased boots.

What could be simpler than this picture? Summer morning. The freezing, full river smoothly bends around a wooded headland. A thin bridge on poles is thrown across it. From behind the birches on the opposite bank, in the cold, pink rays, in a completely bright sky, the domes and bell tower of a small monastery glow. The motif is poetic, sweet, elegant, but, in essence, hackneyed. How many things were written before monasteries in the pink morning or evening light? Are there a lot of clear rivers and birch groves? However, it was clear that here Levitan said a new word, sang a new wonderful song, and this song about long-familiar things enchanted in such a new way that the things themselves seemed unprecedented, just discovered. They simply amazed me with their untouched, fresh poetry. And it immediately became clear that this was not an “accidentally successful sketch,” but a painting by a master, and that from now on this master should be one of the first among all.