How to draw a glass of water with a pencil. How to draw a glass glass of water

This thing causes heated philosophical debate among fans. Some say that it is always half full, others that it is always half glass. In principle, we don’t care who is right, but it would be nice to know how to draw a glass. A glass is a device for storing something, of any temperature and consistency, and also as a room for a caught butterfly. There are many modifications of it: Faceted, Chemical, Disposable, Folding, etc. Scientific and not so scientific things:

  • Mystically, only a cut glass is difficult to accidentally break; all other glassware breaks constantly;
  • There is such a device in almost every home, which means we are being watched;
  • It can be full or empty, but not at the same time;
  • Chuck Norris can drink from two of these glasses at the same time;
  • There is no truth at the bottom of this dish, it has been verified;

Drawing it is not as easy as it seems:

How to draw a glass with a pencil step by step

Step one. Clearly define the shape of the glass by drawing two circles and connecting them with corresponding lines. Divide each circle into even sectors. Step two. Add a few more circles on top inside. Step three. Remove the sector lines and draw several vertical lines. Step four. All that remains is to add shadows. Try drawing other decorative and beautiful things.


In this article I’ll tell you a little about such a complex matter as glass.
Glass objects, cups, vases, glasses, are very interesting to draw, although not easy.

What scares us about glass? - Yes, nothing is clear. And it’s clear why nothing is clear: the glass shines, rattles, there are a lot of all sorts of reflections, dashes, glares in it, plus there is no chiaroscuro in our usual understanding, as on other more matte objects. And there is a ton of transparent glass.

To depict glass realistically, in any case you will have to delve into these dashes, dots, highlights, lines, carefully look at the very smallest details, study everything in great detail and in detail. And therefore, it is impossible to draw glass according to the formula: “do this, draw this way, and you will get one hundred percent glass.” Plus, in different versions, under different lighting, glass can look completely different.

Chiaroscuro on glass objects

As I already said, chiaroscuro on glass, in our usual understanding, does not look the same as on other objects.

Because the glass shines and reflects light with bright, piercing reflections. There are no clear gradations of chiaroscuro - penumbra, own shadow, reflex.

Volume is created by glare, reflections and spots in the thickness of the glass. In general, the glass effect is based on glare. They show the direction of light and emphasize the volume and shape of the object.

Here's a glass.

The reflection of the window in the glass shows us that the light is coming from the right. The shape of the reflection hints at the shape of the glass - curved, rounded.

The glass is transparent, that is, in addition to the surface, we also see the insides - the bottom, it is visible, as if we were building right through. Since the thickness of the glass distorts the shape of the object, we see the bottom not even and clear, but slightly deformed and blurry.
On the back wall we see a white flare again - this is a flare reflected from the front wall.

That is, the rear glare is the same as the front one, but we see it through the thickness of the glass, so it is again distorted in shape and not so bright.
Now let's try to look at the elements of the usual chiaroscuro on this glass. It doesn't work out - right? Well, that’s right, because it doesn’t exist. In general, the glass is gray, and everything is generally dark in relation to the glare. But...if you look closely, you can see from the top of the glass that from the light side the inside of the glass is dark, and from the shadow side it is lighter. Just like on a regular item.

The rest of the volume shows the pattern of glass thickness, reflections and highlights. You can also notice that the top of the glass is darker, and the bottom is lighter in tone.

When looking at the glass, I advise you to squint so that everything merges and becomes cloudy in your eyes. And you can immediately see how generally gray or even black everything is, only the bright highlights glow white.

How to draw a glass (sketch)

We've roughly looked at it, now we'll draw. For clarity, I will make a sketch on tinted pastel paper - it seems to imitate the main gray tone, which is most common. I place the darkest spots - these are the contours of the glass, the bottom, darkening the places where the glass is darker in relation to the general background tone.

And glare...white bright glare. I did them with a white pastel pencil.

As soon as they appear, we immediately see that this is really glass. Of course, in order for the drawing to become effective and more lively, it is worth delving a little into the details, looking more closely at all the interesting places and trying to depict them. But I will do this in more detail in another drawing.

And now that it is clear that everything is quite simple, everything is broken into certain pieces, we will draw on a regular sheet of paper with a simple pencil.

How to draw a glass with a simple pencil

I drew this glass on plain paper, all that remains is to outline the highlights and other spots with well-defined contours.

You don’t have to draw it all, you can work in tone right away, but it’s calmer this way. I'll erase the contours that are a little too bright and now I'll cover everything with tone, leaving only our white highlights untouched.

To make it more realistic, try not to be rough with the shading; the smoother and more uniform it is, the more it will look like glass - glass is smooth and even.

Now I will clarify the darker places, that is, I will introduce the darkest tone. These are the sides, bottom and top oval of the glass.

Now I compact the places where it is needed.
First of all, I darken the areas around the highlights, because as long as they are on a background with insufficient contrast, they do not look bright.

The main thing is to avoid such a bad visual mistake - darken the tone only around the highlights, they should not look outlined, like an edging, the tone around them should be generally dark. But you don’t need to make the tone too dark, otherwise the glass may turn out tinted or even dirty.
In the visible upper part of the glass, everything is simple: the illuminated side is darker, the shadow side is lighter.
You can see the thickness of the glass from above - it looks like a light stripe in the photo. I lightened it with a thinly cut eraser and smoothed it out with a pencil.

Now I’ll delve into the details a little and design everything as a background. This is how the glass turned out.

How to draw a glass vase

Now I will try to draw a glass vase like this.

On this vase in this lighting there are no large reflected glare from the window, for example. But in the thickness of the base of the vase there is a continuous mosaic of white and dark spots and stripes. Again, the glass is generally gray in relation to the shiny spots of light. Again, stripes of different colors show the shape of the bottom of the glass. Plus we have a table line, which the thickness of the glass refracts. There is nothing left to do but look at it all carefully and try to depict something similar.
I drew a vase on plain paper with a detailed drawing of the bottom pattern.

Now I'll start applying the tone from the darkest places.

I don't try to copy every stripe and dig into every speck. The main thing is that it is in character - direction, location.

As in my other works, I correct everything with a thinly cut eraser. The highlights here are very subtle and small - it's hard to leave them untouched, but I try.

I constantly change the pencil from 2B to 4B. A softer pencil for dark areas, and everything else I do with a 2B pencil.
As with the glass, everything in the vase has a tone in relation to the white highlights, so I cover the entire vase with the tone, leaving only the highlights.

At the final stage of working on the vase, I add details in the bottom with a soft pencil. Adding a background.
The vase has a very beautiful falling shadow - you definitely need to depict it. And at the end I clean the highlights with an eraser, otherwise they got a little worn in the process, but I need them to shine clean.
And the finished vase.

Vase in another technique

The same vase is made using the technique in which I made the sketch of the glass. Everything is done with a simple pencil, only the white highlights are drawn with a white pastel pencil.

This technique is very convenient for drawing glass; in addition, it is easier to work with than making a completely hatched drawing. On pastel paper, the pencil softly spreads, the strokes merge, which allows you to make the tone more uniform and neatly applied. And the white highlights look more luminous and bright, which definitely enhances the effect of the glass. Be sure to try it.

    In order to draw a glass you need to sketch an oval on a stick, then give the oval a triangular shape and erase the auxiliary lines. Now the drawing can be colored and the glasses can be filled with red or white wine. Here's how everything looks visually:

    A a glass is drawn It’s even simpler, first we draw an oval and draw an even line from it - this will be the axis of symmetry, and then we finish the edges and design the bottom:

    To draw a mug, glass, glass step by step, you need to adhere to the following steps:

    1) First we make markings and draw the main contours;

    3) We detail our images and apply shading or paint.

    So, you can draw a mug like this:

    And the glass can be drawn step by step like this:

    And I propose to draw a glass like this step by step:

    Drawing a mug, glass, glass is very simple. These are familiar objects that a person sees every day. I don’t have my own step-by-step photos, so I’ll use someone else’s.

    Stage 1:

    Draw the axis of symmetry of the mug and outline its horizontal planes

    Stage 2:

    Limiting the width of the mug and saucer

    Stage 3:

    Draw ovals. The far part of the oval should be slightly narrower than the near one.

    Stage 4, 5, 6:

    We complete the necessary ovals and details

    Stage 7:

    We outline the visible parts of the circle, smoothly connecting the ovals.

    Stage 8:

    Erase invisible lines

    Stage 9:

    Shade the entire drawing (with light pressure)

    Stage 10, 11, 12:

    We use darker shading to indicate shadows, and apply highlights using an eraser.

    There is nothing complicated about it - simple geometry. Remember that circles are not crooked, they are made in production, so the lines must be straight. It is very important to make the correct oval at the top of the mug itself. Here's a simple and effective lesson how to draw a tea mug:

    I would like to offer the simplest example of drawing a mug; using this scheme you can easily and simply draw a beautiful mug with stripes. Here is one of the options I found for a simple scheme for drawing a mug. At the end of drawing, the mug can be painted in any color; you can make the mug red, yellow or blue according to your taste.

    In order to draw a mug, you first need to draw the base (the outline of the mug)

    That's it, the mug is ready. Good luck.

    I find it very easy to draw a mug if you sketch it as a rectangle.

    And then you just need to slightly round the top and bottom of the rectangle (like two circles at different angles) and draw an arc on the handle.

    Here's a sample, for example:

    I like it. It must be drawn using a vertical line. This line divides the mug into two parts.

    This is to make drawing easier. In the same way, you can draw a glass, only in this case a pen is not needed, because the glass does not have a handle.

    The lines will need to be made soft and smooth so that, if necessary, they can be removed with an eraser.

    To draw a mug, glass or glass correctly, it is important to maintain proportions and take into account some of the subtleties of drawing.

    It is better to outline three-dimensional figures in projection, so you will see the ratio of parts, sides, places to apply shadows, etc.

    It is necessary to adhere to the given axis so that the drawing does not float.

    Use ovals rather than circles and ellipses to correctly mark the lines of the neck or top and bottom of the glass.

    It is better to mark unnecessary lines very lightly, so that you can later erase them without spoiling the overall plan.

    First, let's draw a glass.

    First stage. Let's draw two circles of different sizes and slightly elongated to the side. Let's divide each circle into four parts. We will also draw three lines connecting these circles. We got the shape of a glass:

    Second phase. Let's draw a few more circles on the top of the glass:

    Third stage. Erase the auxiliary lines. And also wire a series of lines so that we get a faceted glass.

    Fourth stage. Add shadows using shading.

    A cup is even easier to draw. First we draw two circles, one small, the other large. Let's connect them with two lines, remove the extra lines from the small circle... And draw the handle of the mug. That's all.

    To draw a glass, you need to use auxiliary lines and ovals. Build a glass out of them, and then erase these lines.

    To draw a mug, just make the height smaller and add a handle ;).

Instructions

Place it so that it is at some distance from you and, moreover, slightly below your eye level. This way it will be more convenient for you to consider its proportions, and especially to understand some of the laws of perspective, which are especially important in this case. Examine the glass. If you look closely, you can very clearly see that the top line is an oval. The lower the glass is in relation to your eye level, the wider this oval will be. The bottom line of the glass is also an oval, while the front line is clearly visible, and the back line is blurred because it is behind. If a glass is filled with something, the surface of the liquid also appears oval.

Start the glass at the center line. Place the sheet vertically. Approximately in the middle, draw a vertical line equal to the height of the glass. Draw a perpendicular to its lower point and place on it on both sides segments equal to half the width of the glass at its bottom. Do the same at the top of the glass. These auxiliary lines should be very thin. Try to lay out the pieces more accurately, because the glass should be symmetrical.

Draw the top line of the glass. You have already noticed that it is an oval. The top line of the glass is the same throughout its thickness, and it is better to be thin first. Draw an oval at the bottom. Depending on the shape of the glass, it can be either exactly the same as the top one, or smaller and narrower. If you draw a glass with straight walls, then the ovals will be the same. If it gradually tapers downwards, the ovals will be the same in shape, but different in size. In a bizarrely shaped glass, the bottom oval will most likely be narrower than the top one.

Draw the walls of the glass. For a straight or smoothly tapering one, simply connect the extreme points of the ovals with straight lines. The side lines will be parallel; in the second case (a smoothly tapering glass) they converge downward. If the glass is oddly shaped, try to convey the curvature of the side line as accurately as possible. Outline the visible parts of the object with a thicker line.

To color a picture, it is best to use watercolors. Apply the first even layer of some light paint - bluish, pinkish or yellowish. Make the second layer thicker. It does not completely cover the glass, but only on the sides, about a third of the width. The middle should remain lighter. The brush moves parallel to the bottom line of the oval, alternately in one direction and the other. Apply the third layer of paint in shorter lines, about a third of the stroke of the second layer. In a glass that tapers downwards, the strokes will be longer at the bottom, and near the bottom they may even merge. Outline the contours with a thin brush.

Video on the topic

note

If you draw with pencils or pastels, leave the center white when coloring. The strokes towards the side lines, just like when painting with paints, should be parallel to the upper and lower ovals.

Helpful advice

The paper for such a drawing can be either textured or smooth. Regular Whatman paper will do just fine.

Much attention is usually paid to drawing three-dimensional objects of simple shape in art studios. It is in these classes that the aspiring artist masters the laws of perspective. It is best to start mastering this science with a glass, since it has the simplest form.

Draw a glass with a pencil

Place the glass directly in front of you. It is better if it is cylindrical and without edges. Imagine that you cut it down the middle in a straight, vertical plane. A trace of the bottom and walls will remain on the plane - a rectangle without a top line. It is from the rectangle that you need to start drawing, and at the first stage it should have all four sides. It is better to place the sheet vertically.
To make the glass symmetrical, draw a long vertical line in the middle. It is better to do this with a hard pencil to make it easier to remove later.

Bottom and top

Without bringing the glass closer to you, carefully look at what its bottom and top cut look like. You know for sure that they are round, but if you look at these parts of the glass at an angle, the circle appears as an oval. Draw both ovals. The top of the glass is visible throughout the entire cut. As for the bottom, draw the arc that is closer to you more clearly.
If you strictly follow the laws of perspective, the oval will turn out to be somewhat asymmetrical horizontally - the part that is further from the viewer will be slightly narrower.

Convey wall thickness

Draw an internal outline - draw lines parallel to the sides of the rectangle, as well as an internal oval at the top. Remove the auxiliary lines. Convey the shape using shading. Apply light arc-shaped strokes to the far wall of the glass, then to the one that is closer to you. The strokes should run parallel to the bottom line, that is, when conveying the shape of the back wall of the glass, the convex part of the arcs is directed upward, and when you stroke the part that is closer to you, it is directed downward. If the glass has the shape of a truncated cone, emphasize its shape with several diverging lines running from the bottom to the top.

, mug and glass

Step-by-step drawing of a cup, mug or glass is not much different from drawing a glass. The only difference is that the cup can have the shape of a truncated cone (that is, you need to start drawing it not from a rectangle, but from a trapezoid), and the glass has a leg and a stand. In addition, the cup is most often opaque, that is, the part of its bottom farthest from the viewer is not visible. It is best to start drawing a glass from the vertical axis of symmetry. Draw a horizontal line through its lower point. On a vertical line, mark the height of the stem and the height of the glass. The round stand in the picture will look like an oval. The leg is simply two straight lines at the same distance from the axis. The glass itself is drawn almost the same way as a glass, with the only difference being that it does not have a flat bottom - the stem smoothly merges into the walls.

Drawing a mug is not as easy as it seems. It has its own form, which you need to be able to convey. This will require basic drawing skills and knowledge of perspective. Imagine that the mug is a cylinder. Try to look through it. You will see ovals that are at the bottom and at the top. Also, light and shadow fall on the cylinder, which is darkest at the border. And there are reflexes that form at the junction of an object and paper.

Learn how to draw a mug with a pencil step by step using simple drawing skills. Sharpen your pencils, let's begin!

Drawing details

First of all, outline the main proportions. Draw a line that runs down the center of the mug's cylinder (that is, not including the handle).

Draw two ovals to represent the edges of the mug and saucer. Notice that the oval at the bottom is wider than at the top. This arises due to the nature of perspective. That is, the ovals are not symmetrical.

Inside the top oval, draw another one, 3-5 mm smaller in size. This forms the neck of the cup. Use smooth lines to show its shape. But what if you get it wrong and you can’t understand why or how?

It's easy to draw a mug with a pencil. To make the lines as even as possible, it is better to draw from top to bottom - it’s more convenient. Guide the pencil firmly. Be sure to sharpen the lead.

  1. Draw the bottom of the cup to show its volume.
  2. Afterwards, during the work process, this oval will not necessarily be erased.
  3. Outline the guideline for the handle, leaving an oval to which it will be attached.
  4. Draw a small oval inside the other one, which is intended for the saucer (this is important even in how to draw a mug). This will show its thickness. It will be clear that the mug is not standing on a napkin, but has some kind of voluminous plate.

Draw the shape of the handle. Mark a curved line at the bottom to indicate that the handle will be attached there. The cup has a stand attached to the bottom. Show this with an oval.

Complete the shape of the handle, and also show another oval inside the cup, which will indicate the level to which it will be filled with the drink.

Draw the details at your discretion, compare the proportions. Erase the guide lines.

Hatching

Drawing light and shadow is the main job. You should pay special attention to this if you want to draw a mug step by step. The sketch should take no more than 15 minutes. And to shade correctly, beginners need half an hour. Apply strokes horizontally in a semicircle, then you can easily convey the cylindrical shape and volume of the mug.

Light and shadow

Can't make the image look realistic? How to draw a similar mug, knowledge in drawing light and shadow will help you. The latter may occupy half or less of the image. Also, a shadow can cover an entire object. Its location depends on the lighting.

In high light, the shadow on the subject will be slanted. The cast shadow will lie on the surface closer not to a horizontal position, but to a vertical one, but still with an inclination in a certain direction.

If the light source is on the side, then the shadow will be vertical on the cylinder and occupy a certain part. And its size will depend on the angle from which you draw. The cast shadow will lie horizontally.

If the light is behind the subject, the shadow will completely cover it. Contrasting outlines will appear. But the gradient and cast shadow will also remain. In this case, it is more difficult to draw - you need to try not to make the cylinder too dark, especially if it is made of plaster. Otherwise, the texture will appear metallic. And instead of white, another, darker color will be visible. Now imagine how difficult it is to transfer a bust to paper, while drawing a mug is as easy as shelling pears.

Gradation

From light to dark the gradation is more gradual, and from high light gradually increase the tone, which increases the strength of the shadow of the object, and gradually becomes a shadow. In this case, the shadow also becomes darker from bottom to top. At the junction with the surface it is the lightest.

The drawing imperfectly represents gradation in which there are no sharp changes from one element to the next. In the base light, shadows usually appear where they come into contrast with the highlights. Also, in any lighting conditions there are gradations. At the junction with light, the shadow is darkest in tone. After this junction, the shadow is softer and darkens again towards the edge of the cylinder, but does not become the heaviest in tone. This knowledge even helps in how to draw a mug, because it also has a cylindrical shape.

Cast shadow

The shadow is not completely horizontal. She walks with an upward slope. But it can be positioned differently, depending on the lighting. The shadow that is closest to the cylinder is the darkest. And it also has a gradient - from the object to the junction with the wall. Shadows soften as you move away from the subject. The shadow also has an outline. When you show it, try to make an outline, not a stroke. The shadow that falls on the wall is darker than even a cylinder.