You are young, the color of your curls analysis. M

"You are young, the color of your curls" “YOU ARE YOUNG, THE COLOR OF YOUR CURLS”, poem. early L. (1832). In the original ed. was poetic. self-portrait (“I am young. The color of my curls...”). Undoubtedly autobiographical. basis of verse; “visions” that “deceived the life” of the hero and have not been erased over time - lyrical. motive running through several. poem. 1831-32, inspired by separation from N.F. Ivanova: “Romance” (“There was a gray rock on the seashore”), “Sonnet”, etc. They will end. editorial verse. Compositionally close to Vladimir Arbenin’s “message to Zagorskina,” included in the drama “ A strange man", - "Why a magical smile" (V, 226). At the same time, as in other poems of 1832, L. seeks to avoid direct lyricism. self-expression; already in the first edition. there is a noticeable desire to create an “objective” appearance of lyrical poetry. hero, with individual traits character and behavior, not identical to traditions. elegiac to the hero. Graduated editorial - a monologue addressed to another person; spiritual portrait lyrical. The hero is revealed in a contrasting comparison of characters - cheerful, full of vitality, and suffering, disappointed. Such mediation of lyrical. “I” was found in L. already in 1830, cf. “Excerpt” (“Noticing a young maiden’s breasts”). Autograph - IRLI, notebook. IV. Copy - in the same place, notebook. XX. For the first time - "BdCh", 1845, vol. 68, No. 1, dep. 1, p. 11-12. Dated according to position in the notebook.

Lit.: Udodov(3), p. 86-87.

V. E. Vatsuro Lermontov Encyclopedia / USSR Academy of Sciences. Institute rus. lit. (Pushkin. House); Scientific-ed. Council of the publishing house "Sov. Encycl."; Ch. ed. Manuilov V. A., Editorial Board: Andronikov I. L., Bazanov V. G., Bushmin A. S., Vatsuro V. E., Zhdanov V. V., Khrapchenko M. B. - M.: Sov. Encycl., 1981

You are young. The color of your curls
Not inferior to the color of the night,
Your eyes shine like day
When meeting joyful eyes;

You laugh heartily at funny things,
Like boredom, you drive away sadness,
What childish nonsense to another,
That's it, you're sorry to leave.

Carried away by the wave of life
Far from the hopes of the past,
Like a forgotten traveler,
I became a stranger among my relatives;

Visions flash before me,
Those who deceived my life
And, not born for oblivion,
I recognize their features again.

And time hasn't changed them,
They are still the same! , - I’m not the one:
Why does everything that is cute perish?
And what he regrets, does he live?

M.Yu. Lermontov

Tahmis:

"You are young. The color of your curls
Not inferior to the color of the night"
Don't need a barber yet
And you yourself are made of passions,
And you look for a shorter path to the goal.

"You laugh heartily at funny things,
How do you drive away sadness from boredom?
You accept the world differently
The soul is filled with spring -
Spring both in thoughts and in speeches.

"Carried away by the wave of life
Far from the hopes of the past"
Dejected on a sleepless night,
I became an alienated exile
In your own country, like with strangers.

"I see visions before me,
Those who deceived my life"
And everything is darker than a dream...
Regrets disturb the soul,
And it seems to me that I’m on the edge.

"And time has not changed them,
They are still the same! - I am not the same":
So it was shining in late autumn
The warmth of the beam slid sweetly
And the sky became gloomy again.

A.V.Milyutin

Tahmis is a five-verse in which for each beit (stanza)
ghazal (poem) three lines are added,
not violating the meaning, rhythm....

Reviews

Anatoly, wonderful poem! Full duet
with Lermontovsky. The feeling that is written in that
noble era. Style, worldview - everything is identical
those times. With warmth, Irina.

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“YOU ARE YOUNG, THE COLOR OF YOUR CURLS”, poem. early L. (1832). In the original ed. was poetic. self-portrait (“I am young. The color of my curls...”). Undoubtedly autobiographical. basis of verse; “visions” that “deceived the life” of the hero and have not been erased over time - lyrical. motive running through several. poem. 1831-32, inspired by separation from N.F. Ivanova: “Romance” (“There was a gray rock on the seashore”), “Sonnet”, etc. They will end. editorial verse. Compositionally close is the “message to Zagorskina” by Vladimir Arbenin, included in the drama “Strange Man” - “Why a magic smile” (V, 226). At the same time, as in other poems of 1832, L. seeks to avoid direct lyricism. self-expression; already in the first edition. there is a noticeable desire to create an “objective” appearance of lyrical poetry. a hero, with individual character traits and behavior, not identical to tradition. elegiac to the hero. Graduated editorial - a monologue addressed to another person; spiritual portrait lyrical. The hero is revealed in a contrasting comparison of characters - cheerful, full of vitality, and suffering, disappointed. Such mediation of lyrical. “I” was found in L. already in 1830, cf. “Excerpt” (“Noticing a young maiden’s breasts”). Autograph - IRLI, notebook. IV. Copy - in the same place, notebook. XX. For the first time - "BdCh", 1845, vol. 68, No. 1, dep. 1, p. 11-12. Dated according to position in the notebook.

Lit.: Udodov(3), p. 86-87.

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