What a project by Leonardo da Vinci. Leonardo da Vinci - biography, interesting facts

Leonardo da Vinci is an Italian artist (painter, sculptor, architect) and scientist (anatomist, naturalist), inventor, writer and musician, one of the largest representatives of the art of the High Renaissance.

So, in front of you biography of Leonardo da Vinci.

Biography of Leonardo da Vinci

Leonardo da Vinci was born on April 15, 1452 in the small town of Vinci, near Florence. He was born as a result of a love affair between the notary Pierrot and the peasant woman Katerina.

The official union of these two people was impossible due to the fact that the girl came from a lower class.

Childhood and youth

Soon, da Vinci’s father married a wealthy woman, as a result of which Leonardo lived with his own mother for the first years of his life.

However, when Pierrot and his wife did not have children for a long time, the father decided to adopt his first-born, taking him from Katerina.

Leonardo's childhood affection for his mother, whom he lost at such an early age, was forever imprinted in his memory.

Subsequently, in many of his paintings he tried to convey that maternal image that he carefully kept in his heart.

10 years later, the first wife of the notary Pierrot died, after which he remarried.

In total, Leonardo da Vinci had 4 stepmothers, as well as 12 sisters and brothers on his father's side.

The works of Leonardo da Vinci

When Leonardo da Vinci grew up a little, his father sent him to study with the master Andrea Verrocchio, who taught him various crafts.

This was the first important stage in the biography of Leonardo da Vinci. Already in childhood, he showed abilities in a variety of areas of activity.

He quickly learned to paint, create sculptures, tan leather, process metals and learn about various crafts. In the future, all this knowledge was useful to da Vinci.

When the young man turned 20, he continued to work for his teacher. Verrocchio, of course, saw how gifted his student was.

He often trusted Leonardo to add some fragments to his canvases, for example, minor characters, or.

It is interesting that Leonardo da Vinci will have his own workshop in 4 years.

In 1482, Lorenzo de' Medici sent Leonardo da Vinci to Duke Ludovico Sforzo, who was in dire need of talented engineers.

He urgently needed high-quality defensive devices, as well as devices for entertaining his yard.

Leonardo da Vinci did not let the Duke down, having managed to build the necessary devices, which turned out to be much better than those proposed by other inventors.

It is not surprising that Sforzo greatly valued the unusually talented artist and scientist. As a result, Leonardo da Vinci stayed at the court of Ludovico Sforzo for approximately 17 years.

During this period of his biography, he managed to create many brilliant paintings and sculptures, and complete a lot of anatomical sketches. In addition, the great Leonardo drew many drawings of various devices.

He wanted to design cars that could not only drive on land, but also swim underwater and fly in the sky.

In 1499, Leonardo da Vinci returned back to Florence, where he began working at the court of Cesare Borgia. The Duke was primarily interested in the creation of military equipment with which it was possible to wage an effective war with the enemy.

Leonardo da Vinci spent 7 years in the service of the Borgia, after which he decided to return to Milan. By this point in his biography, he had already managed to write the famous “La Gioconda,” which today is in the French Louvre.

After arriving in Milan, he stayed in this city for 6 years and then moved to Rome. During this period of his biography, he still continued to paint pictures and invent various devices.

In 1516, 3 years before his death, Leonardo da Vinci went to, where he stayed until the end of his life. On this trip he was accompanied by one of his students and the main follower of his artistic style, Francesco Melzi.

Personal life

Not much is known about the personal life of Leonardo da Vinci. Despite the fact that he kept a personal diary, he encrypted all his entries.

However, even after they were able to decipher them, researchers received very little information about the true biography of the great scientist.

Some biographers have suggested that the reason for Leonardo da Vinci's secrecy could be his unconventional orientation.

Moreover, there are versions that the artist’s lover could be his student Salai, who has an effeminate appearance. However, there is no evidence for such statements.

By the way, Szalai posed for several paintings by Leonardo da Vinci. For example, he was the sitter for the famous painting “John the Baptist.” There is a version that the Mona Lisa was also painted from Salai, since many art historians see the obvious similarity of the characters depicted in both paintings.

However, as mentioned earlier, there are simply no facts about relationships with men or even women in the biography of Leonardo da Vinci.

A number of researchers, not unreasonably, claim that Leonardo never knew carnal intimacy at all, having lived his entire life as a virgin.

Death and grave

The great Leonardo da Vinci died on May 2, 1519 at the age of 67, at the castle of Clos Lucé. He bequeathed to bury his body in the Saint-Florentin temple.

Researchers suggest that the probable cause of his death could have been a stroke. To this day, the memories of his contemporaries have been preserved, claiming that Leonardo da Vinci was partially paralyzed. For example, 2 years before his death, he could not move his right arm due to a stroke.

In the last years of his life he continued to create with the help of his student Francesco Melzi. However, every day his health deteriorated, as a result of which he could no longer move without assistance.

The life of the Florentine genius ended after a second stroke in 1519.

It is worth emphasizing that all assumptions about how the last years of the biography of Leonardo da Vinci went are not confirmed by reliable facts, but are only guesses.

At the height of the Huguenot Wars, Leonardo da Vinci's tomb was destroyed. Only after three hundred years did scientists make attempts to identify his remains.

Today, on the site of the destroyed church in which he was buried, there is a granite monument with a bust of the great Leonardo.

Secrets of Leonardo da Vinci

The works of Leonardo da Vinci are seriously studied by scientists, art historians, and even religious figures. Many people assume that the artist allegedly used some kind of graphic code when creating his paintings.

For example, with the help of several mirrors, scientists were able to unravel the mystery of the views of “La Gioconda” and “John the Baptist.”

As it turns out, both characters have their sights set on a mysterious masked creature. The secret code in da Vinci's diaries was also revealed through mirrors.

At the same time, the American writer Dan Brown wrote more than one book related to the artist’s work. In 2006, based on Brown’s work, the film “The Da Vinci Code” was made, which gained enormous popularity all over the world.

Many religious leaders and ordinary believers criticized the film, calling it blasphemous. An interesting fact is that both Christians and Muslims shared this opinion.

Despite this, the film was watched by a record number of viewers. This, in turn, led to the fact that a lot of people began to take a keen interest in the personality and biography of Leonardo da Vinci, as well as his brilliant works.

The story of Leonardo da Vinci

An interesting fact is that today anyone can visit the museum in Rome, named after Leonardo, and see with their own eyes the devices built according to his drawings.

There are also copies of da Vinci’s brilliant paintings and photographs of his original manuscripts. In other words, by visiting this museum you will be able to realistically imagine the life story of the great Florentine.

Inventions of Leonardo da Vinci

Leonardo da Vinci paid great attention to engineering and architectural art. He is the author of many inventions that were several centuries ahead of their time.

A brief biography of Leonardo da Vinci does not allow us to describe in detail all the inventions of this great genius. Here are just a few of them: the world's first tank, an aircraft and a catapult, a machine gun and scissors, a bicycle, etc., etc.

Just think about it, Leonardo da Vinci designed all these inventions in the 15th century, more than 500 years ago!

Moreover, the world's first parachute was also invented by the genius Da Vinci. An interesting fact is that recently modern scientists were able to create an exact copy of such a parachute based on da Vinci’s drawings. Tests have shown that it copes with its task quite well.

It is important to note that today many of Leonardo da Vinci’s drawings and sketches still remain incomprehensible to scientists.

Perhaps in the future we will be able to penetrate the mystery of the biography of Leonardo da Vinci and solve all the mysteries that he left us.

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Leonardo da Vinci was born in the town of Vinci (or near it), located west of Florence, on April 15, 1452. He was the illegitimate son of a Florentine notary and a peasant girl, was brought up in his father’s house and, being the son of an educated man, received a thorough primary education.

1467 - at the age of 15, Leonardo apprenticed to one of the leading masters of the Early Renaissance in Florence, Andrea del Verrocchio; 1472 - joined the guild of artists, studied the basics of drawing and other necessary disciplines; 1476 - he worked in Verrocchio’s workshop, apparently in collaboration with the master himself.

By 1480, Leonardo already had large orders, but 2 years later he moved to Milan. In a letter to the ruler of Milan, Ludovico Sforza, he introduced himself as an engineer, military expert and artist. The years he spent in Milan were filled with various activities. Leonardo da Vinci painted several paintings and the famous fresco “The Last Supper” and began to diligently and seriously keep his notes. The Leonardo we recognize from his notes is an architect-designer (the creator of innovative plans that were never implemented), an anatomist, a hydraulic engineer, an inventor of mechanisms, a creator of decorations for court performances, a writer of riddles, puzzles and fables for the entertainment of the court, musician and painting theorist.

1499 - after the expulsion of Lodovico Sforza from Milan by the French, Leonardo leaves for Venice, visits Mantua on the way, where he participates in the construction of defensive structures, and then returns to Florence. At that time, he was so passionate about mathematics that he didn’t even want to think about picking up a brush. For 12 years, Leonardo constantly moved from city to city, working for the famous in Romagna, designing defensive structures (never built) for Piombino.

In Florence he enters into rivalry with Michelangelo; This rivalry culminated in the enormous battle compositions that the two artists painted for the Palazzo della Signoria (also Palazzo Vecchio). Then Leonardo conceived a second equestrian monument, which, like the first, was never created. Throughout all these years, he continues to fill out his notebooks. They reflect his ideas relating to a variety of subjects. This is the theory and practice of painting, anatomy, mathematics and even the flight of birds. 1513 - as in 1499, his patrons are expelled from Milan...

Leonardo leaves for Rome, where he spends 3 years under the auspices of the Medici. Depressed and upset due to the lack of material for anatomical research, he engages in experiments that lead nowhere.

The kings of France, first Louis XII, then Francis I, admired the works of the Italian Renaissance, especially Leonardo's Last Supper. Therefore, it is not surprising that in 1516 Francis I, well aware of Leonardo’s versatile talents, invited him to the court, which was then located in the castle of Amboise in the Loire Valley. As the sculptor Benvenuto Cellini wrote, despite the fact that the Florentine worked on hydraulic projects and the plan of the new royal palace, his main occupation was the honorary position of court sage and adviser.

Fascinated by the idea of ​​​​creating an aircraft, the Florentine first developed the simplest apparatus (Daedalus and Icarus) based on wings. His new idea is an airplane with full control. But it was not possible to bring the idea to life due to the lack of a motor. Also, the scientist’s famous idea is a device with vertical take-off and landing.

Studying the laws of fluid and hydraulics in general, Leonardo made a great contribution to the theory of locks and sewer ports, testing ideas in practice.

Famous paintings by Leonardo - “La Gioconda”, “The Last Supper”, “Madonna with an Ermine”, and many others. Leonardo was demanding and precise in everything he did. Even before painting, he insisted on fully studying the subject before starting.

Leonardo's manuscripts are priceless. They were fully published only in the 19th and 20th centuries. In his notes, Leonardo da Vinci noted not just thoughts, but supplemented them with drawings, drawings, and descriptions.

Leonardo da Vinci was talented in many fields; he made significant contributions to the history of architecture, art, and physics.

Leonardo da Vinci died in Amboise on May 2, 1519; By this time, his paintings were usually distributed to private collections, and his notes lay in various collections, almost completely forgotten, for several more centuries.

Secrets of Leonardo da Vinci

Leonardo da Vinci encrypted a lot so that his ideas would be revealed gradually, as humanity could “ripen” to them. He wrote with his left hand and in very small letters, from right to left, so that the text looked like a mirror image. He spoke in riddles, made metaphorical prophecies, and loved to make puzzles. Leonardo da Vinci did not sign his works, but there are identification marks on them. For example, if you take a closer look at the paintings, you may find a symbolic bird taking off. There are, apparently, a lot of such signs, which is why one or another of his hidden “brainchildren” are unexpectedly discovered on famous canvases, centuries later. So, for example, it happened with the “Benois Madonna”, which for a long time, as a home icon, was carried with itinerant actors.

Leonard discovered the principle of scattering (or sfumato). The objects on his canvases have no clear boundaries: everything, like in life, is blurry, penetrates one into another, which means it breathes, lives, awakens imagination. To master this principle, he advised practicing: looking at stains on walls, ashes, clouds or dirt that appear from dampness. He specially fumigate the room where he worked with smoke in order to look for images in clubs.

Thanks to the sfumato effect, the flickering smile of Gioconda appeared: depending on the focus of the view, it seems to the viewer that Gioconda is smiling either tenderly or sinisterly. The second miracle of the Mona Lisa is that it is “alive.” Over the centuries, her smile changes, the corners of her lips rise higher. In the same way, the Master mixed the knowledge of various sciences, so his inventions find more and more applications over time. From the treatise on light and shadow come the beginnings of the sciences of penetrating force, oscillatory motion, and wave propagation. All of his 120 books have been distributed around the world and are gradually being revealed to humanity.

Leonardo da Vinci preferred the analogy method to all others. The approximate nature of an analogy is an advantage over the precision of a syllogism, when a third inevitably follows from two conclusions. But the more bizarre the analogy, the further the conclusions from it extend. Take, for example, Da Vinci’s famous illustration, which proves the proportionality of the human body. A human figure with outstretched arms and spread legs fits into a circle, and with closed legs and raised arms, into a square. This “mill” gave rise to various conclusions. Leonardo was the only one who created designs for churches in which the altar is placed in the middle (symbolizing the human navel), and the worshipers are evenly spaced around. This church plan in the form of an octahedron served as another invention of the genius - the ball bearing.

The Florentine loved to use contrapposto, which creates the illusion of movement. Everyone who saw his sculpture of a giant horse in Corte Vecchio involuntarily changed their gait to a more relaxed one.

Leonardo was never in a hurry to finish a work, because unfinishment is an integral quality of life. Finishing means killing! The Florentine's slowness was the talk of the town; he could make two or three strokes and leave the city for many days, for example, to improve the valleys of Lombardy or to create an apparatus for walking on water. Almost every one of his significant works is “unfinished.” The master had a special composition, with the help of which he seemed to specially create “windows of incompleteness” in the finished painting. Apparently, he left a place where life itself could intervene and correct something...

He played the lyre masterfully. When Leonardo's case was heard in the Milan court, he appeared there precisely as a musician, and not as an artist or inventor.

There is a version that Leonardo da Vinci was a homosexual. While the artist was studying in Verrocchio's studio, he was accused of molesting a boy who posed for him. The court acquitted him.

According to one version, Gioconda smiles from the realization of her secret pregnancy.

According to another, the Mona Lisa was entertained by musicians and clowns while she posed for the artist.

There is another assumption, according to which, “Mona Lisa” is a self-portrait of Leonardo.

Leonardo da Vinci, apparently, did not leave a single self-portrait that could be unambiguously attributed to him. Experts doubt that Leonardo's famous self-portrait of Sanguine (traditionally dated 1512-1515), depicting him in old age, is such. It is believed that this is probably only a study of the head of the apostle for the Last Supper. Doubts that this is a self-portrait of the artist began to be expressed in the 19th century; the last one to express them was recently one of the leading experts on Leonardo da Vinci, Professor Pietro Marani.

Scientists at the University of Amsterdam and American researchers, having studied the mysterious smile of Mona Lisa using a new computer program, unraveled its composition: according to them, it contains 83 percent happiness, 9 percent disdain, 6 percent fear and 2 percent anger.

Leonardo loved water: he developed instructions for underwater diving, he invented and described a device for underwater diving, a breathing apparatus for scuba diving. All of Leonardo da Vinci's inventions formed the basis of modern underwater equipment.

Leonardo was the first of the painters to begin dismembering corpses in order to understand the location and structure of the muscles.

Observations of the Moon in the waxing crescent phase led the researcher to one of the important scientific discoveries - Leonardo da Vinci established that sunlight is reflected from our planet and returns to the moon in the form of secondary illumination.

The Florentine was ambidextrous - he was equally good with his right and left hands. He suffered from dyslexia (impaired reading ability) - this ailment, called “word blindness,” is associated with reduced brain activity in a certain area of ​​​​the left hemisphere. It is a well-known fact that Leonardo wrote in a mirror manner.

Relatively not so long ago, the Louvre spent $5.5 million to move the artist’s most famous masterpiece, La Gioconda, from the general public to a room specially equipped for it. Two-thirds of the State Hall, occupying a total area of ​​840 square meters, was allocated for La Gioconda. m. The huge room was rebuilt into a gallery, on the far wall of which the famous work of the great Leonardo now hangs. The reconstruction, which was carried out according to the design of the Peruvian architect Lorenzo Piqueras, lasted about 4 years. The decision to move the “Mona Lisa” to a separate room was made by the administration of the Louvre due to the fact that in its original place, surrounded by other paintings by Italian masters, this masterpiece was lost, and the public was forced to stand in line to see the famous painting.

2003, August - a painting by the great Leonardo worth 50 million dollars, “Madonna with a Spindle,” was stolen from Drumlanrig Castle in Scotland. The masterpiece was stolen from the home of one of the richest landowners in Scotland, the Duke of Buccleuch.

It is believed that Leonardo was a vegetarian (Andrea Corsali, in a letter to Giuliano di Lorenzo de' Medici, compares him to an Indian who did not eat meat). The phrase often attributed to Leonardo: “If a person strives for freedom, why does he keep birds and animals in cages? .. man is truly the king of animals, because he cruelly exterminates them. We live by killing others. We are walking cemeteries! At an early age I gave up meat” is taken from the English translation of Dmitry Merezhkovsky’s novel “Resurrection of the Gods. Leonardo da Vinci."

Leonardo da Vinci created designs for a submarine, a propeller, a tank, a loom, a ball bearing and flying cars.

While building canals, Leonardo made an observation that later entered geology under his name as a theoretical principle for recognizing the time of formation of the earth's layers. He concluded that our planet is much older than the Bible indicated.

Da Vinci's hobbies even included cooking and the art of serving. In Milan, for thirteen years, he was the manager of court feasts. He invented several culinary devices to make the work of cooks easier. Leonardo's original dish - thinly sliced ​​stewed meat with vegetables laid on top - was very popular at court feasts.

In Terry Pratchett's books there is a character whose name is Leonard, whose prototype was Leonardo da Vinci. Pratchett's Leonard writes from right to left, invents various machines, practices alchemy, paints pictures (the most famous is the portrait of Mona Ogg)

A considerable number of Leonardo's manuscripts were first published by the curator of the Ambrosian Library, Carlo Amoretti.

Italian scientists made a statement about the sensational discovery. According to them, an early self-portrait of Leonardo has been discovered. The discovery belongs to the journalist Piero Angela.

There is a theory according to which geniuses are born only at that historical moment when development, cultural and social, has already prepared the ground for them. This hypothesis well explains the emergence of great personalities whose deeds were appreciated during their lifetime. The situation is more difficult with those brilliant minds whose calculations and developments have far surpassed their era. Their creative thought, as a rule, received recognition only centuries later, often being lost over the centuries and revived again when all the conditions for the implementation of brilliant plans appeared.

The biography of Leonardo da Vinci is just an example of such a story. However, among his achievements there were those recognized and understood by his contemporaries, and those that were only recently able to be appreciated.

Son of a notary

Leonardo da Vinci's date of birth is April 15, 1452. He was born in sunny Florence, in the town of Anchiano, not far from the town of Vinci. Most of all, his origin is evidenced by his name, which actually means “Leonardo comes from Vinci.” The childhood of the future genius largely predetermined his entire future life. Leonardo's father, the young notary Piero, was in love with a simple peasant woman, Katerina. Da Vinci became the fruit of their passion. However, soon after the birth of the boy, Piero married a rich heiress and left his son in the care of his mother. Fate would have it so that their marriage turned out to be childless, so at the age of three little Leo was separated from his mother and began to live with his father. These events left an indelible imprint on the future genius: the entire work of Leonardo da Vinci was permeated with the search for the image of his mother, Katerina, abandoned in childhood. According to one version, it was the artist who captured it in the famous painting “Mona Lisa”.

First successes

From childhood, the great Florentine showed a penchant for many sciences. Quickly grasping the basics, he was able to baffle even the most experienced teacher. Leonardo was not afraid of complex mathematical problems; he was able to construct his own judgments based on learned axioms, which often surprised his teachers. He also held music in high esteem. Among the many instruments, Leonardo gave his preference to the lyre. He learned to extract beautiful melodies from it and sang with pleasure to its accompaniment. But most of all he liked painting and sculpture. He was passionate about them, which soon became noticeable to his father.

Andrea del Verrocchio

Piero, paying tribute to his son’s sketches and drawings, decided to show them to his friend, the then famous painter Andrea Verrocchio. The work of Leonardo da Vinci made a great impression on the master, and he offered to become his teacher, to which his father, without thinking twice, agreed. So the young artist began to become familiar with great art. The biography of Leonardo da Vinci covered here would be incomplete without mentioning how this training ended for the painter.

One day Verrocchio was commissioned to paint the baptism of Christ. At that time, masters quite often assigned their best students to paint minor figures or backgrounds. Having depicted Saint John and Christ, Andrea del Verrocchio decided to paint two angels side by side and commissioned the young Leonardo to paint one of them. He did the job with all diligence, and it was difficult not to notice how the student’s skill surpassed that of the teacher. The biography of Leonardo da Vinci, presented by Giorgio Vasari, a painter and the first art critic, contains a mention that Verrocchio not only noticed the talent of his apprentice, but refused to take up a brush forever after that - this superiority hurt him so much.

Not only a painter

One way or another, the union of the two masters brought many results. Andrea del Verrocchio was also involved in sculpture. To create the statue of David, he used Leonardo as a model. A characteristic feature of the immortalized hero is a slight half-smile, which a little later will become almost da Vinci’s calling card. There is also reason to believe that Verrocchio created his most famous work, the statue of Bartolomeo Colleone, together with the brilliant Leonardo. In addition, the master was famous for being an excellent decorator and director of various festivals at court. Leonardo also adopted this art.

Signs of a genius

Six years after starting his studies with Andrea del Verrocchio, Leonardo opened his own workshop. Vasari notes that his restless mind, always eager to achieve perfection in many ways, had some flaw: Leonardo often left his undertakings unfinished and immediately took on new ones. The biographer regrets that much was never created by the genius because of this, how many great discoveries he did not make, although he stood on their threshold.

Indeed, Leonardo was a mathematician, a sculptor, a painter, an architect, and an anatomist, but many of his works lacked completeness. Take, for example, the paintings of Leonardo da Vinci. For example, he was commissioned to depict Adam and Eve in the Garden of Eden. The painting was intended as a gift to the Portuguese king. The artist skillfully painted the trees, which seemed likely to rustle at the slightest breath of wind, and carefully depicted the meadow and animals. However, that’s where he completed his work, without ever finishing it.

Perhaps it was this kind of inconstancy that made Leonardo a jack of all trades. Throwing away the picture, he took to the clay, talking about the development of plants, and at the same time observed the life of the stars. Perhaps, if a genius strived to complete each of his works, today we would know only the mathematician or the artist Leonardo da Vinci, but not both in one person.

"Last Supper"

In addition to the desire to embrace a lot, the great genius was characterized by a desire to achieve perfection and the ability to understand where the limit of his capabilities in this sense was. Leonardo da Vinci's paintings became famous during the master's lifetime. He performed one of his most famous works for the Dominican Order in Milan. The refectory of the Church of Santa Maria delle Grazie is still decorated with his Last Supper.

There is a legend associated with the painting. The artist spent a long time searching for suitable models for the faces of Christ and Judas. According to his plan, the Son of God was supposed to embody all the good that is in the world, and the traitor was evil. Sooner or later, the search was crowned with success: among the choir members, he spotted a model suitable for the face of Christ. However, the search for a second model took three years, until Leonardo finally spotted a beggar in a ditch whose face was more than suitable for Judas. The drunk and dirty man was taken to the church because he was unable to move. There, seeing the picture, he exclaimed in surprise: it was familiar to him. A little later, he explained to the artist that three years ago, when fate was more favorable to him, Christ was drawn from him for the same picture.

Vasari's information

However, most likely, this is only a legend. At least, Vasari's biography of Leonardo da Vinci does not contain any mention of this. The author provides other information. While working on the painting, the genius really could not complete the face of Christ for a long time. It remained unfinished. The artist believed that he would not be able to depict the extraordinary kindness and great forgiveness with which the face of Christ should shine. He didn't even intend to look for a suitable model for it. However, even in such an unfinished form, the picture is still amazing. On the faces of the apostles their love for the teacher and suffering due to their inability to comprehend everything that he tells them are clearly visible. Even the tablecloth on the table is painted so carefully that it cannot be distinguished from the real thing.

The most famous painting

The main masterpiece of the great Leonardo is, without a doubt, the Mona Lisa. Vasari quite definitely calls the painting a portrait of the third wife of the Florentine Francesco del Giocondo. However, it was common for the author of many biographies, in addition to verified facts, to use legends, rumors and speculation as sources. For a long time, researchers could not find a comprehensive answer to the question of who Da Vinci’s model was. Researchers who agreed with Vasari's version dated Giaconda to 1500-1505. During these years, Leonardo da Vinci worked in Florence. Opponents of the hypothesis noted that the artist had not yet achieved such perfect skill by that time, and therefore the painting was probably painted later. In addition, in Florence, Leonardo worked on another work, “The Battle of Anghiari,” and it took a lot of time.

Among the alternative hypotheses were suggestions that the “Mona Lisa” is a self-portrait or an image of da Vinci’s lover and student, Salai, whom he captured in the painting “John the Baptist.” It was also suggested that the model was Isabella of Aragon, Duchess of Milan. All the mysteries of Leonardo da Vinci paled before this one. However, in 2005, scientists managed to find solid evidence in favor of Vasari's version. The notes of Agostino Vespucci, an official and friend of Leonardo, were discovered and studied. They, in particular, indicated that da Vinci was working on a portrait of Lisa Gherardini, the wife of Francesco del Giocondo.

Ahead of its time

If da Vinci's paintings gained fame during the author's lifetime, many of his achievements in other areas were appreciated only centuries later. The date of death of Leonardo da Vinci is May 2, 1519. However, only at the end of the nineteenth century did the recordings of the genius become public. Leonardo da Vinci's drawings describing the devices were far ahead of their time.

If the master inspired many of his contemporaries with his painting and laid the foundation for the art of the High Renaissance, then his technical achievements were impossible to bring to life at the level of technological development that existed in the sixteenth century.

Leonardo da Vinci's flying cars

The brilliant inventor wanted to soar not only in thoughts, but also in reality. He worked on creating a flying car. Leonardo da Vinci's drawings contain a diagram of the structure of the world's first model of a hang glider. This was already the third or fourth version of a flying car. The pilot was supposed to be placed inside the first ones. The mechanism was set in motion by the rotating pedals that he turned. The hang glider prototype was designed for gliding flight. This model was tested in the UK in 2002. Then the world champion in hang gliding managed to stay above the ground for seventeen seconds, while she rose to a height of ten meters.

Even earlier, the genius developed a design for a device that was supposed to rise into the air with the help of a single main rotor. The machine vaguely resembles a modern helicopter. However, this mechanism, which came into motion as a result of the concerted work of four people, had a lot of flaws, and it was not destined to become a reality even after centuries.

War vehicles

Biographers often, when describing Leonardo da Vinci as a person, note his peace-loving nature and condemnation of military actions. However, apparently, this did not stop him from developing mechanisms whose only function was to defeat the enemy. For example, he created a drawing of a tank. It had little in common with the operating mechanisms of the Second World War.

The car was set in motion thanks to the efforts of eight people turning the wheel levers. Moreover, she could only move forward. The tank had a round shape and was equipped with a large number of guns aimed in different directions. Today, almost any Leonardo da Vinci museum can demonstrate such a combat vehicle, made according to the drawings of the brilliant master.

Among the weapons invented by da Vinci was a terrifying-looking scythe chariot and a prototype of a machine gun. All these products demonstrate the breadth of thought of a genius, his ability to predict for many centuries the path of development along which society will move.

Automobile

Among the genius's developments was a car model. Outwardly, it was not much like the cars we are used to, but rather resembled a cart. For a long time it remained unclear how Leonardo intended to move it. This mystery was resolved in 2004, when in Italy a da Vinci car was created according to the drawings and equipped with a spring mechanism. Perhaps this is exactly what the author of the model assumed.

Ideal city

Leonardo da Vinci lived in turbulent times: wars were frequent, and the plague raged in many places. The searching mind of a genius, faced with serious illnesses and the misfortunes they bring, sought to find a way to improve the quality of life. Da Vinci developed a diagram of an ideal city, divided into several levels: the upper one for the upper classes, the lower one for trade. According to the author’s idea, all houses were supposed to have constant access to water using a system of pipes and canals. The ideal city consisted not of narrow streets, but of wide squares and roads. The purpose of such innovations was to reduce disease and improve hygiene. The project remained on paper: the kings to whom Leonardo proposed it considered the idea too bold.

Achievements in other areas

Science owes a lot to genius. Leonardo da Vinci had a great understanding of human anatomy. He worked hard, sketching the features of the internal arrangement of organs and the structure of muscles, and created the principles of anatomical drawing. He also made a description of the thyroid gland and its main functions. Spending time on astronomical research, he explained the mechanism by which the Sun illuminates the Moon. Da Vinci did not deprive physics of his attention, introducing the concept of friction coefficient and identifying the factors influencing it.

There are also ideas in the works of the genius that are characteristic of modern archeology. Thus, he was not a supporter of the official version at that time, according to which shells, found in large numbers on the slopes of the mountains, got there due to the Great Flood. According to the scientist, once upon a time these mountains could have been the shores of the seas or even their bottom. And after unimaginable periods of time, they “grew up” and became what they see.

Secret writings

Among the mysteries of Leonardo, after the mystery of the Mona Lisa, his mirror handwriting is most often discussed. The genius was left-handed. He made most of his notes in reverse: the words went from right to left and could only be read with the help of a mirror. There is a version according to which da Vinci wrote this way so as not to smudge the ink. Another hypothesis says that the scientist did not want his works to become the property of fools and ignoramuses. Most likely, we will never know the correct answer to this question.

No less secret is the personal life of the great Leonardo. Little is known about her, since the genius did not seek to flaunt her. Therefore, today there are a lot of the most incredible hypotheses in this regard. However, this is a topic for a separate article.

Leonardo da Vinci's contribution to world art, his extraordinary mind, which could almost simultaneously comprehend problems from completely different areas of human knowledge, remains indisputable and obvious. Few people in history can compare with Leonardo in this sense. At the same time, he was a worthy representative of his era, incorporating all the ideals of the Renaissance. He gave the world the art of the High Renaissance, laid the foundations for a more accurate representation of reality, and created the canonical proportions of the body, embodied in the drawing “Vitruvian Man”. With all his activities, he actually defeated the idea of ​​​​the limitations of our minds.

Leonardo da Vinci is one of the most talented and mysterious persons of the Renaissance. The Creator left behind a lot of inventions, paintings and secrets, many of which remain unsolved to this day. Da Vinci is called a polymath, or “universal man.” After all, he reached heights in almost all areas of science and art. In this article you will learn the most interesting things from the life of this person.

Biography

Leonardo da Vinci was born on April 15, 1452 in the settlement of Anchiano in the Utuscan city of Vinci. The parents of the future genius were lawyer Piero, 25 years old, and orphan peasant Katerina, 15 years old. However, Leonardo, like his father, did not have a surname: da Vinci means “from Vinci.”

Until the age of 3, the boy lived with his mother. The father soon married a noble but barren lady. As a result, 3-year-old Leonardo was taken into care by a new family, separated from his mother forever.

Pierre da Vinci gave his son a comprehensive education and more than once tried to introduce him to the notary profession, but the boy did not show any interest in the profession. It is worth noting that during the Renaissance, illegitimate births were considered equal to those born legitimately. Therefore, even after the death of his father, Leonardo was helped by many noble people of Florence and the town of Vinci itself.

Verrocchio's workshop

At the age of 14, Leonardo became an apprentice in the workshop of the painter Andrea del Verrocchio. There the teenager drew, sculpted, and learned the basics of the humanities and technical sciences. 6 years later, Leonardo qualified as a master and was accepted into the Guild of St. Luke, where he continued to study the basics of drawing and other significant disciplines.

History includes the incident of Leonardo's victory over his teacher. While working on the painting “The Baptism of Christ,” Verrocchio asked Leonardo to draw an angel. The student created an image that was many times more beautiful than the whole picture. As a result, the amazed Verrochio gave up painting entirely.

1472–1516

1472–1513 years are considered the most fruitful in the artist’s life. After all, it was then that the polymath created his most famous creations.

In 1476–1481 Leonardo da Vinci had a personal workshop in Florence. In 1480 the artist became famous and began to receive incredibly expensive orders.

1482–1499 Da Vinci spent a year in Milan. The genius arrived in the city as a messenger of peace. The head of Milan, the Duke of Moro, often ordered da Vinci various inventions for wars and for the amusement of the court. In addition, Leonardo da Vinci began keeping a diary in Milan. Thanks to personal notes, the world learned about many of the creator’s discoveries and inventions, and about his passion for music.

Due to the French invasion of Milan, in 1499 year the artist returned to Florence. In the city, the scientist served Duke Cesare Borgia. On his behalf, da Vinci often visited Romagna, Tuscany and Umbria. There the master was engaged in reconnaissance and preparing fields for battles. After all, Cesare Borgia wanted to seize the Papal States. The entire Christian world considered the Duke a fiend from hell, and da Vinci respected him for his tenacity and talent.

In 1506 Leonardo da Vinci returned to Milan again, where he studied anatomy and the study of the structure of organs with the support of the Medici family. In 1512, the scientist moved to Rome, where he worked under the patronage of Pope Leo X until the latter's death.

In 1516 Leonardo da Vinci became a court advisor to the King of France, Francis I. The ruler allocated the artist the castle of Clos-Lucé and gave him complete freedom of action. In addition to an annual fee of 1000 ecus, the scientist received an estate with vineyards. Da Vinci noted that his French years gave him a comfortable old age and were the calmest and happiest in his life.

Death and grave

Leonardo da Vinci's life was cut short on May 2, 1519, presumably from a stroke. However, signs of the disease appeared long before this. The artist could not move his right hand due to partial paralysis since 1517, and shortly before his death he completely lost the ability to walk. The maestro bequeathed all his property to his students.

Da Vinci's first tomb was destroyed during the Huguenot Wars. The remains of various people were mixed and buried in the garden. Later, archaeologist Arsene Houssay identified the artist's skeleton from the description and transferred it to a reconstructed grave on the grounds of the Castle of Amboise.

In 2010, a group of scientists intended to exhume the body and conduct DNA testing. For comparison, it was planned to take material from the artist’s buried relatives. However, the owners of Watermelon Castle did not allow da Vinci to be exhumed.

Secrets of personal life

Personal life Leonardo da Vinci was kept in the strictest confidence. The artist described all love events in his diary using a special code. Scientists put forward 3 opposing versions regarding the personal life of a genius:

Secrets in the life of da Vinci

In 1950, the list of Grand Masters of the Priory of Sion, a Jerusalem order of monks founded in the 11th century, was made public. According to the list, Leonardo da Vinci was a member of a secret organization.

A number of researchers believe that the artist was its leader. The main task of the group was to restore the Merovingian dynasty - the direct descendants of Christ - to the throne of France. Another of the group's missions was to keep the marriage of Jesus Christ and Mary Magdalene secret.

Historians dispute the existence of the Priory and consider Leonardo's participation in it a hoax. Scientists emphasize that the Priory of Sion was created in 1950 with the participation of Pierre Plantard. In their opinion, documents were forged at the same time.

However, few surviving facts can only speak of the caution of the monks of the order and their desire to hide their activities. Da Vinci's writing style also speaks in favor of the theory. The author wrote from left to right, as if imitating Hebrew writing.

The Priory Mystery formed the basis of Dan Brown's book The Da Vinci Code. Based on the work, a film of the same name was made in 2006. The plot talks about a cryptex allegedly invented by Da Vinci - an encryption device. When you try to hack the device, everything written is dissolved in vinegar.

Predictions of Leonardo da Vinci

Some historians consider Leonardo da Vinci a seer, others - a time traveler who found himself in the Middle Ages from the future. So, scientists are wondering how the inventor could create a gas mixture for scuba diving without knowledge of biochemistry. However, it is not only da Vinci’s inventions that raise questions, but also his predictions. Many prophecies have already come true.

So, Leonardo da Vinci described Hitler and Stalin in detail, and also predicted the appearance of:

• missiles;
• telephone;
• Skype;
• players;
• electronic money;
• loans;
• paid medicine;
• globalization, etc.

In addition, da Vinci painted the end of the world, depicting an atomic one. Among future cataclysms, scientists have described the collapse of the earth's surface, the activation of volcanoes, the flood and the coming of the Antichrist.

Inventions

Leonardo da Vinci left the world a lot of useful inventions that became prototypes:

• parachute;
• airplane, hang glider and helicopter;
• bicycle and car;
• robot;
• eye glasses;
• telescope;
• spotlights;
• scuba gear and spacesuit;
• lifebuoy;
• military devices: tank, catapult, machine gun, mobile bridges and wheel lock.

Among Da Vinci's great inventions, his "Ideal City". After the plague pandemic, the scientist developed a project for Milan with proper planning and sewerage. It was supposed to divide the city into levels for the upper classes and trade, and ensure constant access of water to houses.

In addition, the master rejected narrow streets, which were a breeding ground for infections, and emphasized the importance of wide squares and roads. However, the Duke of Milan Ludovico Sforza did not accept the bold scheme. Centuries later, a new city, London, was built according to an ingenious project.

Leonardo da Vinci also left his mark on anatomy. The scientist was the first to describe the heart as a muscle and tried to create a prosthetic aortic valve. In addition, da Vinci accurately described and depicted the spine, the thyroid gland, the structure of the teeth, the structure of the muscles, and the location of the internal organs. Thus, the principles of anatomical drawing were created.

The genius also contributed to the development of art, developing blurred drawing technique and chiaroscuro.

Great paintings and their mysteries

Leonardo da Vinci left behind many paintings, frescoes and drawings. However, 6 works were lost, and the authorship of another 5 is disputed. There are 7 works of Leonardo da Vinci that are most famous in the world:

1. - Da Vinci's first work. The drawing is realistic, neat and done with light pencil strokes. When looking at the landscape, it seems that you are looking at it from a high point.

2. "Turin self-portrait". The painter created a masterpiece 7 years before his death. The painting is valuable because it gives the world an idea of ​​what Leonardo da Vinci looked like. However, some art historians believe that this is just a sketch for the Mona Lisa, made from another person.

3. . The drawing was created as an illustration for the book. Da Vinci captured a naked man in 2 positions superimposed on each other. The work is considered simultaneously an achievement of art and science. After all, the artist embodied the canonical proportions of the body and the golden ratio. Thus, the drawing emphasizes the natural ideality and mathematical proportionality of man.

4. . The painting has a religious plot: it is dedicated to the Mother of God (Madonna) and the Christ Child. Despite its small size, the painting amazes with its purity, depth and beauty. But “Madonna Litta” is also shrouded in mystery and raises a lot of questions. Why does the baby have a chick in his hands? Why is Our Lady's dress torn in the chest area? Why is the picture made in dark colors?

5. . The painting was commissioned by the monks, but due to his move to Milan, the artist never completed the work. The canvas depicts Mary with the newborn Jesus and the Magi. According to one version, 29-year-old Leonardo himself is depicted among the men.

6th masterpiece –

“The Last Supper” is a fresco depicting Christ’s last supper. The work is no less mysterious and mysterious than the Mona Lisa.
The history of the creation of the canvas is shrouded in mysticism. The artist quickly drew portraits of all the characters in the picture.

However, it was impossible to find prototypes for Jesus Christ and Judas. Once da Vinci noticed a bright and spiritual young man in the church choir. The young man became the prototype of Christ. The search for a model for the drawing of Judas dragged on for years.

Later, da Vinci found the most vile person in his opinion. The prototype of Judas was a drunkard found in a sewer. Having already completed the picture, Da Vinci learned that Judas and Christ were drawn by him from the same person.

Among the mysteries of the Last Supper is Mary Magdalene. Da Vinci depicted her at the right hand of Christ, as a lawful wife. The marriage between Jesus and Mary Magdalene is also indicated by the fact that the contours of their bodies form the letter M - “Matrimonio” (marriage).

7th masterpiece – “Mona Lisa”, or “La Gioconda”

“Mona Lisa”, or “La Gioconda” is the most famous and mysterious painting by Leonardo da Vinci. To this day, art historians argue about who is depicted on the canvas. Among the popular versions: Lisa del Giocondo, Constanza d'Avalos, Pacifica Brandano, Isabella of Aragon, an ordinary Italian, da Vinci himself and even his student Salai in a woman's dress.

In 2005, it was proven that the painting depicts Lisa Gerandini, the wife of Francesco del Giocondo. This was indicated by the notes of da Vinci's friend Agostino Vespucci. Thus, both names become understandable: Mona - short for the Italian Madonna, my mistress and Gioconda - after the surname of Lisa Gerandini’s husband.

Among the secrets of the painting is the demonic and at the same time divine smile of the Mona Lisa, which is capable of enchanting anyone. When you focus on your lips, they seem to smile more. They say that people who look at this detail for a long time go crazy.

A computer study has shown that Mona Lisa's smile simultaneously expresses happiness, anger, fear and disgust. Some scientists are convinced that the effect is caused by the absence of front teeth, eyebrows or the heroine’s pregnancy. Others say that the smile seems to fade away due to the fact that it is in the low frequency range of light.

Researcher Smith-Kettlewell argues that the smile change effect is due to random noise in the human visual system.

The look of the Mona Lisa is also written in a special way. From whatever angle you look at the girl, it seems that she is looking at you.

The technique of writing La Gioconda is also impressive. The portrait, including the eyes and smile, is a series of golden ratios. The face and hands form an isosceles triangle, and some details fit perfectly into the golden rectangle.

Secrets of Da Vinci's paintings: hidden messages and meanings

The paintings of Leonardo da Vinci are shrouded in mysteries that hundreds of scientists from all over the world are struggling with. In particular, Ugo Conti decided to use the mirror method. The scientist was prompted to this idea by da Vinci’s prose. The fact is that the author wrote from left to right, and his manuscripts can only be read with the help of a mirror. Conti applied the same approach to reading paintings.

It turned out that the characters in da Vinci’s paintings point with their eyes and fingers to the places where the mirror should be placed.

A simple technique reveals hidden images and figures:

1. In the painting “The Virgin and Child, Saint Anne and John the Baptist” discovered a number of demons. According to one version, this is the Devil, according to another, the Old Testament god Yahweh in the papal tiara. It was believed that this god “protects the soul from the vices of the body.”

Click to enlarge

2. In the painting “John the Baptist”- “tree of life” with an Indian deity. A number of researchers believe that in this way the artist hid the mysterious painting “Adam and Eve in Paradise.” Da Vinci's contemporaries often mentioned the painting. For a long time it was believed that “Adam and Eve” was a separate picture.

3. On the “Mona Lisa” and “John the Baptist”- the head of a demon, the Devil or the god Yahweh in a helmet, somewhat similar to the hidden image on the canvas “Our Lady”. With this, Conti explains the mystery of the looks in the paintings.

4. On “Madonna of the Rocks”(“Madonna in the Grotto”) depicts the Virgin Mary, Jesus, John the Baptist and an Angel. But if you hold a mirror to the picture, you can see God and a number of biblical characters.

5. In the painting “The Last Supper” a hidden vessel is discovered in the hands of Jesus Christ. Researchers believe this is the Holy Grail. In addition, thanks to the mirror, the two apostles become knights.

6. In the painting “The Annunciation” hidden angelic, and in some versions alien, images.

Hugo Conti believes that you can find a hidden mystical drawing in every painting. The main thing is to use a mirror for this.

In addition to mirror codes, the Mona Lisa also stores secret messages under layers of paint. Graphic designers noticed that when the canvas is turned on its side, images of a buffalo, lion, monkey and bird become visible. Da Vinci thus told the world about the four Essences of man.

Some interesting facts about da Vinci include the following:

1. The genius was left-handed. Many scientists explain this by the master’s special writing style. Da Vinci always wrote in a mirror manner - from left to right, although he could write with his right hand.
2. The Creator was not constant: he quit one job and jumped to another, never returning to the previous one. Moreover, da Vinci moved to completely unrelated areas. For example, from art to anatomy, from literature to engineering.
3. Da Vinci was a talented musician and played the lyre beautifully.
4. The artist was a zealous vegetarian. Not only did he not eat animal food, but he also did not wear leather or silk. Da Vinci called people who eat meat “walking cemeteries.” But this did not prevent the scientist from being a master of ceremonies at court feasts and from creating a new profession - an “assistant” cook.
5. Da Vinci's passion for drawing knew no bounds. So, the master spent hours sketching the bodies of the hanged in detail.
6. According to one version, the scientist developed colorless and odorless poisons, as well as glass listening devices for Cesare Borgia.

They say that geniuses are born only when the world is ready to accept them. However, Leonardo da Vinci was far ahead of his era. The bulk of his discoveries and creations were appreciated only centuries later. Da Vinci proved by his own example that the human mind knows no boundaries.

Books were written and films were made about the titan of the Renaissance, and monuments were erected in his honor. Minerals, craters on the Moon and asteroids were named after the great scientist. And in 1994, they found a truly beautiful way to perpetuate the memory of the genius.

Breeders have developed a new variety of historical rose, called Rosa Leonardo da Vinci. The plant blooms continuously, does not burn out and does not freeze in the cold, like the memory of the “universal man”.

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Not impressed? Well, the bearing may not be the coolest thing an inventor can do, but a lot of modern technology works with the help of bearings. Ball bearings allow drive shafts to rotate, push goods in a store or factory, and are the basis of almost any moving mechanism. Smooth balls placed between two moving surfaces virtually eliminate friction. For the first time, the idea, as many believe, was born during the Roman Empire, but historians believe that it was in da Vinci’s notebooks that the first sketches of the bearing appeared. Many of the devices invented by the genius would not work without bearings. But as with many of the inventor's concepts, the bearing had to be reinvented by someone else.

The distance from which a body falls depends on two factors: the force of gravity, which pulls it down, and the resistance of the atmosphere in which it falls. In the absence of an atmosphere, a falling body will simply accelerate to tremendous speed until it hits the surface, but the air slows down the fall until the body reaches the so-called terminal velocity. Different objects have different maximum speeds. For a person falling in the Earth's atmosphere - a parachutist, for example - this speed is approximately 193.1 km/h. Slowly, right? Let it be so, but this is enough for a person falling from an airplane to turn into a cake after hitting the surface of the earth. Only a parachute can save him.

Da Vinci, fascinated by the idea of ​​a flying man, conceived his parachute as a means of drifting through the air. Its pyramidal structure was draped with fabric. As da Vinci wrote in his notes, such a device would allow a person to “fall from any height without any injury or damage.” The twenty-first century naturalists who implemented da Vinci's idea recognized that it worked exactly as he predicted.

Da Vinci was inspired by birds. He watched them, drew them and thought about creating his own flying machines. One of the results of this hobby was the ornithopter, a device invented by da Vinci that could theoretically lift a person into the air like a bird. While a da Vinci parachute would allow a man to jump off a cliff and stay alive, an ornithopter would allow him to float in the air above the ground.

On paper, an ornithopter looks more like a bird (or bat) than modern aircraft. Its wings will start working after the pilot turns the handle. This invention demonstrates da Vinci's deep understanding of aerodynamics. Modern attempts to reproduce the ornithopter have shown that it could indeed fly - if it were lifted into the air. Building an aircraft that uses weak human muscles would be more difficult.

The parachute and ornithopter were only two of the flying machines described by da Vinci in his notebooks. Others included a glider and a helicopter-like aircraft, which we may talk about later.

The da Vinci machine gun or "33-barrel organ" was not a machine gun in the modern sense. He could not quickly fire bullets from one barrel. But it could fire volleys at short intervals, and if built, it would effectively mow down the advancing infantry.

The mechanism of this machine gun is simple. Da Vinci proposed assembling 11 muskets on a rectangular board, and then folding three such boards into a triangle. By placing a shaft in the middle, the whole thing could be rotated so that one set of 11 guns would fire while the other two cooled down and reloaded. After this, the entire mechanism turned over and fired another salvo.

And although da Vinci constantly noted in his notebooks that he hated war and cursed killing machines, he needed money, and he could easily convince wealthy patrons that such machines would help them defeat their enemies. Perhaps it was for the best that none of the killing machines conceived by da Vinci were built.

While living in Venice in the late 15th century, da Vinci developed the idea to repel invading ships. It was enough to send men to the bottom of the harbor in diving suits, and there they would simply open the bottoms of ships like tin cans. You may be underwhelmed by this idea because its implementation currently seems quite simple. But in Da Vinci's time this was unheard of. Da Vinci's divers could breathe using an underwater bell filled with air and wore masks with glass holes through which they could see underwater. In another version of the concept, divers could breathe using wine bottles filled with air. In both cases, the men would carry bottles to urinate in, so they could stay underwater for a very long time. Da Vinci's plan was not only feasible - it was practical!

These diving suits were actually created, but the invaders they were intended to be used against were successfully defeated by the Venetian fleet before underwater sabotage was needed.

Armored tank

While working for the Duke of Milan, Lodovico Sforza, da Vinci proposed what would become his crowning achievement in the field of military vehicles: the armored tank. Assisted by eight strong men, the armored tank looked like a turtle, bristling with 36 guns on all sides. It was equipped with a system of gears that formed a sequence. Eight people were protected from battle by the outer shell, so they could deliver such a “hedgehog” on foot right into the thick of the battle without being wounded. A weapon firing in all directions from an armored tank could be disastrous for an enemy squad.

The diagram of the armored tank in Da Vinci's notes contains a funny flaw: the wheels for forward movement turned in the opposite direction from the rear wheels. Built this way, the tank would not be able to move. Da Vinci was too smart to make such an unfortunate mistake, so historians have given several reasons why the inventor made such a mistake deliberately. Perhaps he really didn't want this car to be built. Another possibility is that he was afraid that the scheme would fall into the clutches of enemies, so he made a mistake to make sure that no one else could build the tank except him.

Self-propelled trolley

Working model.

Da Vinci's self-propelled cart is being promoted as the first automobile in history. Moreover, since it did not have a driver, it can also be considered the first robotic vehicle in history.

Da Vinci's drawings did not fully reveal the internal mechanism, so modern engineers had to guess what made the cart move forward. The best guess was a spring mechanism like the one used in watches. The springs were hidden in drum-shaped housings and could be wound by hand. And while the spring unwinds, the cart moves forward like a wind-up toy. The steering wheel could be programmed using a series of blocks in the gear chain, although the fact that the cart could only turn to the right would have significantly limited its usefulness.

Leonardo apparently considered his cart to be something of a toy, but we can be sure that if it had been built, more useful improvements would soon have followed.

Cities of the future

Leonardo da Vinci Bridge.

When Leonardo lived in Milan around 1400, the Black Plague was raging across Europe. Cities suffered far more than the countryside, and da Vinci theorized that there was something special about cities that made them vulnerable to the disease. This idea is surprisingly relatable, considering that germ theory was only developed in the early 20th century. Da Vinci set out to develop his own plan: a city, originally designed and created from scratch, that would be sanitary and habitable.

The result was a triumph of urban planning that was never built. Da Vinci's “ideal city” was divided into several levels, each of which had minimal unsanitary conditions, and a network of canals facilitated the rapid removal of waste. Water was to be supplied to the buildings through a hydraulic system, which served as the prototype of the modern one. The resources needed to create such a city were beyond the means at Da Vinci's disposal, and he was unable to find a philanthropist willing to shell out his money to build such a city.

Air propeller

Da Vinci's propeller is probably the coolest project that was found in his notebooks. It would operate on the principle of a modern helicopter. The flying machine looked like a huge pinwheel. The helicopter's "blades" were made of flax. If spun fast enough, they could create thrust, the aerodynamic phenomenon that allows planes and helicopters to fly. The air would create pressure under each of the blades, thereby lifting the flying car into the sky.

At least that was the idea. Could such a propeller fly? Hardly. But it would be cool.

Robot Knight

Leonardo da Vinci carefully studied human anatomy.

If the da Vinci self-propelled cart was the first working design for robotic transport, the robot knight could be the first humanoid robot, C-3PO of the 15th century. Da Vinci carefully studied the anatomy of the human body and spent hours dissecting corpses to find out how it worked. He realized that muscles move bones. After this, he decided that the same principle could form the basis of a machine. Unlike most of da Vinci's inventions, Leonardo appears to have actually built a robot knight, but it was used primarily as entertainment at the parties of the genius's generous patron, Lodovico Sforza. Of course, that robot was much different from .

Da Vinci's robot has not survived, and no one knows exactly what he was capable of. But apparently, he walked, sat and even worked with his jaws. It used a system of pulleys and gears. In 2002, robotics expert Mark Rosheim took da Vinci's workbooks to build a working model of the 15th century robot. As a result, Rosheim borrowed some ideas to create planetary reconnaissance robots, which.

As you can see, after half a century of space exploration, Leonardo da Vinci's projects finally went into outer space.