A lesson in speech development based on I. Grabar's painting "Clear Autumn Evening" lesson plan in the Russian language on the topic. Essay on the painting of a grabber "clear autumn evening" Essays on topics

Description of Grabar’s painting “Clear Autumn Evening”

Igor Emmanuilovich Grabar is known in the history of Russian art as a wonderful painter, museum figure, outstanding teacher and architect.
Each of his works radiates positive energy and creativity.

His paintings always show an optimistic perception of life.
All his landscapes are bright, light, and lift the spirit and mood of the viewer.
It is precisely this mood that permeates the painting “Clear Autumn Evening.”
Nothing gloomy or rainy, despite the autumn.
Bright blue and clear sky, green grass of the fields, yellow-greenish leaves of the trees and a blue river.
The impression is that nature does not yet want summer to go on vacation, and autumn is in no hurry to come.
Sharp tints of colors and contrast make the picture more realistic and vibrant.
The landscape is very quiet and calm.
Probably, the author wanted to draw attention specifically to nature, which is why the poet did not depict animals and birds.

In the foreground, several young trees sway lonely in the light autumn breeze.
Autumn has covered the not yet fallen leaves with yellowness.
There are many shadows from the trees on the green grass, this tells us that the sun is already starting to set, but everything is still shining brightly.
A blue, blue river can be seen from behind the trees.
It seems to divide the field into two parts.
The pure blue sky occupies the upper part of the canvas and somewhere in the distance it seems to touch the ground.
From this touch, the field turns light red, slightly noticeable.

Like all his works, the painting “Clear Autumn Evening” is full of positivity and positive energy.
It is light, bright, colorful.
You want to admire her and admire her.
There is no place for hanging weeping clouds, gloomy rain and gloomy evening.
There is no place for despondency.
The author wants to show us that autumn is just one stage in nature, that without the golden color there will be no room for a green spring awakening.
In nature, everything is fleeting and you need to have time to admire all its beauties.

Essay based on the painting: “Clear Autumn Evening” by I. E. Grabar.
I. E. Grabar went down in the history of Russian art as a wonderful painter, a subtle connoisseur of art, an architect, a major museum figure, and a teacher.
No matter what field he worked in, he remained creative and energetic.
An optimistic perception of life determined the general mood of his works, affecting the very choice of themes and motifs: “Radiant Morning”, “Explained”, etc. The artist does not seem to notice rainy autumn days, gloomy evenings. For him, in his native nature, everything is clear, light, everything lifts the human spirit.
The painting “Clear Autumn Evening” is imbued with this mood. The azure sky, bright yellow hazel leaves, emerald green grass and the blue-blue river among the wide expanses of fields - all this is surprisingly strong, cheerful, cheerful. Nature has not yet completely said goodbye to summer; it is far from fading. The beginning of autumn amazes with the contrast of colors, the transparency of the air, and the peace and quiet spread all around.
The rich strokes are made with a loose, wide brush. The artist showed all the charm of the Central Russian expanse in the first days of autumn, its calm beauty

Description of Grabar's painting "Clear Autumn Evening".
In autumn, on sunny evenings, the air is unusually clean, fresh and transparent. The riot of greenery is already passing, and beige and yellow tones are clearly emerging. The distance is visible as if in a greenish-blue fog, subtle, invisible, but perceptible. There are no clouds, and this only increases the transparency of the sky. The sun is still far from setting; the sky is brightening high above the horizon. Grabar gives the sky in the center of his composition a whitish blue. The higher above the horizon, the darker the sky. The artist achieves this in the following way: above the horizon line he gives an almost continuous whitish background, diversifying it only on the left, above a ridge of blue hills, a bluish mesh web. To the right, shining through the already thinning aspen foliage, the sky is also darkening. A little higher, the number of blue inclusions increases. Light dotted straight lines create the visual effect of cirrus clouds. Even higher, there are more blue lines, and from Grabar they acquire a clear horizontal arrangement. Closer to the zenith, the artist makes cloud clusters dark blue and their edges light blue. The horizontality of the lines is expressed even more clearly. Aivazovsky used approximately the same method when depicting the boundaries and crests of waves. Most of all, in the composition of the work, the author’s gaze is drawn to perspective. The horizon is highlighted by a blue ridge of hills. To the left of the group of tall aspens, a high limestone or sandy hill is quite clearly visible in the perspective. Over the summer, its top has already become overgrown with greenery. On a sunny summer day, neither the author nor the audience could see this hill. Only the deep transparency of the autumn day allowed Grabar to convey its outlines. The meadows and clearings in front of the hills still contain summer greenery, but there is no freshness in it. Grabar indicates this with sharp transitions in tonality: from light - through an even lighter line - straight to dark. The rye field across the river on the right is conveyed in milky green shades. Below the rye field is a dark green grassy meadow. None of the Russian artists escaped the temptation to depict the waters and banks of a flat Russian river in the middle zone. All of them were attracted by the opportunity to convey the play of the blue color of the water in comparison with the blue of the sky and the autumn ocher of the shores. The water in the river near Grabar does not create the impression of either majesty or peace. Winding banks, sharp transitions of light and dark blue with white splashes create the impression of undulation and fast current.

The autumn distance opens from a small hillock. The river flows quietly, the spring flood is far behind us, although even now the breakers are boiling a little.

The leaves are falling underfoot, Yellow leaves lie, Yellow leaves lie, And under the leaves rustle, Rustler, Rustler, and Rustler - Dad, Mom and Little Leaf

The autumn distance opens from a small hillock. The river flows quietly, the spring flood is far behind us, although even now the breakers are boiling a little. Cloudless, blue-blue sky, the kind that only happens on clear autumn days. Neither beast nor bird. Only two trees in the foreground

They show off multi-colored foliage, not everything has fallen yet, but further, closer to the river, the trees are all covered in gold leaves.

The artist loved to depict clear, sunny days, when there is no place for despondency and sorrow. There are no hanging, weeping clouds ready to shower you with rain, no slush, sad figures, the personification of the withering of nature.

The artist showed us that autumn is a natural stage in the development of nature, that without this riot of gold there will be no spring renewal, that a fluffy winter will come and everything will be fine. Grabar was an art connoisseur, a remarkable painter and museum worker. He taught at the Academy of Arts. In his work, Grabar always maintained an optimistic mood and good spirits.

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The work of the famous Russian artist Igor Emmanuilovich Grabar received a new development after the October Revolution. The artist often traveled along the great Russian rivers Volga and Oka, admired the nature of his native Moscow region and painted landscapes. One of these wonderful landscapes was the painting “Clear Autumn Evening” painted by the author in 1923.

On the canvas in front of us appears a high bank, overgrown with bushes with already crimson leaves. From the shore there is a wide panorama overlooking the expanse of fields shimmering with gold, stretching into the distance towards the horizon. The water in the river is already cold, so there is no particular majesty in it, although the sharp transitions of shades create a feeling of fast flow. The smooth bend of the river is lost in the evening, almost lilac distance.

The still warm autumn rays of the sun colored the foliage of the trees and bushes with their pinkish light. They shimmer on the green crowns, which are reflected as if in a mirror in the waters of a quiet river. A slightly pensive landscape fills the soul with the charm of autumn, new natural colors, which have become even brighter these days without losing their freshness.

In the painting Clear Autumn Evening, painted against the background of a gray-blue sky, the combination of slightly faded greenery and rich yellow-red shades of gold, which characterizes the onset of autumn in central Russia and fully reveals the rich decoration of nature, stands out. The aspen leaves have already flown off from the very top, and there are few of them left on other branches, but the bright outfit of the farewell days of autumn is still magnificent. This is what the artist was able to depict.

Grabar showed in his work the decorativeness and unique solemn majesty of Russian nature. To do this, he used the stability of the composition and the harmony of the color scheme. After all, it is in early spring and with the onset of the first autumn days that the air intoxicates us with extraordinary purity, freshness and transparency. The greenery is already losing its brightness, and is being replaced by yellow-purple shades. In the distance there is a thin bluish-green haze, almost invisible, but clearly perceptible.

Igor Grabar paints a background the color of baked milk above the horizon, only slightly diversifying it with an almost invisible ridge of small limestone or sandy hills that have managed to grow with greenery. The fields and meadows are still green, but there is no freshness in them anymore. The artist renders the field behind the river, sown with rye, in a light green color, but the lawn located closer to us is of a darker shade.

In autumn, if the sky is cloudless, it becomes high and transparent. The sun is setting, but the sky is still bright, milky blue. And only in the distance in the east does it get dark. The sun's rays break through the thinned crowns of tall trees. The artist uses dotted lines to indicate almost straight lines, which create for the viewer the visual effect of light cirrus clouds. But above them, a cluster of dark blue clouds is clearly visible, so the horizontal lines are even more pronounced here.

At the moment, this autumn work by Igor Grabar, the painting Clear Autumn Evening, is in the State Tretyakov Gallery.

Igor Emmanuilovich Grabar is known in the history of Russian art as a wonderful painter, museum figure, outstanding teacher and architect. Each of his works radiates positive energy and creativity.

His paintings always show an optimistic perception of life. All his landscapes are bright, light, and lift the spirit and mood of the viewer. It is precisely this mood that permeates the painting “Clear Autumn Evening.” Nothing gloomy or rainy, despite the autumn. Bright blue and clear sky, green grass of the fields, yellow-greenish leaves of the trees and a blue river. The impression is that nature does not yet want summer to go on vacation, and autumn is in no hurry to come. Sharp tints of colors and contrast make the picture more realistic and vibrant. The landscape is very quiet and calm. Probably, the author wanted to draw attention specifically to nature, which is why the poet did not depict animals and birds.

In the foreground, several young trees sway lonely in the light autumn breeze. Autumn has covered the not yet fallen leaves with yellowness. There are many shadows from the trees on the green grass, this tells us that the sun is already starting to set, but everything is still shining brightly. A blue, blue river can be seen from behind the trees. It seems to divide the field into two parts. The pure blue sky occupies the upper part of the canvas and somewhere in the distance it seems to touch the ground. From this touch, the field turns light red, slightly noticeable.

Like all his works, the painting “Clear Autumn Evening” is full of positivity and positive energy. It is light, bright, colorful. You want to admire her and admire her. There is no place for hanging weeping clouds, gloomy rain and gloomy evening. There is no place for despondency. The author wants to show us that autumn is just one stage in nature, that without the golden color there will be no room for a green spring awakening. In nature, everything is fleeting and you need to have time to admire all its beauties.