The importance of theater in human life. The importance of theater in the modern world, the role of theater in society - how and why does theater affect a person? Theater as a means of education
Both psychotherapists and theater representatives have long been wondering how theater affects people’s physical and moral health. In this regard, a new concept has recently emerged in treatment and rehabilitation practice - transdrama therapy. It speaks of the deep impact of theater on the soul of the viewer. After the performance, people come out a little different, as if renewed and cleansed. If you have never been to the theater before, we advise you to visit - this www.sim-sim.ru will help you get detailed information about the concerts being held. By the way, this theater is also a conservatory where talented children study.
Stanislavsky system
Almost all of us know or have at least heard of Stanislavsky’s system. But few people know that the theater worker, when he created a guide for the practice of directors and actors, used medical knowledge. In Stanislavsky’s system, problems that relate to a person’s conscious mastery of subconscious creative potential, based on organic transformation into a role, were considered for the first time.
To develop the system in theatrical circles, Stanislavsky turned to the works of the famous scientists Pavlov and Sechenov, dedicated to the higher nervous activity of man. He embodied his own method of work, which was called the method of physical actions. After a detailed study, the theatrical genius reunited the laws relating to psychotechnics and subsequently used them for theatrical practice.
The Positive Impact of Theater on Humanity
Since the time of Aristotle, who believed that compassion for the thoughts and actions of an actor allows a person to get rid of many problems and experiences, the beneficial influence of theatrical art on humanity has been spoken about. For example, every viewer who bought tickets to the theater can and should achieve the main positive effect during the performance - revealing the creative essence of the individual and potential. One of the reasons for this is that all people are a little actors at heart.
When entering any theater, the audience involuntarily puts themselves in the shoes of the characters on stage. Each person passes the case through himself, feels his own shortcomings and advantages of behavior. The main goal is awareness of the surrounding world and oneself through theatrical actions. But here it is very important not to forget yourself and not to try on roles often, and even more so, not to go into character forever.
The pleasure of the theater
They say that by regularly visiting the theater, it is possible to recover from depression, laziness and apathy. The secret of the theater lies in the fact that an acting performance gives positive emotions and thoughts, which lower stress hormones in the human body and significantly improve the production of serotonin, which brings us joy and pleasure.
In modern post-industrial society, where a person often lacks real feelings, worthwhile and eventful life events. This is exactly what the theater was created for. An actor cannot hide behind routine and boredom on stage. When visiting theaters, you can get unforgettable pleasure, become ennobled, to some extent heal your soul and put your thoughts in order, and this is worth a lot.
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The most precious thing in the modern world is the world of art. Does the state know the time and time? No. It is always relevant for its connoisseurs.
Undoubtedly, the modern world, high technology, high-speed transmission of information over any distance force people to resort to searching for more complex, technically equipped entertainment. More and more people answer the question: “Do you love?” - they are unlikely to answer in the affirmative. However, the theater still lives. Of course, it is transformed in order to convey this or that information to a person as fully as possible. But the main theater idea(where there is a stage, actors are living people with talent and, most importantly, there are spectators and connoisseurs of art) is relevant.
This type of art is not afraid of the changes that time inevitably brings to people's lives! Theater world- the most precious thing that Homo sapiens has. Not for nothing visiting theaters It is considered a very prestigious pastime. Not everyone can afford to purchase such a luxury. However, if you use the ticket sales service http://showbilet.ru/, you can buy theater tickets much cheaper.
Obstacle for the development of the theater as an industry is primarily television and cinema. Why leave the house when so much is shown on television, and the home Internet allows you to choose from a huge number of films the ones you want to watch? And therefore it seems that the relevance of the theater is falling.
The symbiosis of the classical scene and modern values often leads to the degradation of this art form. To the point where stupid jokes, inappropriate phrases, and rude language are thrown into the audience - evidence of a low level of culture. And the saddest thing is that people like to watch it. Not many people now will refuse to come to such a production. While in the hall you can litter, talk on the phone, violate the rules of etiquette, despite the fact that this is a place where it is appropriate to behave civilly.
In order to go to the theater you need a certain attitude, and this is the most difficult thing to achieve in a world full of bustle and disharmony. Nevertheless, having chosen a suitable reason, a person goes to the source - for purity, morality, philosophy. And therefore relevance of theater always is and will be.
People love go to the theater. They are interested in the dynamics of the action: how the scenery changes, the play of light, the musical accompaniment. If it's a classic, it's always interesting to see how the director interprets it and what response it will evoke in the viewer. It’s always a pleasure to watch talented actors play, to get used to the role of this or that character, thereby living a different life. People love theater, and its relevance is unlikely to ever fade into oblivion.
Go to the theater- this means allowing your soul to develop, grow, through inclusion, maximum presence, reflection, and searching for answers to various questions. This indicates a desire for the high, for beauty and perfection.
In the theatre there is a moment of sincerity. Despite the fact that the actors are simply playing their roles, at this moment they are most sincere with the audience and with themselves. They are transported in their consciousness to another era, to another situation and allow them to experience it with them. Of course, if the actors are talented and they have the ability to act like that. That's why they are valuable, that's why they are loved.
The relevance of the theater is unlikely to be affected by anything as long as there are intelligent, deep, thinking people. Even the massive degradation of modern society is not terrible for the theater. The answer to this can only be satire, showing the shortcomings and exposing the acute problem of society and each individual individually.
The theater lived, lives and will live as long as the fire burns in the hearts and eyes of people. Only theater and life can teach us to think and love.
Municipal autonomous preschool educational institution kindergarten No. 90 in the city of Tyumen
THE IMPORTANCE OF THEATER PERFORMANCES IN HUMAN LIFE
Presentation prepared by:
Musical director
Zhdanko Nadezhda Pavlovna
“The whole world is a theater, and the people in it are actors.”
Theater is one of the ancient arts that humanity has mastered. He collected all types of arts under his roof: literature, painting, architecture, music, dance, uniting them into a harmonious whole.
The word theater is of Greek origin. In Greek it meant a place for a spectacle, and indeed the spectacle itself.
One of the main elements of theatrical art is acting. It all started with her. The origins of Russian theater should be sought in folk art: games, rituals.
The custom of dressing up as animals during festive festivities dates back to ancient times, when people, portraying animals, probably tried to subjugate them to their will. This is how the first elements of theater were born: the beginnings of dramatic action, acting, dialogue.
The performances were closely related to folk life. The main feature of such performances was that they could include a variety of performances - from comic skits to comic conversation and dancing with the audience.
In such games, the instigator and ringleader necessarily participated. It was a responsible role. It was necessary to be witty, cheerful, and communicate easily and naturally with the audience during the performance, depending on the situation. Those who took on this role began to be called buffoons. For several centuries they staged their performances right on the streets, squares, and fairs. Buffoonery has become the highest form of Russian folk theater. Its existence was the soil on which the Russian national theater grew. In the 17th century, another type of folk theater appeared in Russia - puppet theater. It has been an integral part of theatrical culture for centuries. It was the buffoons who contributed to the development of this type of theater. Puppet theater is based on the art of an actor who drives a puppet and speaks for it. Of course, the expressiveness of a doll’s face is much less than that of a human one. And the entire emphasis switches to the expressiveness of the speech of the actor leading the puppet, and to his ability to show the state of the portrayed character with body movements, gestures.
In the 70-80s of the 17th century, a school theater was formed, which played a special role not only in the development of the culture of the younger generation, but also in the formation of a professional theater.
Theater is of great importance for youth. In the soul of a child or young man, under the influence of the theater, very vivid feelings and emotions can awaken, which shape his moral, intellectual and aesthetic world. The organizers of such theaters were teachers of theological academies, and the actors were students. The dramaturgy of the school theater maintained a connection not only with biblical stories and images, but also reflected the political events of that time.
In parallel with the folk theater, professional theatrical art began to develop in the 17th century. The first state, professional theater in Russia was approved at the court of Tsar Alexei Mikhailovich in 1672 and became known as the court theater. It did not last long, but was of significant importance for the national theatrical culture, because it was the first experience on the path to creating a state, professional theater. Life in all its diversity had to be recreated on stage.
The question of the role of theater in the “children’s education program” and the narrower question of the repertoire, which at least did not contradict educational principles, has been raised repeatedly in Russia. At the first All-Russian Congress of Stage Workers, held in Moscow in 1897, there was talk about the need to stage “pedagogical performances for students” with a special repertoire that would cultivate taste in teenagers and instill “patriotic feelings.” Theater education is a completely new problem, born at the intersection of theatrical art and pedagogy. It arose naturally, logically flowing from the most direct and accurate understanding of the educational functions of Soviet art, addressed to those who, due to their young age, are most in need of thoughtful educational influence. The original concept of “children's theater” was interpreted exclusively as a theater in which children themselves perform. In December 1919 in Moscow, at a congress on the workers' and peasants' theater, it was decided to “strictly separate the concepts of children's theater, where children themselves or schoolchildren participate, and theater for children with adult performers.”
The creation of a theater in which adult, professional actors played for children coincided with the first anniversary of the revolution. In Petrograd, on June 15, 1918, the Children's Theater gave its first performance at the Admiralty Theater. The task of the theater was to find ways to the soul of the child, and the theater had to be based on principles consistent with child psychology and pedagogy. According to S. Marshak, theater should always remain simple and clear, avoiding cumbersome props and complex decorations “in order not to suppress the child, but to give him the opportunity to get closer to the theater and stage technology. The fairy tale has long been the most proven and undisputed genre of children's literature and children's theater. The fairy tale, as a means of artistic and moral education of children, was directly persecuted. She was accused of instilling mystical and religious sentiments, belief in supernatural forces, and inhibiting the development of materialistic thinking in children. It was believed that even talking animals instilled in children a distorted view of reality.
In the end, the fairy tale performance took its rightful place on the stage of the children's theater, and no one tried to challenge it anymore. As for the play-play, it was just a stage device, nothing more, and as such it was associated with the aesthetic views of the era, and not with the nature of the children's theater itself or the content of its dramaturgy. “We must help the child through art to become more deeply aware of his thoughts and feelings, to think more clearly and feel more deeply, we must help the child to make this knowledge of himself a means of knowing others, a means of closer rapprochement with the collective, a means through the collective to grow together with others, and to go together towards completely new, full of deep and significant experiences of life.” These words of N.K. Krupskaya were adopted by the Soviet theater for children as its pedagogical program. The new children's repertoire was created on the basis of the best works of folklore and world classics, accessible to the understanding of young viewers. The fairy tale and the historical plot, the heroic epic and the comedic plot took their rightful place in it. The theater for children defended its right to the breadth and diversity of themes and genres, and in this it also won.
The theater becomes the space that establishes balance, harmony between all and one, between good and evil, between eternity and
moment, between people and man. Theater, as a product of culture and society, could take its rightful place in the educational system, starting from the first days of a child’s stay in an educational institution. The role of theater in the development of a person’s personality has become the subject of study by philosophers: T.V. Hegel, D. Diderot, T. Lessing, R. Steiner; major cultural theorists, such as B.V. Alpers, S.O. Obraztsova, L. Shpet, M.I. Tsareva and others. From a pedagogical point of view, theater is a sociocultural phenomenon that reflects the intellectual, moral and aesthetic life of people, emotional and communicative sphere of their relationships.
Theater for preschoolers is, first of all, an emotional and sensory action that captivates the child from the first moments, as soon as he meets characters known or unknown to him. Theater as a phenomenon and the child as a product of socio-cultural processes organically move towards each other. The theater is open to people, and the child is open to the world of adults, the theater is a world of thoughts and feelings, and the child is filled with emotions, feelings, experiences, which he generously reveals to the world, the theater is expressively dynamic and the child is active and active. We can continue a whole series of such coinciding characteristics of one phenomenon and another, but there is no doubt that theater is light coming from the souls of people and a child is light, the soul of people in love . The role of theatrical art is to provide conditions for communication between the actor and the viewer, in the process of which the emotional and aesthetic experiences of the individual are born and developed. Theater for children acts as a condition that forms the empathic feelings of children, as a means of developing the child’s cognitive culture, as an environment that forms the ability for creative self-expression, improvisation, as a school for the development of sensations and perceptions, high emotional culture, human communication and relationships. The artistic and pedagogical value of the theater was to create for children a special space for cultural personal growth and education.
Theater is the art that first of all teaches you to be human, to feel and empathize. Nothing like theater has a strong emotional impact on people. And only theater can give an interested person a vivid perception of reality. He gives his viewers true sensations and emotions.
But theaters are visited less and less often, and the rows of cinema halls are increasingly filled with people who can’t get off their couches. Most prefer simple viewings of films and TV series to the theater. And they forget about visiting theaters, and theater posters are no longer of interest to anyone.
Theater as a source of knowledge and moral values
Theatrical art gives a person, first of all, development and the desire for perfection in working on himself, his weaknesses and habits. How and why does theater affect a person?
The scientific approach to the interpretation of the concept of culture proceeds primarily from the fact that culture is the infinite number of brilliant creations of the human spirit and talent, reflected primarily in the highest spiritual values formulated by man.
Theater structures the audience and the public, which is already familiar with the culture. Today, a new structure of values is being modeled, which will lead to a loss of demand for educational values, according to which culture should provide aesthetic pleasure, and not just base pleasure. As a result, directing begins to function as a closed system. From this current situation, there arises a need to form close interaction and information links between the theater public and theater groups.
Theatrical art incorporates various arts that perfectly complement themselves. Why and the purpose of the visit of most spectators may be for different reasons. The need to attend a performance may be due to both an aesthetic and social orientation.
It can be seen that theatrical creativity influences the formation of the sociocultural situation. It is necessary to constantly expand and complement the repertoires and productions that are suitable for today's audience. It is especially important to pay attention to the new viewer and do everything to attract him to the theater.
Theatrical art, like any real art, should contribute to the moral education of the personality of each viewer. Every spectator who comes to the performance should be enriched spiritually with every second. The theater should help the audience consider all life's problems from all sides, thereby showing all possible ways out of the situation.
Theater is one of the most powerful tools that affects the perception of feelings, because when coming to the theater, the viewer empathizes with the actors and situations, at the same time, the theater is able to make a person humane, contributes to the formation of such qualities as humanity and kindness. Theatrical art educates in dialogue.
All this can be achieved by observing the following requirements when visiting the theater:
Involvement in reality in the present moment;
. Suddenness - the possibility of free expression of feelings;
. Intimacy that generates liberation - freedom from constraining thoughts;
. To do this, you need to revive your faith in miracles and some naivety and be children.
Theater heals a person from the inside, presenting him with all possible situations in life, directing him to solve the problem. Catharsis is a shock to the senses. As with any liberation, it is about translating it into originality. In this case, through catharsis, a new beginning of creativity is possible.
The healing effect of such co-creation during the performance is primarily due to the fact that the psychological state of the participants in the performance begins for them in a situation of protection from all disappointments and emotional stress, accompanied by the experience of joy in the game. All these qualities, it seems to me, stimulate a person to improve his life.
Everyone participates in the art of theater - both the actor and the director. In the creative atmosphere where work on staging a play is taking place, an atmosphere of creativity, mutual assistance and understanding should reign.
Modern reality sometimes brings a lot of disappointments. The flow of unpleasant emotions and routine experiences must be stopped. Something positive and bright. For example, going to the theater.
This type of art awakens deep feelings in everyone, makes it possible to experience someone’s joys and sorrows, empathize with the heroes of plays, condemn scoundrels and sympathize with “good” characters.
Like literature and painting, theater fosters virtue. Artistic creativity affects a person in the sphere of visual perception, music pleases the ear, but theater affects all the senses and gives the most vivid impressions.
Each performance raises dilemmas of morality and morality. Theater science is rightfully considered the main means of aesthetic and spiritual education of the individual. A stage performance artificially takes one out of the everyday life in which a person lives. The spectacle conveys to the viewer the thoughts, feelings and emotions of the author. Therefore, theater is an art that teaches empathy. Only theatrical performance can give people a vivid perception of reality.
For contemporaries, theater is a forgotten but effective antidepressant. A person receives a lot of positive emotions that lift his spirits, give him a feeling of lightness and goodwill.
Some particularly inquisitive minds are interested in how and why trips to the temples of Melpomene have such a positive effect on the average individual.
The secret lies in the fact that during the performance the viewer receives joyful emotions, which lower the level of stress hormone in the blood and increase the synthesis of the element responsible for a good mood. This substance is an emotional drug that brings bliss without causing damage to the body.
In addition, regular visits to the art house provide an opportunity to develop as a person. The performances give food for thought and provoke the search for something unknown. In other words, theater acts as a platform for spiritual self-improvement.
According to statistics, in recent years, attending performances has become an increasingly fashionable pastime among young people. New directorial discoveries, stage solutions and technical progress are opening up fundamentally new opportunities for the theater industry. Today, going to premieres is popular even among those who until recently considered theater a relic of the past.
Today, repertoires and productions are expanding with those subjects that are interesting to the current audience. Theater should and does help the audience to visualize life's problems from various angles, demonstrating all the possible ways out of the situation.
By making regular visits to the theater, you can see from personal experience that new colors will appear in life, interesting and impressive things will open up. With each visit, faith in justice and miracles is resurrected, creativity and creativity are revealed.
