Highly paid artists. Talented artists creating extraordinary paintings

Russian painting is rightfully distinguished from world art. The fact is that until the seventeenth century, Russian painting was associated exclusively with religious themes. The situation changed with the coming to power of the reforming tsar, Peter the Great. Thanks to his reforms, Russian masters began to engage in secular painting, and icon painting separated as a separate direction. The seventeenth century is the time of such artists as Simon Ushakov and Joseph Vladimirov. Then, portraiture arose in the Russian art world and quickly became popular. In the eighteenth century, the first artists appeared who moved from portraiture to landscape painting. The artists’ pronounced sympathy for winter panoramas is noticeable. The eighteenth century was also remembered for the emergence of everyday painting. In the nineteenth century, three movements gained popularity in Russia: romanticism, realism and classicism. As before, Russian artists continued to turn to the portrait genre. It was then that the world-famous portraits and self-portraits of O. Kiprensky and V. Tropinin appeared. In the second half of the nineteenth century, artists increasingly depicted the common Russian people in their oppressed state. Realism becomes the central movement of painting of this period. It was then that the Itinerant artists appeared, depicting only real, real life. Well, the twentieth century is, of course, the avant-garde. The artists of that time significantly influenced both their followers in Russia and throughout the world. Their paintings became the forerunners of abstract art. Russian painting is a huge wonderful world of talented artists who have glorified Russia with their creations.

Art is constantly evolving, like the whole world around us. Modern artists of the 21st century and their paintings are not at all similar to those that existed in the Middle Ages and the Renaissance. New names, materials, genres, and ways of expressing talents appear. In this rating we will meet ten innovative artists of our time.

10. Pedro Campos. In tenth place is a Spaniard, whose brush can easily compete with a camera, he paints such realistic canvases. For the most part, he creates still lifes, but it is not so much the themes of his paintings that inspire amazing admiration, but the masterful execution. Textures, highlights, depth, perspective, volume - Pedro Campos subordinated all this to his brush, so that reality, and not fiction, looked at the viewer from the canvas. Without embellishment, without romanticism, only reality, this is precisely the meaning of the photorealism genre. By the way, the artist acquired his attention to detail and scrupulousness while working as a restorer.

9. Richard Estes. Another fan of the photorealism genre, Richard Estes, started with ordinary painting, but later went into painting city landscapes. Today's artists and their creations do not need to adapt to anyone, and this is wonderful, everyone can express themselves the way they want in what they want. As in the case of Pedro Campos, the work of this master can easily be confused with photographs, the city from them is so similar to the real one. You rarely see people in Estes’s paintings, but there are almost always reflections, highlights, parallel lines and perfect, ideal composition. Thus, he does not just sketch the city landscape, but finds perfection in it and tries to show it.

8. Kevin Sloan. There are an incredible number of contemporary artists of the 21st century and their paintings, but not every one of them is worth attention. American Kevin Sloan stands, because his works seem to transport the viewer to another dimension, a world full of allegories, hidden meanings, and metaphorical riddles. The artist likes to paint animals, because, in his opinion, this way he gets more freedom than with people to convey the story. Sloan has been creating her “reality with a catch” in oils for almost 40 years. Very often a clock appears on canvases: either an elephant or an octopus is looking at it; this image can be interpreted as time passing or as the limitations of life. Each of Sloan’s paintings amazes the imagination; you want to figure out what the author wanted to convey to her.

7. Laurent Parselier. This painter is one of those contemporary artists of the 21st century whose paintings received recognition early, even during their studies. Laurent's talent manifested itself in published albums under the general title “Strange World”. He paints in oils, his style is light and tends toward realism. A characteristic feature of the artist’s works is the abundance of light, which seems to be pouring from the canvases. As a rule, he depicts landscapes and some recognizable places. All works are unusually light and airy, filled with sun, freshness, and breath.

6. Jeremy Mann. The San Francisco native loved his city and most often depicted it in his paintings. Modern artists of the 21st century can find inspiration for their paintings anywhere: in the rain, wet sidewalks, neon signs, city lamps. Jeremy Mann imbues simple landscapes with mood, history, and experiments with techniques and color choices. The main material of Manna is oil.

5. Hans Rudolf Giger. In fifth place is the inimitable, unique Hans Giger, the creator of Alien from the film of the same name. Today's artists and their works are diverse, but each is brilliant in its own way. This gloomy Swiss does not paint nature and animals; he prefers “biomechanical” painting, in which he excels. Some compare the artist to Bosch in the gloom and fantasy of his paintings. Although Giger’s paintings emanate something otherworldly and dangerous, you can’t deny his technique and skill: he is attentive to details, competently selects shades, thinks through everything to the smallest detail.

4. Will Barnett. This artist has his own unique author’s style, which is why his works are readily accepted by the great museums of the world: the Metropolitan Museum of Art, the National Gallery of Art, the British Museum, the Ashmolean Museum, and the Vatican Museum. Contemporary artists of the 21st century and their works, in order to be recognized, must somehow stand out from the rest of the masses. And Will Barnett can do it. His works are graphic and contrasting; he often depicts cats, birds, and women. At first glance, Barnett's paintings are simple, but upon further examination you realize that their genius lies in this simplicity.

3. Neil Simon. This is one of the contemporary artists of the 21st century, whose works are not as simple as they seem at first glance. It’s as if the boundaries between Neil Simon’s subjects and works are blurred; they flow from one to another, dragging the viewer along with them, drawing them into the illusory world of the artist. Simon's creations are characterized by bright, saturated colors, which gives them energy and strength and evokes an emotional response. The master loves to play with perspective, the size of objects, with unusual combinations and unexpected shapes. There is a lot of geometry in the artist’s works, which is combined with natural landscapes, as if bursting inside, but not destroying, but harmoniously complementing.

2. Igor Morski. Today's 21st century artist and his paintings are often compared to the great genius Salvador Dali. The works of the Polish master are unpredictable, mysterious, exciting, evoke a strong emotional response, and are sometimes crazy. Like any other surrealist, he does not strive to show reality as it is, but shows facets that we will never see in life. Most often, the main character of Morski's works is a person with all his fears, passions, and shortcomings. Also, metaphors in the works of this surrealist often concern power. Of course, this is not an artist whose work you would hang above your bed, but one whose exhibition is definitely worth going to.

1. Yayoi Kusama. So, in first place in our ranking is a Japanese artist who has achieved incredible success all over the world, despite the fact that she has some mental illnesses. The artist’s main feature is polka dots. She covers everything she sees with circles of various shapes and sizes, calling it all infinity networks. Kusama’s interactive exhibitions and installations are a success, because everyone sometimes wants (even if he doesn’t admit it) to be inside the psychedelic world of hallucinations, childish spontaneity, fantasies and colorful circles. Among contemporary artists of the 21st century and their paintings, Yayoi Kusama is the best-selling.

) in her expressive, sweeping works was able to preserve the transparency of the fog, the lightness of the sail, and the smooth rocking of the ship on the waves.

Her paintings amaze with their depth, volume, richness, and the texture is such that it is impossible to take your eyes off them.

Warm simplicity of Valentin Gubarev

Primitivist artist from Minsk Valentin Gubarev doesn't chase fame and just does what he loves. His work is incredibly popular abroad, but almost unknown to his compatriots. In the mid-90s, the French fell in love with his everyday sketches and signed a contract with the artist for 16 years. The paintings, which, it would seem, should only be understandable to us, bearers of the “modest charm of undeveloped socialism,” appealed to the European public, and exhibitions began in Switzerland, Germany, Great Britain and other countries.

Sensual realism of Sergei Marshennikov

Sergei Marshennikov is 41 years old. He lives in St. Petersburg and works in the best traditions of the classical Russian school of realistic portraiture. The heroines of his canvases are women who are tender and defenseless in their half-nakedness. Many of the most famous paintings depict the artist's muse and wife, Natalya.

The Myopic World of Philip Barlow

In the modern era of high-resolution images and the rise of hyperrealism, the work of Philip Barlow immediately attracts attention. However, a certain effort is required from the viewer in order to force himself to look at the blurry silhouettes and bright spots on the author’s canvases. This is probably how people suffering from myopia see the world without glasses and contact lenses.

Sunny bunnies by Laurent Parselier

The painting of Laurent Parcelier is an amazing world in which there is neither sadness nor despondency. You won’t find gloomy and rainy pictures from him. His canvases contain a lot of light, air and bright colors, which the artist applies with characteristic, recognizable strokes. This creates the feeling that the paintings are woven from a thousand sunbeams.

Urban dynamics in the works of Jeremy Mann

American artist Jeremy Mann paints dynamic portraits of a modern metropolis in oil on wood panels. “Abstract shapes, lines, the contrast of light and dark spots - all create a picture that evokes the feeling that a person experiences in the crowd and bustle of the city, but can also express the calm that is found when contemplating quiet beauty,” says the artist.

The Illusory World of Neil Simon

In the paintings of British artist Neil Simone, nothing is as it seems at first glance. “For me, the world around me is a series of fragile and ever-changing shapes, shadows and boundaries,” says Simon. And in his paintings everything is truly illusory and interconnected. Boundaries are blurred, and stories flow into each other.

Love drama by Joseph Lorasso

An Italian by birth, contemporary American artist Joseph Lorusso transfers onto canvas subjects he observed in the everyday lives of ordinary people. Hugs and kisses, passionate outbursts, moments of tenderness and desire fill his emotional pictures.

Country life of Dmitry Levin

Dmitry Levin is a recognized master of Russian landscape, who has established himself as a talented representative of the Russian realistic school. The most important source of his art is his attachment to nature, which he loves tenderly and passionately and of which he feels himself a part.

Bright East by Valery Blokhin

Major international auctions are increasingly including contemporary Russian artists in their auctions of post-war and contemporary art. In February 2007, Sotheby’s held the first and almost sensational specialized auction of Russian contemporary art, which brought 22 auction records. “Artguide” decided to find out which of our contemporary artists collected the largest sums at international auctions and, having compiled the top 10 most expensive living Russian artists based on the results of auction sales, discovered some interesting patterns. All sales prices are based on auction house data and include buyer's premium.

Alexander Vinogradov and Vladimir Dubossarsky. Night fitness. Fragment. Courtesy authors (www.dubossarskyvinogradov.com)

Of course, there could be no doubt about who exactly became the leader of the auction race: Ilya Kabakov’s grandiose “Beetle”, sold in February 2008 at Phillips de Pury for almost £3 million, is probably remembered by everyone who is interested in contemporary art. A funny children's rhyme, the text of which is written on a wooden panel with a beetle, even acquired a thoughtful intonation in the art historical and market interpretation: “My beetle breaks out, jumps, chirps, it doesn’t want to get into my collection” - this metaphorically means the passion of a collector of modern art, for this same beetle bargaining. (The verse quoted by Kabakov, written by the architect A. Maslennikova, an amateur poet from Voronezh, was published in the children’s collection of poems, rhymes and riddles “Between Summer and Winter”, published in 1976 by the publishing house “Children’s Literature” - and Kabakov illustrated this book True, that beetle was not in his black and white illustrations).

It should be added that if we were not making the top 10 most expensive living artists, but the top 10 of their most expensive works, then Kabakov’s paintings would take the first three places on this list. That is, the three most expensive works of a living Russian artist belong to him - in addition to “Beetle”, these are “Luxury Room” 1981 (Phillips de Pury, London, June 21, 2007, £2.036 million) and “Vacation No. 10” 1987 (Phillips de Pury London, 14 April 2011, £1.497 million). On top of that, the generous Kabakov “gave” another record to the Vienna auction Dorotheum - a year ago, on November 24, 2011, the painting “At the University” went there for €754.8 thousand, becoming the most expensive work of contemporary art ever sold at this auction.

The silver medalist will probably also be easily named by many - this is Eric Bulatov, whose canvas “Glory to the CPSU” was sold for a record amount for the artist at the same Phillips de Pury auction as Kabakov’s “Beetle.”

But the third place of the nonconformist Evgeny Chubarov, whose late work “Untitled” went to Phillips de Pury for £720 thousand in June 2007, could be called a surprise, if not for the fact that a few months earlier, in February the same year, Chubarov had already created a sensation at Sotheby's in London, at a specialized auction of Russian contemporary art, where his work with the same title (or rather, without it) was sold for £288 thousand (with an upper estimate of £60 thousand), not only beating the supposed top lot of that auction, Bulatov’s painting “Revolution - Perestroika” (sale price £198 thousand), but also becoming the most expensive work of a living Russian artist at that time. By the way, here it is, the irony of currency exchange rate fluctuations: in November 2000, Grisha Bruskin’s polyptych was sold in New York for $424 thousand, and then in pounds sterling it was £296.7 thousand, and in February 2007, when it was installed Chubarov’s first record is already only £216.6 thousand.

Works by fourth place winners Vitaly Komar and Alexander Melamid are frequent and quite successful lots at Western auctions, although their estimates rarely exceed £100 thousand. The duo’s second most expensive work is “The Yalta Conference. The Judgment of Paris" was sold at Macdougall's auction in 2007 for £184.4 thousand. But it should be taken into account, of course, that the painting that brought them fourth place belongs to fairly early works that rarely appear at auction and that it was exhibited in 1976 at the first (and very high-profile) foreign exhibition of Komar and Melamid at the Ronald Feldman Gallery in New York.

Following Komar and Melamid, Oleg Vasiliev and Semyon Faibisovich consistently hold a high bar at auctions. Vasiliev was third at that extraordinarily successful 2008 Phillips de Pury auction, which brought records to Ilya Kabakov and Erik Bulatov, and Faibisovich was fourth. Then Vasiliev’s painting “Variation on the theme of the cover of the magazine “Ogonyok”” from 1980 was sold for ₤356 thousand with an estimate of ₤120 thousand, and “Another look at the Black Sea” by Faibisovich from 1986 was sold for £300.5 thousand with an estimate of ₤120 thousand. Estimate £60-80 thousand Works by both artists often fetch six-figure sums at auction.

True, it was not the record-breaking “Soldiers” that brought Faibisovich fame at auction, but the painting “Beauty,” sold at Sotheby’s on March 12, 2008 - this was the auction house’s second auction of contemporary Russian art, not counting the Moscow auction in 1988. The painting (its other name is “The First of May”) then went for £264 thousand with an estimate of £60-80 thousand; a real battle broke out between buyers for it. Another painting by Faibisovich “On Moskovskaya Street” at that auction exceeded the estimate twice and was sold for £126 thousand. We add that, according to the Artprice portal, Semyon Faibisovich is the only Russian artist included in the top 500 best-selling 2011-2012.

About the same can be said about Oleg Tselkov, who occupies eighth place in the top 10. Already half a century ago, he found his style and theme, a recognizable and authoritative artist, he regularly supplies auctions with his fluorescent round faces, which have continued success. The second most expensive painting by Tselkov, “Five Faces,” was sold in June 2007 at MacDougall’s for £223.1 thousand, the third, “Two with Beetles,” was sold in November of the same year at the same auction (MacDougall’s always puts up for auction several Tselkovs of different price range) for £202.4 thousand.

Grisha Bruskin has played a special role in the auction history of Russian contemporary art since 1988, with the Moscow Sotheby's auction entitled Russian Avant-Garde and Soviet Contemporary Art, where his “Fundamental Lexicon” was sold for a sensational £220 thousand, 12 times higher estimate. About the same thing, and maybe even more sensational, happened with the polyptych “Logia. Part I” in 2000 at Christie’s in New York: the polyptych went for $424 thousand, exceeding the upper estimate by 21 (!) times - this alone can be considered a kind of record. Most likely, this extraordinary purchase is due not least to the significance of Bruskin’s name as the hero of the legendary Moscow Sotheby’s auction, because no other auction sales of Bruskin even come close to these amounts.

The price of Oscar Rabin does not fluctuate, but is steadily and very noticeably growing, especially for works of the Soviet period - all the most expensive works of this master sold at auction were painted in the late 1950s - early 1970s. These are (in addition to his record-breaking "Socialist City") "Baths (Smell the Cologne "Moscow", 1966, Sotheby's, New York, April 17, 2007, $336 thousand) and "Violin in the Graveyard" (1969, Macdougall's, London, November 27 2006, £168.46).

The top ten are closed by representatives of the younger generation - Alexander Vinogradov and Vladimir Dubossarsky, whose most expensive paintings were sold at Phillips de Pury (the second most expensive is “The Last Butterfly”, 1997, Phillips de Pury, New York, $181 thousand). These artists, in general, continue a trend that is quite clearly noticeable in the ranking of the most expensive paintings by living artists. We’ll talk about it a little lower, but for now here’s, finally, a list of the most expensive works of living Russian artists.

Top 10 works by living Russian artists

1. Ilya Kabakov (b. 1933). Bug. 1982. Wood, enamel. 226.5 x 148.5. Phillips de Pury & Company auction, London, February 28, 2008. Estimate £1.2-1.8 million. Sale price £2.93 million.

2. Erik Bulatov (b. 1933). Glory to the CPSU. 1975. Oil on canvas. 229.5 x 229. Phillips de Pury & Company auction, London, February 28, 2008. Estimate £500-700 thousand. Sale price £1.084 million.

3. Evgeny Chubarov (b. 1934). Untitled. 1994. Oil on canvas. 300 x 200. Phillips de Pury & Company auction, London, June 22, 2007. Estimate £100-150 thousand. Sale price £720 thousand.

4. Vitaly Komar (b. 1943) and Alexander Melamid (b. 1945). Meeting between Solzhenitsyn and Bell at Rostropovich's dacha. 1972. Oil on canvas, collage, gold foil. 175 x 120. Phillips de Pury & Company auction, London, April 23, 2010. Estimate £100-150 thousand. Sale price £657.25 thousand.

5. Oleg Vasiliev (b. 1931). Before sunset. 1990. Oil on canvas. 210 x 165. Sotheby’s auction, London, March 12, 2008. Estimate £200-300 thousand. Sale price £468.5 thousand.

6. Semyon Faibisovich (b. 1949). Soldiers. From the series “Stations”. 1989. Oil on canvas. 285.4 x 190.5. Phillips de Pury & Company auction, London, October 13, 2007. Estimate £40-60 thousand. Sale price £311.2 thousand.

8. Oleg Tselkov (b. 1934). Boy with balloons. Canvas, oil. 103.5 x 68.5. MacDougall's auction, London, November 28, 2008. Estimate £200-300 thousand. Sale price £238.4 thousand.

9. Oscar Rabin (b. 1928). City and Moon (Socialist City). 1959. Oil on canvas. 90 x 109. Sotheby’s auction, New York, April 15, 2008. Estimate $120-160 thousand. Sale price $337 thousand (£171.4 at the dollar to pound sterling exchange rate as of April 2008).

10. Alexander Vinogradov (b. 1963) and Vladimir Dubossarsky (b. 1964). Night training. 2004. Oil on canvas. 194.9 x 294.3. Phillips de Pury & Company auction, London, June 22, 2007. Estimate £15-20 thousand. Sale price £132 thousand.

It is known that auction prices are an irrational thing and one cannot judge by them the true role and significance of the artist in the artistic process. But from them and from the top lots one can roughly judge collector’s preferences. What are they? You don't need to be an expert to answer this question. They are obvious. Firstly, all the artists (except perhaps Alexander Vinogradov and Vladimir Dubossarsky) are “living classics” in years, and very respectable ones at that. Secondly, for almost each of them the records were set not by works of recent years, but by much earlier ones, that is, the pattern “the older, the better” is relevant here too. Thirdly, without exception, all works from the top 10 are easel paintings. Fourthly, these are all large and very large paintings. The only ones that can be considered more or less “standard” in this regard are “The City and the Moon” by Oscar Rabin and “The Boy with Balloons” by Oleg Tselkov; all the others greatly exceed human height in height (not even in width). Finally, for all these artists, the theme of the Soviet (in particular, nonconformist) past is in one way or another relevant, in many cases accentuated in their works. It seems that our collectors are experiencing acute nostalgia for this very Soviet past (it is well known that it is Russian collectors who buy Russian art in the West).

Younger than the other leaders of auction sales, Alexander Vinogradov and Vladimir Dubossarsky are somewhat stubbornly trying to break out of the dozens of harsh nonconformists, but this is only at first glance. In fact, if you imagine which of the generations following Kabakov, Bulatov, Rabin, Vasiliev, Tselkov can best meet the above criteria for purchase (large-sized easel paintings, rehashes of Soviet genres, motifs and stylistics), then this will probably turn out to be Vinogradov and Dubossarsky, worthy heirs of the masters of previous decades. At least judging by auction sales.

Alexey Chernigin

Konstantin Lupanov

Stanislav Plutenko

Nikolay Blokhin

Dmitry Annenkov

Vasily Shulzhenko

Arush Votsmush

Alexander Vinogradov and Vladimir Dubossarsky

Mikhail Golubev

Sergey Marshennikov