Victor Vasnetsov biography for children slide show. Vasnetsov Viktor Mikhailovich
Do you want to become better at computer skills?
Many computer users are faced with the situation of losing necessary files from a flash drive or hard drive: someone deleted a file by mistake, someone’s flash drive stopped working (for example, it was incorrectly removed from USB), etc. But not everyone knows that even deleted files can be at least partially restored. The possibility of recovery depends on many factors, but without getting into the jungle of recovery, let's look at one of the simplest file recovery programs.
Read new articles
The lesson can be fruitful and joyful, in one breath, or it can drag on sluggishly and boringly, exhausting the children and the teacher and bringing no satisfaction to anyone. And the reason for this is not only methodological errors, characteristics of the material and class. Perhaps, to an even greater extent, the reason should be sought in the emotional background of the lesson, which turned out to be unfavorable. Creating an emotional background is a task that inevitably faces any teacher and requires his attention and effort. How to create a positive lesson background?
How to capture the attention of a student in the age of digital technology, when the flow of information completely absorbs a person? Many people are probably familiar with the situation when a lesson is going on, and the students look at the phone screen and don’t want to do anything else. How to capture students' attention and make the lesson interesting? Let's look at several techniques for creating interest in the lesson.
Victor
Mikhailovich
Vasnetsov
(1848 – 1926)
Performed
Syuzeva Natalya
Fedorovna
Russian history,
folklore,
at the end of the 19th century
attracted
special attention
and interest.
Researchers began to seriously study the language of their people, their way of life, and collect songs and tales.
Accordion
V.M. Vasnetsov was born in a Ural village, lost among impassable fairy-tale forests. Here, observing the life of simple peasants, he was inflamed with a love for folk art.
For water
“I lived in a village, among men and women, I simply loved them as my friends, listened to their songs and fairy tales, listened to them at gatherings in the light and crackling of a splinter...” – wrote V.M. Vasnetsov.
Alyonushka
"The Sleeping Princess"
Sleeping Princess
With his creativity, Viktor Mikhailovich opened the way for viewers to the wonderful world of fairy tales, revived the “legends of deep antiquity.”
In the images of these knights, it was as if the entire Russian people stood up to defend the Fatherland, overshadowing their native land. The artist managed to wonderfully convey
the characters of their heroes.
Noble and brave Dobrynya Nikitich,
Alyosha Popovich is cunning and evasive.
Mighty and kind Ilya Muromets,
“Sirin and Alkonost. "Song
joys and sorrows"
On the surface of endless waters,
The yoke of the evil Tatars is broadcast,
Sunset in purple,
Broadcasts a series of bloody executions,
She speaks and sings
And coward, and hunger, and fire,
Unable to lift the troubled ones with wings...
The strength of the villains, the destruction of the right .
Theme of eternal struggle
The canvas “The Battle of Dobrynya Nikitich with the seven-headed Serpent Gorynovich” is dedicated to good and evil.
The serpent hung over the knight like a black cloud, and it seemed that it was about to swallow him up.
But Dobrynya is brave and courageous. In his entire posture one can feel the confidence of victory. .
"The Knight at the Crossroads"
Every person has to stand at a crossroads. Doubts overcome, the future is scary.
Russia faced the same choice in those years. Tsarist power or revolution? Which path should I take?
The epic combines historical facts and poetic fantasy. Vasnetsov was close to both. It is not for nothing that he painted not only pictures from Russian history, but also many purely fairy-tale characters.
"Ivan Tsarevich on a gray wolf"
"Snow Maiden"
"Baba Yaga"
His fabulous images are painted in such detail and realistically that it seems as if the artist saw them in reality.
In the playful dance of the Frog Princess we recognize the scope of the Russian soul.
"Princess"
frog »
"Koschei the Deathless"
The gloomy kingdom of Koshchei the Immortal is still trying today
seduce young souls.
Princess Nesmeyana turns away with disdain from the antics of her overseas admirers.
"Nesmeyana the Princess"
Slide 2
- Vasnetsov was born into the family of a rural priest in 1848. His childhood years were spent in the small village of Ryabov, Vyatka province (now the Kirov region), which has long been famous for the majestic beauty of nature, the art of folk craftsmen - carpenters, carvers, and toy makers. Here, for the first time, young Vasnetsov heard and fell in love with Russian folk tales, epics, and songs for the rest of his life.
- V.M. Vasnetsov “Self-portrait”
Slide 3
He received his artistic education at the best educational institution in Russia - the St. Petersburg Academy of Arts, where he became friends with I. E. Repin and I. N. Kramskoy. During his studies, he made drawings for magazines and cheap folk items.
Slide 4
- In 1878 he moved to Moscow, now his life and work will be closely connected with the ancient capital of Russia. In Moscow, Viktor Mikhailovich became close to many wonderful artists, with the founder of the famous gallery P. M. Tretyakov. According to Viktor Mikhailovich’s sketch, the facade of the building was made by all beloved Tretyakov Gallery - Tretyakov Gallery.
- Portrait of P.M. Tretyakov
- Artist I.E. Repin
Slide 5
- Vasnetsov becomes an active member of the Mamontov circle of artists and musicians, and often visits the country estate of S.I. Mamontov (a wealthy merchant and patron of artists) in the village of Abramtsevo.
- V.M. Vasnetsov “Oak Grove in Abramtsevo” I.E. Repin
- "Portrait of S.I. Mamontov"
Slide 6
In the 1870s. He produced small genre paintings, carefully painted primarily in a grayish-brown color scheme. In scenes of the street and home life of small merchants and officials, the urban poor and peasants, Vasnetsov with great observation captured the various types of contemporary society.
Slide 7
V.M.Vasnetsov “Bookshop”
Slide 8
V.M. Vasnetsov “From apartment to apartment”
Slide 9
In the 1880s, having left genre painting, he created works on the themes of national history, Russian epics and folk tales, devoting almost all of his subsequent work to them. One of the first Russian artists to turn to Russian folklore, Vasnetsov sought to give an epic character to his works, to embody age-old folk ideals and high patriotic feelings in poetic form.
Slide 10
V.M. Vasnetsov “Bogatyrs”
Slide 11
V.M. Vasnetsov “The Knight at the Crossroads”
Slide 12
V.M. Vasnetsov “Ivan Tsarevich on a gray wolf”
Slide 13
V.M. Vasnetsov “Alyonushka”
Slide 14
V.M. Vasnetsov “Flying Carpet”
Slide 15
V.M. Vasnetsov “Snow Maiden”
Slide 16
V.M. Vasnetsov “Three Princesses of the Underground Kingdom”
Slide 17
V.M. Vasnetsov “After the massacre of Igor Svyatoslavich with the Polovtsians”
Slide 18
V.M. Vasnetsov “Tsar Ivan Vasilyevich the Terrible”
"Duchess Olga"
Slide 19
1880-1890s V.M. Vasnetsov works for the theater. The scenery and costumes for the play-fairy tale “The Snow Maiden” by A. N. Ostrovsky (staged in the home theater of S. I. Mamontov in 1882) and the opera of the same name by N. A. Rimsky-Korsakov (at the Moscow Private Russian Opera with I. Mamontov in 1886), executed according to Vasnetsov’s sketches, an example of creative interpretation of genuine archaeological and ethnographic material, had a great influence on the development of Russian theatrical and decorative art in the late 19th and early 20th centuries.
Slide 20
V.M. Vasnetsov “Sketch of the scenery for the opera “The Snow Maiden”
Slide 21
V.M. Vasnetsov “The Snow Maiden” (Costume design for the opera “The Snow Maiden”)
Slide 22
In his work, Viktor Mikhailovich turned to religious themes. In 1885-96, Vasnetsov completed most of the paintings of the Vladimir Cathedral in Kyiv. In the paintings of the Vladimir Cathedral, Vasnetsov tried to introduce spiritual content and emotionality into the traditional system of church monumental painting, which in the 2nd half of the 19th century. came into complete decline.
To use presentation previews, create a Google account and log in to it: https://accounts.google.com
Slide captions:
Vasnetsov Viktor Mikhailovich (1848-1926) Vasnetsov was born into the family of a rural priest; his childhood years were spent in the small village of Ryabovo, Vyatka province. He received his art education at the best educational institution in Russia - the St. Petersburg Academy of Arts. V.M. Vasnetsov had versatile talents. He painted fabulous paintings and was a brilliant master of monumental art.
“Bogatyrs” (1898, State Tretyakov Gallery) The central work was the large canvas “Bogatyrs”, depicting three epic heroes - the majestic Ilya Muromets, the impetuous, angry Dobrynya Nikitich and the simple-minded Alyosha Popovich - at the outpost, looking out for the enemy.
"The Knight at the Crossroads"
“The Sleeping Princess” (fragment)
“Flying Carpet” (1830, Nizhny Novgorod Art Museum)
"Baba Yaga"
One of Vasnetsov’s most attractive works is “Alyonushka” (1881) based on a folk tale. The master laid the foundation for lyrical and fairy-tale motifs in this painting.
"Tsarevich Ivan on the Gray Wolf"
“Three Princesses of the Underground Kingdom” (1879 Tretyakov Gallery, 1884 Kiev Museum of Russian Art)
Paintings by V.M. Vasnetsova
On the topic: methodological developments, presentations and notes
This lesson contributes to the development of aesthetic perception through observation, development of the ability to see and explain the details of a picture, teaches you to pay attention to the smallest details...
Vasnetsov Viktor Mikhailovich Artist-painter Biography
- Victor Mikhailovich Vasnetsov was born on May 15, 1848 in the Russian village of Lopyal, Urzhum district, Vyatka province (now Kirov region), in the family of an Orthodox priest Mikhail Vasilyevich Vasnetsov (1823-1870), who came from the ancient Vyatka family of Vasnetsov.
- He studied at the theological school (1858-1862), then at the Vyatka Theological Seminary. He took drawing lessons from the gymnasium art teacher N. G. Chernyshev. With the blessing of his father, he left the seminary in his penultimate year and went to St. Petersburg to enter the Academy of Arts. He studied painting in St. Petersburg - first with I. N. Kramskoy at the Drawing School of the Society for the Encouragement of Arts (1867-1868), then at the Academy of Arts (1868-1873). During his studies, he came to Vyatka and met the exiled Polish artist Elviro Andriolli, whom he asked to paint with his younger brother Apollinaris.
- After graduating from the Academy, he traveled abroad. He began exhibiting his works in 1869, first participating in exhibitions of the Academy, then in exhibitions of the Itinerants.
- Member of the Mamontov circle in Abramtsevo.
- In 1893, Vasnetsov became a full member of the Academy of Arts.
- Kuznetsov N. D. Portrait of V. M. Vasnetsov (1891)
- After 1905, he was close to the Union of the Russian People, although he was not a member of it, and participated in the financing and design of monarchist publications, including the Book of Russian Sorrow.
- In 1915, he participated in the establishment of the Society for the Revival of Artistic Rus', along with many other artists of his time.
- Viktor Vasnetsov died on July 23, 1926 in Moscow, and was buried at the Vvedenskoye Cemetery.
- Vasnetsov’s work clearly represents different genres, which have become stages of a very interesting evolution: from everyday life to fairy tales, from easel painting to monumental painting, from earthiness Itinerants to the prototype of the Art Nouveau style. At an early stage, Vasnetsov’s works were dominated by everyday subjects, for example, in the paintings “From Apartment to Apartment” (1876), “Military Telegram” (1878), “Book Shop” (1876), “Booth Shows in Paris” (1877).
- Later, the main direction became the epic-historical - “The Knight at the Crossroads” (1882), “After the Battle of Igor Svyatoslavich with the Polovtsians” (1880), “Alyonushka” (1881), “Ivan Tsarevich on the Gray Wolf” (1889), “Bogatyrs” "(1881-1898), "Tsar Ivan Vasilyevich the Terrible" (1897).
- At the end of the 1890s, a religious theme occupied an increasingly prominent place in his work (works in the Vladimir Cathedral in Kiev and in the Church of the Resurrection in St. Petersburg, watercolor drawings and, in general, preparatory originals of wall painting for the Cathedral of St. Vladimir).
- After 1917, Vasnetsov continued to work on folk fairy-tale themes, creating the canvases “The Battle of Dobrynya Nikitich with the seven-headed Serpent Gorynych” (1918); "Koschei the Immortal" (1917-1926).
Preference
Knight at the crossroads
Warriors of the Apocalypse
After the massacre of Igor
Svyatoslavich with the Polovtsians
Polovtsians
Bogatyrs
Snow Maiden
Princess Frog
Alyonushka. 1881.
Ilya Muromets
Sirin and Alkonost. A song of joy and sorrow.
From apartment to apartment
Koschei the Immortal
Knight at the crossroads
Baptism of Grand Duke Vladimir
Vasnetsov Apollinariy Mikhailovich (1856-1933)
Novodevichy Convent
17th century bazaar
EXAMINATION
19. After 1917, Vasnetsov continued to work on folk fairy tale themes? Title of the WORK?
Answers 1. Preference 2. Warriors of the Apocalypse 3. Gamayun 4. After the battle of Igor Svyatoslavovich with the Polovtsy 5. The Frog Princess 6. The Snow Maiden 7. Ilya Muromets 8. Alyonushka 9. The Knight at the Crossroads 10. The Baptism of Grand Duke Vladimir 11. The Bogatyrs 12. Alyonushka 13. The Bogatyrs 14. The Frog Princess 15 Sirin and Alkonost 16 The Sleeping Princess 17 Kashchei 18 The fight between Dobrynya Nikitich and the seven-headed Serpent Gorynych” (1918); "Koschei the Immortal" (1917-1926).
