Non-traditional drawing techniques for children. Non-traditional graphic techniques for preschool children Techniques for drawing proformas

All children love to draw. But sometimes a child doesn’t get what he wants. Or maybe he doesn’t have enough familiar ways to express himself? Then you can inspire him to experiment with different techniques, among which he will definitely find his favorite one. After this, your child will probably want to invent something new.
Dot patterns

First we draw the simplest squiggle. Then, using a cotton swab and paints (gouache or acrylic), we make intricate patterns to suit your taste. It is better to pre-mix the paints and dilute them slightly with water on the palette.

Frottage

A technique familiar and loved by many since childhood. We place an object with a slightly protruding relief under a sheet of paper and paint over it with pastel, chalk or an unsharpened pencil.

Foam prints

By dipping a sponge in thick gouache, the child can draw landscapes, bouquets of flowers, lilac branches or animals.

Blotography

One option: drop paint onto a sheet and tilt it in different directions to create an image. Second: the child dips the brush into the paint, then places the blot on a sheet of paper and folds the sheet in half so that the blot is imprinted on the second half of the sheet. Then he unfolds the sheet and tries to understand who or what the drawing resembles.

You can see other drawings using the klyasography method

Hand and foot prints

It's simple: you need to dip your foot or palm in the paint and make an imprint on paper. And then use your imagination and add a couple of details.

You can see more about the method of drawing with palms

Paint patterns

For such an application you need to apply a thick layer of paint onto the paper. Then, with the opposite end of the brush, scratch patterns on the still wet paint - various lines and curls. When dry, cut out the desired shapes and paste them onto a thick sheet of paper.

Fingerprints

The name speaks for itself. You need to paint your finger with a thin layer and make an imprint. A couple of strokes with a felt-tip pen - and you're done!

Monotype

A design is applied to a flat, smooth surface (for example, glass) with paint. Then a sheet of paper is applied, and the print is ready. To make it more blurry, the sheet of paper must first be wetted. Once everything is dry, you can add details and outlines if desired.

Scratch

The highlight of the work is that the drawing needs to be scratched. A sheet of cardboard is densely shaded with spots of multi-colored oil pastels. Then you need to mix black gouache with soap on a palette and paint over the entire sketch. When the paint is completely dry, use a toothpick to scratch the design.

Air colors

To make the paint, mix a tablespoon of self-raising flour, a few drops of food coloring and a tablespoon of salt. Add a little water to the consistency of thick sour cream and mix well. The paint can be placed in a pastry syringe or in a small bag. Tie tightly and cut the corner. We draw on paper or regular cardboard. Place the finished drawing in the microwave at maximum mode for 10-30 seconds.

Marbled paper

Paint a sheet of paper with yellow acrylic paint. When it is completely dry, paint it again with diluted pink paint and immediately cover it with cling film. The film needs to be crumpled and gathered into folds, since they are the ones that will create the desired pattern. We wait until it dries completely and remove the film.

Painting with water

Using watercolors, draw a simple shape and fill it with water. Until it dries, we put colored blots on it so that they mix with each other and form smooth transitions like this.

Prints of vegetables and fruits

Vegetables or fruits need to be cut in half. Then you can cut out some kind of pattern on it or leave it as is. We dip it in paint and make impressions on paper. You can use an apple, potato, carrot or celery for prints.

Leaf prints

The principle is the same. We smear the leaves with paint and make prints on paper.

Drawings with salt

If you sprinkle salt on a watercolor painting that is still wet, it will soak into the paint and create a grainy effect when it dries.

Brush instead of a brush

Sometimes, for the sake of experimentation, it's worth trying something unexpected. For example, a household brush.

Ebru, or painting on water

We will need a container of water. The main requirement is that its area coincides with the area of the sheet of paper. You can use an oven broiler or a large tray. You will also need oil paints, a solvent for them and a brush. The idea is to create patterns with paint on water, and then dip a sheet of paper into them. How it's done: www.youtube.com

Cracked wax effect

Using wax pencils, draw an image on thin paper. In our case - a flower. The background must be completely shaded. Crumple it well and then straighten the sheet with the pattern. We paint it with dark paint so that it goes into all the cracks. We rinse the drawing under the tap and dry it. If necessary, smooth it with an iron.

You can see about drawing on crumpled paper

Cardboard prints with shift

We cut the cardboard into small strips, approximately 1.5 × 3 cm. Dip the edge of a piece of cardboard into paint, press it vertically to the paper and evenly move it to the side. You will get wide lines from which the drawing is created.

Fist prints

For such a drawing, the child will have to clench his hands into fists. Then dip the back of your fingers in the paint and make imprints, creating the desired shape. Fish and crabs can be created using fingerprints.

We recently looked at seven simple watercolor painting techniques, and if you've mastered them, then it's time to move on to something more complex and interesting. Today we will look at six more interesting techniques that will help you create your own masterpiece.

Spray

We wet the bottom of the paper to see what would happen.

This technique is quite simple. Just put paint on the brush and start tapping the bristles of the brush on your finger so that the splashes scatter chaotically

If your brush is too wet, it will be difficult to control the splatter. Therefore, shake a few drops off it, and only then get to work.

If you don't like hitting the brush on your fingers, then you can use any available tool, a pen, for example.

Before we start splashing our paint, we'll place some pieces of paper in the top corner of our canvas.

We also wet the bottom edge of the sheet with clean water and painted it light purple.

Find an old toothbrush, rinse it and remove any remaining toothpaste. And get ready for chaos.

There are several ways to get paint onto your toothbrush. You can dip it in paint, which makes it very difficult to fill the bristles with paint. You can try filling your toothbrush using a brush. This way you can control the amount of paint.

Take your toothbrush and run your thumb along the bristles. You can also use improvised means. Choose a tool that you can use to spray paint off the bristles. Notice how the speed of your movements and the distance of the brush from the paper affect the paint atomization.

When you want to spray paint of a different color, rinse your toothbrush thoroughly and dry it with a towel.

Don't worry if you don't get this technique as well as you'd like. Practice and you will succeed.

As you can see, it turns out to be quite an interesting effect. Use the available tools that you have, use your imagination and be creative in your drawing.

Sgraffito and stamps

Sgraffito is an Italian term that refers to a scraping technique associated with wearing away the top coating of pottery to expose the layers underneath.

In the example, we scraped off the paint using a pocket knife. If you scrape off paint that has not yet dried and has soaked deep into the paper, you will get dark lines.

If used wisely, this technique can be used to create interesting landscapes by scraping out the shapes of trees and other flora.

You can use old credit cards to scrape off paint. Use a smooth side card to sweep away any remaining paint.

Many brushes have a pointed edge. You can use these brushes to create fine lines.

It is very important to understand at what interval you need to start scraping. Practice on a separate sheet of the same paper and with the same colors.

A stamp is the application of paint by pressing other objects onto paper. You can choose any material to create stamps. Try everything you can get your hands on.

In this example, we are using facial tissues. Fill them with paint and stamp on the top of the paper.

You can also use a sponge. With its help we will depict grass.

You can play with textures using different materials. Experiment!

Don't be afraid to use body parts for stamps. Everything can be used!

Washing out

A relatively simple technique will help you create unusual and interesting textures.

First, cover the top of the paper with blue paint.

Then quickly paint the rest of the canvas red. This is what our drawing will look like at this stage.

Now rinse your brush thoroughly and refill it with clean water. Using light brush strokes, sprinkle drops of water onto the still wet paint.

Continue spraying water until you are satisfied with the result.

How far the paint has dried can be determined by the force of the water on it. Notice that the more water applied to the same area, the lighter the color of the paint became.

Don't be discouraged if you can't control the blur. You most likely will not succeed, since it is quite difficult to influence this process.

Experiment with the amount of water, colors and how dry the paint is. This technique can help you create an interesting and textured background.

We use alcohol

You will need cotton swabs and alcohol.

Paint your sheet thickly with paint.

Create the background color you want and get ready for the fun.

Dip a cotton swab into alcohol and start dripping it onto the paint.

Alcohol, when it gets on the paint, repels it, creating a light spot.

Try dripping alcohol onto the paint as it dries to see the effect.

It turns out quite nice, doesn't it?

This interesting technique allows you to create unusual textures.

We use salt

Obviously we will need salt for this technique.

Let's draw the sky and the hill.

Our second hill will be raspberry in color, let's mix it a little with the first hill to get an interesting transition.

Now take salt and sprinkle it on our drawing. After a few minutes, add a little more salt. It pushes the paint away from itself, creating an unusual texture.

Let's wait until it all dries and see what happens next.

Once the design has dried, the effect the salt created becomes more visible.

Shake the salt off the drawing and enjoy the result.

It is better to use a sponge to brush off the salt. This way you don't damage the paint. Clean the drawing with light movements, try not to rub it.

The salt absorbed the paint, creating a huge number of star-like specks.

It is worth noting that coarse salt will leave larger specks, and fine salt will leave smaller ones.

All children love to draw, but the monotony gets boring. What new types of drawing can be offered to a child today?

Almost all children have a penchant for creative activities. However, children quickly become bored with everything ordinary and traditional. After drawing with colored pencils or gouache for a week or two, the child loses interest in repetitive activities. And parents begin to sound the alarm that their child lacks a creative streak and shows no interest in either drawing or modeling. Learn new types of drawing for children and see the new talents of your son or daughter!

To interest the baby in crafts, parents need to be creative and turn each activity into a unique, exciting activity. At the same time, it is not at all necessary to purchase expensive materials and tools! You can get by with very inexpensive things.

Secrets of the grattage technique

Drawing using the grattage technique is considered a very interesting and at the same time simple activity. This activity can be done with children from 3 years old. Bright gouache paints are applied randomly to the album sheet. The paint layer should be quite dense. Do not skimp on colors, let hot scarlet, orange and yellow tones bloom on a white background in combination with ultramarine, bright greens and rich lilac.

Then the sheet is covered with a thick layer of paraffin, and then with thick black ink. When the ink is completely dry, sit down with your child and begin to scratch the surface of the sheet with a sharp object, such as a feather or a toothpick. To the delight of the child, rainbow patterns will appear through the black surface. You can scratch a simple pattern on a sheet of paper in the form of stripes, zigzags and dots, or you can depict fish, animals, a house, flowers.

What is monotype

Monotype is also a very exciting business. Take a sheet of paper, fold it in half and draw a landscape in watercolor on one side. It is not necessary to draw all the details, just draw a blue sky, a strip of land, a couple of trees, grass, flowers at the top. Let the image be blurry and unclear.

Then, while the drawing is still wet, press the landscape piece of paper onto the clean side. When you unfold the sheet again, you will see that a mirror image of your landscape has been created on the second part of the sheet. Now you can add clarity to the picture with light strokes, and your landscape is ready! This is the secret of the monotype technique.

Drawings using nature

Drawing on stones is accessible to children from 2-3 years old. Moreover, this activity requires almost no costs. Collect regular flat pebbles from the street, stock up on gouache paints, brushes, clear varnish and go! It's easy to turn ordinary rocks into fun trinkets to play with in the yard. Draw a beautiful flower, a bright rose, a colorful fish, a car, or even just an elegant pattern on the stone. Then coat the stones with varnish to seal the paint.

Such stones will be an excellent decor for a room or bathroom. They will remind you of summer, and after many years they will turn into a family heirloom.

In autumn, imprinting fallen leaves on paper will become especially relevant. Collect leaves from different trees, cover them with paints, and for a better effect you can paint the leaf not with one color, but with several. And then apply the leaves together with the backing one by one to the surface of the paper. The end result will be an unusual and beautiful piece.

Other drawing techniques

For babies and older children, you can shift it; this technique is not only interesting, but also useful for the psyche. You can read more about it in a separate article.

Each has its own characteristics: techniques, execution techniques and materials and tools used. The types of drawing and painting, the quality and accuracy of the image, as well as its aesthetic properties depend on what artistic materials the artist uses.

Drawing and painting: what is the difference?

Drawing is a type of graphics, which is a black and white or color image on paper, cardboard, made by hand. This concept includes both a simple drawing or sketch and complex paintings using perspective. For drawing, materials such as:

simple graphite pencils;
colour pencils;
markers;
ink, ink (applied to paper with pens or pens);
sanguine;
coal.

Drawing, unlike painting, has a wider application. The figure below shows graphs of functions of the form y. This presentation of educational material helps students and students better understand complex mathematical equations and their practical applications.

Drawing with pencils

One of the most used tools in fine art is a simple pencil. They are inexpensive. They do not require any special handling skills. Based on their hardness, they are divided into 3 types: soft (M, M2 or B, B2), medium hard (TM or BH) and hard (T, T2 or H, H2). With a pencil you can create all types of drawings: from a sketch to a photographic image.

How to use such a tool correctly? Gennady Li, in his book “Fundamentals of Academic Drawing,” advises beginning artists to use the softest (M2) pencil. This teaches you to be more responsible about your work and act more carefully. They learn to make lines and strokes with a light movement, barely touching the surface of the paper. A soft graphite mark is easier to erase with an eraser or a kneader (soft eraser). Even slight pressure makes the lines darker and thicker. Professionals can achieve the desired tonal ratio using the hardest (T2) pencil.

Techniques for working with pencils

Particular importance when working with pencils is given to the execution technique - shading. Contours are drawn not with long lines, but with short strokes. Also, shading darkens areas on a sheet of paper. It should convey not only the tone, but also the texture of the subject. In this case, the lines are placed parallel and tightly to each other.

The figure shows graphs of functions in the form of complex mathematical formulas, which are impossible to depict without the use of special tools and without taking your hand off the sheet. This can only be done by applying the image with short strokes. But it is precisely from such simple lines, ovals or sinusoids that all visible objects consist.

When working with colored pencils, the same tools and techniques are used as with simple graphite pencils. The main difference is that the drawing is colored.

Markers

These brightly colored sticks with hard shafts that leave rich color on the leaf are a recent development. Therefore, nothing is written about them in old drawing textbooks. Lines drawn with a felt-tip pen have an even, bold mark not only on the surface, but also on the back side of the sheet of paper. Therefore, it is not suitable for painting large areas. It is used for highlighting, loose color shading.

Felt-tip pens are used when you need to create a drawing in the form of signs and inscriptions. It is suitable for drawing graphs, especially if you need to draw several lines on them, displaying different functions or calculation results.

Ink, ink

Fountain and ballpoint pens, which use ink and ink as coloring pigments, are used not only in calligraphy, but also in drawing. In terms of their capabilities, they are not inferior to pencils, but they have some features. Ink and ink lie on paper or cardboard in smooth, monochromatic lines, regardless of the pressure applied. That is, the tone does not change. Therefore, they are rarely used when creating photographic three-dimensional images. But they are suitable for such types of drawing as sketching and sketching.

To work with the tool, you can use any paper, even writing paper. The ink is applied easily without scratching the paper, which often happens when working with a sharpened hard pencil.

Sanguine, coal

Sanguine is a type of clay. Sticks are made from it and fired. It has a red or brownish-brown color.

Coal gives black color. It is obtained by roasting birch or aspen branches in a closed oven. Compressed charcoal is made from simple charcoal.

Despite the fact that these are two different materials, the execution technique and types of patterns obtained with their help are the same. Artists often use both materials on the same sheet of cardboard along with chalk. To prevent the image from crumbling, it is treated with special adhesive fixatives. You should work with these materials carefully, as it will not be possible to erase what you have drawn. Even a smudge won’t help, and an eraser will simply smear everything into a muddy spot. See below for what the drawing made with charcoal or sanguine looks like.

Painting: tools, materials, technique

In painting, the main tool is the brush, and the materials used are watercolor, gouache, acrylic or oil paint. They are produced in sets of 3, 6, 9, 12 or more colors. To get the paint of the desired shade, they are mixed on a palette. A palette is a plastic or wooden board with grooves and a hole for your finger. If you don’t have such an item, you can use a porcelain plate instead.

The image is applied to cardboard, whatman paper or canvas. When using oil paint, they are primed with special gypsum-based compounds.

Watercolor

This is a water based paint. The peculiarity of this artistic material is that it is almost transparent. Apply it to cardboard or paper with squirrel hair brushes. There are two techniques for working with watercolors: on a dry or wet sheet of whatman paper.

Even a small child who has picked up a brush for the first time can work on dry cardboard or paper. An image is drawn with a simple pencil. Usually at this stage of work such types of drawing as sketch and draft are used. Light areas are painted first, then dark areas. This is done so that the colors do not mix. Errors are corrected by rubbing the paper with a sponge or brush soaked in water.

Drawing on wet Whatman paper is much more difficult. Only an artist with extensive experience working with this technique can perform work with The drawing shows the appearance of objects with streaks of paint, an almost transparent play of light. To do this, paint is applied in circles, gradually darkening the corresponding areas. The white parts of objects are not painted over.

Gouache

To work with gouache paints, use brushes with synthetic bristles. It lays down in an even, opaque layer. It is applied to paper or cardboard. The technique of working with gouache is the same as when working with watercolors on dry paper, but with some features. Since it is opaque, a different, but different color can be applied to a layer of paint. Excess gouache in the painting, as well as mistakes made during the work, are eliminated using a scraper (the corner of a ruler will do) or a damp brush. Applied in a thick layer, it cracks when dried. If the excess is not removed, then it may fall off.

Gouache dried in a jar is diluted with water to a creamy consistency. Since the paint quickly fades in the sun and rubs off, such paintings must be hung in places inaccessible to direct sunlight under glass.

Oil paint

Most of the paintings in the Hermitage and Tretyakov Gallery are painted in oil. The advantage of oil paint is that it practically does not fade in the sun, but takes a long time to dry. It can be applied either pointwise, when strokes of different colors are placed side by side, or in layers. Errors and/or excess paint are removed with a palette knife. A palette knife is a special spatula. Sometimes it is used to apply paint. It produces an unusual artistic effect when it is laid out in blocks.

They use not only thick, but also liquid oil paint. To liquefy it, add vegetable oil (sunflower, corn, flaxseed, etc.). It is applied in layers. This technique is called the glaze method. A striking example of what a painting made in this way looks like is “Moonlit Night on the Dnieper” by A. I. Kuindzhi. The moon seems to glow.

An oil painting takes about a year to dry. If the glaze method was used, then each layer dries for about six months. The drying process can be speeded up by adding a solvent, such as turpentine or white spirit, to the paint. Then the paint will dry in 2-3 days, and the surface of the painting will become matte. To prevent the surface from cracking during drying, cover it with damp rags.

Acrylic paints

Acrylic paints are a modern art material. With their help, artists create paintings that are close in their graphic parameters to photography, with the same clarity and brilliance. They dry quickly. When working with the same techniques are used as when working with oil.

Artists, along with traditional materials, use modern ones and combine them. It is not always possible to determine and explain what types of drawings are obtained. For example, a watercolor still life, where the contours of objects are highlighted with a felt-tip pen. What artistic material was used to create the painting? What type of drawings can it be classified as? But it is not so important how and with what to draw, the main thing is that drawing brings pleasure not only to the artist, but also to the audience.

Ecology of consumption. Children: If your child periodically gets upset, saying: “I can’t draw this” or “it didn’t turn out nicely,” stop trying...

If your child periodically gets upset, saying: “I can’t draw this” or “it didn’t turn out nicely,” stop trying to draw according to a model, as is done in various drawing circles, and try spontaneous drawing techniques, not standard ones.

We offer you 20 OPTIONS of similar techniques that reveal...

Passepartout.

This is when a child’s doodles are inserted into a sheet with some shape cut out. Those. cut out a template, for example, butterflies and place it on top of the baby’s “drawing”. As a result, the child’s work forms a unique pattern of butterfly wings.

Drawing with feet.

Secure a sheet of paper to the floor with duct tape. Place a pencil between your baby's toes and ask him to draw something. You can create with both feet on one sheet of paper at the same time. Attach a large piece of paper to the wall and ask your child to draw something on it while lying on his back.

Frottage.

A sheet of paper is placed on a flat, relief object and then, moving an unsharpened colored pencil across the surface, you get a print that imitates the basic texture. You can rub pencil crumbs over a textured surface in the same way. Anyone who has tried to draw on a table with a relief surface knows how this drawing technique can be included in a drawing completely uninvited. You can create drawings by combining the relief of several objects.

Airy colors.

To prepare the paint, mix in a small cup:

one tablespoon of “self-raising” (pancake) flour - this is flour with baking powder already added. You can simply add 1 tsp to flour (per 500 g). soda and 1 tsp. citric acid,
a few drops of food coloring,
one tablespoon of salt.

Then you need to add a little water to give the “airy” paint the desired consistency.

You need to apply the paint onto a thick sheet of cardboard (if you don’t have the right brush, you can use cotton swabs).

Attention! Cardboard should not contain synthetic materials or films; use regular cardboard or very thick paper.

Place the painting in the microwave on high for 10 to 30 seconds until the paint is dry. Drying time depends on the thickness of the paint layer and its consistency.

Marbled paper.

Needed: shaving cream (foam), watercolor paints or food coloring, a flat plate for mixing shaving foam and paints, paper, scraper.

Work plan:

Apply shaving foam in an even, thick layer onto the plate.
Mix different colors of paint or food coloring with a little water to make a rich solution.
Using a brush or pipette, drip paint of different colors onto the surface of the foam in a random order.
Now, using the same brush or stick, beautifully smear the paint over the surface so that it forms fancy zigzags, wavy lines, etc. This is the most creative stage of the whole work, which will bring pleasure to children.
Now take a sheet of paper and carefully apply it to the surface of the resulting patterned foam.
Place the sheet on the table. All you have to do is scrape off all the foam from the sheet of paper. For these purposes, you can use a piece of cardboard or a lid cut in half.
Underneath the shaving foam you'll find stunning marble patterns. The paint has time to quickly absorb into the paper; you just need to let it dry for a few hours.

Drawing with cling film.

We apply spots of several colors of watercolor or gouache paint on the entire surface of the sheet. We put the film on top and draw various lines, lightly pressing the film. Let the paint dry and remove the film. We complete the drawing with felt-tip pens or pencils.

Soap painting.

You can mix the paints with soapy water and then apply patterns and shapes with a brush. When drawing, soap bubbles are formed, which create the texture of colorful strokes.

Blotography.

Let the child drip paint onto the sheet, tilt it in different directions, and then finish drawing the blot so that it turns out to be some kind of image. Or a child dips a brush into paint, then places a blot on a sheet of paper and folds the sheet in half so that the “blot” is imprinted on the second half of the sheet. Then he unfolds the sheet and tries to understand who or what it looks like.

Drawing on a damp surface.

The technique is very simple: moisten a sheet of paper with water, let it dry for 30 seconds and start painting with watercolors. The colors spread in different directions and very interesting patterns are obtained (dawn, clouds, trees, rainbow).

Salt.

Make a sketch on paper first. Moisten it with water using a brush, sprinkle with salt, wait until it absorbs the water, sprinkle off the excess salt. When everything is dry, draw the missing elements and paint. Salt is good for drawing dragonflies, birds, jellyfish, butterflies, snow, smoke.

Wax.

Prepare a sheet of animal silhouettes that you will “draw” with a candle in advance. By painting over the drawing, the child will unexpectedly “create” images of animals.

Foam rubber or sponge.

By dipping a sponge in thick gouache, a child can draw landscapes, bouquets of flowers, lilac branches, and apple trees.

A bunch of pencils.

Securely secure a large piece of paper with duct tape. Gather colored pencils into a bun so that the sharpened ends are at the same level. Invite your child to draw.

Crayons and starch.

Pour a little starch onto a piece of paper and spread it evenly over the surface with your hands. Invite your child to draw with crayons on a slippery surface. It's better to use the primary colors of the crayons so that they give you new colors.

Colored glue.

Pour the glue into empty bottles, add a few drops of a different color to each, and you are ready to create works of art. Draw with colored glue on dark paper using the “drip” technique.

Gauze swab.

Invite your child to dip a gauze swab into paint and draw clouds, soap bubbles, snowdrifts, ducklings, and butterflies. The missing details must be completed with a brush or felt-tip pen.

Corn cobs.

Come up with some image. Dip the cob into the paint and roll it over a sheet of clean paper. Make an impression using the tail of the corncob.

Prints.

We make drawings using stamp imprints.

Drawing with dots.

The child, with light pressure from the pencil, outlines the preliminary contour of the object, then, using a dot technique, fills the space inside it, using felt-tip pens or pencils of different colors.

Painting with splashes.

The most important thing here is to master the “spraying” technique. Apply gouache to a dry toothbrush with fairly stiff bristles, a little less than you usually put in toothpaste. The consistency of the paint is slightly thicker than a paste, so water is usually not needed here. Hold the brush in your left hand with the bristles down at a distance of 3-4 cm from the paper and use the stick to scrape the bristles towards you.

The multi-colored “spray” (fireworks) and yellow-red (golden autumn) on a white sheet are very beautiful; white “spray” on a dark blue background (winter landscape).

Magic balls.

Material: box lid, balls, paint, paper, brushes, water.

Progress. Place a sheet of paper in the box and apply several multi-colored or plain drops of paint on it. Place 2-3 balls in a box and shake the box so that the balls roll, mixing the colors, creating a pattern. published