New Pinakothek. New Pinakothek (Neue Pinakothek) Video about the New Pinakothek

The New Pinakothek (German: Neue Pinakothek) is an art gallery in Munich. It presents works of painting and sculpture by masters of the 19th - early 20th centuries. Opposite the New Pinakothek is the Alte Pinakothek with works by masters from the Middle Ages to the mid-18th century. The third Pinakothek of Munich - the Pinakothek of Modernity - presents art of the 20th and 21st centuries.

The gallery was founded in 1853 by Bavarian King Ludwig I, who wanted to make his private collection of modern art available to the public by housing it in the Alte and Neue Pinakothek. The Neue Pinakothek is thus the first “contemporary art collection” in the world. The boundary between old and new art established at the turn of the century became the defining one for German art galleries. In accordance with the artistic preferences of Ludwig I, initially the majority of the exhibition consisted of works by the Munich school of painting and the German romantics. Particular attention was paid to southern German artists and art schools. However, while building the museum, Ludwig also satisfied his dynastic ambitions by exhibiting in the main hall of the Neue Pinakothek heroic landscapes of Greece by Karl Rothmann, where Ludwig’s son Otto I of Greece reigned. After Ludwig's death, the collection grew with new famous paintings, but the situation with the selection of exhibits changed very slowly in Munich. The situation changed only in 1909, when the so-called “Tschudi donations” followed, named after the general director of the Munich State Painting Collection, Hugo von Tschudi, who paid great attention to modern French paintings that were not held in high esteem at that time. artists. Thanks to him, the Neue Pinakothek acquired an impressive collection of impressionists. However, in 1938, Van Gogh's Self-Portrait was classified as degenerate art, confiscated and sold a year later. The collection of the Neue Pinakothek is currently being replenished thanks to voluntary donations and acquisitions and is one of the largest exhibitions of art of the late 18th-19th centuries.

Having rejected several places for the construction of a new gallery building, Ludwig I ordered the construction of the New Pinakothek opposite the Alte Pinakothek. The project was created by Friedrich von Gaertner and August von Voith. During World War II, the Neue Pinakothek building was completely destroyed and was soon demolished. The exhibition of the New Pinakothek is located in the House of Art. It was only in 1981 that the postmodern building, designed by the architect Baron Alexander von Branca, opened. Although the sandstone-clad building with its bay windows, emergency staircases and semi-circular arched windows was not received well, its magnificent, skylit rooms were universally acclaimed. The Dörner Institute is located in the western wing of the Neue Pinakothek building.

Pinakothek (Munich) is one of the most famous world-class art galleries, which presents more than 700 painting masterpieces of the 14th-21st centuries, painted by the most famous masters: Leonardo da Vinci, Raphael, A. Durer, I. Bosch, Altdorfer, V. Titian , S. Botticelli, F. Goya, etc.

History of the collection

The Old Pinakothek in Munich (Alte Pinakothek) is a popular and famous museum that houses 9 thousand paintings by European artists from the 14th to 18th centuries. The distinctive feature of the museum comes from its name. Pinakothek (Greek: “art gallery”) is a place where exclusively paintings are exhibited.

The collection of paintings began to be collected in 1528 by the Bavarian Duke Wilhelm IV von Wittelsbach, who wanted to decorate the summer pavilion of his Munich residence with paintings based on historical themes. The very first was written “The Battle of Alexander”, dedicated to the battle of Alexander the Great with the Persian army of King Darius. Then other members of the Wittelbach family began to expand the collection.

By the end of the 17th century, the collection became one of the most outstanding in Europe in terms of its significance. In particular, it was supplemented by works by Flemish artists, which were collected by the Bavarian Elector Max Emmanuel (1679-1726).

By the beginning of the 18th century, the museum already had works by outstanding painters from Italy, Spain, Germany and the Netherlands. Then there was a further increase in the collection:

in 1777 paintings from the Mannheim Gallery were added to it;
in 1803 - 1,500 works of painting that were previously in churches and monasteries;
1806 - Düsseldorf collections and works from Carlsberg Castle were added.

A separate hall was built in Schleissheim Palace to house the paintings.

Construction of the Pinakothek building

The reign of Ludwig I of Bavaria (1825-1848) is a significant period in the history of the Munich Gallery. At this time, he acquired famous works by German and Dutch artists of the 15th century, and Italian paintings of the Renaissance.

To house such a rich collection, there is already a need to construct a special building and place the works there in chronological order.

Ludwig I decided that his private collection of works of art was worthy of becoming public knowledge so that Munich would be considered a world-famous center for painting and other arts.

The plan of the gallery building was designed by the architect Leo von Klenz in the Renaissance style. The ceremonial laying of the foundation of the building took place in April 1826 on the birthday of Ludwig’s favorite artist, Raphael Santi. The King of Bavaria ordered that the museum be named after the Greek word “pinakothek”.

The Old Pinakothek (Munich) was built already by 1836, and at the same time Ludwig issued a decree on free visits to the museum for everyone on Sundays. However, in the first years, the townspeople did not so much visit the museum as have picnics on the lawn in front of the gallery.

The Old Pinakothek houses exclusively paintings from the Middle Ages to the Enlightenment. Its building is rather gloomy and gray, and the halls inside are also almost undecorated. The complete absence of decoration was done specifically so that visitors would not be distracted from the main purpose of visiting the museum - contemplating the masterpieces of world art.

Throughout the 19th and 20th centuries, the Pinakothek collection continued to expand through the acquisition of works of painting from those times, for which the building of the new Pinakothek was built in 1853.

War and restoration of museums

During the Second World War, the Pinakothek (Munich) was heavily damaged by Anglo-American air raids. The paintings themselves survived because they were stored in underground shelters in advance. The building of the old Pinakothek was restored only in 1963.

But the building of the new Pinakothek (see photo) was almost completely destroyed, and it was not possible to restore it. The New Pinakothek was completely rebuilt according to the design of the architect A. Brancas, and it opened only in 1981.

The building is unusual, has many bay windows and semi-circular window arches, which at one time caused public controversy and different opinions. However, the interior of the halls is magnificent, and the overhead lighting provided by the architect has received especially positive reviews.

Now there are 550 paintings and sculptures from the 19th and 20th centuries on display.

Collections of the Old Pinakothek

The exposition is housed in a two-story building, on the ground floor of which temporary, frequently changing exhibitions take place in the left wing. Among the painters represented by the Old Pinakothek (Munich) are paintings by Flemish and German artists of the 15th-17th centuries: P. Bruegel, L. Cranach and others (right wing).

On the second floor there are collections of the Northern Renaissance: paintings by the Dutchman L. van Leyden, Rembrandt; Durer and S. Lochner; Italian masters Botticelli, Raphael, Leonardo da Vinci; Flemish Van Dyck, Rubens.

In the right wing you can see collections of Baroque and Rococo paintings, including El Greco and Murillo, as well as other Italian, French and German artists.

Masterpieces of the Alte Pinakothek

Many works by famous artists are represented by the Old Pinakothek (Munich): masterpieces from the 15th to 18th centuries, each of which has its own history.

For example, the painting “Madonna with a Carnation” was accidentally purchased from a dealer, and only later it turned out that it belonged to the brush of the young Leonardo da Vinci. Now this is the only painting by the master located in Germany. The carnation flower held by the Virgin Mary is a symbol of immortality.

The works of François Boucher “Portrait of Madame de Pompadour” (1758) and “A Girl at Resting” (1752) depict the favorite of Louis 15th, who was a famous beauty with impeccable taste, and Louise O'Murphy, a court lady who in the future also became a favorite king.

Van Dyck's Self-Portrait (1619) and Susanna and the Elders (1622), a master of court portraiture and religious paintings.

The work of P. Rubens “The Last Judgment” (1617) tells about an important event: when people with a story about their lives, committed sins and great achievements appear before God to determine their future fate - the path to heaven or hell. This is one of the largest canvases in world history, measuring 610 x 460 cm, for which the museum hall was specially designed.

In the painting “The Death of Seneca” (1613), the famous Dutch artist P. Rubens talks about a historical fact that happened to the famous thinker Seneca, who was ordered to commit suicide as punishment for betrayal. He listened to this decision with dignity and, together with his wife, prepared to accept his death.

New Pinakothek: history

The New Pinakothek in Munich was founded in 1846 as a continuation of the old one and initially contained works of art from the 18th century. King Otto of Greece continued the work of his father and formed an exhibition of works by artists of the Munich school of painting. The famous landscape painter K. Rothman painted 23 large canvases depicting and dedicated to Greece especially for the gallery.

In 1909, works by French impressionists (Cezanne, Manet, Gauguin, etc.) were added to the collection.

The new Pinakothek contains works of art from the 19th and 20th centuries from the eras of romanticism, classicism and realism. In total, the storerooms contain 3,000 paintings and 300 sculptures, of which 550 paintings and 50 works by sculptors are exhibited in 22 halls.

Paintings of the new Pinakothek

The most famous masterpieces presented by the New Pinakothek (Munich) are paintings:

“Vase with Sunflowers” by V. Van Gogh (1888) is an image of a symbol of optimism and human creativity, a gift to the viewer of a small piece of the sun.
“The Poor Poet” by K. Spitzweg (1839) - describes the disorder and strange situation in the home of a lonely poet, so carried away by his work that he does not see his surroundings.

“After the Storm Night” by Y. K. K. Dahl (1819) - the picture is saturated with the consequences of the crash left after the storm, and, at the same time, glorifies rebirth in the form of a ray of light.
“Don Quixote” by Honoré Daumier (1868) symbolizes the loneliness of the hero, whom the artist deliberately painted without a face.

Pinakothek of Modernity

The third, most modern part of the gallery (opened since 2002) is the Pinakothek of Modernity (Munich), which is dedicated to contemporary arts. It includes 4 independent museums:

A collection of contemporary art, part of the Bavarian Painting Collection.
State Museum of Applied Arts.
Architectural Museum - tells mainly about the 19th-21st centuries, the exhibition changes frequently (500 thousand drawings and plans created by architects at different times, as well as 100 thousand photos of architectural solutions).
State Graphic Collection of Munich (350 thousand engravings and 45 thousand drawings).

The building of the Pinakothek of Modernity was erected according to the design of the architect S. Braunfels with private donations. It is spacious and bright, in its center there is a two-spherical rotunda, from which wide staircases diverge in two directions, directing visitors to the exhibition.

The underground part houses a design collection; the 1st floor houses architectural and graphic collections, as well as temporary exhibitions.

The western wing contains a collection of classical modernism, the eastern wing talks about the trends of modern art: expressionism, cubism, fauvism, Bauhaus, surrealism, pop art, minimalism, etc.

All collections were assembled in the second half of the 20th century as donations from collectors donated to the museum. The latest gift is a collection of German and North American art from the 1960s to the 1990s. - was transferred in 2006 by E. and M. Stoffel.

The collection includes works by famous artists: A. Matisse, F. Léger, Salvador Dali, P. Picasso, etc. There is also a room with photographic works by contemporary photographers.

Pinakotheks in Munich: opening hours, prices

All three Pinakotheks are located close to each other, on Sunday the price is 1 €, but on this day the museums are crowded with tourists.

Addresses: Barer Straße 27, 29, 40, Munich (Pinakothek). Opening hours:

Old - 10.00 to 18.00, Tuesday to 20.00, closed Monday.
New - 10.00 to 18.00, Wednesday to 20.00, closed Tuesday.
Pinakothek of Modernity - from 10.00 to 18.00, on Thursday until 20.00, seven days a week.

On ordinary days, the price at the Pinakothek varies:

Old – ticket price 4 €.
New - 7 €.
Pinakothek of Modernity – 10 €.

Publication date: 2013-09-16

New Pinakothek(German: Neue Pinakothek) - an art gallery with works by artists of the 19th-20th centuries. In 22 halls and 10 offices, more than 550 paintings and 50 sculptures of different styles are presented, from Rococo to German Art Nouveau. Another 3,000 paintings and 300 sculptures are stored in the storerooms.

History of the creation of the New Pinakothek

The New Pinakothek was founded in 1853 by the Bavarian king Ludwig I, who dreamed of introducing ordinary people and townspeople to high art. Let us recall that by this time the Bavarian ruler had already successfully achieved the first part of his goal by opening the Alte Pinakothek in 1836. The unusual name “Pinakothek” was borrowed from the ancient Greeks, who used this term to designate a room where objects with picturesque images or paintings were stored.

The Second World War prepared a severe test for the landmark - the building that housed the works of art was completely destroyed and could not be restored. Construction of the new building dragged on for three decades and was completed only in 1981. The unusual modern building with bay windows and semi-circular arched windows caused mixed opinions and public controversy, but its magnificent halls with overhead lighting received universal approval.

Selected paintings from the Neue Pinakothek

"Vase of Sunflowers", Vincent Van Gogh, 1888

Vincent Van Gogh wrote about himself: “I feel the need to become different, to start over and apologize for the fact that my paintings almost sound like a cry of despair, although my rural sunflowers may sound like gratitude.” Sunflower - “child of the sun.” This flower is a symbol of optimism and creative people. Perhaps that is why the master wanted to “apologize and thank” in this very way, giving the viewer a piece of solar energy.

For the artist, the sunflower was some kind of symbol, some kind of talisman. In a letter to his brother, he wrote: “The sunflower, in a sense, is mine.” Therefore, since 1987, sunflowers have filled 11 canvases by Vincent Van Gogh.

It is clear that when painting the picture, the artist was overwhelmed with emotions. Oil paints are applied to the canvas very thickly, in abrupt strokes. It feels like every stroke is bitterness and happiness. When you look at flowers, it seems that you can touch a sunflower, touch it, feel its shape.

It was very important for Vincent van Gogh to convey the entire palette of sunflower petals. The painting reflects both fading sunflowers and very fresh flowers. This is how the author conveys solar energy in his favorite color, yellow. The core of the flower is filled with magic. The sky blue background creates incredible tenderness and conveys the energy of the blue sky. The picture evokes an amazing feeling of morning lightness, scorching heat of the sun and the inevitable withering of the flower, which gave all its positive energy to the viewer.

The peculiarity of Vincent Van Gogh was the vision of the soul where it could not be. He saw the soul in the trees; obviously, the soul of the sunflower was in tune with him. “Gauguin really liked my sunflowers when he took a good look at them” (Vincent Van Gogh).

"The Poor Poet", Carl Spitzweg, 1839

The picture of the Neue Pinakothek will not leave anyone indifferent, because it evokes an involuntary smile from the setting and the bizarre appearance of the main character. A touching and lonely poet who is so carried away by the process of creating a new work that he does not notice all the chaos around him.

There is no order at all in the small room. Sunlight is trying to penetrate through the dirty window, a clothesline is hanging carelessly, there is a basin and an empty bottle on the stove, and a shoe is lying somewhere. Local newspapers have found no better use, so they will soon suffer the fate of being burned in the oven. Near the poet there are books, boxes and other things that create an atmosphere of chaos. The poet himself sat comfortably on the mattress. A thin blanket, two pillows and a nightcap - this is the creative place of the main character. A broken umbrella hovers near the ceiling, but the poet is not at all embarrassed by this whole situation. He is happy and lives in the process, but order... let order wait.

“After the Stormy Night”, Johan Christian Clausen Dahl, 1819

As the painter himself admitted, the painting “After a Stormy Night” is his best creation, although it took only 8 days to create the masterpiece. Johan Dahl turned out to be a real fighter, since at first his creation was subjected to very harsh criticism among his contemporaries, which he withstood without losing faith. He believed that the viewer would appreciate and fully understand the beauty and intent in the future.

It is very difficult to pass by this picture. The view is captured by the plot, and the tragic events of the past night are recreated in the viewer’s soul. Everything here is saturated with ruin, but at the same time there is a sense of rebirth. The amazing sky combines shades of night and grief in the form of clouds, as well as the light of rebirth, as hope for something good. The sea frightens with its darkness, but at the same time the foam near the shore seems to sympathize with the hero, giving hope. Rocks are the hero's comfort and strength. The small dog symbolizes the heartache of loss.

"Melodrama", Honore Daumier, 1860

The painting of the Neue Pinakothek is imbued with emotionality and the play of the theater. You want to constantly watch the audience watching the stage; you want to be among this crowd in order to feel the energy of the hall, to live the entire performance from beginning to end.

All the time I can’t shake the feeling that the continuation of the performance is about to begin. This feeling simultaneously holds and forces you to look for a continuation. The picture comes to life in the heart, captivates with the action and performance of the actors. The actors are faceless, but the atmosphere of their inner state is incredibly accurately conveyed.

Don Quixote, Honoré Daumier, 1868

The picture combines joy and pessimism at the same time. At first glance, she seems bright and optimistic. The brightest sky looks like a clear “sea of hopes,” and only the desert and the stone grandeur of the road going up bring a tragic note of despair. In the painting “Don Quixote” it was not for nothing that the desert landscape was chosen as the main symbol of loneliness.

The main character is depicted as faceless. His unique character, the desire to move forward, the desperate zeal for new victories are reflected in energetic and broad strokes. The artist masterfully conveyed the character of Don Quixote in three colors. A tired horse, with his head bowed, faithfully serves his master, and takes step by step towards new challenges.

“Still Life with Apples”, Gustave Courbet, 1871

The picture is filled with pessimism. The gloomy sky and the sprawling tree make the viewer sad, and only a bright spot in the picture inspires hope that it (the sadness) will pass and a bright sunny day will come.

The use of rich, vibrant colors to capture the beauty of the apples is mesmerizing. It seems that an ordinary object - an apple - opens up a whole world. The viewer forgets about the gloomy background, his whole gaze is directed to the juicy red apples. A little later, several pomegranates lying to the side and a ripe pear become noticeable in the picture, but for now the eye is captivated by the beauty of the form and the tints of the apple composition.

"Landscape on the Main", Hans Thoma, 1875

A distinctive feature of Hans Thom is the painting of realistic, “folk”, “simple” landscapes. This feeling develops only in the first few seconds, after which the “inner” world of the picture opens, which Hans Thoma wanted to show and convey to the viewer’s soul.

The artist incredibly accurately depicted the blessing of the sky and the beauty of the sun's rays with the airy weightlessness of the clouds. The canvas evokes a feeling of calm, harmony, the absence of the usual bustle of life and simply enjoying the beautiful landscape and sunny day. Upon closer examination, the viewer is filled with a special divine light, which the author amazingly managed to convey.

"Kindergarten", Johan Sperl, 1884

The picture is imbued with the atmosphere of celebration and childhood. The overall harmony is amazing. Johan Sperl amazingly captured the beauty of a warm spring day. There is not a single sad child on the canvas, everyone is busy with their own business: someone is picking flowers, someone is helping teachers, someone is hiding behind a tree. The wonderful time of childhood can be seen even in bright children's clothing. Teachers with maternal care do housework. What makes the picture touching is the duck with its little ducklings who are out for a walk.

The New Pinakothek was founded by Ludwig of Bavaria. He decided to open his private collection to the people. In 1848, the king initiated the construction of the building - it was decided to build it opposite the Alte Pinakothek. The Neue Pinakothek gallery opened in 1853 in Munich.

The New Pinakothek was founded by the “moon king” - a romantic ruler Ludwig of Bavaria. He decided to open his private collection to the people. In 1848, the king initiated the construction of the building - it was decided to build it opposite the Alte Pinakothek. The project was made by August Voith And Friedrich Gaertner.

The gallery opened in 1853 in Munich.

At that time it was the first collection of modern painting. The exhibition featured works by Munich painters and German romantic artists. Unlike the meeting Old Pinakothek, sculptures were also exhibited here. The art in the gallery was covered rather one-sidedly. Even after the death of the king, the collection continued to grow, but the directions did not change.

Since 1915, the museum began to belong to the state. Changed the situation in the gallery Hugo von Tschudi- Director of the State Collection of Paintings of Munich. At the beginning of the 20th century, French painting had no authority in the art world and was poorly covered by criticism. Tschudi decided to popularize French art and acquired a large collection of paintings for the museum. impressionists.

The Bavarian public saw the paintings Manet and Monet, Toulouse-Lautrec, Van Gogh. Unfortunately, Van Gogh's Self-Portrait was subsequently lost to the gallery - it was sold in 1938. The famous painting “Sunflowers” has been preserved and can still be seen today in the Pinakothek.

The New Pinakothek now occupies a different building than was intended for it by King Ludwig. During World War II, the gallery was completely destroyed. The building had to be demolished, and the exhibition was moved to the Art House on Prinzregentenstraße.

It was not until March 1981 that the Neue Pinakothek was reopened as a separate museum. The construction of this building was led by the architect Alexander von Branchi— he tried to ensure that the form of the building corresponded to the content. The postmodern appearance of the gallery was received ambiguously by the public, but the new museum quickly won the sympathy of visitors thanks to its spacious halls and well-organized lighting.

The exhibition of the Neue Pinakothek serves as an intermediate link between the collection of antique paintings of the Alte Pinakothek and the collection of art nouveau from the Pinakothek of Modernity (now located in the House of Art). It covers the period of the late 18th – early 20th centuries: from Jacques Louis David and Goya- before Paul Cezanne, Edgar Degas and Claude Monet.

In total, the museum's collections contain about 4.5 thousand paintings and 300 sculptural works (sculptures are collected here Thorvaldsen, Canova, Auguste Rodin). 400 works, divided by direction and chronology, are presented to the public in 33 halls.

Barer Straße 29 80799 München, Germany
pinakothek.de‎
Take tram 27, 28, No. 27 to the Pinakotheken stop

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Germany has a rich history and there are a large number of museums in the country. An amazing collection of paintings from different periods is presented in the famous art galleries of Munich - three Pinakotheks. The Neue Pinakothek in Munich - a collection of more than 3,000 paintings and 300 sculptures from the Enlightenment to the beginning of Art Nouveau - is a link between the Alte Pinakothek (presenting paintings by artists from the Middle Ages to the 18th century) and the Pinakothek of Modernity (showing works by masters of the second half of the 20th and 21st centuries).

The history of the creation of the Neue Pinakothek in Munich

The Bavarian King Ludwig I of the Wittelsbach dynasty (1786-1868, reigned from October 13, 1825 to March 20, 1848), an art collector and patron of the arts, wanted to make his private collection of modern paintings available to the public. And he realized his plan.

On October 25, 1853, opposite the building of the Alte Pinakothek (translated from Greek as “repository of paintings”), the New Pinakothek was opened - an art gallery with works by contemporary masters of that time. It was the first museum of modern art in Europe.

The basis of the collection of the Neue Pinakothek were paintings by German artists, most of whom adhered to the romantic movement in painting.

Another part of the exhibition consisted of works by the Munich school of painting. In the main hall of the gallery, paintings by the famous landscape painter Karl Rothmann, dedicated to Greece (since Otto I, the second son of Ludwig I, was a Greek king), were displayed.
The “Rothmann Hall” occupied a central place in the collection of artistic works of the Bavarian king and today you can see such a hall in the gallery. After the death of Ludwig I in 1868, the Neue Pinakothek collection consisted of 425 paintings.
Architecture of the Neue Pinakothek building

The initial project was developed by German architects Friedrich von Gärtner and August von Voit, and the gallery was laid out on October 12, 1846. It was a huge, rectangular building with almost no windows, with a central nave that rose above two side ones. The second floor of the building was decorated with frescoes that demonstrated the charitable activities of Ludwig I.
In 1944, the Neue Pinakothek building and the frescoes were destroyed, but the paintings from which they were painted have survived to this day and are presented in the gallery. Since the destruction of the building during military bombing was very significant, the city administration decided to demolish the building and build a new one in its place.
Since 1947, the museum's paintings have been shown in the House of Art (Haus der Kunst) and in temporary exhibitions. The Glaspalast fire in 1931 destroyed the palace and 110 paintings during an exhibition of works by German novelists. This was a significant loss of a collection of valuable paintings.
Only 30 years later, a new building of the famous gallery was laid, designed by Alexander von Branck.
On March 28, 1981, the New Pinakothek opened to visitors. Built in the neo-modern style, the building with bay windows (parts of the room protruding beyond the plane of the facade), semi-circular arches and emergency staircases may not look very harmonious for some, but its spacious interior halls with overhead lighting have received the approval of connoisseurs of the paintings presented there.
Art collection of the Neue Pinakothek

Until 1909, the gallery's collection was replenished with works only by German artists, according to the preferences of the founding king, Ludwig I. In the same year, thanks to the persistence of the General Director of the Bavarian State Collection of Paintings, Hugo von Tschudi, many interesting works by impressionist artists of France were purchased. Thus, the museum’s fund began to own a significant collection of contemporary paintings.
By 1913, the gallery had 1,100 paintings, some of which were owned by the state, and the other by the royal court.

However, in 1938, paintings by Western European impressionist artists, who were not favored at that time, were removed from the collection of the Neue Pinakothek for an exhibition of “shameful” art. Among the famous works seized was Van Gogh's famous Self-Portrait, which was sold and never returned to the walls of the Neue Pinakothek.
For the convenience of visitors, the museum’s exposition is divided into schools, periods, and countries. More than 550 works of art are constantly on display here.

The collection of paintings of the Neue Pinakothek of the second half of the 18th and early 19th centuries includes works by such famous masters:
almost all significant artists of England: William Hogarth, Joshua Reynolds, Thomas Lawrence, George Romney, David Wilkie, John Constable, William Turner (“Ostende”, 1844) and others;

Spanish artist and engraver Francisco Goya (“Country Walk”, 1776, “The Plucked Turkey”, ca. 1810), French painter and teacher Jacques Louis David (“Portrait of Anna Maria Louise Telusson de Sorcy”, 1790), German artists of Swiss origin Angelica Kaufmann (“Self-Portrait”, 1784), Anton Graf (“Henry XIII”, 1775), Swiss painter Johann Heinrich Füsli (“Satan and Death, Separated by Sin”, 1792-1802), German artist and portrait master Johann Friedrich August Tischbein ( “Nicolas Chatelain in the Garden”, 1791);

German classics Jacob Philipp Hackert, Joseph Anton Koch, Ludwig Richter, Friedrich Overbeck (“Italia und Germania”, 1828), Friedrich Wilhelm von Schadow, Heinrich Maria von Hess and Peter von Cornelius;

German romantics Caspar David Friedrich (“Riesengebirgslandschaft mit aufsteigendem Nebel”, 1819/20), Johann Christian Dahl, Karl Friedrich Schinkel, Karl Blechen and others;

artists in the Biedermeier style (an offshoot of romanticism that replaced the Empire style; characterized by a subtle, careful depiction of the interior, nature and everyday details) - Domenico Quaglio, Franz Xavier Winterhalter, Ferdinand Georg Waldmüller, Moritz von Schwind and Carl Spitzweg (“The Poor Poet”, 1839 );

French realists and romanticists Theodore Gericault, Eugene Delacroix, Jean-François Millet, Honoré Daumier (Melodrama, 1856-1860), Gustave Courbet and others;

German realists Wilhelm Leibl, Franz von Lenbach, August Seidel and Adolf von Menzel (“Wohnzimmer mit Menzels Schwester”, 1847), impressionists Max Liebermann, Lovis Corinth, Fritz von Uhde, Maria Slafon and Max Slevogt;

The gallery's valuable assets include works by French impressionist artists Claude Monet (Bridge over the Seine at Argenteuil, 1874), Edouard Manet (Breakfast at the Atelier, 1868), Pierre-Auguste Renoir, Camille Pissarro, Edgar Degas (Die Büglerin) , 1869), Alfred Sisley and the post-impressionists Paul Gauguin (“Landscape of Martinique”, 1887), Paul Cézanne (“Stillleben mit Kommode”, 1883-1887), Vincent Van Gogh (“Sunflowers”, 1888, the painting was acquired in 1912 from an anonymous donor as part of the “donation of Hugo von Tschudi”), Georges Pierre Seurat, Henri de Toulouse-Lautrec.

The fund of 20th century painting consists of works by such famous masters as the founder of Austrian Art Nouveau Gustav Klimt, the Belgian artist and graphic artist James Ensor, the French Maurice Denis, Edouard Vuillard, Pierre Bonnard, the Swiss artist Ferdinand Hodler, the German sculptor and painter Franz von Stuck, the Norwegian painter and graphic artist Edvard Munch.
In the New Pinakothek, in addition to artistic paintings, you can see a sculptural exhibition of the 19th and early 20th centuries, which is represented by works by Bertel Thorvaldsen (“Adonis”, 1802-1832), Antonio Canova (“Statue of Paris”, 1807-1816), Rudolf Schadow, Auguste Rodin , Max Klinger, Aristide Maillol and Pablo Picasso.

Today, the New Pinakothek continues to expand its collections; there are even donations and help from true art connoisseurs.
Alte Pinakothek in the Museum Quarter of Munich

The Alte Pinakothek is considered one of the most famous galleries in the world. The development of artistic art from the Middle Ages and the Renaissance to the Baroque and the end of the Rococo period is most fully represented here.
The permanent exhibition consists of 700 paintings by famous German, Flemish, Dutch, French, Italian and Spanish artists, including Raphael, Leonardo da Vinci, Albrecht Durer, Bosch, Rembrandt, Rubens. A famous masterpiece of that time is “The Battle of Alexander the Great with King Darius,” made by the German master of paintings Altdorfer in 1529.
Most of the Alte Pinakothek's collection of paintings was collected mainly by representatives of the Wittelsbach dynasty, which ruled Bavaria for 700 years (1180-1918).

An interesting fact is that one of her descendants still lives in Nymphenburg Palace in Munich. And the interiors of the palace are real works of art.