Material for preparing for the Unified State Exam "dictionary of literary terms." A brief dictionary of literary terms Formatting a bibliography

Dictionary

literary terms

Inta

2008

Compiled by: N.A. Shabanova teacher of Russian language and literature MVSOU secondary school in Inta, Komi Republic

Used Books

Bushko O.M. School dictionary of literary terms. – Kaluga: Publishing house. "Golden Alley", 1999

Esin A.B., Ladygin M.B., Trenina T.G. Literature: A short reference book for schoolchildren. 5-11 grades – M.: Bustard, 1997

Meshcheryakova M.I. Literature in tables and diagrams. – M.: Rolf, 2001

Chernets L.V., Semenov V.B., Skiba V.A. School dictionary of literary terms. – M.: Education, 2007

Autology – an artistic technique of figuratively expressing a poetic idea not in poetic words and expressions, but in simple everyday ones.

And everyone looks with respect,
How again without panic
I slowly put on my pants

And almost new

From the point of view of the sergeant major,

Canvas boots...

A.T. Tvardovsky

Acmeism – a movement in Russian poetry in the first two decades of the 20th century, the center of which was the “Workshop of Poets” circle, and the main platform was the magazine “Apollo”. The Acmeists contrasted the realism of material mother nature and the sensual, plastic-material clarity of artistic language with the social content of art, abandoning the poetics of vague hints and the mysticism of symbolism in the name of a “return to the earth,” to the subject, to the exact meaning of the word (A. Akhmatova, S. Gorodetsky , N. Gumilyov, M. Zenkevich, O. Mandelstam).

Allegory- allegorical image of an abstract concept or phenomenon through a concrete image; personification of human properties or qualities. The allegory consists of two elements:
1. semantic - this is any concept or phenomenon (wisdom, cunning, kindness, childhood, nature, etc.) that the author seeks to depict without naming it;
2. figurative-objective - this is a specific object, a creature depicted in a work of art and representing a named concept or phenomenon.

Alliteration- repetition in poetic speech (less often in prose) of the same consonant sounds in order to enhance the expressiveness of artistic speech; one of the types of sound recording.
Evening. Seaside. Sighs of the wind.
The majestic cry of the waves.
A storm is coming. It hits the shore
A black boat alien to enchantment.
K.D.Balmont

Alogism – an artistic device that uses phrases that contradict logic to emphasize the internal inconsistency of certain dramatic or comic situations - to prove, as if by contradiction, a certain logic and, therefore, the truth of the position of the author (and then the reader), who understands the illogical phrase as a figurative expression (the title of the novel by Yu. Bondarev "Hot Snow").

Amphibrachium- a three-syllable poetic meter, in which the stress falls on the second syllable - stressed among unstressed ones - in the foot. Scheme: U-U| U-U...
The midnight blizzard was noisy
In the forest and remote side.
A.A.Fet

Anapaest- a three-syllable poetic meter, in which the stress falls on the last, third, syllable in the foot. Scheme: UU- | UU-…
People's houses are clean, bright,
But in our house it’s cramped, stuffy...
N.A. Nekrasov.

Anaphora- unity of command; repetition of a word or group of words at the beginning of several phrases or stanzas.
I love you, Petra's creation,
I love your strict, slender appearance...
A.S. Pushkin.

Antithesis- a stylistic device based on a sharp contrast of concepts and images, most often based on the use of antonyms:
I am a king - I am a slave, I am a worm - I am a god!
G.R.Derzhavin

Antiphrase(s) – using words or expressions in a clearly contrary sense. "Well done!" - as a reproach.

Assonance- repeated repetition in poetic speech (less often in prose) of homogeneous vowel sounds. Sometimes assonance refers to an imprecise rhyme in which the vowels coincide, but the consonants do not coincide (hugeness - I’ll come to my senses; thirst - it’s a pity). Enhances the expressiveness of speech.
The room became dark.
The window obscures the slope.
Or is this a dream?
Ding dong. Ding dong.
I.P. Tokmakova.

Aphorism – a clear, easy-to-remember, precise, brief expression of a certain completeness of thought. Aphorisms often become individual lines of poetry or phrases of prose: “Poetry is everything! - a ride into the unknown." (V. Mayakovsky)

Ballad- a narrative song with a dramatic development of the plot, the basis of which is an unusual incident, one of the types of lyric-epic poetry. The ballad is based on an extraordinary story, reflecting the essential moments of the relationship between man and society, people among themselves, the most important features of a person.

Bard – a poet-singer, usually a performer of his own poems, often set to his own music.

Fable – a short poetic story-allegory of a moralizing nature.

Blank verse- unrhymed verses with metric organization (i.e., organized through a system of rhythmically repeating accents). Widely distributed in oral folk art and was actively used in the 18th century.
Forgive me, maiden beauty!
I will part with you forever,
Young girl, I’ll cry.
I'll let you go, beauty,
I'll let you go with ribbons...
Folk song.

Epics - Old Russian epic songs and tales, glorifying the exploits of heroes, reflecting historical events of the 11th - 16th centuries.

Barbarism – a word or figure of speech borrowed from a foreign language. The unjustified use of barbarisms pollutes the native language.

Vers libre- a modern system of versification, which represents a kind of border between verse and prose (it lacks rhyme, meter, traditional rhythmic ordering; the number of syllables in a line and lines in a stanza can be different; there is also no equality of emphasis characteristic of blank verse. Their poetic features speech remains divided into lines with a pause at the end of each line and weakened symmetry of speech (the emphasis falls on the last word of the line).
She came in from the cold
Flushed,
Filled the room
The aroma of air and perfume,
In a ringing voice
And completely disrespectful to classes
Chatting.
A.Blok

Eternal image - an image from a work of classic world literature, expressing certain features of human psychology, which has become a common name of one type or another: Faust, Plyushkin, Oblomov, Don Quixote, Mitrofanushka, etc.

Inner monologue - the announcement of thoughts and feelings that reveal the character’s inner experiences, not intended for the hearing of others, when the character speaks as if to himself, “to the side.”

Vulgarism – simple, even seemingly rude, seemingly unacceptable expressions in poetic speech, used by the author to reflect the specific nature of the phenomenon being described, to characterize a character, sometimes similar to vernacular.

Hero lyrical- the image of the poet (his lyrical “I”), whose experiences, thoughts and feelings are reflected in the lyrical work. The lyrical hero is not identical to the biographical personality. The idea of a lyrical hero is of a summary nature and is formed in the process of familiarization with the inner world that is revealed in lyrical works not through actions, but through experiences, mental states, and manner of verbal self-expression.

Literary hero - character, protagonist of a literary work.

Hyperbola- a means of artistic representation based on excessive exaggeration; figurative expression, which consists in an exorbitant exaggeration of events, feelings, strength, meaning, size of the depicted phenomenon; an outwardly effective form of presenting what is depicted. Can be idealizing and humiliating.

Gradation- stylistic device, arrangement of words and expressions, as well as means of artistic representation in increasing or decreasing importance. Types of gradation: increasing (climax) and decreasing (anti-climax).
Increasing gradation:
Orata's bipod is maple,
The damask boots on the bipod,
The bipod's snout is silver,
And the horn of the bipod is red and gold.
Epic about Volga and Mikula
Descending gradation:
Fly! less fly! disintegrated into a grain of sand.
N.V.Gogol

Grotesque – a bizarre mixture in the image of the real and the fantastic, the beautiful and the ugly, the tragic and the comic - for a more impressive expression of creative intent.

Dactyl- a three-syllable poetic meter, in which the stress falls on the first syllable in the foot. Scheme: -UU| -UU...
Heavenly clouds, eternal wanderers!
The azure steppe, the pearl chain
You rush as if, like me, you are exiles,
From the sweet north to the south.
M.Yu.Lermontov

Decadence – a phenomenon in literature (and art in general) of the late 19th and early 20th centuries, reflecting the crisis of the transitional stage of social relations in the minds of some spokesmen for the sentiments of social groups whose ideological foundations were being destroyed by the turning points of history.

Artistic detail – detail that emphasizes the semantic authenticity of the work with material, eventual authenticity - concretizing this or that image.

Dialectisms – words borrowed by the literary language or by a specific author in his work from local dialects: “Well, go - and okay, you have to climb the hill, the house is nearby” (F. Abramov).

Dialogue - exchange of remarks, messages, live speech between two or more persons.

Drama – 1. One of three types of literature, defining works intended for stage execution. It differs from the epic in that it has not a narrative, but a dialogical form; from the lyrics - in that it reproduces the world external to the author. Divided into genres: tragedy, comedy, and also drama itself. 2. Drama is also called a dramatic work that does not have clear genre characteristics, combining techniques of different genres; sometimes such a work is simply called a play.

Unity of people – the technique of repeating similar sounds, words, linguistic structures at the beginning of adjacent lines or stanzas.

Wait for the snow to blow

Wait for it to be hot

Wait when others are not waiting...

K. Simonov

AND

Literary genre - a historically developing type of literary work, the main features of which, constantly changing along with the development of the diversity of forms and content of literature, are sometimes identified with the concept of “type”; but more often the term genre defines a type of literature based on content and emotional characteristics: satirical genre, detective genre, historical essay genre.

Jargon, Also argo - words and expressions borrowed from the language of internal communication of certain social groups of people. The use of jargon in literature allows us to more clearly define the social or professional characteristics of the characters and their environment.

Lives of the Saints - a description of the lives of people canonized by the church (“The Life of Alexander Nevsky”, “The Life of Alexy the Man of God”, etc.).

Tie – an event that determines the occurrence of a conflict in a literary work. Sometimes it coincides with the beginning of the work.

Beginning – the beginning of a work of Russian folk literature - epics, fairy tales, etc. (“Once upon a time...”, “In the distant kingdom, in the thirtieth state...”).

Sound organization of speech- targeted use of elements of the sound composition of the language: vowels and consonants, stressed and unstressed syllables, pauses, intonation, repetitions, etc. It is used to enhance the artistic expressiveness of speech. The sound organization of speech includes: sound repetitions, sound writing, onomatopoeia.

Sound recording- a technique for enhancing the imagery of a text by constructing phrases and lines of poetry in a sound manner that would correspond to the reproduced scene, picture, or expressed mood. In sound writing, alliteration, assonance, and sound repetitions are used. Sound recording enhances the image of a certain phenomenon, action, state.

Onomatopoeia- a type of sound recording; the use of sound combinations that can reflect the sound of the described phenomena, similar in sound to those depicted in artistic speech ("thunder rumbles", "horns roar", "cuckoos crow", "echoes of laughter").

AND

The idea of a work of art - the main idea that summarizes the semantic, figurative, emotional content of a work of art.

Imagism – a literary movement that appeared in Russia after the October Revolution of 1917, proclaiming the image as an end in itself of a work, and not as a means of expressing the essence of the content and reflecting reality. It broke up on its own in 1927. At one time, S. Yesenin joined this trend.

Impressionism- a direction in art of the late 19th and early 20th centuries, which asserted that the main task of artistic creativity is the expression of the artist’s subjective impressions of the phenomena of reality.

Improvisation – direct creation of a work in the process of performance.

Inversion- violation of the generally accepted grammatical sequence of speech; rearrangement of parts of a phrase, giving it special expressiveness; an unusual sequence of words in a sentence.
And the maiden's song is barely audible

Valleys in deep silence.

A.S. Pushkin

Interpretation – interpretation, explanation of ideas, themes, figurative systems and other components of a work of art in literature and criticism.

Intrigue – system, and sometimes the mystery, complexity, mystery of events, on the unraveling of which the plot of the work is built.

Irony – a kind of comic, bitter or, on the contrary, kind ridicule, by ridiculing this or that phenomenon, exposing its negative features and thereby confirming the positive aspects foreseen by the author in the phenomenon.

Historical songs – a genre of folk poetry that reflects the people's understanding of genuine historical events in Rus'.

Literary canon - a symbol, image, plot, born of centuries-old folklore and literary traditions and which has become, to a certain extent, normative: light is good, darkness is evil, etc.

Classicism – an artistic movement that developed in European literature of the 17th century, which is based on the recognition of ancient art as the highest example, ideal, and works of antiquity as the artistic norm. Aesthetics are based on the principle of rationalism and “imitation of nature.” Cult of the mind. A work of art is organized as an artificial, logically constructed whole. Strict plot and compositional organization, schematism. Human characters are depicted in a straightforward manner; positive and negative heroes are contrasted. Actively addressing social and civil issues. Emphasized objectivity of the narrative. Strict hierarchy of genres. High: tragedy, epic, ode. Low: comedy, satire, fable. Mixing high and low genres is not allowed. The leading genre is tragedy.

Collision – generating a conflict that underlies the action of a literary work, a contradiction between the characters of the heroes of this work, or between characters and circumstances, the collisions of which constitute the plot of the work.

Comedy – a dramatic work that uses satire and humor to ridicule the vices of society and man.

Composition – arrangement, alternation, correlation and interrelation of parts of a literary work, serving the most complete embodiment of the artist’s plan.

Context – the general meaning (theme, idea) of the work, expressed in its entire text or in a sufficiently meaningful passage, cohesion, connection with which the quotation, and indeed any passage in general, should not lose.

Artistic conflict - figurative reflection in a work of art of the actions of the forces of struggle of interests, passions, ideas, characters, political aspirations, both personal and social. Conflict adds spice to the plot.

Climax – in a literary work, a scene, event, episode where the conflict reaches its highest tension and a decisive clash occurs between the characters and aspirations of the heroes, after which the transition to the denouement begins in the plot.

Legend – narratives that initially told about the lives of saints, then - religious-didactic, and sometimes fantastic biographies of historical, or even fairy-tale heroes, whose deeds express the national character, which entered worldly use.

Leitmotif- an expressive detail, a specific artistic image, repeated many times, mentioned, passing through a separate work or the entire work of the writer.

Chronicles – handwritten Russian historical narratives telling about events in the life of the country by year; each story began with the word: “Summer... (year...)”, hence the name - chronicle.

Lyrics- one of the main types of literature, reflecting life through the depiction of individual (single) states, thoughts, feelings, impressions and experiences of a person caused by certain circumstances. Feelings and experiences are not described, but expressed. The center of artistic attention is the image-experience. The characteristic features of the lyrics are poetic form, rhythm, lack of plot, small size, a clear reflection of the experiences of the lyrical hero. The most subjective type of literature.

Lyrical digression - deviation from descriptions of events, characters in an epic or lyric-epic work, where the author (or the lyrical hero on whose behalf the story is told) expresses his thoughts and feelings about what is being described, his attitude towards it, addressing directly the reader.

Litota – 1. The technique of downplaying a phenomenon or its details is a reverse hyperbole (the fabulous “boy as big as a finger” or “a little man... in big mittens, and himself as big as a fingernail” by N. Nekrasov). 2. Reception of the characterization of a particular phenomenon not by a direct definition, but by the negation of the opposite definition:

The key to nature is not lost,

Proud work is not in vain...

V. Shalamov

Metaphor- figurative meaning of a word, based on the use of one object or phenomenon to another by similarity or contrast; a hidden comparison based on the similarity or contrast of phenomena, in which the words “as”, “as if”, “as if” are absent, but implied.
Bee for field tribute
Flies from a wax cell.
A.S. Pushkin
Metaphor increases the accuracy of poetic speech and its emotional expressiveness. A type of metaphor is personification.
Types of metaphor:
1. lexical metaphor, or erased, in which the direct meaning is completely destroyed; “it’s raining”, “time is running”, “clock hand”, “doorknob”;
2. a simple metaphor - built on the convergence of objects or on one of their common features: “hail of bullets”, “talk of waves”, “dawn of life”, “table leg”, “dawn is blazing”;
3. realized metaphor - literal understanding of the meanings of the words that make up the metaphor, emphasizing the direct meanings of the words: “But you don’t have a face - you’re only wearing a shirt and trousers” (S. Sokolov).
4. expanded metaphor - the spread of a metaphorical image over several phrases or the entire work (for example, A.S. Pushkin’s poem “The Cart of Life” or “He couldn’t sleep for a long time: the remaining husk of words clogged and tormented the brain, stabbed in the temples, there’s no way was to get rid of it" (V. Nabokov)
A metaphor is usually expressed by a noun, a verb, and then other parts of speech.

Metonymy- rapprochement, comparison of concepts by contiguity, when a phenomenon or object is designated using other words and concepts: “a steel speaker is dozing in a holster” - a revolver; “led swords at a plentiful pace” - led warriors into battle; “The little owl began to sing” - the violinist began to play his instrument.

Myths – works of folk fantasy that personify reality in the form of gods, demons, and spirits. They were born in ancient times, preceding the religious and, especially, scientific understanding and explanation of the world.

Modernism – designation of many trends, directions in art that determine the desire of artists to reflect modernity with new means, improving, modernizing - in their opinion - traditional means in accordance with historical progress.

Monologue – the speech of one of the literary heroes, addressed either to himself, or to others, or to the public, isolated from the remarks of other heroes, having independent meaning.

Motive- 1. The smallest element of the plot; the simplest, indivisible element of a narrative (a stable and endlessly repeating phenomenon). Numerous motifs make up various plots (for example, the motif of the road, the motif of the search for the missing bride, etc.). This meaning of the term is more often used in relation to works of oral folk art.

2. “Stable semantic unit” (B.N. Putilov); “a semantically rich component of the work, related to the theme, idea, but not identical to them” (V.E. Khalizev); a semantic (substantive) element essential for understanding the author’s concept (for example, the motive of death in “The Tale of the Dead Princess...” by A.S. Pushkin, the motive of cold in “light breathing” - “Easy Breathing” by I. A. Bunin, motive full moon in "The Master and Margarita" by M.A. Bulgakov).

Naturalism – direction in literature of the last third of the 19th century, which asserted an extremely accurate and objective reproduction of reality, sometimes leading to the suppression of the author’s individuality.

Neologisms – newly formed words or expressions.

Novella – a short piece of prose comparable to a short story. The novella is more eventful, the plot is clearer, the plot twist leading to the denouement is clearer.

ABOUT

Artistic image - 1. The main way of perceiving and reflecting reality in artistic creativity, a form of knowledge of life and expression of this knowledge specific to art; the goal and result of the search, and then identifying, highlighting, emphasizing with artistic techniques those features of a phenomenon that most fully reveal its aesthetic, moral, socially significant essence. 2. The term “image” sometimes denotes one or another trope in a work (the image of freedom - “the star of captivating happiness” by A.S. Pushkin), as well as one or another literary hero (the image of the wives of the Decembrists E. Trubetskoy and M. Volkonskaya N. Nekrasova).

Oh yeah- a poem of an enthusiastic nature (solemn, glorifying) in honor of some
either persons or events.

Oxymoron, or oxymoron- a figure based on a combination of words with opposite meanings for the purpose of an unusual, impressive expression of some new concept, representation: hot snow, a stingy knight, lush nature withering.

Personification- the depiction of inanimate objects as animate, in which they are endowed with the properties of living beings: the gift of speech, the ability to think and feel.
What are you howling about, night wind,
Why are you complaining so madly?
F.I.Tyutchev

Onegin stanza - stanza created by A.S. Pushkin in the novel “Eugene Onegin”: 14 lines (but not a sonnet) of iambic tetrameter with the rhyme ababvvggdeejj (3 quatrains alternately - with a cross, paired and sweeping rhyme and a final couplet: designation of the theme, its development, culmination , ending).

Feature article - a literary work based on facts, documents, and observations of the author.

Paradox - in literature - the technique of a statement that clearly contradicts generally accepted concepts, either to expose those of them that, in the opinion of the author, are false, or to express one’s disagreement with the so-called “common sense”, due to inertia, dogmatism, and ignorance.

Parallelism- one of the types of repetition (syntactic, lexical, rhythmic); a compositional technique that emphasizes the connection between several elements of a work of art; analogy, bringing together phenomena by similarity (for example, natural phenomena and human life).
In bad weather the wind
Howls - howls;
Violent head
Evil sadness torments.
V.A.Koltsov

Parcellation- dividing a statement with a single meaning into several independent, isolated sentences (in writing - using punctuation marks, in speech - intonation, using pauses):
Well? Don't you see that he's gone crazy?
Say it seriously:
Insane! What kind of nonsense is he talking about here!
The sycophant! father-in-law! and so menacing about Moscow!
A.S.Griboyedov

Pathos – the highest point of inspiration, emotional feeling, delight, achieved in a literary work and in its perception by the reader, reflecting significant events in society and the spiritual upsurges of the heroes.

Scenery - in literature - the depiction of pictures of nature in a literary work as a means of figurative expression of the author’s intention.

Periphrase- using a description instead of your own name or title; descriptive expression, figure of speech, substitute word. Used to decorate speech, replace repetition, or carry the meaning of allegory.

Pyrrhic - an auxiliary foot of two short or unstressed syllables, replacing an iambic or trochaic foot; lack of stress in iambic or trochee: “I am writing to you...” by A.S. Pushkin, “Sail” by M.Yu. Lermontov.

Pleonasm- unjustified verbosity, the use of words that are unnecessary to express thoughts. In normative stylistics, Pleonasm is considered as a speech error. In the language of fiction - as a stylistic figure of addition, serving to enhance the expressive qualities of speech.
“Elisha had no appetite for food”; “some boring guy... lay down... among the dead and personally died”; “Kozlov continued to lie silent, having been killed” (A. Platonov).

Tale – a work of epic prose, gravitating towards a sequential presentation of the plot, limited to a minimum of plot lines.

Repetition- a figure consisting of the repetition of words, expressions, song or poetic lines in order to attract special attention to them.
Every house is alien to me, every temple is not empty,
And everything is the same and everything is one...
M. Tsvetaeva

Subtext – the meaning hidden “under” the text, i.e. not expressed directly and openly, but arising from the narrative or dialogue of the text.

Permanent epithet- a colorful definition, inextricably combined with the word being defined and forming a stable figurative and poetic expression (“blue sea”, “white stone chambers”, “red maiden”, “clear falcon”, “sugar lips”).

Poetry- a special organization of artistic speech, which is distinguished by rhythm and rhyme - poetic form; lyrical form of reflection of reality. The term poetry is often used to mean “works of different genres in verse.” Conveys the subjective attitude of the individual to the world. In the foreground is the image-experience. It does not set the task of conveying the development of events and characters.

Poem- a large poetic work with a plot and narrative organization; a story or novel in verse; a multi-part work in which the epic and lyrical principles merge together. The poem can be classified as a lyric-epic genre of literature, since the narration of historical events and events in the lives of the heroes is revealed in it through the perception and assessment of the narrator. The poem deals with events of universal significance. Most poems glorify some human acts, events and characters.

Tradition – oral narration about real persons and reliable events, one of the varieties of folk art.

Preface – an article preceding a literary work, written either by the author himself or by a critic or literary scholar. The preface may provide brief information about the writer, some explanations about the history of the creation of the work, and offer an interpretation of the author’s intentions.

Prototype – a real person who served as a model for the author to create the image of a literary hero.

Play – a general designation for a literary work intended for stage performance - tragedy, drama, comedy, etc.

Interchange – the final part of the development of a conflict or intrigue, where the conflict of the work is resolved and comes to a logical figurative conclusion.

Poetic meter- a consistently expressed form of poetic rhythm (determined by the number of syllables, stresses or feet - depending on the system of versification); diagram of the construction of a poetic line. In Russian (syllabic-tonic) versification, there are five main poetic meters: two-syllable (iamb, trochee) and three-syllable (dactyl, amphibrach, anapest). In addition, each size can vary in the number of feet (4-foot iambic; 5-foot iambic, etc.).

Story - a small prose work of a mainly narrative nature, compositionally grouped around a separate episode or character.

Realism – an artistic method of figuratively reflecting reality in accordance with objective accuracy.

Reminiscence – the use in a literary work of expressions from other works, or even folklore, that evoke some other interpretation from the author; sometimes the borrowed expression is slightly changed (M. Lermontov - “Lush city, poor city” (about St. Petersburg) - from F. Glinka “Wonderful city, ancient city” (about Moscow).

Refrain- repetition of a verse or a series of verses at the end of a stanza (in songs - chorus).

We are ordered to go into battle:

"Long live freedom!"

Freedom! Whose? Not said.

But not the people.

We are ordered to go into battle -

"Allied for the sake of nations"

But the main thing is not said:

Whose for the sake of banknotes?

D.Bedny

Rhythm- constant, measured repetition in the text of the same type of segments, including minimal ones, - stressed and unstressed syllables.

Rhyme- sound repetition in two or more verses, mainly at the end. Unlike other sound repetitions, rhyme always emphasizes the rhythm and division of speech into verses.

A rhetorical question is a question that does not require an answer (either the answer is fundamentally impossible, or is clear in itself, or the question is addressed to a conditional “interlocutor”). A rhetorical question activates the reader’s attention and enhances his emotional reaction.
"Rus! Where are you going?"
"Dead Souls" by N.V. Gogol
Or is it new for us to argue with Europe?
Or is the Russian unaccustomed to victories?
"To the slanderers of Russia" A.S. Pushkin

Genus - one of the main sections in the taxonomy of literary works, defining three different forms: epic, lyric, drama.

Novel - an epic narrative with elements of dialogue, sometimes including drama or literary digressions, focusing on the history of an individual in a social environment.

Romanticism – a literary movement of the late 18th and early 19th centuries, which opposed itself to classicism as a search for forms of reflection that were more in line with modern reality.

Romantic hero– a complex, passionate personality, whose inner world is unusually deep and endless; it is a whole universe full of contradictions.

WITH

Sarcasm – caustic, sarcastic ridicule of someone or something. Widely used in satirical literary works.

Satire – a type of literature that exposes and ridicules the vices of people and society in specific forms. These forms can be very diverse - paradox and hyperbole, grotesque and parody, etc.

Sentimentalism – literary movement of the late 18th – early 19th centuries. It arose as a protest against the canons of classicism in art that had turned into dogma, reflecting the canonization of feudal social relations that had already turned into a hindrance to social development.

Syllabic versification e - syllabic system of versification, based on the equality of the number of syllables in each verse with obligatory stress on the penultimate syllable; equipoise. The length of a verse is determined by the number of syllables.
It's hard not to love
And love is hard
And the hardest thing
Loving love cannot be obtained.
A.D. Kantemir

Syllabic-tonic versification- syllabic stress system of versification, which is determined by the number of syllables, the number of stresses and their location in the poetic line. It is based on the equality of the number of syllables in a verse and the orderly change of stressed and unstressed syllables. Depending on the system of alternation of stressed and unstressed syllables, two-syllable and three-syllable sizes are distinguished.

Symbol- an image that expresses the meaning of a phenomenon in objective form. An object, an animal, a sign becomes a symbol when they are endowed with additional, extremely important meaning.

Symbolism – literary and artistic movement of the late 19th – early 20th centuries. Symbolism sought through symbols in a tangible form to embody the idea of the unity of the world, expressed in accordance with its most diverse parts, allowing colors, sounds, smells to represent one through the other (D. Merezhkovsky, A. Bely, A. Blok, Z. Gippius, K. Balmont , V. Bryusov).

Synecdoche – artistic technique of substitution for the sake of expressiveness - one phenomenon, subject, object, etc. – correlated with it by other phenomena, objects, objects.

Oh, you are heavy, Monomakh’s hat!

A.S. Pushkin.

Sonnet – a fourteen-line poem composed according to certain rules: the first quatrain (quatrain) presents an exposition of the theme of the poem, the second quatrain develops the provisions outlined in the first, in the subsequent terzetto (three-line verse) the denouement of the theme is outlined, in the final terzetto, especially in its final line, the denouement is completed , expressing the essence of the work.

Comparison- a pictorial technique based on a comparison of a phenomenon or concept (object of comparison) with another phenomenon or concept (means of comparison), with the goal of highlighting any particularly important artistic feature of the object of comparison:
Full of goodness before the end of the year,
Days are like Antonov apples.
A.T. Tvardovsky

Versification- the principle of rhythmic organization of poetic speech. Versification can be syllabic, tonic, syllabic-tonic.

Poem- a small work created according to the laws of poetic speech; usually a lyrical work.

Poetic speech- a special organization of artistic speech, differing from prose in its strict rhythmic organization; measured, rhythmically organized speech. A means of conveying expressive emotions.

Foot- a stable (ordered) combination of a stressed syllable with one or two unstressed syllables, which are repeated in each verse. The foot can be two-syllable (iambic U-, trochee -U) and three-syllable (dactyl -UU, amphibrachium U-U, anapest UU-).

Stanza- a group of verses repeated in poetic speech, related in meaning, as well as in the arrangement of rhymes; a combination of verses that forms a rhythmic and syntactic whole, united by a certain rhyme system; additional rhythmic element of verse. Often has complete content and syntactic structure. The stanza is separated from one another by an increased interval.

Plot- a system of events in a work of art, presented in a certain connection, revealing the characters of the characters and the writer’s attitude to the depicted life phenomena; subsequence. The course of events that constitutes the content of a work of art; dynamic aspect of a work of art.

Tautology- repetition of the same words that are close in meaning and sound.
Everything is mine, said gold,
Damask steel said everything mine.
A.S. Pushkin.

Subject- a circle of phenomena and events that form the basis of the work; object of artistic depiction; what the author is talking about and what he wants to attract the attention of readers to.

Type - a literary hero who embodies certain features of a particular time, social phenomenon, social system or social environment (“extra people” - Eugene Onegin, Pechorin, etc.).

Tonic versification- a system of versification based on the equality of stressed syllables in poetry. The length of the line is determined by the number of stressed syllables. The number of unstressed syllables is arbitrary.

The girl sang in the church choir

About all those who are tired in a foreign land,

About all the ships that went to sea,

About everyone who has forgotten their joy.

A.A.Blok

Tragedy - a type of drama that arose from the ancient Greek ritual dithyramb in honor of the patron of viticulture and wine, the god Dionysus, who was represented in the form of a goat, then in the likeness of a satyr with horns and a beard.

Tragicomedy – a drama that combines features of both tragedy and comedy, reflecting the relativity of our definitions of the phenomena of reality.

Trails- words and expressions used in a figurative sense in order to achieve artistic expressiveness of speech. The basis of any trope is a comparison of objects and phenomena.

Default- a figure that gives the listener or reader the opportunity to guess and reflect on what could be discussed in a suddenly interrupted utterance.
But is it me, is it me, the sovereign’s favorite...
But death... but power... but the people's disasters....
A.S. Pushkin

Fable - a series of events that serve as the basis of a literary work. Often, the plot means the same thing as the plot; the differences between them are so arbitrary that a number of literary scholars consider the plot to be what others consider to be the plot, and vice versa.

The final - part of the composition of a work that ends it. It may sometimes coincide with the denouement. Sometimes the ending is an epilogue.

Futurism – artistic movement in the art of the first two decades of the 20th century. The birth of futurism is considered to be the “Futurist Manifesto” published in 1909 in the Parisian magazine Le Figaro. The theorist and leader of the first group of futurists was the Italian F. Marienetti. The main content of futurism was the extremist revolutionary overthrow of the old world, its aesthetics in particular, down to linguistic norms. Russian futurism opened with the “Prologue of Egofuturism” by I. Severyanin and the collection “A Slap in the Face of Public Taste,” in which V. Mayakovsky took part.

Literary character - a set of features of the image of a character, a literary hero, in which individual characteristics serve as a reflection of the typical, determined both by the phenomenon that makes up the content of the work and by the ideological and aesthetic intention of the author who created this hero. Character is one of the main components of a literary work.

Trochee- two-syllable poetic meter with stress on the first syllable.
The storm covers the sky with darkness, -U|-U|-U|-U|
Whirling snow whirlwinds; -U|-U|-U|-
Then, like a beast, she will howl, -U|-U|-U|-U|
Then he will cry like a child... -U|-U|-U|-
A.S. Pushkin

Quote - a statement by another author quoted verbatim in the work of one author - as confirmation of one’s thought with an authoritative, indisputable statement, or even vice versa - as a formulation requiring refutation, criticism.

Aesopian language - various ways to figuratively express this or that thought that cannot be expressed directly, for example, due to censorship.

Exposition – the part of the plot immediately preceding the plot that provides the reader with background information about the circumstances in which the conflict of the literary work arose.

Expression- emphasized expressiveness of something. Unusual artistic means are used to achieve expression.

Elegy- a lyrical poem that conveys deeply personal, intimate experiences of a person, imbued with a mood of sadness.

Ellipsis- a stylistic figure, an omission of a word whose meaning can be easily restored from the context. The meaningful function of ellipsis is to create the effect of lyrical “understatement,” deliberate negligence, and emphasized dynamism of speech.
The beast has a den,
The way for the wanderer,
For the dead - drogues,
To each his own.
M. Tsvetaeva

Epigram- a short poem ridiculing a person.

Epigraph – an expression prefixed by the author to his work or part of it. An epigraph usually expresses the essence of the author's creative intent.

Episode – a fragment of the plot of a literary work that describes a certain integral moment of action that makes up the content of the work.

Epilogue – a conclusion made by the author after presenting the narrative and completing it with a denouement - to explain the plan with a message about the further fate of the heroes, affirming the consequences of the phenomenon described in the work.

Epistrophe – repetition of the same word or expression in a long phrase or period, focusing the reader’s attention, in poetry - at the beginning and end of stanzas, as if surrounding them.

I won't tell you anything

I won't alarm you at all...

A. Fet

Epithet- an artistic and figurative definition that emphasizes the most significant feature of an object or phenomenon in a given context; used to evoke in the reader a visible image of a person, thing, nature, etc.

I sent you a black rose in a glass

Golden as the sky, Ai...

A.A.Blok

An epithet can be expressed by an adjective, adverb, participle, or numeral. Often the epithet has a metaphorical character. Metaphorical epithets highlight the properties of an object in a special way: they transfer one of the meanings of a word to another word based on the fact that these words have a common feature: sable eyebrows, a warm heart, a cheerful wind, i.e. a metaphorical epithet uses the figurative meaning of a word.

Epiphora- a figure opposite to anaphora, repetition of the same elements at the end of adjacent segments of speech (words, lines, stanzas, phrases):
Baby,
We are all a little bit of a horse,
Each of us is a horse in our own way.
V.V. Mayakovsky

Epic – 1. One of three types of literature, the defining feature of which is the description of certain events, phenomena, characters. 2. This term is often used to describe heroic tales, epics, and fairy tales in folk art.

Essay - a literary work of small volume, usually prosaic, of free composition, conveying the author’s individual impressions, judgments, and thoughts about a particular problem, topic, particular event or phenomenon. It differs from an essay in that in an essay the facts are only a reason for the author’s thoughts.

Humor - a type of comic in which vices are not ridiculed mercilessly, as in satire, but the shortcomings and weaknesses of a person or phenomenon are kindly emphasized, recalling that they are often only a continuation or the reverse side of our merits.

Iambic- two-syllable poetic meter with stress on the second syllable.
An abyss has opened, full of stars U-|U-|U-|U-|
The stars have no number, the bottom of the abyss. U-|U-|U-|U-|

Dictionary

literary terms

Used Books

Bushko O.M. School dictionary of literary terms. – Kaluga: Publishing house. "Golden Alley", 1999

Esin A.B., Ladygin M.B., Trenina T.G. Literature: A short reference book for schoolchildren. 5-11 grades – M.: Bustard, 1997

Meshcheryakova M.I. Literature in tables and diagrams. – M.: Rolf, 2001

Chernets L.V., Semenov V.B., Skiba V.A. School dictionary of literary terms. – M.: Education, 2007

Autology – an artistic technique of figuratively expressing a poetic idea not in poetic words and expressions, but in simple everyday ones.

And everyone looks with respect,
How again without panic
I slowly put on my pants

And almost new

From the point of view of the sergeant major,

Canvas boots...

A.T. Tvardovsky

Allegory - allegorical image of an abstract concept or phenomenon through a concrete image; personification of human properties or qualities. The allegory consists of two elements:
1. semantic - this is any concept or phenomenon (wisdom, cunning, kindness, childhood, nature, etc.) that the author seeks to depict without naming it;
2. figurative-objective - this is a specific object, a creature depicted in a work of art and representing a named concept or phenomenon.

Alliteration - repetition in poetic speech (less often in prose) of the same consonant sounds in order to enhance the expressiveness of artistic speech; one of the types of sound recording.
Evening. Seaside. Sighs of the wind.
The majestic cry of the waves.
A storm is coming. It hits the shore
A black boat alien to enchantment.
K.D.Balmont

Amphibrachium - a three-syllable poetic meter, in which the stress falls on the second syllable - stressed among unstressed ones - in the foot. Scheme: U-U| U-U...
The midnight blizzard was noisy
In the forest and remote side.
A.A.Fet

Anapaest - a three-syllable poetic meter, in which the stress falls on the last, third, syllable in the foot. Scheme: UU- | UU-…
People's houses are clean, bright,
But in our house it’s cramped, stuffy...
N.A. Nekrasov.

Anaphora - unity of command; repetition of a word or group of words at the beginning of several phrases or stanzas.
I love you, Petra's creation,
I love your strict, slender appearance...
A.S. Pushkin.

Antithesis - a stylistic device based on a sharp contrast of concepts and images, most often based on the use of antonyms:
I am a king - I am a slave, I am a worm - I am a god!
G.R.Derzhavin

Antiphrase(s) – using words or expressions in a clearly contrary sense. "Well done!" - as a reproach.

Assonance - repeated repetition in poetic speech (less often in prose) of homogeneous vowel sounds. Sometimes assonance refers to an imprecise rhyme in which the vowels coincide, but the consonants do not coincide (hugeness - I’ll come to my senses; thirst - it’s a pity). Enhances the expressiveness of speech.
The room became dark.
The window obscures the slope.
Or is this a dream?
Ding dong. Ding dong.
I.P. Tokmakova.

Ballad - a narrative song with a dramatic development of the plot, the basis of which is an unusual incident, one of the types of lyric-epic poetry. The ballad is based on an extraordinary story, reflecting the essential moments of the relationship between man and society, people among themselves, the most important features of a person.

Bard – a poet-singer, usually a performer of his own poems, often set to his own music.

Fable – a short poetic story-allegory of a moralizing nature.

Blank verse - unrhymed verses with metric organization (i.e., organized through a system of rhythmically repeating accents). Widely distributed in oral folk art and was actively used in the 18th century.
Forgive me, maiden beauty!
I will part with you forever,
Young girl, I’ll cry.
I'll let you go, beauty,
I'll let you go with ribbons...
Folk song.

Epics - Old Russian epic songs and tales, glorifying the exploits of heroes, reflecting historical events of the 11th - 16th centuries.

Barbarism – a word or figure of speech borrowed from a foreign language. The unjustified use of barbarisms pollutes the native language.

Vers libre - a modern system of versification, which represents a kind of border between verse and prose (it lacks rhyme, meter, traditional rhythmic ordering; the number of syllables in a line and lines in a stanza can be different; there is also no equality of emphasis characteristic of blank verse. Their poetic features speech remains divided into lines with a pause at the end of each line and weakened symmetry of speech (the emphasis falls on the last word of the line).
She came in from the cold
Flushed,
Filled the room
The aroma of air and perfume,
In a ringing voice
And completely disrespectful to classes
Chatting.
A.Blok

Hero lyrical - the image of the poet (his lyrical “I”), whose experiences, thoughts and feelings are reflected in the lyrical work. The lyrical hero is not identical to the biographical personality. The idea of a lyrical hero is of a summary nature and is formed in the process of familiarization with the inner world that is revealed in lyrical works not through actions, but through experiences, mental states, and manner of verbal self-expression.

Literary hero - character, protagonist of a literary work.

Hyperbola - a means of artistic representation based on excessive exaggeration; figurative expression, which consists in an exorbitant exaggeration of events, feelings, strength, meaning, size of the depicted phenomenon; an outwardly effective form of presenting what is depicted. Can be idealizing and humiliating.

Gradation - stylistic device, arrangement of words and expressions, as well as means of artistic representation in increasing or decreasing importance. Types of gradation: increasing (climax) and decreasing (anti-climax).
Increasing gradation:
Orata's bipod is maple,
The damask boots on the bipod,
The bipod's snout is silver,
And the horn of the bipod is red and gold.
Epic about Volga and Mikula
Descending gradation:
Fly! less fly! disintegrated into a grain of sand.
N.V.Gogol

Grotesque – a bizarre mixture in the image of the real and the fantastic, the beautiful and the ugly, the tragic and the comic - for a more impressive expression of creative intent.

Dactyl - a three-syllable poetic meter, in which the stress falls on the first syllable in the foot. Scheme: -UU| -UU...
Heavenly clouds, eternal wanderers!
The azure steppe, the pearl chain
You rush as if, like me, you are exiles,
From the sweet north to the south.
M.Yu.Lermontov

Artistic detail – detail that emphasizes the semantic authenticity of the work with material, eventual authenticity - concretizing this or that image.

Dialogue - exchange of remarks, messages, live speech between two or more persons.

Drama – 1. One of three types of literature , defining works intended for stage execution. It differs from the epic in that it has not a narrative, but a dialogical form; from the lyrics - in that it reproduces the world external to the author. Divided intogenres : tragedy, comedy, and also drama itself. 2. Drama is also called a dramatic work that does not have clear genre characteristics, combining techniques of different genres; sometimes such a work is simply called a play.

Unity of people – the technique of repeating similar sounds, words, linguistic structures at the beginning of adjacent lines or stanzas.

Wait for the snow to blow

Wait for it to be hot

Wait when others are not waiting...

K. Simonov

AND

Lives of the Saints - a description of the lives of people canonized by the church (“The Life of Alexander Nevsky”, “The Life of Alexy the Man of God”, etc.).

Tie – an event that determines the occurrence of a conflict in a literary work. Sometimes it coincides with the beginning of the work.

Beginning – the beginning of a work of Russian folk literature - epics, fairy tales, etc. (“Once upon a time...”, “In the distant kingdom, in the thirtieth state...”).

Sound organization of speech - targeted use of elements of the sound composition of the language: vowels and consonants, stressed and unstressed syllables, pauses, intonation, repetitions, etc. It is used to enhance the artistic expressiveness of speech. The sound organization of speech includes: sound repetitions, sound writing, onomatopoeia.

Sound recording - a technique for enhancing the imagery of a text by constructing phrases and lines of poetry in a sound manner that would correspond to the reproduced scene, picture, or expressed mood. In sound writing, alliteration, assonance, and sound repetitions are used. Sound recording enhances the image of a certain phenomenon, action, state.

Onomatopoeia - a type of sound recording; the use of sound combinations that can reflect the sound of the described phenomena, similar in sound to those depicted in artistic speech ("thunder rumbles", "horns roar", "cuckoos crow", "echoes of laughter").

AND

The idea of a work of art - the main idea that summarizes the semantic, figurative, emotional content of a work of art.

Impressionism - a direction in art of the late 19th and early 20th centuries, which asserted that the main task of artistic creativity is the expression of the artist’s subjective impressions of the phenomena of reality.

Improvisation – direct creation of a work in the process of performance.

Inversion - violation of the generally accepted grammatical sequence of speech; rearrangement of parts of a phrase, giving it special expressiveness; an unusual sequence of words in a sentence.
And the maiden's song is barely audible

Valleys in deep silence.

A.S. Pushkin

Interpretation – interpretation, explanation of ideas, themes, figurative systems and other components of a work of art in literature and criticism.

Intrigue – system, and sometimes the mystery, complexity, mystery of events, on the unraveling of which the plot of the work is built.

Historical songs – a genre of folk poetry that reflects the people's understanding of genuine historical events in Rus'.

Literary canon - a symbol, image, plot, born of centuries-old folklore and literary traditions and which has become, to a certain extent, normative: light is good, darkness is evil, etc.

Comedy – a dramatic work that uses satire and humor to ridicule the vices of society and man.

Composition – arrangement, alternation, correlation and interrelation of parts of a literary work, serving the most complete embodiment of the artist’s plan.

Leitmotif - an expressive detail, a specific artistic image, repeated many times, mentioned, passing through a separate work or the entire work of the writer.

Lyrics - one of the main types of literature, reflecting life through the depiction of individual (single) states, thoughts, feelings, impressions and experiences of a person caused by certain circumstances. Feelings and experiences are not described, but expressed. The center of artistic attention is the image-experience. The characteristic features of the lyrics are poetic form, rhythm, lack of plot, small size, a clear reflection of the experiences of the lyrical hero. The most subjective type of literature.

The key to nature is not lost,

Proud work is not in vain...

V. Shalamov

Memoirs – the author's memories of real events in which he took part or witnessed.

Metaphor - figurative meaning of a word, based on the use of one object or phenomenon to another by similarity or contrast; a hidden comparison based on the similarity or contrast of phenomena, in which the words “as”, “as if”, “as if” are absent, but implied.
Bee for field tribute
Flies from a wax cell.
A.S. Pushkin
Metaphor increases the accuracy of poetic speech and its emotional expressiveness. A type of metaphor is personification.
Types of metaphor:
1. lexical metaphor, or erased, in which the direct meaning is completely destroyed; “it’s raining”, “time is running”, “clock hand”, “doorknob”;
2. a simple metaphor - built on the convergence of objects or on one of their common features: “hail of bullets”, “talk of waves”, “dawn of life”, “table leg”, “dawn is blazing”;
3. realized metaphor - literal understanding of the meanings of the words that make up the metaphor, emphasizing the direct meanings of the words: “But you don’t have a face - you’re only wearing a shirt and trousers” (S. Sokolov).
4. expanded metaphor - the spread of a metaphorical image over several phrases or the entire work (for example, A.S. Pushkin’s poem “The Cart of Life” or “He couldn’t sleep for a long time: the remaining husk of words clogged and tormented the brain, stabbed in the temples, there’s no way was to get rid of it" (V. Nabokov)
A metaphor is usually expressed by a noun, a verb, and then other parts of speech.

Metonymy - rapprochement, comparison of concepts by contiguity, when a phenomenon or object is designated using other words and concepts: “a steel speaker is dozing in a holster” - a revolver; “led swords at a plentiful pace” - led warriors into battle; “The little owl began to sing” - the violinist began to play his instrument.

Monologue – the speech of one of the literary heroes, addressed either to himself, or to others, or to the public, isolated from the remarks of other heroes, having independent meaning.

Motive - 1. The smallest element of the plot; the simplest, indivisible element of a narrative (a stable and endlessly repeating phenomenon). Numerous motifs make up various plots (for example, the motif of the road, the motif of the search for the missing bride, etc.). This meaning of the term is more often used in relation to works of oral folk art.

Neologisms – newly formed words or expressions.

Novella – a short piece of prose comparable to a short story. The novella is more eventful, the plot is clearer, the plot twist leading to the denouement is clearer.

ABOUT

Oh yeah - a poem of an enthusiastic nature (solemn, glorifying) in honor of some
either persons or events.

Oxymoron, or oxymoron - a figure based on a combination of words with opposite meanings for the purpose of an unusual, impressive expression of some new concept, representation: hot snow, a stingy knight, lush nature withering.

Personification - the depiction of inanimate objects as animate, in which they are endowed with the properties of living beings: the gift of speech, the ability to think and feel.
What are you howling about, night wind,
Why are you complaining so madly?
F.I.Tyutchev

Feature article - a literary work based on facts, documents, and observations of the author.

Parallelism - one of the types of repetition (syntactic, lexical, rhythmic); a compositional technique that emphasizes the connection between several elements of a work of art; analogy, bringing together phenomena by similarity (for example, natural phenomena and human life).
In bad weather the wind
Howls - howls;
Violent head
Evil sadness torments.
V.A.Koltsov

Parcellation - dividing a statement with a single meaning into several independent, isolated sentences (in writing - using punctuation marks, in speech - intonation, using pauses):
Well? Don't you see that he's gone crazy?
Say it seriously:
Insane! What kind of nonsense is he talking about here!
The sycophant! father-in-law! and so menacing about Moscow!
A.S.Griboyedov

Scenery - in literature - the depiction of pictures of nature in a literary work as a means of figurative expression of the author’s intention.

Periphrase - using a description instead of your own name or title; descriptive expression, figure of speech, substitute word. Used to decorate speech, replace repetition, or carry the meaning of allegory.

Pleonasm - unjustified verbosity, the use of words that are unnecessary to express thoughts. In normative stylistics, Pleonasm is considered as a speech error. In the language of fiction - as a stylistic figure of addition, serving to enhance the expressive qualities of speech.
“Elisha had no appetite for food”; “some boring guy... lay down... among the dead and personally died”; “Kozlov continued to lie silent, having been killed” (A. Platonov).

Tale – a work of epic prose, gravitating towards a sequential presentation of the plot, limited to a minimum of plot lines.

Repetition - a figure consisting of the repetition of words, expressions, song or poetic lines in order to attract special attention to them.
Every house is alien to me, every temple is not empty,
And everything is the same and everything is one...
M. Tsvetaeva

Subtext – the meaning hidden “under” the text, i.e. not expressed directly and openly, but arising from the narrative or dialogue of the text.

Permanent epithet - a colorful definition, inextricably combined with the word being defined and forming a stable figurative and poetic expression (“blue sea”, “white stone chambers”, “red maiden”, “clear falcon”, “sugar lips”).

Poetry - a special organization of artistic speech, which is distinguished by rhythm and rhyme - poetic form; lyrical form of reflection of reality. The term poetry is often used to mean “works of different genres in verse.” Conveys the subjective attitude of the individual to the world. In the foreground is the image-experience. It does not set the task of conveying the development of events and characters.

Poem - a large poetic work with a plot and narrative organization; a story or novel in verse; a multi-part work in which the epic and lyrical principles merge together. The poem can be classified as a lyric-epic genre of literature, since the narration of historical events and events in the lives of the heroes is revealed in it through the perception and assessment of the narrator. The poem deals with events of universal significance. Most poems glorify some human acts, events and characters.

Tradition – oral narration about real persons and reliable events, one of the varieties of folk art.

Prototype – a real person who served as a model for the author to create the image of a literary hero.

Play – a general designation for a literary work intended for stage performance - tragedy, drama, comedy, etc.

Interchange – the final part of the development of a conflict or intrigue, where the conflict of the work is resolved and comes to a logical figurative conclusion.

Poetic meter - a consistently expressed form of poetic rhythm (determined by the number of syllables, stresses or feet - depending on the system of versification); diagram of the construction of a poetic line. In Russian (syllabic-tonic) versification, there are five main poetic meters: two-syllable (iamb, trochee) and three-syllable (dactyl, amphibrach, anapest). In addition, each size can vary in the number of feet (4-foot iambic; 5-foot iambic, etc.).

Story - a small prose work of a mainly narrative nature, compositionally grouped around a separate episode or character.

Realism – an artistic method of figuratively reflecting reality in accordance with objective accuracy.

Refrain - repetition of a verse or a series of verses at the end of a stanza (in songs - chorus).

We are ordered to go into battle:

"Long live freedom!"

Freedom! Whose? Not said.

But not the people.

We are ordered to go into battle -

"Allied for the sake of nations"

But the main thing is not said:

Whose for the sake of banknotes?

D.Bedny

Rhythm - constant, measured repetition in the text of the same type of segments, including minimal ones, - stressed and unstressed syllables.

Rhyme - sound repetition in two or more verses, mainly at the end. Unlike other sound repetitions, rhyme always emphasizes the rhythm and division of speech into verses.

Genus - one of the main sections in the taxonomy of literary works, defining three different forms: epic, lyric, drama.

Novel - an epic narrative with elements of dialogue, sometimes including drama or literary digressions, focusing on the history of an individual in a social environment.

Romanticism – a literary movement of the late 18th and early 19th centuries, which opposed itself to classicism as a search for forms of reflection that were more in line with modern reality.

Romantic hero – a complex, passionate personality, whose inner world is unusually deep and endless; it is a whole universe full of contradictions.

WITH

Sarcasm – caustic, sarcastic ridicule of someone or something. Widely used in satirical literary works.

Satire – a type of literature that exposes and ridicules the vices of people and society in specific forms. These forms can be very diverse - paradox and hyperbole, grotesque and parody, etc.

Syllabic-tonic versification - syllabic stress system of versification, which is determined by the number of syllables, the number of stresses and their location in the poetic line. It is based on the equality of the number of syllables in a verse and the orderly change of stressed and unstressed syllables. Depending on the system of alternation of stressed and unstressed syllables, two-syllable and three-syllable sizes are distinguished.

Symbol - an image that expresses the meaning of a phenomenon in objective form. An object, an animal, a sign becomes a symbol when they are endowed with additional, extremely important meaning.

Synecdoche – artistic technique of substitution for the sake of expressiveness - one phenomenon, subject, object, etc. – correlated with it by other phenomena, objects, objects.

Oh, you are heavy, Monomakh’s hat!

A.S. Pushkin.

Comparison - a pictorial technique based on a comparison of a phenomenon or concept (object of comparison) with another phenomenon or concept (means of comparison), with the goal of highlighting any particularly important artistic feature of the object of comparison:
Full of goodness before the end of the year,
Days are like Antonov apples.
A.T. Tvardovsky

Versification - the principle of rhythmic organization of poetic speech. Versification can be syllabic, tonic, syllabic-tonic.

Poem - a small work created according to the laws of poetic speech; usually a lyrical work.

Poetic speech - a special organization of artistic speech, differing from prose in its strict rhythmic organization; measured, rhythmically organized speech. A means of conveying expressive emotions.

Foot - a stable (ordered) combination of a stressed syllable with one or two unstressed syllables, which are repeated in each verse. The foot can be two-syllable (iambic U-, trochee -U) and three-syllable (dactyl -UU, amphibrachium U-U, anapest UU-).

Stanza - a group of verses repeated in poetic speech, related in meaning, as well as in the arrangement of rhymes; a combination of verses that forms a rhythmic and syntactic whole, united by a certain rhyme system; additional rhythmic element of verse. Often has complete content and syntactic structure. The stanza is separated from one another by an increased interval.

Plot - a system of events in a work of art, presented in a certain connection, revealing the characters of the characters and the writer’s attitude to the depicted life phenomena; subsequence. The course of events that constitutes the content of a work of art; dynamic aspect of a work of art.

Tautology - repetition of the same words that are close in meaning and sound.
Everything is mine, said gold,
Damask steel said everything mine.
A.S. Pushkin.

Subject - a circle of phenomena and events that form the basis of the work; object of artistic depiction; what the author is talking about and what he wants to attract the attention of readers to.

Type - a literary hero who embodies certain features of a particular time, social phenomenon, social system or social environment (“extra people” - Eugene Onegin, Pechorin, etc.).

Tonic versification - a system of versification based on the equality of stressed syllables in poetry. The length of the line is determined by the number of stressed syllables. The number of unstressed syllables is arbitrary.

The girl sang in the church choir

About all those who are tired in a foreign land,

About all the ships that went to sea,

About everyone who has forgotten their joy.

A.A.Blok

Tragicomedy – a drama that combines features of both tragedy and comedy, reflecting the relativity of our definitions of the phenomena of reality.

Trails - words and expressions used in a figurative sense in order to achieve artistic expressiveness of speech. The basis of any trope is a comparison of objects and phenomena.

Default - a figure that gives the listener or reader the opportunity to guess and reflect on what could be discussed in a suddenly interrupted utterance.
But is it me, is it me, the sovereign’s favorite...
But death... but power... but the people's disasters....
A.S. Pushkin

The final - part of the composition of a work that ends it. It may sometimes coincide with the denouement. Sometimes the ending is an epilogue.

Trochee - two-syllable poetic meter with stress on the first syllable.
The storm covers the sky with darkness, -U|-U|-U|-U|
Whirling snow whirlwinds; -U|-U|-U|-
Then, like a beast, she will howl, -U|-U|-U|-U|
Then he will cry like a child... -U|-U|-U|-
A.S. Pushkin

Aesopian language - various ways to figuratively express this or that thought that cannot be expressed directly, for example, due to censorship.

Exposition – the part of the plot immediately preceding the plot that provides the reader with background information about the circumstances in which the conflict of the literary work arose.

Expression - emphasized expressiveness of something. Unusual artistic means are used to achieve expression.

Elegy - a lyrical poem that conveys deeply personal, intimate experiences of a person, imbued with a mood of sadness.

Ellipsis - a stylistic figure, an omission of a word whose meaning can be easily restored from the context. The meaningful function of ellipsis is to create the effect of lyrical “understatement,” deliberate negligence, and emphasized dynamism of speech.
The beast has a den,
The way for the wanderer,
For the dead - drogues,
To each his own.
M. Tsvetaeva

Epigram - a short poem ridiculing a person.

Epigraph – an expression prefixed by the author to his work or part of it. An epigraph usually expresses the essence of the author's creative intent.

Episode – a fragment of the plot of a literary work that describes a certain integral moment of action that makes up the content of the work.

Epistrophe – repetition of the same word or expression in a long phrase or period, focusing the reader’s attention, in poetry - at the beginning and end of stanzas, as if surrounding them.

I won't tell you anything

I won't alarm you at all...

A. Fet

Epithet - an artistic and figurative definition that emphasizes the most significant feature of an object or phenomenon in a given context; used to evoke in the reader a visible image of a person, thing, nature, etc.

I sent you a black rose in a glass

Golden as the sky, Ai...

A.A.Blok

Epiphora - a figure opposite to anaphora, repetition of the same elements at the end of adjacent segments of speech (words, lines, stanzas, phrases):
Baby,
We are all a little bit of a horse,
Each of us is a horse in our own way.
V.V. Mayakovsky

Iambic - two-syllable poetic meter with stress on the second syllable.
An abyss has opened, full of stars U-|U-|U-|U-|
The stars have no number, the bottom of the abyss. U-|U-|U-|U-|

Autology – an artistic technique of figuratively expressing a poetic idea not in poetic words and expressions, but in simple everyday ones.

And everyone looks with respect,
How again without panic
I slowly put on my pants

And almost new

From the point of view of the sergeant major,

Canvas boots...

A.T. Tvardovsky

Acmeism – a movement in Russian poetry in the first two decades of the 20th century, the center of which was the “Workshop of Poets” circle, and the main platform was the magazine “Apollo”. The Acmeists contrasted the realism of material mother nature and the sensual, plastic-material clarity of artistic language with the social content of art, abandoning the poetics of vague hints and the mysticism of symbolism in the name of a “return to the earth,” to the subject, to the exact meaning of the word (A. Akhmatova, S. Gorodetsky , N. Gumilyov, M. Zenkevich, O. Mandelstam).

Allegory - allegorical image of an abstract concept or phenomenon through a concrete image; personification of human properties or qualities. The allegory consists of two elements:
1. semantic - this is any concept or phenomenon (wisdom, cunning, kindness, childhood, nature, etc.) that the author seeks to depict without naming it;
2. figurative-objective - this is a specific object, a creature depicted in a work of art and representing a named concept or phenomenon.

Alliteration - repetition in poetic speech (less often in prose) of the same consonant sounds in order to enhance the expressiveness of artistic speech; one of the types of sound recording.
Evening. Seaside. Sighs of the wind.
The majestic cry of the waves.
A storm is coming. It hits the shore
A black boat alien to enchantment.
K.D.Balmont

Alogism – an artistic device that uses phrases that contradict logic to emphasize the internal inconsistency of certain dramatic or comic situations - to prove, as if by contradiction, a certain logic and, therefore, the truth of the position of the author (and then the reader), who understands the illogical phrase as a figurative expression (the title of the novel by Yu. Bondarev "Hot Snow").

Amphibrachium - a three-syllable poetic meter, in which the stress falls on the second syllable - stressed among unstressed ones - in the foot. Scheme: U-U| U-U...
The midnight blizzard was noisy
In the forest and remote side.
A.A.Fet

Anapaest - a three-syllable poetic meter, in which the stress falls on the last, third, syllable in the foot. Scheme: UU- | UU-…
People's houses are clean, bright,
But in our house it’s cramped, stuffy...
N.A. Nekrasov.

Anaphora - unity of command; repetition of a word or group of words at the beginning of several phrases or stanzas.
I love you, Petra's creation,
I love your strict, slender appearance...
A.S. Pushkin.

Antithesis - a stylistic device based on a sharp contrast of concepts and images, most often based on the use of antonyms:
I am a king - I am a slave, I am a worm - I am a god!
G.R.Derzhavin

Antiphrase(s) – using words or expressions in a clearly contrary sense. "Well done!" - as a reproach.

Assonance - repeated repetition in poetic speech (less often in prose) of homogeneous vowel sounds. Sometimes assonance refers to an imprecise rhyme in which the vowels coincide, but the consonants do not coincide (hugeness - I’ll come to my senses; thirst - it’s a pity). Enhances the expressiveness of speech.
The room became dark.
The window obscures the slope.
Or is this a dream?
Ding dong. Ding dong.
I.P. Tokmakova.

Aphorism – a clear, easy-to-remember, precise, brief expression of a certain completeness of thought. Aphorisms often become individual lines of poetry or phrases of prose: “Poetry is everything! - a ride into the unknown." (V. Mayakovsky)

Ballad - a narrative song with a dramatic development of the plot, the basis of which is an unusual incident, one of the types of lyric-epic poetry. The ballad is based on an extraordinary story, reflecting the essential moments of the relationship between man and society, people among themselves, the most important features of a person.

Bard – a poet-singer, usually a performer of his own poems, often set to his own music.

Fable – a short poetic story-allegory of a moralizing nature.

Blank verse - unrhymed verses with metric organization (i.e., organized through a system of rhythmically repeating accents). Widely distributed in oral folk art and was actively used in the 18th century.
Forgive me, maiden beauty!
I will part with you forever,
Young girl, I’ll cry.
I'll let you go, beauty,
I'll let you go with ribbons...
Folk song.

Epics - Old Russian epic songs and tales, glorifying the exploits of heroes, reflecting historical events of the 11th - 16th centuries.

Barbarism – a word or figure of speech borrowed from a foreign language. The unjustified use of barbarisms pollutes the native language.

Vers libre - a modern system of versification, which represents a kind of border between verse and prose (it lacks rhyme, meter, traditional rhythmic ordering; the number of syllables in a line and lines in a stanza can be different; there is also no equality of emphasis characteristic of blank verse. Their poetic features speech remains divided into lines with a pause at the end of each line and weakened symmetry of speech (the emphasis falls on the last word of the line).
She came in from the cold
Flushed,
Filled the room
The aroma of air and perfume,
In a ringing voice
And completely disrespectful to classes
Chatting.
A.Blok

Eternal image - an image from a work of classic world literature, expressing certain features of human psychology, which has become a common name of one type or another: Faust, Plyushkin, Oblomov, Don Quixote, Mitrofanushka, etc.

Inner monologue -the announcement of thoughts and feelings that reveal the character’s inner experiences, not intended for the hearing of others, when the character speaks as if to himself, “to the side.”

Vulgarism – simple, even seemingly rude, seemingly unacceptable expressions in poetic speech, used by the author to reflect the specific nature of the phenomenon being described, to characterize a character, sometimes similar to vernacular.

Hero lyrical- the image of the poet (his lyrical “I”), whose experiences, thoughts and feelings are reflected in the lyrical work. The lyrical hero is not identical to the biographical personality. The idea of a lyrical hero is of a summary nature and is formed in the process of familiarization with the inner world that is revealed in lyrical works not through actions, but through experiences, mental states, and manner of verbal self-expression.

Literary hero -character, protagonist of a literary work.

Hyperbola - a means of artistic representation based on excessive exaggeration; figurative expression, which consists in an exorbitant exaggeration of events, feelings, strength, meaning, size of the depicted phenomenon; an outwardly effective form of presenting what is depicted. Can be idealizing and humiliating.

Gradation - stylistic device, arrangement of words and expressions, as well as means of artistic representation in increasing or decreasing importance. Types of gradation: increasing (climax) and decreasing (anti-climax).
Increasing gradation:
Orata's bipod is maple,
The damask boots on the bipod,
The bipod's snout is silver,
And the horn of the bipod is red and gold.
Epic about Volga and Mikula
Descending gradation:
Fly! less fly! disintegrated into a grain of sand.
N.V.Gogol

Grotesque – a bizarre mixture in the image of the real and the fantastic, the beautiful and the ugly, the tragic and the comic - for a more impressive expression of creative intent.

Dactyl - a three-syllable poetic meter, in which the stress falls on the first syllable in the foot. Scheme: -UU| -UU...
Heavenly clouds, eternal wanderers!
The azure steppe, the pearl chain
You rush as if, like me, you are exiles,
From the sweet north to the south.
M.Yu.Lermontov

Decadence – a phenomenon in literature (and art in general) of the late 19th and early 20th centuries, reflecting the crisis of the transitional stage of social relations in the minds of some spokesmen for the sentiments of social groups whose ideological foundations were being destroyed by the turning points of history.

Artistic detail –detail that emphasizes the semantic authenticity of the work with material, eventual authenticity - concretizing this or that image.

Dialectisms – words borrowed by the literary language or by a specific author in his work from local dialects: “Well, go - and okay, you have to climb the hill, the house is nearby” (F. Abramov).

Dialogue - exchange of remarks, messages, live speech between two or more persons.

Drama – 1. One of three types of literature, defining works intended for stage execution. It differs from the epic in that it has not a narrative, but a dialogical form; from the lyrics - in that it reproduces the world external to the author. Divided into genres : tragedy, comedy, and also drama itself. 2. Drama is also called a dramatic work that does not have clear genre characteristics, combining techniques of different genres; sometimes such a work is simply called a play.

Unity of people – the technique of repeating similar sounds, words, linguistic structures at the beginning of adjacent lines or stanzas.

Wait for the snow to blow

Wait for it to be hot

Wait when others are not waiting...

K. Simonov

Literary genre -a historically developing type of literary work, the main features of which, constantly changing along with the development of the diversity of forms and content of literature, are sometimes identified with the concept of “type”; but more often the term genre defines a type of literature based on content and emotional characteristics: satirical genre, detective genre, historical essay genre.

Jargon, also argot - words and expressions borrowed from the language of internal communication of certain social groups of people. The use of jargon in literature allows us to more clearly define the social or professional characteristics of the characters and their environment.

Lives of the Saints - a description of the lives of people canonized by the church (“The Life of Alexander Nevsky”, “The Life of Alexy the Man of God”, etc.).

Tie – an event that determines the occurrence of a conflict in a literary work. Sometimes it coincides with the beginning of the work.

Beginning – the beginning of a work of Russian folk literature - epics, fairy tales, etc. (“Once upon a time...”, “In the distant kingdom, in the thirtieth state...”).

Sound organization of speech- targeted use of elements of the sound composition of the language: vowels and consonants, stressed and unstressed syllables, pauses, intonation, repetitions, etc. It is used to enhance the artistic expressiveness of speech. The sound organization of speech includes: sound repetitions, sound writing, onomatopoeia.

Sound recording - a technique for enhancing the imagery of a text by constructing phrases and lines of poetry in a sound manner that would correspond to the reproduced scene, picture, or expressed mood. In sound writing, alliteration, assonance, and sound repetitions are used. Sound recording enhances the image of a certain phenomenon, action, state.

Onomatopoeia- a type of sound recording; the use of sound combinations that can reflect the sound of the described phenomena, similar in sound to those depicted in artistic speech ("thunder rumbles", "horns roar", "cuckoos crow", "echoes of laughter").

The idea of a work of art -the main idea that summarizes the semantic, figurative, emotional content of a work of art.

Imagism – a literary movement that appeared in Russia after the October Revolution of 1917, proclaiming the image as an end in itself of a work, and not as a means of expressing the essence of the content and reflecting reality. It broke up on its own in 1927. At one time, S. Yesenin joined this trend.

Impressionism - a direction in art of the late 19th and early 20th centuries, which asserted that the main task of artistic creativity is the expression of the artist’s subjective impressions of the phenomena of reality.

Improvisation – direct creation of a work in the process of performance.

Inversion - violation of the generally accepted grammatical sequence of speech; rearrangement of parts of a phrase, giving it special expressiveness; an unusual sequence of words in a sentence.
And the maiden's song is barely audible

Valleys in deep silence.

A.S. Pushkin

Interpretation –interpretation, explanation of ideas, themes, figurative systems and other components of a work of art in literature and criticism.

Intrigue – system, and sometimes the mystery, complexity, mystery of events, on the unraveling of which the plot of the work is built.

Irony – a kind of comic, bitter or, on the contrary, kind ridicule, by ridiculing this or that phenomenon, exposing its negative features and thereby confirming the positive aspects foreseen by the author in the phenomenon.

Historical songs –a genre of folk poetry that reflects the people's understanding of genuine historical events in Rus'.

Literary canon -a symbol, image, plot, born of centuries-old folklore and literary traditions and which has become, to a certain extent, normative: light is good, darkness is evil, etc.

Classicism – an artistic movement that developed in European literature of the 17th century, which is based on the recognition of ancient art as the highest example, ideal, and works of antiquity as the artistic norm. Aesthetics are based on the principle of rationalism and “imitation of nature.” Cult of the mind. A work of art is organized as an artificial, logically constructed whole. Strict plot and compositional organization, schematism. Human characters are depicted in a straightforward manner; positive and negative heroes are contrasted. Actively addressing social and civil issues. Emphasized objectivity of the narrative. Strict hierarchy of genres. High: tragedy, epic, ode. Low: comedy, satire, fable. Mixing high and low genres is not allowed. The leading genre is tragedy.

Collision – generating a conflict that underlies the action of a literary work, a contradiction between the characters of the heroes of this work, or between characters and circumstances, the collisions of which constitute the plot of the work.

Comedy – a dramatic work that uses satire and humor to ridicule the vices of society and man.

Composition – arrangement, alternation, correlation and interrelation of parts of a literary work, serving the most complete embodiment of the artist’s plan.

Context – the general meaning (theme, idea) of the work, expressed in its entire text or in a sufficiently meaningful passage, cohesion, connection with which the quotation, and indeed any passage in general, should not lose.

Artistic conflict -figurative reflection in a work of art of the actions of the forces of struggle of interests, passions, ideas, characters, political aspirations, both personal and social. Conflict adds spice to the plot.

Climax – in a literary work, a scene, event, episode where the conflict reaches its highest tension and a decisive clash occurs between the characters and aspirations of the heroes, after which the transition to the denouement begins in the plot.

Legend – narratives that initially told about the lives of saints, then - religious-didactic, and sometimes fantastic biographies of historical, or even fairy-tale heroes, whose deeds express the national character, which entered worldly use.

Leitmotif - an expressive detail, a specific artistic image, repeated many times, mentioned, passing through a separate work or the entire work of the writer.

Chronicles – handwritten Russian historical narratives telling about events in the life of the country by year; each story began with the word: “Summer... (year...)”, hence the name - chronicle.

Lyrics - one of the main types of literature, reflecting life through the depiction of individual (single) states, thoughts, feelings, impressions and experiences of a person caused by certain circumstances. Feelings and experiences are not described, but expressed. The center of artistic attention is the image-experience. The characteristic features of the lyrics are poetic form, rhythm, lack of plot, small size, a clear reflection of the experiences of the lyrical hero. The most subjective type of literature.

Lyrical digression -deviation from descriptions of events, characters in an epic or lyric-epic work, where the author (or the lyrical hero on whose behalf the story is told) expresses his thoughts and feelings about what is being described, his attitude towards it, addressing directly the reader.

Litota – 1. The technique of downplaying a phenomenon or its details is a reverse hyperbole (the fabulous “boy as big as a finger” or “a little man... in big mittens, and himself as big as a fingernail” by N. Nekrasov). 2. Reception of the characterization of a particular phenomenon not by a direct definition, but by the negation of the opposite definition:

The key to nature is not lost,

Proud work is not in vain...

V. Shalamov

Memoirs – the author's memories of real events in which he took part or witnessed.

Metaphor - figurative meaning of a word, based on the use of one object or phenomenon to another by similarity or contrast; a hidden comparison based on the similarity or contrast of phenomena, in which the words “as”, “as if”, “as if” are absent, but implied.
Bee for field tribute
Flies from a wax cell.
A.S. Pushkin
Metaphor increases the accuracy of poetic speech and its emotional expressiveness. A type of metaphor is personification.
Types of metaphor:
1. lexical metaphor, or erased, in which the direct meaning is completely destroyed; “it’s raining”, “time is running”, “clock hand”, “doorknob”;
2. a simple metaphor - built on the convergence of objects or on one of their common features: “hail of bullets”, “talk of waves”, “dawn of life”, “table leg”, “dawn is blazing”;
3. realized metaphor - literal understanding of the meanings of the words that make up the metaphor, emphasizing the direct meanings of the words: “But you don’t have a face - you’re only wearing a shirt and trousers” (S. Sokolov).
4. expanded metaphor - the spread of a metaphorical image over several phrases or the entire work (for example, A.S. Pushkin’s poem “The Cart of Life” or “He couldn’t sleep for a long time: the remaining husk of words clogged and tormented the brain, stabbed in the temples, there’s no way was to get rid of it" (V. Nabokov)
A metaphor is usually expressed by a noun, a verb, and then other parts of speech.

Metonymy - rapprochement, comparison of concepts by contiguity, when a phenomenon or object is designated using other words and concepts: “a steel speaker is dozing in a holster” - a revolver; “led swords at a plentiful pace” - led warriors into battle; “The little owl began to sing” - the violinist began to play his instrument.

Myths – works of folk fantasy that personify reality in the form of gods, demons, and spirits. They were born in ancient times, preceding the religious and, especially, scientific understanding and explanation of the world.

Modernism – designation of many trends, directions in art that determine the desire of artists to reflect modernity with new means, improving, modernizing - in their opinion - traditional means in accordance with historical progress.

Monologue – the speech of one of the literary heroes, addressed either to himself, or to others, or to the public, isolated from the remarks of other heroes, having independent meaning.

Motive - 1. The smallest element of the plot; the simplest, indivisible element of a narrative (a stable and endlessly repeating phenomenon). Numerous motifs make up various plots (for example, the motif of the road, the motif of the search for the missing bride, etc.). This meaning of the term is more often used in relation to works of oral folk art.

Naturalism – direction in literature of the last third of the 19th century, which asserted an extremely accurate and objective reproduction of reality, sometimes leading to the suppression of the author’s individuality.

Neologisms – newly formed words or expressions.

Novella – a short piece of prose comparable to a short story. The novella is more eventful, the plot is clearer, the plot twist leading to the denouement is clearer.

Artistic image -1. The main way of perceiving and reflecting reality in artistic creativity, a form of knowledge of life and expression of this knowledge specific to art; the goal and result of the search, and then identifying, highlighting, emphasizing with artistic techniques those features of a phenomenon that most fully reveal its aesthetic, moral, socially significant essence. 2. The term “image” sometimes denotes one or another trope in a work (the image of freedom - “the star of captivating happiness” by A.S. Pushkin), as well as one or another literary hero (the image of the wives of the Decembrists E. Trubetskoy and M. Volkonskaya N. Nekrasova).

Oh yeah - a poem of an enthusiastic nature (solemn, glorifying) in honor of some
either persons or events.

Oxymoron, or oxymoron- a figure based on a combination of words with opposite meanings for the purpose of an unusual, impressive expression of some new concept, representation: hot snow, a stingy knight, lush nature withering.

Personification - the depiction of inanimate objects as animate, in which they are endowed with the properties of living beings: the gift of speech, the ability to think and feel.
What are you howling about, night wind,
Why are you complaining so madly?
F.I.Tyutchev

Onegin stanza -stanza created by A.S. Pushkin in the novel “Eugene Onegin”: 14 lines (but not a sonnet) of iambic tetrameter with the rhyme ababvvggdeejj (3 quatrains alternately - with a cross, paired and sweeping rhyme and a final couplet: designation of the theme, its development, culmination , ending).

Feature article - a literary work based on facts, documents, and observations of the author.

Paradox - in literature - the technique of a statement that clearly contradicts generally accepted concepts, either to expose those of them that, in the opinion of the author, are false, or to express one’s disagreement with the so-called “common sense”, due to inertia, dogmatism, and ignorance.

Parallelism - one of the types of repetition (syntactic, lexical, rhythmic); a compositional technique that emphasizes the connection between several elements of a work of art; analogy, bringing together phenomena by similarity (for example, natural phenomena and human life).
In bad weather the wind
Howls - howls;
Violent head
Evil sadness torments.
V.A.Koltsov

Parcellation - dividing a statement with a single meaning into several independent, isolated sentences (in writing - using punctuation marks, in speech - intonation, using pauses):
Well? Don't you see that he's gone crazy?
Say it seriously:
Insane! What kind of nonsense is he talking about here!
The sycophant! father-in-law! and so menacing about Moscow!
A.S.Griboyedov

Pathos – the highest point of inspiration, emotional feeling, delight, achieved in a literary work and in its perception by the reader, reflecting significant events in society and the spiritual upsurges of the heroes.

Scenery - in literature - the depiction of pictures of nature in a literary work as a means of figurative expression of the author’s intention.

Periphrase - using a description instead of your own name or title; descriptive expression, figure of speech, substitute word. Used to decorate speech, replace repetition, or carry the meaning of allegory.

Pyrrhic - an auxiliary foot of two short or unstressed syllables, replacing an iambic or trochaic foot; lack of stress in iambic or trochee: “I am writing to you...” by A.S. Pushkin, “Sail” by M.Yu. Lermontov.

Pleonasm - unjustified verbosity, the use of words that are unnecessary to express thoughts. In normative stylistics, Pleonasm is considered as a speech error. In the language of fiction - as a stylistic figure of addition, serving to enhance the expressive qualities of speech.
“Elisha had no appetite for food”; “some boring guy... lay down... among the dead and personally died”; “Kozlov continued to lie silent, having been killed” (A. Platonov).

Tale – a work of epic prose, gravitating towards a sequential presentation of the plot, limited to a minimum of plot lines.

Repetition - a figure consisting of the repetition of words, expressions, song or poetic lines in order to attract special attention to them.
Every house is alien to me, every temple is not empty,
And everything is the same and everything is one...
M. Tsvetaeva

Subtext – the meaning hidden “under” the text, i.e. not expressed directly and openly, but arising from the narrative or dialogue of the text.

Permanent epithet- a colorful definition, inextricably combined with the word being defined and forming a stable figurative and poetic expression (“blue sea”, “white stone chambers”, “red maiden”, “clear falcon”, “sugar lips”).

Poetry - a special organization of artistic speech, which is distinguished by rhythm and rhyme - poetic form; lyrical form of reflection of reality. The term poetry is often used to mean “works of different genres in verse.” Conveys the subjective attitude of the individual to the world. In the foreground is the image-experience. It does not set the task of conveying the development of events and characters.

Poem - a large poetic work with a plot and narrative organization; a story or novel in verse; a multi-part work in which the epic and lyrical principles merge together. The poem can be classified as a lyric-epic genre of literature, since the narration of historical events and events in the lives of the heroes is revealed in it through the perception and assessment of the narrator. The poem deals with events of universal significance. Most poems glorify some human acts, events and characters.

Tradition – oral narration about real persons and reliable events, one of the varieties of folk art.

Preface – an article preceding a literary work, written either by the author himself or by a critic or literary scholar. The preface may provide brief information about the writer, some explanations about the history of the creation of the work, and offer an interpretation of the author’s intentions.

Prototype – a real person who served as a model for the author to create the image of a literary hero.

Play – a general designation for a literary work intended for stage performance - tragedy, drama, comedy, etc.

Interchange – the final part of the development of a conflict or intrigue, where the conflict of the work is resolved and comes to a logical figurative conclusion.

Poetic meter- a consistently expressed form of poetic rhythm (determined by the number of syllables, stresses or feet - depending on the system of versification); diagram of the construction of a poetic line. In Russian (syllabic-tonic) versification, there are five main poetic meters: two-syllable (iamb, trochee) and three-syllable (dactyl, amphibrach, anapest). In addition, each size can vary in the number of feet (4-foot iambic; 5-foot iambic, etc.).

Story - a small prose work of a mainly narrative nature, compositionally grouped around a separate episode or character.

Realism – an artistic method of figuratively reflecting reality in accordance with objective accuracy.

Reminiscence –the use in a literary work of expressions from other works, or even folklore, that evoke some other interpretation from the author; sometimes the borrowed expression is slightly changed (M. Lermontov - “Lush city, poor city” (about St. Petersburg) - from F. Glinka “Wonderful city, ancient city” (about Moscow).

Refrain - repetition of a verse or a series of verses at the end of a stanza (in songs - chorus).

We are ordered to go into battle:

"Long live freedom!"

Freedom! Whose? Not said.

But not the people.

We are ordered to go into battle -

"Allied for the sake of nations"

But the main thing is not said:

Whose for the sake of banknotes?

D.Bedny

Rhythm - constant, measured repetition in the text of the same type of segments, including minimal ones, - stressed and unstressed syllables.

Rhyme - sound repetition in two or more verses, mainly at the end. Unlike other sound repetitions, rhyme always emphasizes the rhythm and division of speech into verses.

Genus - one of the main sections in the taxonomy of literary works, defining three different forms: epic, lyric, drama.

Novel - an epic narrative with elements of dialogue, sometimes including drama or literary digressions, focusing on the history of an individual in a social environment.

Romanticism – a literary movement of the late 18th and early 19th centuries, which opposed itself to classicism as a search for forms of reflection that were more in line with modern reality.

Romantic hero– a complex, passionate personality, whose inner world is unusually deep and endless; it is a whole universe full of contradictions.

Sarcasm – caustic, sarcastic ridicule of someone or something. Widely used in satirical literary works.

Satire – a type of literature that exposes and ridicules the vices of people and society in specific forms. These forms can be very diverse - paradox and hyperbole, grotesque and parody, etc.

Sentimentalism –literary movement of the late 18th – early 19th centuries. It arose as a protest against the canons of classicism in art that had turned into dogma, reflecting the canonization of feudal social relations that had already turned into a hindrance to social development.

Syllabic versificatione - syllabic system of versification, based on the equality of the number of syllables in each verse with obligatory stress on the penultimate syllable; equipoise. The length of a verse is determined by the number of syllables.
It's hard not to love
And love is hard
And the hardest thing
Loving love cannot be obtained.
A.D. Kantemir

Syllabic-tonic versification- syllabic stress system of versification, which is determined by the number of syllables, the number of stresses and their location in the poetic line. It is based on the equality of the number of syllables in a verse and the orderly change of stressed and unstressed syllables. Depending on the system of alternation of stressed and unstressed syllables, two-syllable and three-syllable sizes are distinguished.

Symbol - an image that expresses the meaning of a phenomenon in objective form. An object, an animal, a sign becomes a symbol when they are endowed with additional, extremely important meaning.

Symbolism – literary and artistic movement of the late 19th – early 20th centuries. Symbolism sought through symbols in a tangible form to embody the idea of the unity of the world, expressed in accordance with its most diverse parts, allowing colors, sounds, smells to represent one through the other (D. Merezhkovsky, A. Bely, A. Blok, Z. Gippius, K. Balmont , V. Bryusov).

Synecdoche – artistic technique of substitution for the sake of expressiveness - one phenomenon, subject, object, etc. – correlated with it by other phenomena, objects, objects.

Oh, you are heavy, Monomakh’s hat!

A.S. Pushkin.

Sonnet – a fourteen-line poem composed according to certain rules: the first quatrain (quatrain) presents an exposition of the theme of the poem, the second quatrain develops the provisions outlined in the first, in the subsequent terzetto (three-line verse) the denouement of the theme is outlined, in the final terzetto, especially in its final line, the denouement is completed , expressing the essence of the work.

Comparison - a pictorial technique based on a comparison of a phenomenon or concept (object of comparison) with another phenomenon or concept (means of comparison), with the goal of highlighting any particularly important artistic feature of the object of comparison:
Full of goodness before the end of the year,
Days are like Antonov apples.
A.T. Tvardovsky

Versification - the principle of rhythmic organization of poetic speech. Versification can be syllabic, tonic, syllabic-tonic.

Poem - a small work created according to the laws of poetic speech; usually a lyrical work.

Poetic speech- a special organization of artistic speech, differing from prose in its strict rhythmic organization; measured, rhythmically organized speech. A means of conveying expressive emotions.

Foot - a stable (ordered) combination of a stressed syllable with one or two unstressed syllables, which are repeated in each verse. The foot can be two-syllable (iambic U-, trochee -U) and three-syllable (dactyl -UU, amphibrachium U-U, anapest UU-).

Stanza - a group of verses repeated in poetic speech, related in meaning, as well as in the arrangement of rhymes; a combination of verses that forms a rhythmic and syntactic whole, united by a certain rhyme system; additional rhythmic element of verse. Often has complete content and syntactic structure. The stanza is separated from one another by an increased interval.

Plot - a system of events in a work of art, presented in a certain connection, revealing the characters of the characters and the writer’s attitude to the depicted life phenomena; subsequence. The course of events that constitutes the content of a work of art; dynamic aspect of a work of art.

Tautology - repetition of the same words that are close in meaning and sound.
Everything is mine, said gold,
Damask steel said everything mine.
A.S. Pushkin.

Subject - a circle of phenomena and events that form the basis of the work; object of artistic depiction; what the author is talking about and what he wants to attract the attention of readers to.

Type - a literary hero who embodies certain features of a particular time, social phenomenon, social system or social environment (“extra people” - Eugene Onegin, Pechorin, etc.).

Tonic versification- a system of versification based on the equality of stressed syllables in poetry. The length of the line is determined by the number of stressed syllables. The number of unstressed syllables is arbitrary.

The girl sang in the church choir

About all those who are tired in a foreign land,

About all the ships that went to sea,

About everyone who has forgotten their joy.

A.A.Blok

Tragedy - a type of drama that arose from the ancient Greek ritual dithyramb in honor of the patron of viticulture and wine, the god Dionysus, who was represented in the form of a goat, then in the likeness of a satyr with horns and a beard.

Tragicomedy – a drama that combines features of both tragedy and comedy, reflecting the relativity of our definitions of the phenomena of reality.

Trails - words and expressions used in a figurative sense in order to achieve artistic expressiveness of speech. The basis of any trope is a comparison of objects and phenomena.

Default - a figure that gives the listener or reader the opportunity to guess and reflect on what could be discussed in a suddenly interrupted utterance.
But is it me, is it me, the sovereign’s favorite...
But death... but power... but the people's disasters....
A.S. Pushkin

Fable - a series of events that serve as the basis of a literary work. Often, the plot means the same thing as the plot; the differences between them are so arbitrary that a number of literary scholars consider the plot to be what others consider to be the plot, and vice versa.

The final - part of the composition of a work that ends it. It may sometimes coincide with the denouement. Sometimes the ending is an epilogue.

Futurism – artistic movement in the art of the first two decades of the 20th century. The birth of futurism is considered to be the “Futurist Manifesto” published in 1909 in the Parisian magazine Le Figaro. The theorist and leader of the first group of futurists was the Italian F. Marienetti. The main content of futurism was the extremist revolutionary overthrow of the old world, its aesthetics in particular, down to linguistic norms. Russian futurism opened with the “Prologue of Egofuturism” by I. Severyanin and the collection “A Slap in the Face of Public Taste,” in which V. Mayakovsky took part.

Literary character -a set of features of the image of a character, a literary hero, in which individual characteristics serve as a reflection of the typical, determined both by the phenomenon that makes up the content of the work and by the ideological and aesthetic intention of the author who created this hero. Character is one of the main components of a literary work.

Trochee - two-syllable poetic meter with stress on the first syllable.
The storm covers the sky with darkness, -U|-U|-U|-U|
Whirling snow whirlwinds; -U|-U|-U|-
Then, like a beast, she will howl, -U|-U|-U|-U|
Then he will cry like a child... -U|-U|-U|-
A.S. Pushkin

Quote - a statement by another author quoted verbatim in the work of one author - as confirmation of one’s thought with an authoritative, indisputable statement, or even vice versa - as a formulation requiring refutation, criticism.

Aesopian language - various ways to figuratively express this or that thought that cannot be expressed directly, for example, due to censorship.

Exposition – the part of the plot immediately preceding the plot that provides the reader with background information about the circumstances in which the conflict of the literary work arose.

Expression - emphasized expressiveness of something. Unusual artistic means are used to achieve expression.

Elegy - a lyrical poem that conveys deeply personal, intimate experiences of a person, imbued with a mood of sadness.

Ellipsis - a stylistic figure, an omission of a word whose meaning can be easily restored from the context. The meaningful function of ellipsis is to create the effect of lyrical “understatement,” deliberate negligence, and emphasized dynamism of speech.
The beast has a den,
The way for the wanderer,
For the dead - drogues,
To each his own.
M. Tsvetaeva

Epigram - a short poem ridiculing a person.

Epigraph – an expression prefixed by the author to his work or part of it. An epigraph usually expresses the essence of the author's creative intent.

Episode – a fragment of the plot of a literary work that describes a certain integral moment of action that makes up the content of the work.

Epilogue – a conclusion made by the author after presenting the narrative and completing it with a denouement - to explain the plan with a message about the further fate of the heroes, affirming the consequences of the phenomenon described in the work.

Epistrophe – repetition of the same word or expression in a long phrase or period, focusing the reader’s attention, in poetry - at the beginning and end of stanzas, as if surrounding them.

I won't tell you anything

I won't alarm you at all...

A. Fet

Epithet - an artistic and figurative definition that emphasizes the most significant feature of an object or phenomenon in a given context; used to evoke in the reader a visible image of a person, thing, nature, etc.

I sent you a black rose in a glass

Golden as the sky, Ai...

A.A.Blok

Epiphora - a figure opposite to anaphora, repetition of the same elements at the end of adjacent segments of speech (words, lines, stanzas, phrases):
Baby,
We are all a little bit of a horse,
Each of us is a horse in our own way.
V.V. Mayakovsky

Epic – 1. One of three types of literature, the defining feature of which is the description of certain events, phenomena, characters. 2. This term is often used to describe heroic tales, epics, and fairy tales in folk art.

Essay - a literary work of small volume, usually prosaic, of free composition, conveying the author’s individual impressions, judgments, and thoughts about a particular problem, topic, particular event or phenomenon. It differs from an essay in that in an essay the facts are only a reason for the author’s thoughts.

Humor - a type of comic in which vices are not ridiculed mercilessly, as in satire, but the shortcomings and weaknesses of a person or phenomenon are kindly emphasized, recalling that they are often only a continuation or the reverse side of our merits.

Iambic - two-syllable poetic meter with stress on the second syllable.
An abyss has opened, full of stars U-|U-|U-|U-|
The stars have no number, the bottom of the abyss. U-|U-|U-|U-|

Fragment from the book.
Ancient versification- a system of versification in ancient Greece, where it arose back in the 8th century. BC e., and in ancient Rome, where in the 3rd century. BC e. she came from Greece.
In the ancient world, poets did not read their poems, but sang; the poet was also a singer, and he was depicted with a musical instrument - the lyre (hence the name lyricist, see).
We can only approximately imagine the sound of ancient poems: their sound recording has not reached us. But the surviving poetic works of poets of the ancient world, the writings of the ancients about poetry, the reports of historians and writers of that time give us the opportunity to more or less definitely imagine the system of ancient versification.
Ancient versification is also called metric (from the Latin metron-measure).
The poetic meter of ancient versification is based on short and long syllables. The time required to pronounce a short syllable was called mora; pronouncing a long syllable took two moras. Long and short syllables were combined into feet. The repetition of such feet formed a verse - a poetic line. There is no rhyme in ancient versification.
Marking a long syllable with a symbol and a short syllable with a w, we present the main feet in ancient versification:

Language of fiction. Language is a means of communication between people.
Language is as ancient as human consciousness and is inextricably linked with the life of society.
Being a means of communication between people, language has always been common and uniform for a clan, tribe, nationality, nation - for all members of the society to which it belongs, and in a class society it equally serves all its classes.
During the life of a people, gradual changes occur in the language: some words become obsolete and die out (see Archaism), others acquire a different meaning and meaning, new words are created (see Neologism) to define new life phenomena, social institutions, new achievements in the field culture, science, technology, etc. But the language is invariably preserved at its core - in the basic structure of its grammar and its basic vocabulary.

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Publication date: 03/25/2015 18:04 UTC

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The following textbooks and books:

Dictionary of the language of poetry, Figurative arsenal of Russian lyrics of the late XVIII-early XX centuries, More than 4500 figurative words and expressions, Ivanova N.N., Ivanova O.E., 2004